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Repetition has had a chequered and often negative reception in Christian history, especially in connection with ritual and liturgy, and the Letter to the Hebrews lies at the heart of this contested understanding. Nicholas Moore shows that repetition in Hebrews does not operate in uniform contrast to the once-for-all death of Christ but rather functions in a variety of ways, many of them constructive. The singularity of the Christ event is elucidated with reference to the once-yearly Day of Atonement to express all-surpassing theological sufficiency, and repetition can contrast or coexist with this unique event. In particular, Moore argues that the daily Levitical sacrifices foreshadow the Christian's continual access to and worship of God. This reappraisal of repetition in Hebrews lays foundations for renewed appreciation of repetition's importance for theological discourse and religious life.

20 in. X 24 in. Oil painting on canvas hand painted oil reproduction of a famous degas painting, repetition of the dance (detail). The original masterpiece was created in 1877. Today it has been carefully recreated detail-by-detail, color-by-color to near perfection. Edgar degasses was born in Paris in 1834 and studied art from a young age. His most popular paintings were and still are his ballerina paintings like the dance class, star dancer (on stage), and dance studio at the opera. Asymmetrical compositions like two dancers on stage show the influence of the Japanese prints in which degas became interested. His painting career was prematurely ended by failing eyesight, and he died in Paris in 1917. This work of art has the same emotions and beauty as the original. Why not grace your home with this reproduced masterpiece. It is sure to bring many admirers. Frame description: opulent frame. Color: Multi-Colored.

This 2-DVD collection features five films by Gerad Patris and Luc Ferrari. Produced by Service de La RecherchT under the direction of Pierre Schaeffer for ORTF. In French only. The films are "Olivier Messiaen : Et Expecto Resurrectionem Mortuorum" (1965), "Karlheinz Stockhausen : Momente" (1965), "Hommage a Edgar Varese" (1965, "Herman Scherchen : Quand un homme consacre sa vie a la musique" (1967)and "Cecil Taylor a Paris" (1966).

Repetitions Blueneck - LP 4024572502621

The celebrated modern Greek poet Yannis Ritsos follows such distinguished predecessors as C. P. Cavafy and George Seferis in a dramatic and symbolic expression of a tragic sense of life. The shorter poems gathered in this volume present what Ritsos calls "simple things" that turn out not to be simple at all. Here we find a world of subtle nuances, in which everyday events hide much that is threatening, oppressive, and spiritually vacuous--but the poems also provide lyrical and idyllic interludes, along with cunning re-creations of Greek mythology and history. This collection of Ritsos's work--perhaps most of all those poems written while he was in forced exile under the dictatorship of the Colonels--testifies to his just place among the major European poets of this century. The distinguished translator of modern Greek poetry Edmund Keeley has chosen for this anthology selections from seven of Ritsos's volumes of shorter poems written between 1946 and 1975. Two of these volumes are represented here in English versions for the first time, two others have been translated only sporadically, and the remaining three were first published in a bilingual edition now out of print (Ritsos in Parentheses). The collection thus covers thirty years of a poetic career that is the most prolific, and among the most honored, in Greece's modern history.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.77

In recent decades, many moral philosophers have begun to think more carefully about the significance of our inveterate story-telling habits for moral reflection. For some time those who promoted narrative's central role for ethics on a variety of levels seemed to be commanding the field; but more recently skeptics of narrative's relevance have begun to mount a vigorous resistance. Some of these struggles have played out on the terrain of Kierkegaard studies, and this book seeks to move the battle lines forward, both with respect to the significance of narrative more generally and to its place in Kierkegaard s authorship. Three theses about the presuppositions, ends, and limits of Kierkegaard's useof narrative are at its heart. First, Kierkegaard's account of the moral life in terms of gift and task, a structure that lends itself naturally to narrative display, provides acompelling rationale for the pervasive presence of narrative forms in his writings. Second, Kierkegaard chiefly intends his use of narrative as a pedagogical tool for building up his reader in virtues that are acquired in a narrative pattern he calls "repetition," a pattern of loss and then recovery in a new key. Finally, despite the importance of narrative in Kierkegaard s moral reflection, he does recognize its limits, though he does not find them in the same places as today's narrative skeptics. Instead his arguments and writings entail that narratives, necessary for giving meaning to the passing moments of our lives, must also be contextualized in the moment of encounter with the eternal and divine, the moment that is the fullness of time. Colton advances these theses through detailed readings of several Kierkegaardian texts as well as interactions with contemporary moral philosophers and narrative theorists, furthering both our understanding of Kierkegaard's thought and the current debate on the significance of narrative for ethics.

This fascinating book by Doris Eliana Cohen, Ph.D., was written to help us create a shift in our own consciousness as well as that of humanity. In order to heal from traumas, we unknowingly repeat the stories of our lives again and again, reliving them in different scenarios in this life as well as in other lifetimes. This repetition of our behavior patterns is neither neurotic nor pathological. It is absolutely necessary, because painful though it may be, repetition offers us multiple opportunities for facing our issues, making new choices, and healing ourselves at last. All of us have a God-given gift of free choice, although we may be unaware of it at times. Only when we acknowledge and take full responsibility for the choices we’ve made in our current and past lives can we begin to change our stories and end the suffering we’ve been causing ourselves. This material is based on Doris’s 30 years of clinical experience with patients, using traditional therapy techniques combined with past-life regression therapy. It is guided and inspired by her communication with Guides and Angels of the Light, who have accompanied her for many years.        Within these pages, Doris presents the 7 Steps of Rebirth, which provide a profound yet swift and simple route to change our lives and heal ourselves. Her 4 Steps of Joy offer a powerful tool for accessing the Light swiftly and easily. Remembering the events of our past lives provides a rich and fascinating tapestry of our journey, resulting in the humbling and uplifting realization that our souls are on a grand adventure. In owning our stories, we move from seeing ourselves as victims of life to empowering ourselves as co-creators of our destiny.

This publication collects the majority of papers presented at the challenging colloquium on "Repetitions and Variations in the Fourth Gospel" at the K.U.Leuven held from 7 - 9 November 2006 in Leuven. Articles that have been added are a direct result of the colloquium. The colloquium was planned with this publication in mind, wishing to contribute to an understanding of the Fourth Gospel's language and style in relation to the Synoptic Gospels and in manifesting its unity in theme and language. The contributors mostly represent new approaches to understanding the composition and nature of the Fourth Gospel. Therefore the historical overview of past research is most helpful in placing these new approaches.

Set in 1960, this novel tells of Filib Kobal's journey from his home in Carinthia to Slovenia on the trail of his missing brother, Gregor. He is armed only with two of Gregor's books: a copy book from agricultural school, and a Slovenian - German dictionary, in which Gregor has marked certain words. The resulting investigation of the laws of language and naming becomes a transformative investigation of himself and the world around him.

Repetition, Difference, and Knowledge dialogues with novels, theatre, philosophy, and literary theory in order to explore how three thinkers – Samuel Beckett, Jacques Derrida, and Gilles Deleuze – employ repetition as a means with which to radically unsettle some of the most fundamental notions of the human experience (among them, time, presence, originality, and being). Due to its interdisciplinary scope and its focus on repetition as an epistemological concept, this book will attract a broad audience of academic specialists across the humanities from the fields of literary criticism, philosophy, French studies, and poststructural studies. Its simplicity of style, deliberate avoidance of complex jargon, and clarity of argument – particularly when dealing with complicated theoretical ideas and texts – also makes it an invaluable tool for use in both graduate- and undergraduate-level literature and philosophy courses. Repetition, Difference, and Knowledge provides experienced and beginning scholars alike with greater insight into the works of Beckett, Derrida, and Deleuze and into the role that repetition has played and continues to play in determining how we read our world and come to meaning.

New! This book is in the same immaculate condition as when it was published 0.77

In recent decades, many moral philosophers have begun to think more carefully about the significance of our inveterate story-telling habits for moral reflection. For some time those who promoted narrative's central role for ethics on a variety of levels seemed to be commanding the field; but more recently skeptics of narrative's relevance have begun to mount a vigorous resistance. Some of these struggles have played out on the terrain of Kierkegaard studies, and this book seeks to move the battle lines forward, both with respect to the significance of narrative more generally and to its place in Kierkegaard s authorship. Three theses about the presuppositions, ends, and limits of Kierkegaard's useof narrative are at its heart. First, Kierkegaard's account of the moral life in terms of gift and task, a structure that lends itself naturally to narrative display, provides acompelling rationale for the pervasive presence of narrative forms in his writings. Second, Kierkegaard chiefly intends his use of narrative as a pedagogical tool for building up his reader in virtues that are acquired in a narrative pattern he calls "repetition," a pattern of loss and then recovery in a new key. Finally, despite the importance of narrative in Kierkegaard s moral reflection, he does recognize its limits, though he does not find them in the same places as today's narrative skeptics. Instead his arguments and writings entail that narratives, necessary for giving meaning to the passing moments of our lives, must also be contextualized in the moment of encounter with the eternal and divine, the moment that is the fullness of time. Colton advances these theses through detailed readings of several Kierkegaardian texts as well as interactions with contemporary moral philosophers and narrative theorists, furthering both our understanding of Kierkegaard's thought and the current debate on the significance of narrative for ethics.

The French spokesperson for nouveau roman pens a creepy, atmospheric spy novel set in war-ravaged 1949 Berlin as Henri Robin, an agent for the French secret service, embarks on a mission whose real purpose he does not know.

Repetition, Difference, and Knowledge dialogues with novels, theatre, philosophy, and literary theory in order to explore how three thinkers – Samuel Beckett, Jacques Derrida, and Gilles Deleuze – employ repetition as a means with which to radically unsettle some of the most fundamental notions of the human experience (among them, time, presence, originality, and being). Due to its interdisciplinary scope and its focus on repetition as an epistemological concept, this book will attract a broad audience of academic specialists across the humanities from the fields of literary criticism, philosophy, French studies, and poststructural studies. Its simplicity of style, deliberate avoidance of complex jargon, and clarity of argument – particularly when dealing with complicated theoretical ideas and texts – also makes it an invaluable tool for use in both graduate- and undergraduate-level literature and philosophy courses. Repetition, Difference, and Knowledge provides experienced and beginning scholars alike with greater insight into the works of Beckett, Derrida, and Deleuze and into the role that repetition has played and continues to play in determining how we read our world and come to meaning.

Set in 1960, this novel tells of Filib Kobal's journey from his home in Carinthia to Slovenia on the trail of his missing brother, Gregor. He is armed only with two of Gregor's books: a copy book from agricultural school, and a Slovenian - German dictionary, in which Gregor has marked certain words. The resulting investigation of the laws of language and naming becomes a transformative investigation of himself and the world around him.

Fatalist: The Repetition of History Field Rotation - CD 4024572585525

Bravery Repetition & Noise (Purple Vinyl) The Brian Jonestown Massacre - LP 689492076825

Has a sturdy binding with some shelf wear. May have some markings or highlighting. Used copies may not include access codes or Cd's. Slight bending may be present.

Since its publication in 1968, "Difference and Repetition", an exposition of the critique of identity, has come to be considered a contemporary classic in philosophy and one of Deleuze's most important works. The text follows the development of two central concepts, those of pure difference and complex repetition. It shows how the two concepts are related, difference implying divergence and decentring, repetition being associated with displacement and disguising. The work moves deftly between Hegel, Kierkegaard, Freud, Althusser and Nietzsche to establish a fundamental critique of Western metaphysics, and has been a central text in initiating the shift in French thought - away from Hegel and Marx, towards Nietzsche and Freud.