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The Schneider PC-TS Makro-Symmar 90mm f/4.5 - Canon EF Fit gives you the same types of controls used by large format cameras to control perspective, but for your Canon camera.

Sirui's 50mm f/1.8 1.33x Anamorphic lens for Canon RF mount is a sharp and fast anamorphic lens designed to bring a cinematic look to your videos. With its 1.33x Ratio, the lens takes full advantage of the 16x9 sensor crop that these cameras shoot video in to produce a 2.4:1 aspect ratio that is synonymous with theatre movie experiences.The lens uses an optically distorting anamorphic front element to squeeze the horizontal axis of the shot by 1.33 times which allows for more information to be fit onto the sensor. This is then stretched back out in post-production or in-camera to create a wider field of view and ratio compared to a conventional aspherical lens.The lens reproduces flares beautifully whilst the coatings on the lens keep them from obscuring the entire frame. The fast aperture of f/1.8 to creates a very shallow depth of field increasing the oval-shaped bokeh effect that is found in anamorphic lenses. this soft out-of-focus area is one of the many benefits that a true anamorphic lens brings over its filter counterparts or digital crop bars that are used to imitate the anamorphic 'look'.2.4:1 Aspect RatioCommon spherical lenses shoot standard 16:9 videos. With a cylin-der lens element in the front, SIRUI anamorphic lens squeezes the image down 1.33 times horizontally to fit onto the camera sensor. When the final image is desqueezed by 1.33 times, you'll end up with an ultra-wide CinemaScope 2.4:1 aspect ratio.Oval Bokeh and Blue Lens FlaresThe elliptical highlights and blue light streaks produced by SIRUI anamorphic lens offer plenty of anamorphic feel, making your work really stand out.Declicked Fast ApertureSIRUI anamorphic lens comes with a declicked aperture ring. The maximum aperture of F1.8 allows more light to go into the lens, guaranteeing the lens a good performance in low light conditions.Solid Build QualityThe body is made from aircraft grade aluminum and it uses copper focusing components inside. The optics are constructed of Schott glass with multi-layer nano coating to offer sharp imaging. The focus and aperture rings are knurled for extra grip. Also, the compact size allows the lens to fit quite nicely in the palm.Large User GroupSIRUI anamorphic lenses are the perfect companions for vloggers, shutterbugs, studio photographers, cinematographers, commercial directors, etc.Compact & PortablePack the compact lens into the pouch and go out shoot!

This ready to hang, matted framed Wall Decor Living Room by Trademark Fine Art features a rainbow over a Norwegian landscape. that'll look great in any bedroom, kitchen, bathroom, or apartment. Whether it's contemporary, rustic, modern, or traditional style wall art decor, Trademark Fine Art offers a variety of high-quality, carefully built pieces that will surely complement any style with art themes that range from fascinating abstracts to breathtaking landscapes. Each bathroom wall art piece is printed on durable cotton poly blended canvas using Giclee, a process for creating high-quality fine art reproductions that are nearly indistinguishable from the original piece. Color: Black.

To listen to David M. Schneider is to hear the voice of American anthropology. To listen at length is to hear much of the discipline’s history, from the realities of postwar practice and theory to Schneider’s own influence on the development of symbolic and interpretive anthropology in the 1970s and 1980s. Schneider on Schneider offers readers this rare opportunity, and with it an engrossing introduction into a world of intellectual rigor, personal charm, and wit.In this work, based on conversations with Richard Handler, Schneider tells the story of his days devoted to anthropology—as a student of Clyde Kluckhohn and Talcott Parsons and as a writer and teacher whose work on kinship and culture theory revolutionized the discipline. With a master’s sense of the telling anecdote, he describes his education at Cornell, Yale, and Harvard, his fieldwork on the Micronesian island of Yap and among the Mescalero Apache, and his years teaching at the London School of Economics, Berkeley, and the University of Chicago. Musing on the current state and the future of anthropology, Schneider’s cast of characters reads like a who’s who of postwar social science. His reflections on anthropological field research and academic politics address some of the most pressing ethical and epistemological issues facing scholars today, while yielding tales of unexpected amusement.With its humor and irony, its wealth of information and searching questions about the state of anthropology, Schneider on Schneider not only provides an important resource for the history of twentieth-century social science, but also brings to life the entertaining voice of an engaging storyteller.

The Schneider PC-TS Super-Angulon 28mm f/4.5 HM - Canon EF Fit provides tilt and shift movements with a wide-angle perspective, compatible with full frame digital cameras and 35mm film cameras. It also fits APS-C format DSLRs on which it provides a 35mm focal length equivalency of 44.8mm. The image circle on the lens is 72mm and it provides +/- 8º of tilt movement and +/-12mm of shift. Shift movements correct converging lines or perspective distortions and tilting allows better control of depth of field without the need to stop down the aperture.

The Schneider Optics 1072025 CINE-XENAR III Wide Angle Lens is an 18mm lens with a PL-Mount that is designed for digital Cinematography, and covers a Super 35mm frame. These lenses feature a Telecentric imaging design, the same dimensions, and focus/iris gear positions. The focus ring rotates through 270°, and this lens features an aperture range of T2.2 to 16. Each lens is optically coated to improve transmission and contrast, and features an 18-blade iris, for a natural and pleasing Bokeh. This lens features a PL mount with a focus scale in feet.

The Schneider PC-TS Super Angulon 50mm f/2.8 - Canon EF Fit gives you the same types of controls used by large format cameras to control perspective, but for your Canon camera. There's a parallel shift to reduce or eliminate converging lines or perspective distortion ("keystone correction") and a swinging or tilting of the lens.

TheSchneider Xenon FF 50mm T2.1, Canon EF Mount is part of the Xenon FF set of lenses. FF stands for full frame, and every lens in the set covers a full frame image sensor without vignetting and is designed for 4K image capture. The Xenon FF lenses are color-matched to a standard at the factory, Minimizing colur shift when changing lenses. They feature a 14-blade iris, providing natural looking Bokeh, with circular out of focus highlights, 300° of lens barrel rotation, and share lens gear positions and size.

The Schneider Optics 1072029 CINE-XENAR III Lens is an 75mm lens with a PL-Mount that is designed for digital Cinematography, and covers a Super 35mm frame. These lenses feature a Telecentric imaging design, the same dimensions, and focus/iris gear positions. The focus ring rotates through 270°, and this lens features an aperture range of T2.0 to 16. Each lens is optically coated to improve transmission and contrast, and features an 18-blade iris, for a natural and pleasing Bokeh. This lens features a PL mount with a focus scale in feet.

The Schneider PC TS Super-Angulon 50mm f/2.8 Lens (For Nikon) gives you the same types of controls used by large format cameras to control perspective, but for your Nikon camera. There's both a parallel shift to reduce or eliminate converging lines or perspective distortion ("keystone correction") and a swinging or tilting of the lens according to Scheimpflug's rule to better utilise depth of field (DOF) without an increase in diffraction from stopping down the aperture further and reducing sharpness.

Let the SIRUI 75mm F1.8 1.33X Anamorphic lens for Sony E transform your photography and videography experience. As part of SIRUI's innovative line of Anamorphic lenses, which includes the 50mm, 35mm, and 24mm models, this lens is designed to bring the cinematic experience to your fingertips. The 75mm Anamorphic lens is engineered to mimic the horizontal appearance of an 85mm lens on APS-C sensors, making it a versatile addition to your camera kit. It's the perfect tool to ignite your passion for shooting, offering a consistent wide-screen aspect ratio for a truly cinematic feel. With a 33% increase in the horizontal field of view, this lens produces videos in a 2.4:1 aspect ratio, delivering a visual feast that's akin to watching a movie on the big screen. Its longer focal length is adept at capturing subtle expressions, redefining the art of cinematic photography.The SIRUI 75mm Anamorphic lens is a portrait master, thanks to its 1.33X squeeze factor and longer focal length. It eliminates obvious perspective distortion, presenting subjects in a more natural and lifelike manner. This lens excels at subject separation, filling the frame with your subject while artfully blurring the background. Its sharp, high-resolution imaging capabilities contribute to the depiction of subtle emotions, making it an ideal choice for portrait photography.Experience the cinematic prominence with this lens, known for producing high-quality images, natural and saturated blue lens flares, and elliptical bokeh. The fast F1.8 aperture and enhanced shutter speed highlight the Anamorphic look, adding a touch of professional filmmaking to your shots.The 75mm focal length reveals overlooked details in a scene, providing a fresh and unique perspective for story interpretation. The spatial compression created by this lens narrows the distance between the background and the subject, delivering a compact yet plump effect. Discover the power of the SIRUI 75mm F1.8 1.33X Anamorphic lens for Sony E and elevate your photography and videography to new cinematic heights.

Sirui Goes Full FrameIn the past few years, Sirui 1.33x APS-C anamorphic lens lineup has disrupted the market with its competitive price and exceptional optical performance. Always looking to challenge itself as a professional lens manufacturer, SIRUl again blows the minds of videographers with its 50mm T2.9 1.6x full-frame anamorphic lens, which can be said to have no equal in its class.Wider than WiderThis lens features a 1.6 times squeeze factor. When shoot in 3:2, it will yield a 2.4:1 aspect ratio. When the sensor is set at 16:9, you'll end up with a much wider 2.8:1 aspect ratio, the viewing experience delivered by it is as premium and immersive as the IMAX format.Frame as You LikeWhether to shoot grand scenes or tight shots, the images you get with this lens will be of superior quality, high resolution and good sharpness. Being a full-frame lens means it can shoot wider than its APS-C equivalents, leaving you plenty of room for pan-and-scan or punching in the post. For example, if part of an image is redundant, just crop it out without worrying about pixel loss.What You Get is What You SeeAs the third eye of shooters, 50mm focal length has an angle of view that is very close to human eyes. Featuring a 1.6 times squeeze factor, this 50mm lens can deliver a horizontal angle of view we'd expect from a 31mm regular lens and the superorganic background blur, which help render your storytelling much more nuanced and engaging.Beautiful Oval BokehThis lens, with a squeeze factor of 1.6 times, produces oval bokeh in a more pleasing shape than those lenses with 1.33 times squeeze, giving the footage extra expressiveness and aesthetics.Vibrant Lens FlaresPointing a light source directly into this lens to get that signature blue lens flares anamorphic lenses are known for, adding a sprinkle of magic to your image.A Maximum Aperture of T2.9When shooting wide open at T2.9 with the focus concentrating on the subject, you'll get a shallow depth of field image with the subject in focus and other areas out of focus. Using a wide aperture in low light conditions enables the camera to take in more light and achieves a faster shutter speed. Also, the aperture ring is engineered stepless to offer smooth iris control.Cine Lens HousingThis lens looks super sleek as the whole barrel is built up of aluminium alloy. On top of that, the aperture and focus rings are both geared for a nice resistance and easy installation of a follow-focus system. With a 1/4 screw hole at the bottom, the lens can be mounted directly or the quick release plate to maintain the balance of the whole setup.Match Perfectly with Full Frame CamerasThis model comes in native mount for E mount camera systems, compatible with such full-frame cameras as Panasonic SIH, ED KOMODO, RED V-RAPTOR ST, Canon R5, C300, Sony FX3, Nikon Z6. As an inexpensive alternative to branded full-frame anamorphic lenses, this lens is going to make...

Carbon Fiber ConstructionThe front barrel is constructed with carbon fiber to be lightweight but durable.Tiniest & LightestWell-designed aspherical elements have been used in this new lens to eliminate chromatic aberration and reduce overall lens size and weight.fThis lens is even smaller than a smartphone. When used on cameras or other setups, the overall weight remains favorable.Lens in such a small form factor can be used on handheld stabilizers, FPV drones and vehicle rigs to gain unique perspectives that are previously unattainable.Handheld, mount on a gimbal or DJI Ronin 4D for quick run-and-gun shooting.Two Flare Options - Tailored To Your TasteBlue FlaresThe classic blue flares provide a cool vide for sci-fi films.Neutral FlaresNeutral flares change color with the light source, which is great for commercial, general, and warm shots.Constant Squeeze Ratio - No "Anamorphic Mumps"This lens maintains a constant 1.6x squeeze ratio at all focusing points, meaning that the subject size doesn't change as you pull the focus.Wide Field Of View - Embrace The Magnificent ScenaryEquivalent to the horizontal FOV of a 22mm FF spherical lens, this little boy can be lifted on an FPV drone to capture breathtaking shots from the sky.The combination of wide field of view and compact size allows you to shoot in tight spaces or from interesting angles.Cinematic Look - You Want It, You Got ItNo Cropping, Stunning Image Quality, 2.4:1 &2.8:1 CinemaScope Aspect RatiosThe 1.6x squeeze factor renders a shallower depth of field, more elongated bokeh and a stronger sense of compression than the 1.33x, which is helpful in separating the subject from the background and adding an artistic touch to your film.Common ScenariosIdeal for creators who want a compact, lightweight lens that can handle a wide range of scenarios.

100mm-Shallow DOF for Shooting TelephotoThe 100mm focal length has the ability to produce strong background compression as well as beautiful oval bokeh with distinct focus fall-off, perfect for shooting portraits, sports, weddings, and wildlife.Complete Focal LengthsFour commonly used focal lengths are included in the versatile lens set for shooting complete projects from different angles of view.Full-Frame! High Squeeze!The FF anamorphic lineup sees 1.6x more on the horizontal with prominent anamorphic characteristics, especially suitable for high-end productions.Two Aspect Ratios• When Shooting 3:2, the lens offers a 2.4:1 aspect ratio.• When using the lens on a 16:9 sensor, you end up with a much wider 2.8:1 aspect ratio, which gives you a lot of flexibility in post if you want to crop the footage to a 2.4:1.As the 1.6x squeeze becomes increasingly popular, most monitors and cameras currently on the market have a 1.6x de-squeeze capability.Cinematic LookHit the lens with a light source to create those cinematic blue lens flares. The 1.6x squeeze gives a little more stretch to the background and therefore, the bokeh gets taller and skinnier. At 100mm T2.9, the shallow depth of field further separates the subject, adding an artistic aesthetic feeling to the footage.Uniform Barrel Construction• T2.9 to T16 Aperture Range• Identical Gear Position• 82mm Filter Thread• 1/4" Threaded Hole• Metric & Imperial ScalesCompact DesignThe lightest lens in the lineup weighs only 1477g/3.26 lbs, More compact and lightweight than similar products.Mount OptionsThis lineup comes in RF, L, E, and Z-mount, working perfectly on professional cinema cameras and popular FF mirrorless cameras.

A longer focal length with just enough optical compression for full-length fashion, beauty and portraiture. The preferred lens for location portraits utilising shallow depth of field.

Offering life-size magnification, along with a 1.2' minimum focusing distance, the Phase One Schneider Kreuznach 120mm f/4 Macro LS (Blue Ring) is a short telephoto, 1:1 macro lens that is compatible with Mamiya 645 AF-mount medium format cameras.

The Phase One Schneider 40-80mm f/4.0-5.6 LS [Blue Ring] is the perfect companion for the location photographer that demands optimum quality. This lens delivers outstanding image quality throughout the entire zoom range and boasts an optical performance more associated with the best prime lenses.

A longer focal length with just enough optical compression for full-length fashion, beauty and portraiture. The preferred lens for location portraits utilising shallow depth of field.

Offering life-size magnification, along with a 1.2' minimum focusing distance, the Phase One Schneider Kreuznach 120mm f/4 Macro LS (Blue Ring) is a short telephoto, 1:1 macro lens that is compatible with Mamiya 645 AF-mount medium format cameras.

The Phase One Schneider 28mm f/4.5 AF LS is a prime wide-angle lens that provides a 35mm-equivalent focal length of 17mm when used with Credo 80/60 digital backs, or 22mm with Credo 40 backs. The integrated leaf shutter offers precise shutter speed control and enables flash synchroniaation at speeds up to 1/1600 sec.