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Folio. Unpaginated (28 leaves). Original red cloth with black-stamped illustration on cover, black lettering on spine. Publisher's device on title page. Inscribed "To Stephen, Mischa Richter" on title page. Saudade, the name of a boat, is a poem by Nick Flynn with quotations from "In Great Waters" by Jeremiah Digges (Josef Berger). Design by Stephen Male. Cover illustration by Kore Antonsen. Illustrated with twenty-five full page color photographs by Mischa Richter with a poem by Nick Flynn.

Black ‘Saudade’ mini slip dress from Jacquemus. Made from satin-like material with a form-fitting silhouette and asymmetrical hem, this style fastens with a hidden side zipper and hook eye closure and features a lace-trimmed square neckline, drape detailing, adjustable shoulder straps and a denuded back. Models Measurements Height: 176cm Bust: 85cm Waist: 60cm Hips: 89cm Model is wearing size: 36

Black ‘Saudade’ wrap skirt from Jacquemus. Cut with an asymmetrical silhouette, this style features a hidden side zip accompanied by a hook & eye closure as well as a single slit and gold-tone hardware with an engraved logo on the front. Model's Measurements Height: 176cm Bust: 85cm Waist: 60cm Hips: 89cm Model is wearing size: 36

Black ‘Saudade’ mini slip dress from Jacquemus. Made from satin-like material with a form-fitting silhouette and asymmetrical hem, this style fastens with a hidden side zipper and hook eye closure and features a lace-trimmed square neckline, drape detailing, adjustable shoulder straps and a denuded back. Models Measurements Height: 176cm Bust: 85cm Waist: 60cm Hips: 89cm Model is wearing size: 36

Black ‘Saudade’ mini wrap skirt from Jacquemus. Cut with an asymmetrical silhouette, this style features a hidden side zip accompanied by a hook & eye closure as well as a single slit and gold-tone hardware with an engraved logo on the front. Model's Measurements Height: 176cm Bust: 85cm Waist: 60cm Hips: 89cm Model is wearing size: 36

Black ‘Saudade’ mini slip dress from Jacquemus. Made from satin-like material with a form-fitting silhouette and asymmetrical hem, this style fastens with a hidden side zipper and hook eye closure and features a lace-trimmed square neckline, drape detailing, adjustable shoulder straps and a denuded back. Models Measurements Height: 176cm Bust: 85cm Waist: 60cm Hips: 89cm Model is wearing size: 36

Turn heads in this stunning Daisy white stretch-cotton Saudade draped dress from Jacquemus. Featuring a fully draped cowl neck, rear buckle fastening, backless design, spaghetti straps, an asymmetric hem, and thigh-length cut, this party dress is perfect for any special occasion.

Longtime Thievery cohort LouLou Ghelichkhani, newcomer Elin Melgarejo, Nouvelle Vague singer Karina Zeviani, Argentine chanteuse Natalia Clavier, and former Bitter: Sweet singer/songwriter Shana Halligan.

Saudade Boston Manor - LP 850721006368

Claude Levi-Strauss, internationally known as a brilliant and sometimes controversial anthropologist, is also a skilled and sensitive photographer. "Saudades do Brasil" - "nostalgia for Brazil," from the title of a musical composition by Darius Milhaud - presents 180 of the more than 3000 photographs Levi-Strauss took in Brazil between 1935 and 1939. While serving as professor of sociology at the University of Sao Paulo, the young ethnographer made expeditions among the natives of Mato Grosso and Southern Amazonia that resulted in numerous publications, most notably "Tristes Tropiques". Most of these photographs are published here for the first time. Levi-Strauss begins his photographic memoir in Sao Paulo, then a frontier city rapidly changing to an industrial metropolis, a city with "a singular beauty, due to breaks in rhythm, architectural paradoxes, contrasting shapes and colors." The rest of the photographs chronicle Levi-Strauss's expeditions among the Caduveo, the Bororo, the Nambikwara, and other tribes - "the last escapees from the cataclysm that discovery and subsequent invasions had been for their ancestors". His pictures capture the Amazonian landscape, the people, and their activities, social lives, and ceremonies. Informative captions by Levi-Strauss enhance the ethnographic and human interest of his photographs. "Saudades do Brasil" will be of interest to anthropologists, photographers, and readers concerned with a part of the world that is geographically remote but globally significant.

Unread book in perfect condition.

The exotic Clara, born deaf on a Portuguese island steeped in legend and mystery, relocates to northern California, where her profound sense of longing drives her to create her own language to express her sensual vitality

Claude Levi-Strauss, internationally known as a brilliant and sometimes controversial anthropologist, is also a skilled and sensitive photographer. Saudades do Brasil - "nostalgia for Brazil," from the title of a musical composition by Darius Milhaud - presents 180 of the more than 3,000 photographs Levi-Strauss took in Brazil between 1935 and 1939. While serving as professor of sociology at the University of Sao Paulo, the young ethnographer made expeditions among the natives of Mato Grosso and Southern Amazonia that resulted in numerous publications, most notably Tristes Tropiques. Most of these photographs are published here for the first time.Levi-Strauss begins his photographic memoir in Sao Paulo, then a frontier city rapidly changing to an industrial metropolis, a city with "a singular beauty, due to breaks in rhythm, architectural paradoxes, contrasting shapes and colors." The rest of the photographs chronicle Levi-Strauss expeditions among the Caduveo, The Bororo, the Nambikwara, and other tribes - "the last escapees from the cataclysm that discovery and subsequent invasions had been for their ancestors." His pictures capture the Amazonian landscape, the people, and their activities, social lives, and ceremonies. Informative captions by Levi-Strauss enhance the ethnographic and human interest of his photographs.Saudades do Brasil will be of interest to anthropologists, photographers, and readers concerned with a part of the world that is geographically remote but globally significant.

Claude Levi-Strauss, internationally known as a brilliant and sometimes controversial anthropologist, is also a skilled and sensitive photographer. "Saudades do Brasil" - "nostalgia for Brazil," from the title of a musical composition by Darius Milhaud - presents 180 of the more than 3000 photographs Levi-Strauss took in Brazil between 1935 and 1939. While serving as professor of sociology at the University of Sao Paulo, the young ethnographer made expeditions among the natives of Mato Grosso and Southern Amazonia that resulted in numerous publications, most notably "Tristes Tropiques". Most of these photographs are published here for the first time. Levi-Strauss begins his photographic memoir in Sao Paulo, then a frontier city rapidly changing to an industrial metropolis, a city with "a singular beauty, due to breaks in rhythm, architectural paradoxes, contrasting shapes and colors." The rest of the photographs chronicle Levi-Strauss's expeditions among the Caduveo, the Bororo, the Nambikwara, and other tribes - "the last escapees from the cataclysm that discovery and subsequent invasions had been for their ancestors". His pictures capture the Amazonian landscape, the people, and their activities, social lives, and ceremonies. Informative captions by Levi-Strauss enhance the ethnographic and human interest of his photographs. "Saudades do Brasil" will be of interest to anthropologists, photographers, and readers concerned with a part of the world that is geographically remote but globally significant.

Claude Levi-Strauss, internationally known as a brilliant and sometimes controversial anthropologist, is also a skilled and sensitive photographer. Saudades do Brasil - "nostalgia for Brazil," from the title of a musical composition by Darius Milhaud - presents 180 of the more than 3,000 photographs Levi-Strauss took in Brazil between 1935 and 1939. While serving as professor of sociology at the University of Sao Paulo, the young ethnographer made expeditions among the natives of Mato Grosso and Southern Amazonia that resulted in numerous publications, most notably Tristes Tropiques. Most of these photographs are published here for the first time.Levi-Strauss begins his photographic memoir in Sao Paulo, then a frontier city rapidly changing to an industrial metropolis, a city with "a singular beauty, due to breaks in rhythm, architectural paradoxes, contrasting shapes and colors." The rest of the photographs chronicle Levi-Strauss expeditions among the Caduveo, The Bororo, the Nambikwara, and other tribes - "the last escapees from the cataclysm that discovery and subsequent invasions had been for their ancestors." His pictures capture the Amazonian landscape, the people, and their activities, social lives, and ceremonies. Informative captions by Levi-Strauss enhance the ethnographic and human interest of his photographs.Saudades do Brasil will be of interest to anthropologists, photographers, and readers concerned with a part of the world that is geographically remote but globally significant.

Saudade – “the clear-cut verbal symbol,” the narrator’s dream, the narrative called “Facing Saudade,” and threshold experience – is neither predetermined nor predictable. Saudade exists in an imperfect, unsecured present. Evolving, contingent and imprecise, porous and pregnant with possibilities, saudade has no sure harbor, no metaphysical anchorage, no sureties and no certainties. Facing Saudade exhorts us to let go of the handrail ... to renounce our moorings ...and to enter the vertiginous threshold. -Vincenzo Di Nicola, MD, PhD, Professor of Psychiatry, University of Montreal Saudade, a word for which there is no English equivlant, yet is felt by humans everywhere. Facing Saudade, an idea borne from a dream and birthed in the author's experience of living with and caring for a young woman with asperger syndrome This book not only allows a striking, personal reflection of absence and longing, but also exacts an acute analysis of saudade as a word, a history, a reality, allowing the reader and student to experience philosophy in its ontological roots as the study of one's - and all's - life. Facing Saudade guides the reader to confront their own saudade by bridging the gap to the inexplicable with compassionate exploration, striking analysis and, ultimately, acceptance of the melancholic call of our very existence.

Saudade – “the clear-cut verbal symbol,” the narrator’s dream, the narrative called “Facing Saudade,” and threshold experience – is neither predetermined nor predictable. Saudade exists in an imperfect, unsecured present. Evolving, contingent and imprecise, porous and pregnant with possibilities, saudade has no sure harbor, no metaphysical anchorage, no sureties and no certainties. Facing Saudade exhorts us to let go of the handrail ... to renounce our moorings ...and to enter the vertiginous threshold. -Vincenzo Di Nicola, MD, PhD, Professor of Psychiatry, University of Montreal Saudade, a word for which there is no English equivlant, yet is felt by humans everywhere. Facing Saudade, an idea borne from a dream and birthed in the author's experience of living with and caring for a young woman with asperger syndrome This book not only allows a striking, personal reflection of absence and longing, but also exacts an acute analysis of saudade as a word, a history, a reality, allowing the reader and student to experience philosophy in its ontological roots as the study of one's - and all's - life. Facing Saudade guides the reader to confront their own saudade by bridging the gap to the inexplicable with compassionate exploration, striking analysis and, ultimately, acceptance of the melancholic call of our very existence.

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Joao Gilberto / Chega De Saudade (IMPORT) Brazilian Love Affair - LP 8719039001675

New! This book is in the same immaculate condition as when it was published 0.53