12 products were found matching your search for salviati in 1 shops:

Italian edition Very Good paperback with light shelfwear - NICE! Standard-sized.

291pp. Near new condition, covers bright, text clean and binding tight but lacks a dust jacket.

318 S., Gebundenes Buch mit Original-Schutzumschlag. Umschlag mit leichten Lagerspuren, innen sauber und sehr gut erhalten ISBN: 887813371X Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Italienisch Gewicht in Gramm: 3000

Physical description; 387 p. : ill. (some col.) ; 29 cm. Notes; Includes bibliographical references (p. 342-371) and indexes. Contents; Francesco Salviati e la Bella Maniera / Janet Cox-Rearick -- Il disegno in Francesco Salviati / Catherine Monbeig Goguel -- Il ritrattista / Philippe Costamagna -- Salviati e Michelangelo / Paul Joannides -- Francesco Salviati a Venezia / Michel Hochmann -- Salviati e i Medici (1543-1548) / Alessandro Cecchi -- Francesco Salviati e gli editori : 1. Le incisioni / Alessandro Nova ; 2. I libri / Alessandro Cecchi -- Francesco Salviati, artista dalle "molte capricciose et ingegnose invenzioni" / Chiara Stefani. Subjects; Salviati, Francesco (1510-1563). Salviati, Francesco (1510-1563) - Exhibitions. Salviati, Francesco (1510-1563) - Catalogs. Mannerism (Art) - Italy - Exhibitions. Salviata, Francesco. Genres; Bibliography. Catalogue. Illustrated.

Physical description; 387 p. : ill. (some col.) ; 29 cm. Notes; Includes bibliographical references (p. 342-371) and indexes. Contents; Francesco Salviati e la Bella Maniera / Janet Cox-Rearick -- Il disegno in Francesco Salviati / Catherine Monbeig Goguel -- Il ritrattista / Philippe Costamagna -- Salviati e Michelangelo / Paul Joannides -- Francesco Salviati a Venezia / Michel Hochmann -- Salviati e i Medici (1543-1548) / Alessandro Cecchi -- Francesco Salviati e gli editori : 1. Le incisioni / Alessandro Nova ; 2. I libri / Alessandro Cecchi -- Francesco Salviati, artista dalle "molte capricciose et ingegnose invenzioni" / Chiara Stefani. Subjects; Salviati, Francesco (1510-1563). Salviati, Francesco (1510-1563) - Exhibitions. Salviati, Francesco (1510-1563) - Catalogs. Mannerism (Art) - Italy - Exhibitions. Salviata, Francesco. Genres; Bibliography. Catalogue. Illustrated.

Afrikaans text. wraps are shelf rubbed and a bit edge worn. light soiling and marks. ownership inscription. well bound. fairly good copy.[S.K]. Our orders are shipped using tracked courier delivery services.

An introductoy essay explore the art of Venetian glass blowing, a tradition that goes back more than a thousand years. This art fell into decline during the eighteenth century and collapsed with the fall of the Venetian Republic. in 1797. The revival of glass making in the middle of the nineteenth century was largely due to Antonio Salviati (1816-1890), a lawyer from Vicenza. As production increased, Salviati glass could be found in London, Paris, and New York. The Stanford family first became involved with the Salviati firm in 1883, and the collection was eventually donated to the University as an expression of gratitude for the extensive mosaic commissions from its co-founder, Jane Lathrop Stanford.This sumptuously illustrated book illustrates and describes the 245 pieces of Salviati glass that were presented the Leland Stanford Junior Museum at the end of the nineteenth century. It accompanies an exhibition at the Iris & B. Gerard Cantor Center for Visual Arts at Stanford University, California.

An introductoy essay explore the art of Venetian glass blowing, a tradition that goes back more than a thousand years. This art fell into decline during the eighteenth century and collapsed with the fall of the Venetian Republic. in 1797. The revival of glass making in the middle of the nineteenth century was largely due to Antonio Salviati (1816-1890), a lawyer from Vicenza. As production increased, Salviati glass could be found in London, Paris, and New York. The Stanford family first became involved with the Salviati firm in 1883, and the collection was eventually donated to the University as an expression of gratitude for the extensive mosaic commissions from its co-founder, Jane Lathrop Stanford.This sumptuously illustrated book illustrates and describes the 245 pieces of Salviati glass that were presented the Leland Stanford Junior Museum at the end of the nineteenth century. It accompanies an exhibition at the Iris & B. Gerard Cantor Center for Visual Arts at Stanford University, California.

Of all the leading Muranese glass factories, Fratelli Toso was among the most versatile and productive, but the least well-known. Where Venini, Barovier & Toso, Aureliano Toso, Archimede Seguso, Salviati, Cenedese, Barbini, and others designed, produced, and marketed fabulous glass, Fratelli Toso focused on design and production. The first company responsible for the revival of Venetian glass, in 1854, Fratelli Toso went on to be one of the major contributors of modern glass design, especially in the 1950s. Designers like Ermanno Toso and Pollio Perelda were rewarded for their accomplishments at Venice Biennali and other international exhibitions. This is the first book devoted to the extraordinary glass produced by Fratelli Toso. With over 400 color photographs of 19th and early 20th century murrine glass, 20th century factory production, and unique art glass; history of the company, chronology, detailed captions, bibliography, index, and value guide this book will be indispensable to the collector, dealer, and researcher.

This is the first comprehensive book on Venetian mosaics of the nineteenth century. It illustrates work by both the Salviati Company and the Venice and Murano Glass and Mosaic Company. A carefully researched work, Venetian Glass addresses the revival of the art of Venetian mosaic making in the mid-nineteenth century and discusses the complicity of both Antonio Salviati and Sir Austen Henry Layard in that revival. It is a comprehensive work, illustrating Salviati's earliest surviving mosaics, the 1860 mosaic decoration of the Royal Mausoleum at Frogmore and continuing through his company's last commission, the Stanford Memorial Church in Palo Alto, California. The recovered art of Venetian mosaic in the late-nineteenth- and early twentieth-century is now seen as one of the most important aesthetic achievements of the Victorian-Edwardian era. Neglected and unappreciated for decades, surviving mosaics are being cleaned and restored worldwide. Whether highly visible monuments in major cities or small

Of all the leading Muranese glass factories, Fratelli Toso was among the most versatile and productive, but the least well-known. Where Venini, Barovier & Toso, Aureliano Toso, Archimede Seguso, Salviati, Cenedese, Barbini, and others designed, produced, and marketed fabulous glass, Fratelli Toso focused on design and production. The first company responsible for the revival of Venetian glass, in 1854, Fratelli Toso went on to be one of the major contributors of modern glass design, especially in the 1950s. Designers like Ermanno Toso and Pollio Perelda were rewarded for their accomplishments at Venice Biennali and other international exhibitions. This is the first book devoted to the extraordinary glass produced by Fratelli Toso. With over 400 color photographs of 19th and early 20th century murrine glass, 20th century factory production, and unique art glass; history of the company, chronology, detailed captions, bibliography, index, and value guide this book will be indispensable to the collector, dealer, and researcher.

This is the first comprehensive book on Venetian mosaics of the nineteenth century. It illustrates work by both the Salviati Company and the Venice and Murano Glass and Mosaic Company. A carefully researched work, Venetian Glass addresses the revival of the art of Venetian mosaic making in the mid-nineteenth century and discusses the complicity of both Antonio Salviati and Sir Austen Henry Layard in that revival. It is a comprehensive work, illustrating Salviati's earliest surviving mosaics, the 1860 mosaic decoration of the Royal Mausoleum at Frogmore and continuing through his company's last commission, the Stanford Memorial Church in Palo Alto, California. The recovered art of Venetian mosaic in the late-nineteenth- and early twentieth-century is now seen as one of the most important aesthetic achievements of the Victorian-Edwardian era. Neglected and unappreciated for decades, surviving mosaics are being cleaned and restored worldwide. Whether highly visible monuments in major cities or small