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French language. 9.13x5.98x0.47 inches. In Stock.

A digital copy of "Les Russes" by Rey. Download is immediately available upon purchase!

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Filmmakers Dan Geller and Dayna Goldfine have fashioned a dazzlingly entrancing ode to the revolutionary 20th century dance troupe. The film maps the company's Diaghilev-era beginnings in turn-of-the-century Paris to it's halcyon days of the 30s and 40s.

Légères traces d'usure sur la couverture. Edition 1976. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Slight signs of wear on the cover. Edition 1976. Ammareal gives back up to 15% of this item's net price to charity organizations.

Vous ne connaissez du russe que les mots " vodka " ou " spoutnik ", mais vous prévoyez d'y partir bientôt ? Vous souhaitez pouvoir vous débrouiller à l'oral, mais aussi savoir lire en caractères cyrilliques pour vous repérer sur place ? Vous êtes curieux de découvrir un pays continent au travers de sa langue ? Alors Le Russe pour les Nuls est fait pour vous. Alphabet, vocabulaire, grammaire, orthographe et conjugaison... L'apprentissage est adapté à toutes les situations de la vie pratique sur place : courses, sorties, recherche d'emploi, se loger, se déplacer, etc. Au fil du livre, découvrez aussi les us et coutumes russes ainsi que les dix choses à ne jamais faire en Russie, dix expressions-clés très appréciées ou encore dix phrases qui vous feront ressembler à un vrai Russe !

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Frans C. Lemaire's book is a revised edition of his La musique du XXe siècle en Russie et dans les anciennes républiques soviétiques (Paris, 1994), which was written just as the Soviet Union started to collapse. If that volume provided a general overview of the subject, Le Destin russe et la musique is more focused. First, Lemaire now adopts a thematic approach, as is indicated by the title. What he means by 'destin russe' becomes clear in his dramatic first paragraph, in which he speaks of the twentieth century bringing Russia an apparently endless succession of misfortunes rather than the 'fruits of democracy, progress, and modernity'. The wars, revolutions, famine, and emigration, which lend credence to the author's claim that few peoples have known such a prolonged tragic destiny as the Russians, provide the necessary backdrop against which he can unfold his musical narrative. Second, Lemaire concentrates almost exclusively on Russian music in this new volume, retaining Ukraine

40 designs representing 19 premieres of the Ballet Russe de Monte Carlo, which toured from coast to coast, helping develop an enthusiastic new audience for ballet in America.

Gathers costume designs, magazine illustrations, advertising art, paintings, and drawings by the French artist

RO40171253: 1983. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 174 pages. Illustré de dessins en noir et blanc dans le texte. Etiquette de code sur le dos. Tampons et annotation de bibliothèque en page de titre. Annotations dans le texte. . . . Classification Dewey : 947-Europe de l'Est, URSS

Traces the history of the influential ballet company, and describes the choreographers, dancers, artists, and designers associated with it

The Ballets Russes has engaged people for 100 years, ever since Russian-born Sergei Diaghilev created this dynamic avant-garde company. Diaghilev brought together some of the most important visual artists of the 20th century--Pablo Picasso, Henri Matisse, AndrŽ Derain, Robert and Sonia Delaunay, Georges Braque, Giorgio de Chirico, Natalia Gonchorova and Mikhail Larionov, and more--who worked as costume and stage designers with composers such as Igor Stravinky, choreographers such as Michel Fokine, and dancers such as Vaslav Nijinsky, infusing new life and creative energy into the performing arts of the time.Premiering in Paris, the Ballets Russes, for the brief period of its existence (1909-1929), created exotic, extravagant, and charming theatrical spectacle but also critical discussion and technical innovation, as well as exuding glamour--and often creating scandal--wherever it appeared.The costumes featured in this book are drawn entirely from the National Gallery of Australia's world-renowned collection of Ballets Russes costumes and ephemera. Through the costumes, drawings, programs and posters, the visual spectacle of the Ballets Russes is brought back into view for a contemporary audience to appreciate the revolution it was and the ongoing influence it continues to have today. This book is a must for anyone interested in the performing arts, the intersection of art and design, and costume and fashion.

A collection of more than 200 recipes from classical Russian cuisine and from the ethnic cuisines of the republics of the U.S.S.R blend expert instruction on cooking techniques with commentary on the culture and tradition that surround the dishes

The Ballets Russes was a phenomenon of the early twentieth century, permeating daily life wherever the company traveled and leaving a lasting impact on dance, theater, and the visual arts. Sergei Diaghilev, impresario from 1909 until his death in 1929, fused the most avant-garde, groundbreaking movements in dance, choreography, art, design, and costume into unique and stunning productions. The work was exciting, and always new, and it stretched the limits of the possible in art. The color, form, and material in costume and set design astonished audiences, transforming every corner of Western culture in the twentieth century. Fashion and decor designers and visual artists in particular—including Coco Chanel, Natalia Goncharova, Mikhail Larionov, Léon Bakst, and Pablo Picasso—found inspiration in the Ballets Russes. Designers and artists moved past old boundaries and created costumes and set designs for these extravagant productions, bridging the gaps between tangible and abstract artistic genres. The Ballets Russes and the Art of Design explores these revolutionary icons and ideas, illuminating Sergei Diaghilev's profound revitalization of the arts, which continues to influence us today. Ten essays by internationally recognized experts and 200 color and black-and-white illustrations—many from private collections and never-before-published—discuss a broad range of topics, including set and costume designs, graphic design and poster art, photographs and postcards, Diaghilev's presence in the media, and private and museum collections of Ballets Russes treasures.

Comme de nombreuses autres langues slaves, le russe utilise l'alphabet cyrillique, écriture introduite au moment de l'évangélisation de la Russie par les moines Méthode et Cyrille, d'où son nom. Appréhender ce nouveau mode d'écriture et cette langue vous ouvrira les portes de la culture russe, dont l'influence rayonne indiscutablement sur une grande partie de l'Europe de l'Est.Les textes qui servent de base à votre apprentissage présentent le russe tel qu'il est parlé aujourd'hui et vous font découvrir, avec souvent un brin d'humour, la vie quotidienne, la littérature, l'histoire et les particularités du caractère russe. Au fil des 100 leçons, vous acquerrez les connaissances pour communiquer au quotidien : correspondre et téléphoner, vous exprimer, poser des questions, expliquer... Ainsi vous saurez vous débrouiller avec aisance dans les situations les plus diverses de la vie en Russie.

Comme de nombreuses autres langues slaves, le russe utilise l'alphabet cyrillique, écriture introduite au moment de l'évangélisation de la Russie par les moines Méthode et Cyrille, d'où son nom. Appréhender ce nouveau mode d'écriture et cette langue vous ouvrira les portes de la culture russe, dont l'influence rayonne indiscutablement sur une grande partie de l'Europe de l'Est.Les textes qui servent de base à votre apprentissage présentent le russe tel qu'il est parlé aujourd'hui et vous font découvrir, avec souvent un brin d'humour, la vie quotidienne, la littérature, l'histoire et les particularités du caractère russe. Au fil des 100 leçons, vous acquerrez les connaissances pour communiquer au quotidien : correspondre et téléphoner, vous exprimer, poser des questions, expliquer... Ainsi vous saurez vous débrouiller avec aisance dans les situations les plus diverses de la vie en Russie.

Ils se désolaient, mais c'était au moins ensemble ; quand tout à coup tomba sur eux la catastrophe la plus inattendue : le pane se mit en route pour Moscou, en emmenant avec lui Ivan Zolotarenko. Celui-ci eut beau lui demander de ne pas y aller, le pane était tellement cruel, impitoyable, qu'il aurait fallu seulement s'incliner bien bas sans rien obtenir. - Adieu, les enfants ! dit Ivan en quittant sa famille, adieu mes clairs faucons ! Honorez votre mère, vivez en bonne entente entre vous, n'offensez personne. Adieu mes enfants chéris ! Et toi, chère femme, ne garde pas un mauvais souvenir de moi, malheureux que je suis, qui t'ai plongée dans un abîme, et qui maintenant t'abandonne. Je serai châtié pour faire couler tes larmes ! Olessia ne pleure pas, reste immobile, blanche comme un linge, sans détourner les yeux d'Ivan, sans se dégager de ses bras. Le pane se met à crier : - Plus vite, plus vite ! Ivan serra Olessia une dernière fois contre son coeur et partit en courant. Alors Olessia se ressaisit : il n'est plus là, il est déjà loin. seul un tourbillon de poussière marque sa trace. - Mes enfants, s'écria-t-elle, mes enfants ! Maintenant nous n'avons plus un seul défenseur, personne pour nous aider ; nous restons seuls au monde ! Cet ouvrage rassemble un choix de contes russes écrits par Alexandre Afanassiev, ainsi que le recueil des contes ukrainiens de Marko Vovtchok, traduits en russe par Ivan Tourguéniev et présentés ici en français pour la première fois. Ces derniers peignent la vie difficile, voire insupportable, d'Ukrainiens soumis à la toute puissance des propriétaires polonais. - Nombre de page(s) : 203 p. - Poids : 0g - Langue : fre - Genre : Littérature Russe

The Ballets Russes was a phenomenon of the early twentieth century, permeating daily life wherever the company traveled and leaving a lasting impact on dance, theater, and the visual arts. Sergei Diaghilev, impresario from 1909 until his death in 1929, fused the most avant-garde, groundbreaking movements in dance, choreography, art, design, and costume into unique and stunning productions. The work was exciting, and always new, and it stretched the limits of the possible in art. The color, form, and material in costume and set design astonished audiences, transforming every corner of Western culture in the twentieth century. Fashion and decor designers and visual artists in particular—including Coco Chanel, Natalia Goncharova, Mikhail Larionov, Léon Bakst, and Pablo Picasso—found inspiration in the Ballets Russes. Designers and artists moved past old boundaries and created costumes and set designs for these extravagant productions, bridging the gaps between tangible and abstract artistic genres. The Ballets Russes and the Art of Design explores these revolutionary icons and ideas, illuminating Sergei Diaghilev's profound revitalization of the arts, which continues to influence us today. Ten essays by internationally recognized experts and 200 color and black-and-white illustrations—many from private collections and never-before-published—discuss a broad range of topics, including set and costume designs, graphic design and poster art, photographs and postcards, Diaghilev's presence in the media, and private and museum collections of Ballets Russes treasures.

In the two decades between its debut performance and the death of impresario Sergei Diaghilev in 1929, the Ballets Russes was an unrivalled sensation in Paris and around the world. But while scholarly attention has often centered on the links between Diaghilev’s troupe and modernist art and music, there has been surprisingly little analysis of the Ballets’ role in the area of tastemaking and trendsetting. Ballets Russes Style addresses this gap, revealing the extent of the ensemble’s influence in arenas of high style—including fashion, interior design, advertising, and the decorative arts. In Ballets Russes Style,  Mary E. Davis explores how the Ballets Russes performances were a laboratory for ambitious cultural experiments, often grounded in the aesthetic confrontation of Russian artists who traveled with the troupe from St. Petersburg—Bakst, Benois, and Stravinsky among them—and the Parisian avant-garde, including Picasso, Matisse, Derain, Satie, Debussy, and Ravel. She focuses on how the ensemble brought the stage and everyday life into direct contact, most noticeably in the world of fashion. The Ballets Russes and its audience played a key role in defining Paris style, which would echo in fashions throughout the century.Beautifully illustrated, and drawing on unpublished images and memorabilia, this book illuminates the ways in which the troupe’s innovations in dance, music, and design mirrored and invigorated contemporary culture.