16 products were found matching your search for schilders in 1 shops:

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 2.12

Dutch language edition. Illustrated. No markings light wear.

Book is in NEW condition. 2.12

Cinnamon cloth/boards; blind-stamp lettering. Color-illus. black dj with white lettering on spine. 374 pp. full of color and bw illustrations. Three main essays and the catalogue of famous painters from The Hague (Den Haag) are written in Dutch. The illustrated index of painters in the Hague between 1600 and 1700 is in English, along with an introduction. Catalogue from the exhibition held December 1998 to March 1999 at the Haags Historisch Museum. VG/VG- (light shelf wear to dj)

Vlaamse schilders en de dageraad van Hollands Gouden Eeuw, 1585-1630: Met biografiee?n als bijlage (Dutch Edition) 335 x 255 mm, hardcover, groene linnen band met stofwikkel en schuifdoos , 429 pp., talrijke illustraite's , in zeer goede staat 0

gebonden, met stofomslag - vrijwel NIEUWSTAAT - 204 pag

This Liber Amicorum was published to celebrate the 65th birthday of a man who travelled to the farthest corners of the world to study maps, atlases and historic documents with love and passion throughout his entire life, then describing and analyzing them down to the smallest detail.

This informative book: Always Obedient by Dr. Klaas Schilder, is an eye opener. " It is a delight to be Reformed" wrote Dutch theologian Klass Schilder (q890-1952), a man whose life and work demonstrated unwavering loyalty to biblical authority. Schilder believed that not an inch of human life about which Christ, who is Sovereign over all, does not proclaim, "Mine".

A treatise on Dutch art on par with Vasari's critical history of Italian art, Karel van Mander's Schilder-Boeck (or Book on Picturing) has long been recognized for its critical and historical influence—and yet, until now, no comprehensive account of the book's conception, aims, and impact has been available. In this in-depth analysis of the content and context of Van Mander's work, Walter S. Melion reveals the Schilder-Boeck's central importance to an understanding of northern Renaissance and Baroque art. By interpreting the terminology employed in the Schilder-Boeck, Melion establishes the text's relationship to past and contemporary art theory. Van Mander is seen here developing his critical categories and then applying them to Ancient, Italian, and Netherlandish artists in order to mark changes within a culture and to characterize excellence for each region. Thus Melion demonstrates how Van Mander revised both the structure and critical language of Vasari's Lives to refute the Italian's claims for the superiority of the Tuscan style, and to clarify northern artistic traditions and the concerns of Netherlandish artists. A much needed corrective to the view that Dutch art of the period was lacking in theory, Melion's work offers a compelling account of a sixteenth- and seventeenth-century theoretical and critical perspective and shows how this perspective suggests a rereading of northern art. Walter S. Melion is assistant professor of art history at The Johns Hopkins University.

219p very large heavy red and cream paperback, richly illustrated in colour, front cover sunned, owner's name inside otherwise excellent, Dutch language, enclosed an interesting 2001 Guardian article re leading galleries' holdings of Nazi-looted art works including Lissitsky

143 pages, illustration couleur. Ouvrage bilingue français/flamand.Catalogue épuisé de référence sur les peintres symbolistes belges

116 pp. Register. Illustraties in kleur en in z/w.

A treatise on Dutch art on par with Vasari's critical history of Italian art, Karel van Mander's Schilder-Boeck (or Book on Picturing) has long been recognized for its critical and historical influence—and yet, until now, no comprehensive account of the book's conception, aims, and impact has been available. In this in-depth analysis of the content and context of Van Mander's work, Walter S. Melion reveals the Schilder-Boeck's central importance to an understanding of northern Renaissance and Baroque art. By interpreting the terminology employed in the Schilder-Boeck, Melion establishes the text's relationship to past and contemporary art theory. Van Mander is seen here developing his critical categories and then applying them to Ancient, Italian, and Netherlandish artists in order to mark changes within a culture and to characterize excellence for each region. Thus Melion demonstrates how Van Mander revised both the structure and critical language of Vasari's Lives to refute the Italian's claims for the superiority of the Tuscan style, and to clarify northern artistic traditions and the concerns of Netherlandish artists. A much needed corrective to the view that Dutch art of the period was lacking in theory, Melion's work offers a compelling account of a sixteenth- and seventeenth-century theoretical and critical perspective and shows how this perspective suggests a rereading of northern art. Walter S. Melion is assistant professor of art history at The Johns Hopkins University.

This Liber Amicorum was published to celebrate the 65th birthday of a man who travelled to the farthest corners of the world to study maps, atlases and historic documents with love and passion throughout his entire life, then describing and analyzing them down to the smallest detail.

Neuware - shields.! Die Schilder der Männer aus den Tälern des Hochlandes Neuguineas sind einmalige Kunstwerke. Die aus Luftwurzeln gehauenen Holzplatten wurden zur Leinwand des Künstlers, auf die er mit natürlichen Pigmenten seine abstrakten Bilder schafft, mit der Kraft der Ahnenkultur.

Charlotte Dematons brengt in dit tekstloze prentenboek twee werelden samen. Ze verbeeldt een reis door het Hollandse landschap zoals de negentiende-eeuwse schilders van de Haagse School dat tot leven hebben gebracht, met als constante factor de lage horizon. De schilderijen in natuurgetrouwe tinten zijn op de spreads op een vrij natuurlijke wijze gecombineerd met hedendaagse elementen. Dat zijn bijvoorbeeld skatende kinderen en een wandelaar die strandt en hulp krijgt van een voorbijfietsende vrouw, waarna er tussen hen iets opbloeit. Sommige figuren, die veelal op de voorgrond staan, komen steeds terug. Op elke spread is in de lucht een gele ballon te ontdekken. Kinderen kunnen de verrassende ontknoping van het liefdesverhaal aan het einde zelf reconstrueren zoals het zich voltrekt tussen de muren vol schilderijen. Ze zijn ook in het echt te zien op de tentoonstelling waar dit boek bij hoort 'Holland op z'n mooist' in het Haags Gemeentemuseum*; op de kindertentoonstelling hangen ook Dematons oorspronkelijke illustraties. Deel in de serie kunstboeken van Leopold en het Gemeentemuseum Den Haag. In 2014 verscheen 'Puzemuze of op weg naar Rothko'* van Wim Hofman. Geschikt voor o.a. een project op de basisschool. Vanaf ca. 5 t/m 8 jaar.