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Transform your living space with the Rosset corner shelf, a sleek and contemporary shelving solution designed to maximize space and enhance your home decor. This full-wall design seamlessly integrates into any corner, offering a clean, floating appearance that adds a touch of modern elegance to your room. This description and list of features highlight the key aspects of the Rosset corner shelf, emphasizing its design, functionality, and versatility. Note: decor and setting objects are not included. Color: White.

Introducing Rosset, a new addition to the Diemme family that combines the attractive aesthetics of hiking with the essence of a comfortable everyday boot. Drawing inspiration from Diemmes archive, Rosset emerges with a silhouette that enhances the heritage of Italian mountaineering footwear. Crafted from premium Italian leather, these boots feature a thick sole with an oversized rubber edge that perfectly connects and protects the outer sole and upper.

Genet Beckett Burroughs Miller Ionesco, Oe, Duras. Harold Pinter and Tom Stoppard. Hubert Selby Jr. and John Rechy. The legendary film I Am Curious (Yellow). The books that assaulted the fort of propriety that was the United States in the 1950s and ’60s, Lady Chatterley’s Lover and The Tropic of Cancer. The Evergreen Review. Victorian erotica.” The Autobiography of Malcolm X. A bombing, a sit-in, and a near-fistfight with Norman Mailer. The common thread between these disparate elements, a number of which reshaped modern culture, was Barney Rosset.Rosset was the antidote to the trope of the gentleman publisher” personified by other pioneering figures of the industry such as Alfred A. Knopf, Bennett Cerf and James Laughlin. If Barney saw a crowd heading one way he looked the other. If he knew something was forbidden, he regarded it as a plus. Unsurprisingly, financial ruin, along with the highs and lows of critical reception, marked his career. But his unswerving dedication to publishing what he wanted made him one of the most influential publishers ever.Rosset began work on his autobiography a decade before his death in 2012, and several publishers and a number of editors worked with him on the project. Now, at last, in his own words, we have a portrait of the man who reshaped how we think about language, literature and sex. Here are the stories behind the filming of Norman Mailer’s Maidstone and Samuel Beckett’s Film; the battles with the US government over Tropic of Cancer and much else; the search for Che’s diaries; his romance with the expressionist painter Joan Mitchell, and more.At times appalling, more often inspiring, never boring or conventional: this is Barney Rosset, uncensored.Illustrated with black-and-white photographs; includes index

Introducing Rosset, a new addition to the Diemme family that combines the attractive aesthetics of hiking with the essence of a comfortable everyday boot. Drawing inspiration from Diemmes archive, Rosset emerges with a silhouette that enhances the heritage of Italian mountaineering footwear. Crafted from premium Italian leather, these boots feature a thick sole with an oversized rubber edge that perfectly connects and protects the outer sole and upper.

Introducing Rosset, a new addition to the Diemme family that combines the attractive aesthetics of hiking with the essence of a comfortable everyday boot. Drawing inspiration from Diemmes archive, Rosset emerges with a silhouette that enhances the heritage of Italian mountaineering footwear. Crafted from premium Italian leather, these boots feature a thick sole with an oversized rubber edge that perfectly connects and protects the outer sole and upper.

Introducing Rosset, a new addition to the Diemme family that combines the attractive aesthetics of hiking with the essence of a comfortable everyday boot. Drawing inspiration from Diemmes archive, Rosset emerges with a silhouette that enhances the heritage of Italian mountaineering footwear. Crafted from premium Italian leather, these boots feature a thick sole with an oversized rubber edge that perfectly connects and protects the outer sole and upper.

Elevate your style with these Diemme Leather Rosset Ankle Boots. Crafted from suede effect leather with padded ankle reinforcement, round toe, and lugged sole. Featuring a lace-up front closure and a contrasting logo insole. Size on Tag: Eu 40/Us 7.

Elevate your style with these Diemme Leather Rosset Ankle Boots. Crafted from suede effect leather with padded ankle reinforcement, round toe, and lugged sole. Featuring a lace-up front closure and a contrasting logo insole. Size on Tag: Eu 40/Us 7.

Dans ces miscellanées, de Beckett à Astérix, de Hofmannsthal à Casanova, de Godard à Roussel, de Cioran à Deleuze, de Sartre au dandysme, de Schopenhauer aux vampires, il n’est rien qui échappe à l’attention philosophique, à la fois goguenarde et sérieuse, de Clément Rosset. Dans Faits divers, c’est cette inouïe diversité d’intérêts, ainsi que l’acuité supérieurement articulée de sa pensée qui se trouve, pour la première fois, présentée sous la forme libre de miscellanées. Si, dans ce florilège de courts textes, Clément Rosset se laisse aller à sa verve et à son humour, il s’agit aussi d’une véritable traversée des thèmes et obsessions sous-jacents à toute son oeuvre : le réel, le double, l’illusion, la joie ou le tragique. Cet ensemble démontre la prodigieuse cohérence, en même temps que la remarquable précocité, de la philosophie de Clément Rosset : publiés entre 1968 et 2011, ces écrits offrent un panorama unique d’une des œuvres les plus singulières de notre temps. Ils ont été réunis et présentés par Nicolas Delon et Santiago Espinosa, sous la supervision de Clément Rosset, qui les a revus pour la présente édition.

An impetuous outsider who delighted in confronting American hypocrisy and prudery, Barney Rosset liberated American culture from the constraints of Puritanism. As the head of Grove Press, he single-handedly broke down the laws against obscenity, changing forever the nature of writing and publishing in this country. He brought to the reading public the European avant-garde, among them Samuel Beckett and Harold Pinter, radical political and literary voices such as Malcolm X, Che Guevara, and Jack Kerouac, steamy Victorian erotica, and banned writers such as D. H. Lawrence, Henry Miller, and William Burroughs. His almost mystical belief in the sacrosanct nature of the First Amendment essentially demarcates the before and after of American publishing.Barney explores how Grove's landmark legal victories freed publishers to print what they wanted, and it traces Grove's central role in the countercultural ferment of the sixties and early seventies. Drawing on the Rosset papers at Columbia University and personal interviews with former Grove Press staff members, friends, and wives, it tells the fascinating story of this feisty, abrasive, visionary, and principled cultural revolutionary—a modern "Huckleberry Finn" according to Nobel Prize–winning novelist Kenzaburo Oe—who altered the reading habits of a nation.

As a maverick philosopher unafraid of challenging the ideas and methods of his colleagues, Clément Rosset’s work attempts to connect sometimes-lofty academic philosophy with the concerns of everyday life. For decades, he has worked to illuminate some of the most obscure metaphysical issues, often using popular film, theatre, novels, and comic books to illustrate his ideas, and as a result he has gained a reputation as both a happy sage and a singular mind. In The Real and Its Double, expertly translated by Chris Turner, Rosset takes on the question of the Real and humanity’s natural ability to sidestep and bypass it. The key to this type of evasion, Rosset suggests, is a certain form of oracular thinking that lies buried in the origins of Western metaphysics and psychology. Here, Rosset eschews the prolix and paradoxical psychological theories of Derrida and Lacan in favor of an exceptional lucidity that speaks to his Nietzschean-tragic love of life. If good philosophy can be defined as expressing complicated things in a simple way, then here, in one of his best-known works, Rosset has proven himself a master.

Clement Rosset was educated at L'Ecole normale superieure, Paris. He taught philosophy at the University of Montreal and at the University of Nice. Since his retirement, he has lived in Paris and continued to write on philosophy.

Peter Rosset argues that what is at stake is the very future of our global food system, of each country's unique agricultural and farming systems, and the livelihoods of rural people in both the rich industrial countries and the South. He unravels the complex ways in which agriculture in the North is supported, subsidized etc. and argues for the future of agriculture to be taken completely out of the WTO's ambit since food is not just another commodity, but something which goes to the heart of human livelihood, local cultures and national security.

In 1951 Barney Rosset acquired Grove Press and proceeded to build it into one of the most controversial and influential houses of the era, publishing Henry Miller, Jack Kerouac, D. H. Lawrence, Octavio Paz, Jorge Luis Borges, the Marquis de Sade, Frantz Fanon, and many others. For nearly three decades, readers sought out and read books because they were Grove books. In celebration of the past half-century, Grove Press is now offering a collection of the seminal writers it has published over the past fifty years. The reader opens with an introductory overview by noted Beckett scholar S. E. Gontarski, which recounts Grove Press's early days as a small upstart house, the battles against censorship, the halcyon years and the less profitable times, the attacks by militant feminists and Cuban emigres, and the merger with Atlantic Monthly Press. The book includes selections of works by authors from William Burroughs to Will Self, Jean Genet to Dennis Cooper, Marguerite Duras to Jeannette Winterson, and Samuel Beckett to Tom Stoppard. There are letters between editors and authors, as well as retrospective essays by Grove's key publishers and editors. Organized chronologically, The Grove Press Reader is both an anthology of excellent writing and a commemoration of a spirit of independent publishing that has flourished for fifty years and will continue to thrive in the new century.

En prenant pour objet d’étude central le tragique, cet ouvrage confronte deux grandes contradictions que sont le paradoxe de la joie, faire face à la tragédie en acceptant toute réalité, et le paradoxe de la morale, prôner une vertu contraire à la joie tout en étant incapable de braver le tragique. Clément Rosset se penche ainsi sur les rapports intrinsèques entre tragique et immoral ainsi qu’entre moral et « anti-tragique » à travers l’admission ou la répression du réel par l’homme.