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An accomplished artist, describing his style as impressionistic realism, discusses his studio, supplies, and models and demonstrates step-by-step techniques for using color, composition, and various mediums in figure painting

Once again, Richard Schmid reveals his virtuoso oil-painting techniques as he appplies his brush to landscape in this companion volume to Richard Schmid Paints the Figure. Schmid captures the essence of a landscape with an expressiveness and spontaneity entirely his own, translating his methods into advanced professional instruction for the painter. The basic materials and tools necessary in landscape painting are discussed first: brushes, palette knives, grounds, paints, varnishes, mediums, as well as suggestions for special outdoor equipment. Next, in a chapter on landscape elements and techniques, the author offers valuable information on color, composition, edges, values, optical aids, perspective, outdoor light, local phenomena, and subject matter. Then, in a series of eight fully illustrated step-by-step demonstrations, the author shows how to use the standard, impressionistic, opaque, and transparent block-in; how to handle a full-value and a simple monochrome wash; how to create a direct painting; and, finally, how to render a full-colortransparent block-in. The book concludes with a gallery of Schmid's most impressive landscapes, illustrating the techniques explained in the demonstrations and accompanied by a detailed description of how each picture was completed.

Unread book in perfect condition.

An accomplished artist, describing his style as impressionistic realism, discusses his studio, supplies, and models and demonstrates step-by-step techniques for using color, composition, and various mediums in figure painting

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Joachim Schmid began his career as a critic, arguing passionately against prevailing notions of "art photography" and in favor of a broad, encompassing view of the medium as a form of cultural practice. In the late 80s, he shifted his focus to making those arguments in his own art, which is based primarily on found photography. At the time, Schmid lived near one of the largest flea markets in Berlin, and his broad collection of vernacular photography formed the raw material for many of the works included here. His oeuvre reflects a close observation of photographic history and a fascination with the images themselves, in all their bizarre and conventionalized aspects, but its fundamental richness--along with the sardonic wit he so often displays--derails any attempt to read it as academic.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 1

2nd printing, 1976, a like-new slightly oversized hardcover, unopened, unmarked, WITHOUT a dust jacket, from Watson-Guptill. By Richard Schmid. 143 pages including a Bibliography and Index. ISBN 0-8230-4862-4.

In 1915, C. G. Jung and his psychiatrist colleague, Hans Schmid-Guisan, began a correspondence through which they hoped to codify fundamental individual differences of attention and consciousness. Their ambitious dialogue, focused on the opposition of extraversion and introversion, demonstrated the difficulty of reaching a shared awareness of differences even as it introduced concepts that would eventually enable Jung to create his landmark 1921 statement of the theory of psychological types. That theory, the basis of the widely used Myers-Briggs Type Indicator and similar personality assessment tools, continues to inform not only personality psychology but also such diverse fields as marriage and career counseling and human resource management.This correspondence reveals Jung fielding keen theoretical challenges from one of his most sensitive and perceptive colleagues, and provides a useful historical grounding for all those who work with, or are interested in, Jungian psychology and psychological typology.

COLD-BLOODED is the classic account of the murder of three young girls by Charles Schmid, Jr., teen-age idol of the lower depths of Tucson, Arizona in the Hot-Rodder mid-60s—a lost city surrounded by a bone-dry ocean of rocky deserts. Lover to many scrawny, broken girls, Schmid a champion gymnast–turned-half-baked philosopher and ultimately a lonely boy disguising an emptiness so vast that he sought to fill it by seeing how far he could go. “Racing through life at a million miles an hour,†he wrote, Schmid claimed he sought the thrill of “Death’s closeness†and finally reaching for the thrill of “that ultimate experience.†COLD-BLOODED gives the reader a step-by-step account of the series of events which led Schmid to “killing for the thrill of it,†from finding out what he always suspected, but dreaded—that he was nothing but an orphan, unwanted by his real mother the day he was born—to his strange, chaotic relation with a girl he described as being a “wreck, looking for it to happen,†which led to his final killings. A high-profile murder case at the time, Schmid’s trial became a launching pad for superstar defense attorney F. Lee Bailey and a sick inspiration to still-incarcerated Charles Manson. Drawn from author John Gilmore’s first-hand encounters, COLD-BLOODED contains a wealth of information on Schmid, including extensive interviews describing the way his view of the world, and interviews with his teenage hangers-on, who describe at length what a larger-than-life phenomenon “Smitty†became for them. This is an intimate portrait of the seething, desperate-for-action teenage scene of the mid-1960’s, through a focus on Schmid who pushed everything further that his contemporaries, allowing us to see the pitiful and frightening aspects of these aberrant, chronic runaway children, heirs to an empty culture and a rootless society.

COLD-BLOODED is the classic account of the murder of three young girls by Charles Schmid, Jr., teen-age idol of the lower depths of Tucson, Arizona in the Hot-Rodder mid-60s—a lost city surrounded by a bone-dry ocean of rocky deserts. Lover to many scrawny, broken girls, Schmid a champion gymnast–turned-half-baked philosopher and ultimately a lonely boy disguising an emptiness so vast that he sought to fill it by seeing how far he could go. “Racing through life at a million miles an hour,†he wrote, Schmid claimed he sought the thrill of “Death’s closeness†and finally reaching for the thrill of “that ultimate experience.†COLD-BLOODED gives the reader a step-by-step account of the series of events which led Schmid to “killing for the thrill of it,†from finding out what he always suspected, but dreaded—that he was nothing but an orphan, unwanted by his real mother the day he was born—to his strange, chaotic relation with a girl he described as being a “wreck, looking for it to happen,†which led to his final killings. A high-profile murder case at the time, Schmid’s trial became a launching pad for superstar defense attorney F. Lee Bailey and a sick inspiration to still-incarcerated Charles Manson. Drawn from author John Gilmore’s first-hand encounters, COLD-BLOODED contains a wealth of information on Schmid, including extensive interviews describing the way his view of the world, and interviews with his teenage hangers-on, who describe at length what a larger-than-life phenomenon “Smitty†became for them. This is an intimate portrait of the seething, desperate-for-action teenage scene of the mid-1960’s, through a focus on Schmid who pushed everything further that his contemporaries, allowing us to see the pitiful and frightening aspects of these aberrant, chronic runaway children, heirs to an empty culture and a rootless society.

A digital copy of "Helmut Schmid Gestaltung Ist Haltung / Design Is Attitude" by Malsy. Download is immediately available upon purchase!

A digital copy of "Education And Schmid's Art Of Living" by Teschers. Download is immediately available upon purchase!

A digital copy of "Erich Schmid: Lebenserinnerungen" by Naf. Download is immediately available upon purchase!

I am very pleased to comply with the request to provide a foreword to this three-language "Dictionary of Biotechnology". This reference book, which will be of great value to researchers, is the result of German-l apanese cooperation in the life sci­ ences, supported by the Ministry for Research and Technology (Bundesministerium fur Forschung und Technologie) of the Federal Republic of Germany. This cooperation has led to a series of contacts between scientists and scientific institutions in the two countries that have enriched and strengthened our tradi­ tionally strong ties. A means of communication is a prerequisite for the exchange of scientific information, the discussion of research strategies, and the organization of scientific meetings. In science, English has become the most important language and now forms the basis of communication. Yet, in order to have a better understanding of specialized scientific texts, often available only in Japanese or German, it is important to have a glossary of biotechnological terminology in several languages. I wish this dictionary of biotechnology a successful start and wide application, both from the scientific and international points of view.

Gerd Althoff, Dieter Geuenich, Otto Gerhard Oexle und Joachim Wollasch (Hrsg.): Person und Gemeinschaft im Mittelalter. Karl Schmid zum fünfundsechzigsten Geburtstag. Jan Thorbecke Verlag, Sigmaringen 1988. Leinen gebunden mit (randlädiertem) Schutzumschlag, Frontispiz, 651 Seiten mit vereinzelten Abbildungen; ordentlicher Zustand. - Volumina.

JUST RELEASED September, 2013, Alla Prima II is a direct response to the remarkable success of the earlier book, Alla Prima, which went into thirteen printings after it was published in 1998. This new volume includes all of the information contained in the original printings, and all material has been extensively revised for increased clarity. It has also been considerably expanded to provide a much broader frame of reference in each of the critical aspects of painting. As with the original Alla Prima, this book offers to the artist and art lover alike the wisdom and technical savvy which comes from a classical education and a lifetime of painting and teaching. Writing as an acknowledged master, Richard gracefully leads his reader through the subtleties of painting theory and technique with refreshing directness and unmatched technical authority. With an emphasis on painting from life, he writes with warm humor about the joys and trials of being an artist. He brings to life the romance of Bravura painting and examines the mysteries of color in fascinating detail. A new view of design is offered, along with insights into the thinking of the great Masters. The virtuosity that painters strive for is presented as an attainable goal, but he also tells us what to do when everything goes wrong. Above all Richard writes with deep affection to all who strive for self-expression, regardless of their level of skill. He shares his own struggle from art school to the present, and offers the things he has learned with the hope that his reader may enjoy the same journey of discovery. Lavishly illustrated, Alla Prima II provides a unique overview of the rich historical background and underlying theoretical ideas of Direct painting, while examining in detail all of its technical problems and solutions. It also covers the full range of artistic subject matter and reveals the one thing a painter must know to capture it all. 328 pages. 262 color images.

6 Sonatas for Violin Benjamin Schmid - CD 760623061429

Golden Globe nominee, Liselotte Pulver, plays twin daughters Liesel and Susi of a rich widower. One of the twins, Liesel, is beautiful, feminine, sophisticated, educated and in love with a fellow, Toni (Helmut Schmid) from back home.