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Physical description; 96 p. : chiefly ill., facsims., maps ; 24 cm. Subjects; Romney, Hythe & Dymchurch Railway. Railroads, Miniature - England - Kent - History - Pictorial works.

The Romney Table Lamp in Chrome presents a captivating abstract design structure that makes a bold statement. Crafted with a lustrous chrome finish, this lamp creates an air of sophistication and futurism in any room.This lamp features innovative 3-way touch functionality that allows for effortless operation-simply touch to turn it on or off. Additionally, the lamp offers a dimming feature for creating the perfect ambiance for any occasion.The light emitted from the LED strip is both efficient and powerful, capable of illuminating a space with a clear, consistent glow. With its sculptural abstract form and reflective surface, the Romney Table Lamp is a true blend of art and utility, ideal for those who appreciate contemporary design and innovative lighting solutions.

Crafted in the year 1886, this Jeffrey James Gilbert violin ranks amongst the instruments with which J. J. Gilbert completed his informal trainin...

The year 2002 marks the bicentenary of the death of George Romney, one of the key figures in British art in the late 18th century. A chief rival of Sir Joshua Reynolds and Thomas Gainsborough - and for much of his career more fashionable than both - he was known both as a portraitist and as a draftsman. His countless studies for literary and mythological pictures, made in private moments but which he never had time to paint, are executed in a bold, spontaneous style that mark him as one of the first Romantics. One hundred years ago Romney's reputation was at its peak. Collectors fought to obtain his portraits of fresh-faced English women, above all his portraits of Emma Hart, later Lady Hamilton, who in her youth was Romney's favourite model and with whom he was widely supposed to have had an affair. As the more snobbish and sexist aspects of Edwardian taste became outdated, Romney's art fell spectacularly from favour. His career remains little understood and many of his best-known works are among his least distinguished. He both drew and painted with freedom and with a dramatic expressiveness unmatched in British portraiture of his day. Even later in life, as overwork and disenchantment sapped his enthusiasm, Romney was able to rekindle his energies for special sitters and when working on his occasionally sublime literary and historical paintings. This book provides a fully rounded overview of his career.

“Absorbing and fair-minded.”—New York Times“Romney’s story in full and clear detail...fascinating in-depth stuff.”—Los Angeles Times“A fascinating story [that] sheds next light on an elusive subject.”—Boston GlobeDespite his political prominence, Mitt Romney remains an enigma to many in America. Who is the man behind that sweep of dark hair and the high-wattage smile? A savvy politician or someone who will simply say anything to win? A business visionary or a ruthless dealmaker? In this definitive, unflinching, and widely-acclaimed biography by Boston Globe investigative reporters Michael Kranish and Scott Helman, readers will finally discover the real Mitt Romney. Based on hundreds of interviews and more than five years of reporting, The Real Romney offers for the very first time a full understanding of this complex political figure.

This magnificent catalogue, in three volumes and with nearly 2,000 illustrations, will restore George Romney (1734–1802) to his long-overdue position – with his contemporaries Reynolds and Gainsborough – as a master of 18th-century British portrait painting. The product of impressive and thorough research undertaken over the course of 20 years, Alex Kidson asserts Romney’s status as one of the greatest British painters, whose last catalogue raisonné was published over 100 years ago. In more than 1,800 entries, many supported by new photography, Kidson aims to solve longstanding issues of attribution, distinguishing genuine pictures by Romney from works whose traditional attribution to him can no longer be supported. The author’s insights are guided by rich primary source material on Romney—including account books, ledgers, and sketchbooks—as well as secondary sources such as prints after lost works, newspaper reports and reviews, and writings by Romney’s contemporaries.

This handsome catalogue, which accompanies a major international exhibition commemorating the bicentennial of George Romney's death, offers the first in-depth modern overview of a key figure in eighteenth-century British art. Romney was the main rival of Sir Joshua Reynolds and Thomas Gainsborough--and for much of his career more fashionable than either. A century ago, collectors fought to buy the portraits he created with a distinctive mix of elegance, mannerism, and informality; especially popular were those of Emma Hart (later the notorious Lady Hamilton), who became his favorite model and muse. Romney's chief ambition, however, was to succeed as a history painter, and he made countless drawings for literary and mythological pictures that he never had time to paint. These drawings, executed with a spontaneity and dramatic expressiveness that have appealed to many modern artists, mark Romney as one of the first Romantics.

The year 2002 marks the bicentenary of the death of George Romney, one of the key figures in British art in the late 18th century. A chief rival of Sir Joshua Reynolds and Thomas Gainsborough - and for much of his career more fashionable than both - he was known both as a portraitist and as a draftsman. His countless studies for literary and mythological pictures, made in private moments but which he never had time to paint, are executed in a bold, spontaneous style that mark him as one of the first Romantics. One hundred years ago Romney's reputation was at its peak. Collectors fought to obtain his portraits of fresh-faced English women, above all his portraits of Emma Hart, later Lady Hamilton, who in her youth was Romney's favourite model and with whom he was widely supposed to have had an affair. As the more snobbish and sexist aspects of Edwardian taste became outdated, Romney's art fell spectacularly from favour. His career remains little understood and many of his best-known works are among his least distinguished. He both drew and painted with freedom and with a dramatic expressiveness unmatched in British portraiture of his day. Even later in life, as overwork and disenchantment sapped his enthusiasm, Romney was able to rekindle his energies for special sitters and when working on his occasionally sublime literary and historical paintings. This book provides a fully rounded overview of his career.

The year 2002 marks the bicentenary of the death of George Romney, one of the key figures in British art in the late 18th century. A chief rival of Sir Joshua Reynolds and Thomas Gainsborough - and for much of his career more fashionable than both - he was known both as a portraitist and as a draftsman. His countless studies for literary and mythological pictures, made in private moments but which he never had time to paint, are executed in a bold, spontaneous style that mark him as one of the first Romantics. One hundred years ago Romney's reputation was at its peak. Collectors fought to obtain his portraits of fresh-faced English women, above all his portraits of Emma Hart, later Lady Hamilton, who in her youth was Romney's favourite model and with whom he was widely supposed to have had an affair. As the more snobbish and sexist aspects of Edwardian taste became outdated, Romney's art fell spectacularly from favour. His career remains little understood and many of his best-known works are among his least distinguished. He both drew and painted with freedom and with a dramatic expressiveness unmatched in British portraiture of his day. Even later in life, as overwork and disenchantment sapped his enthusiasm, Romney was able to rekindle his energies for special sitters and when working on his occasionally sublime literary and historical paintings. This book provides a fully rounded overview of his career.

New unabridged edition with extensive introductory material about the book and the series.

In shrink wrap. Looks like an interesting title!

Presidential Puppetry documents what many millions have long suspected: secretive elites guide our government leaders. The first book to analyze the Obama second term is also one of the first to examine the 2012 elections. Puppetry reveals scandals and shows why Congress, courts, and other watchdog institutions fail to report key facts about even the biggest news makers. Puppetry unfolds like a mystery extending over decades to the present. By the end, this compelling narrative documented with 1,200 endnotes shows hidden links between puppet masters, political leaders, spy agencies, and the economic austerity now being imposed on a hapless public. By exposing key secrets, it provides a roadmap for reform.

Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine.

The Complete Adventures of Romney Pringle By Clifford Ashdown

The importance of effective and well-planned presidential transitions has long been understood. The Presidential Transition Act of 1963 provided a formal recognition of this principle by providing the President-elect funding and other resources “To promote the orderly transfer of the executive power in connection with the expiration of the term of office of a President and the Inauguration of a new President.” The Act received minor amendments in the following decades, but until 2010 all support provided was entirely post-election. The Pre-Election Presidential Act of 2010 changed this by providing pre-election support to nominees of both parties. Its passing reinforced the belief that early transition planning is prudent, not presumptuous. The Romney Readiness Project was the first transition effort to operate with this enhanced pre-election focus. While Obama’s re-election prevented a Romney transition from occurring, it is hoped that the content of this book can provide a valuable insight to future transition teams of both parties.

The final title in the Romney Marsh series. Unabridged. Also contains several articles about the author and her books. Where possible small books will have postage reduced.

For years Courtland Becket had denied himself the only woman who stirred his blood, yet he could no longer pretend to ignore the lovely Cassandra. For gone was the girl he had once teased―replaced by a fully grown woman, adamant that they act on their long-denied feelings. It was time for the self-appointed protector of all things Becket to allow himself a taste of the forbidden.But passion's price might very well prove too high when an age-old enemy returns to wreak revenge against the entire Becket clan, leaving Courtland torn between his newfound love...and his duty to the family that means more to him than life itself.

222 pages. 8.50x0.50x5.50 inches. This item is printed on demand.

Including Mitt Romney and Jon Huntsman, eleven Mormons have sought the highest office in the United States. Newell G. Bringhurst and Craig L. Foster bring their stories to life as the attempt to answer the question, "Is America Ready for a Mormon President?"

According to author and radio personality Hewitt, Mitt Romney-billionaire venture capitalist, consummate family man, gifted and media-savvy politician-would be unstoppable in the coming presidential race were it not for one niggling line on his resumé: he's a Mormon. In this unashamedly partisan volume, Hewitt attempts to refute the claim that no Mormon could get elected President (along with any other claim that might be made against Romney) while analyzing the former Massachusetts governor's biography and burnishing his conservative and leadership credentials. Hewitt is an agreeable, if inelegant, writer, wise enough to take detours (such as an edifying primer on Mormon history and thought) that stave off tedium. He spends far more time extolling Romney than excoriating his Republican and Democratic opponents. This is an efficient and effective exercise in political hagiography.