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As a historian and as a novelist Mari Sandoz (1896–1966) stands in the front rank of western writers: in the words of John K. Hutchens, "no one in our time wrote better than the late Mari Sandoz did, or with more authority and grace, about as many aspects of the old West." This first full-length biography is particularly concerned to show the relationship between Sandoz's life and experiences and her writing. Drawing heavily on materials in the Mari Sandoz Collection at the University of Nebraska-Lincoln—correspondence to and from Sandoz, her research notes, and manuscripts—and on interviews with dozens of Sandoz's friends and acquaintances, the author not only establishes the facts of Sandoz's life but confirms her standing as a writer and historian.

In her works Mari Sandoz offers an encompassing view of American history which includes not only the history of the white newcomers, but also that of the indigenous peoples of the northern Western hemisphere. A descendant of Swiss settlers in Nebraska, Sandoz was keenly aware of the multicultural facets of the United States and masterfully fused history, ethnology, and fiction. Highlighting Sandoz's major works from a post-colonial perspective, this study brings her approach into focus, and thus argues against an overly narrow conception of the American literary canon.

When the Mari Sandoz High Plains Center opens in Chadron, Nebraska in 2001, it will be one of three centers at which Nebraska honors its outstanding writers. Through the compilation of over 200 images in this new book, taken from historical collections and her own work, author and photographer LaVerne Harrell Clark contributes to that same purpose. In it, she recreates the frontier life of settlers and the neighboring Sioux and Cheyenne Indians of the sandhills region of northwestern Nebraska. Accompanied by in-depth captions detailing Mari Sandoz's life and works, these images illustrate how she came to hold an outstanding place as an American writer until her death in 1966. Born in 1896, in the "free-land" region of the Nebraska Panhandle, Sandoz was greatly influenced in her writing by the people who called at her homestead. Her acquaintances included Bad Arm, a Sioux Indian who fought at the Little Bighorn and was present at Wounded Knee, "Old Cheyenne Woman," a survivor of both the Oklahoma and Fort Robinson conflicts, and William "Buffalo Bill" Cody, the legend of the Old West.

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As a historian and as a novelist Mari Sandoz (1896–1966) stands in the front rank of western writers: in the words of John K. Hutchens, "no one in our time wrote better than the late Mari Sandoz did, or with more authority and grace, about as many aspects of the old West." This first full-length biography is particularly concerned to show the relationship between Sandoz's life and experiences and her writing. Drawing heavily on materials in the Mari Sandoz Collection at the University of Nebraska-Lincoln—correspondence to and from Sandoz, her research notes, and manuscripts—and on interviews with dozens of Sandoz's friends and acquaintances, the author not only establishes the facts of Sandoz's life but confirms her standing as a writer and historian.

In her works Mari Sandoz offers an encompassing view of American history which includes not only the history of the white newcomers, but also that of the indigenous peoples of the northern Western hemisphere. A descendant of Swiss settlers in Nebraska, Sandoz was keenly aware of the multicultural facets of the United States and masterfully fused history, ethnology, and fiction. Highlighting Sandoz's major works from a post-colonial perspective, this study brings her approach into focus, and thus argues against an overly narrow conception of the American literary canon.

Covers most hematologic diseases with numerous illustrations and a long list of physician contributors.

Now it is time for you to read the letters of Mari Sandoz. If it has been a clear summer day and it is near sundown, take this book and a cool drink outside and soak in the wisdom of a writer with a cause. ―John R. Wunder, from the forewordAuthor Mari Sandoz was as passionate about Plains peoples as she was about language and literary acclaim. That the mastery of Crazy Horse’s biographer spilled into her zealous advocacy for Native Americans is scarcely surprising. An avid letter writer, Sandoz kept carbons of everything. Fortunately these came into the Sandoz Collection at the University of Nebraska Archives, organized by Kimberli A. Lee, foremost expert on Sandoz’s writings.Though Sandoz richly deserves attention, recent scholarship is scant. In arranging and analyzing this correspondence, Lee reinstates Sandoz as one of the most significant non-Native chroniclers and advocates for Plains Indian cultures. There is much here for historians and other scholars of American Indian, Great Plains, rhetorical, and women’s studies. Yet Sandoz’s wider fan base should not be surprised to hearken to a voice and ardor they will find well familiar.

This outstanding Western collection includes stories by a wide array of contemporary and legendary writers, such as Larry McMurtry, Frederic Remington, Mari Sandoz, Christopher Tilghman, Mark Twain, and more, with a foreword by Rick Bass.

In A Government of Laws, which includes a new preface, Ellis Sandoz re-evaluates the traditional understanding of the philosophic and intellectual background of the American founding.  Through an exhaustive assessment of Renaissance, medieval, and ancient political philosophy, he shows that the founding fathers were consciously and explicitly seeking to create a political order that would meet the demands of human nature and society.  This rigorous and searching analysis of the sources of political and constitutional theory generates an original and provocative approach to American thought and experience.

The distinguished Sandoz Laboratories biochemist who discovered LSD details the problems stemming from his research on hallucinogens and comments on mysticism and materialism as he illuminates the controversy regarding brain-mind relationships

In a blinding blizzard a schoolbus overturns and a young teacher, her seven pupils, and the driver—a mere boy—are stranded in the open country, miles and miles from the nearest ranchhouse. Thus Mari Sandoz introduces a situation that will stretch the limits of human endurance. The exposed little group is armed with no more than the lunches they started out with and only the clothing required for a normal winter's day. As a killer storm takes hold and the mercury plunges below zero they become desperate. How each character facesthe terrifying prospect of freezing to death is a story that has become a small classic. And because it is based upon fact—the author's niece experienced much the same ordeal in the paralyzing midwestern blizzard of January 1949—it has the ring of undisputed truth.Winter Thunder has been named by the Reader’s Digest as one of the ten best American short novels.

The story of Emilio Sandoz, the charismatic Jesuit priest who led the well-intentioned but catastrophic mission to the distant planet of Rakhat. Emilio is forced to return against his will to continue his quest for the meaning, if any, of God's plan.

In the autumn of 1878 a band of Cheyenne Indians set out from Indian Territory, where they had been sent by the U.S. government, to return to their homeland in Yellowstone country. Mari Sandoz tells the saga of their heartbreaking fifteen-hundred-mile flight. Alan Boye provides an introduction to this Bison Books edition.

First published in 1935, Old Jules is unquestionably Mari Sandoz's masterpiece. This portrait of her pioneer father grew out of "the silent hours of listening behind the stove or the wood box, when it was assumed, of course, that I was asleep in bed. So it was that I heard the accounts of the hunts, . . .of the fights with the cattlemen and the sheep-men, of the tragic scarcity of women, when a man had to €˜marry anything that got off the train,€™ of the droughts, the storms, the wind and isolation. But the most impressive stories were those told me by Old Jules himself."

"No one in our time wrote better than the late Mari Sandoz did, or with more authority and grace, about as many aspects of the Old West," said John K. Hutchens. The proof of that is in her powerful re-creation of pioneer days in the Sandhills of northwestern Nebraska in these autobiographical pieces written between 1929 and 1965. Those who have not read her classic Old Jules (1935) will find Sandhill Sundaysand Other Recollections a colorful introduction to Sandoz Country, and those who have will look for the same landmarks and unforgettable people. They include the Sandoz patriarch, the fiery libertarian Old Jules; Marlizzie, the archetypal pioneer woman who was Mari's mother; siblings, chums, neighbors, homesteaders, and Indians, all individualized and defined by a harsh and lonely frontier. Dangers in every form—blizzards, fires, rattlesnakes, murderous men—are described, and, just as vividly, so are the pleasures afforded by country cooking, storytelling, pet animals, and the first phonograph for miles around.Even when she strays, as in the final piece, "Outpost in New York," Mari Sandoz never leaves the Sandhills in spirit. Included are a chronology of her career, a checklist of her writings, and a brief introduction by Virginia Faulkner.

This book, the first anthology of Western writing by women, goes a long way to correct the impression that women do not write Western fiction. It includes stories by writers such as Willa Cather, Mary Austin, Mari Sandoz, and Leslie Silko. Piekarski's introduction is a valuable historical overview of Western women writers, pointing to a diversity that is often overlooked. From California to Nebraska, from rowdy cowboys to an isolated Mormon teenager, the stories in this book explore the Western experience.

Sandoz, Mari, Crazy Horse: The Strange Man Of The Oglalas