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Despite the development in the philology, this 1961 Karl Richter interpretation of Bach remains a classic among classics. During his first year in Munich, Karl Richter became conductor of the 'Heinrich-Schtz-Kreis', which had been founded at the end of World War II, and renamed it Mnchener Bach-Chor (Munich Bach Choir) in 1954. Together with his newly established Bach Orchestra, Richter and the ensemble gave numerous concerts in Munich and performed regularly at the Bach-Tage Ansbach (Bach Day

From the circles of Hamburg's Golden Pudel Club the duo Schluss presents their debut album 28 on Sky Walking. ric Falconnier and Joachim Schtz join another adventure into spontaneous music - free and intense, demanding and magical. A life dedicated to noise, experimental music, and free jazz, ric Falconnier played in several formations such as Gebrochene Beine whom appeared with the most notable piece on the previous Sky Walking compilation (SKYWALK 002LP, 2016). Joachim Schtz is known for h

The 27 concerti of the "Symphoniae sacrae II" by Heinrich Schtz are milestones in the development of the German-language sacred concerto for virtuoso solo singers, instruments and basso continuo: highly sophisticated, complex, moving, musically and historically valuable and compositionally refined, with exceptional concentration of events and wealth of ideas. With this volume 18 of the Schtz Complete Recording, Hans-Christoph Rademann and a number of excellent soloists such as Dorothee Mields

Vox Luminis already boasts an impressive discography, orientated mainly towards sacred music and German repertoire (it's album devoted to music by Heinrich Schtz won the Gramophone 'Best Recording of the Year' Award in 2013). Now this ensemble, founded nearly fifteen years ago by Lionel Meunier, has scaled one of the summits of English music: the legend of King Arthur and his mentor the wizard Merlin inspired one of Henry Purcell's most popular successes, King Arthur, a semi-opera on which Purc

The twelfth part of the acclaimed complete recording of works by Heinrich Schtz contains the Symphoniae sacrae III. With this recording, the Dresdner Kammerchor under Hans-Christoph Rademann, supported by well-known soloists, has devoted itself to one of the pinnacles of German early Baroque music. No lesser person than Johannes Brahms presented "Saul, was verfolgst du mich?" to the discerning 19th century Viennese public, causing an outright musical sensation and impressively substantiating th

Following on from their highly acclaimed first album featuring three quartets by Haydn, the Munich-based Goldmund Quartet now celebrates it's debut on the Berlin Classics label. Florian Schtz, Pinchas Adt, Christoph Vandory and Raphael Paratore take a leap - not just in time, but from a musical point of view. Their programme here features Shostakovich's String Quartets Nos 3 and 9. Since making it's debut at the Prinzregententheater in Munich, this young and ambitious quartet, described by the