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135 S. Farb- und s/w Abb. Ausstellungskatalog. Size: 23 x 29 cm

350 Seiten Buch ist neu, aus priv. Vorbesitz. original eingeschweisst. -----Inhalt:. »Ilja Srubar rekonstruiert die Genese der Schützschen Theorie der Lebenswelt. Die Rekonstruktion erfolgt nicht nur werkimmanent, sondern versucht auch, die Verwurzelung des Schützschen Ansatzes in dem Problembewußtsein nachzuzeichnen, durch welches nach der Jahrhundertwende die Bemühungen um eine philosophische Fundierung der Sozialwissenschaften und um ihre Weiterführung im Sinne einer verstehenden Handlungstheorie geprägt wurden. Dies bedeutet nicht, daß der Zweck der Arbeit ein ausschließlich ideengeschichtlicher ist. In dem Maße, in dem Lebenswelttheorien in der gegenwärtigen Diskussion an Relevanz gewinnen, erhält der Schützsche Versuch einer Synthese von Handlungs- und Lebenswelttheorie ein neues Gewicht, vor allem dort, wo sich die Diskussion um das Problem der Selbstentstehung der sozialen Realität konzentriert.« Hermann Michels. ISBN: 9783518578919 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Deutsch Gewicht in Gramm: 389 Broschiert, Größe: 12.2 x 2.7 x 20 cm

Designed as a companion volume to David Schulenberg's Music of the Baroque textbook, Music of the Baroque: An Anthology of Scores includes works by such celebrated Baroque composers as Bach, Handel, Monteverdi, Lully, and Schütz. It also features compositions by lesser-known composers, including Barbara Strozzi and Elisabeth-Claude Jacquet de La Guerre. Many newly edited scores in this anthology complement the textbook's emphasis on performance practice. Offering an unparalleled portrait of European music from 1600 through 1750, the collection is an ideal instructional package for courses in the history of Baroque music. Music of the Baroque: An Anthology of Scores includes music by: Carl Philipp Emanuel Bach Johann Sebastian Bach Hans Ignaz Franz Biber Dietrich Buxtehude Giulio Caccini Giacomo Carissimi Pier Francesco Cavalli Marc-Antoine Charpentier Arcangelo Corelli Francois Couperin Jean-Henri D'Anglebert Girolamo Frescobaldi Johann Jacob Froberger Giovanni Gabrieli Carlo Gesualdo, Prince of Venosa George Frideric Handel Elisabeth-Claude Jacquet de La Guerre Orlando di Lassus Jean-Baptiste Lully Biagio Marini Claudio Monteverdi Giovanni Pierluigi da Palestrina Henry Purcell Jean-Philippe Rameau Alessandro Scarlatti Domenico Scarlatti Heinrich Schutz Barbara Strozzi Georg Philipp Telemann Antonio Vivaldi

Neuware - Der Komponist und Musiktheoretiker Christoph Bernhard (1628-1692) gilt als einer der wichtigsten Schüler von Heinrich Schütz. Die musikhistorische Bedeutung seiner Traktate ist kaum zu überschätzen, werden in ihnen doch die Grundlagen des Kontrapunkts, der Moduslehre, der Verzierungskunst, der Figurenlehre und vor allem die damals hochaktuelle Lehre der verschiedenen Stile (Kirchen-, Theater-, Kammerstil, Stylus antiquus, Stylus modernus) systematisch und in allgemeinverständlicher Form dargestellt.Diese Studienausgabe bietet eine der ersten deutschsprachigen Kompositionslehren überhaupt - unverzichtbar für das Verständnis der Musik von Palestrina über Monteverdi bis zum späten Schütz und wichtiger Basistext für den historisch ausgerichteten Satzlehre-Unterricht.

Vincent Englebrecht began his apprenticeship as a luthier in 1997 in Christopher Schuetz's workshop, and alternately at ITTEM (Institut Technologiq...

One of Germany’s strongest voices, Schütz journeys from Berlin to the Rockies to portray the white man’s attempt to go beyond the imperialism of language in the peyote cult experience. Peyote includes satire both from and on the Native point of view. A bilingual edition (English / German).

A major influence on Bach—who once walked 200 miles to hear him perform—Buxtehude is among the great names in organ music and the study of counterpoint. Born five decades after Heinrich Schütz, the "father of German musicians," and a little less than half a century before Bach, he bridged the era between the founder of Protestant Baroque music and its greatest master. This collection of church chorales attests to Buxtehude's reputation as an outstanding composer of sacred vocal music.For his texts, the composer drew upon scripture as well as church hymns and contemporary or medieval sacred poetry. Albert Schweitzer, in his famous biography of Bach, observed that Buxtehude's chorale preludes are "chorale fantasias of the most varied kinds, from the simplest to the most ingenious. In the simple ones the melody goes its way quietly, just embellished here and there with a few ornaments, and accompanied by interesting and always ingenious harmonies. . . . In the large chorale preludes, Buxtehude tears the melody in pieces, throws the fragments into the flood of a brilliant, animated fantasia."Authoritative and modestly priced, this treasury of Buxtehude's works offers organists a source of endless satisfaction and inspiration.

Imbued with character and independence, strength and articulateness, humor and conviction, abundant biblical knowledge and intense compassion, Katharina Schütz Zell (1498–1562) was an outspoken religious reformer in sixteenth-century Germany who campaigned for the right of clergy to marry and the responsibility of lay people—women as well as men—to proclaim the Gospel. As one of the first and most daring models of the pastor’s wife in the Protestant Reformation, Schütz Zell demonstrated that she could be an equal partner in marriage; she was for many years a respected, if unofficial, mother of the established church of Strasbourg in an age when ecclesiastical leadership was dominated by men. Though a commoner, Schütz Zell participated actively in public life and wrote prolifically, including letters of consolation, devotional writings, biblical meditations, catechetical instructions, a sermon, and lengthy polemical exchanges with male theologians. The complete translations of her extant publications, except for her longest, are collected here in Church Mother, offering modern readers a rare opportunity to understand the important work of women in the formation of the early Protestant church.

A History of Baroque Music is an exhaustive study of the music of the Baroque period, with particular focus on the 17th century. Individual chapters consider the work of significant composers, including Monteverdi, Corelli, Scarlatti, Schütz, Purcell, Handel, Bach, and Telemann, as well as specific countries and regions. Two contributed chapters examine composers and genres from Russia, the Ukraine, Slovenia, Croatia, and Latin America. The book also includes a wealth and variety of musical examples from all genres and instrumental combinations.Contributors are Claudia Jensen, Metoda Kokole, Rui Vieira Nery, and Ennio Stipcevic.

A History of Baroque Music is an exhaustive study of the music of the Baroque period, with particular focus on the 17th century. Individual chapters consider the work of significant composers, including Monteverdi, Corelli, Scarlatti, Schütz, Purcell, Handel, Bach, and Telemann, as well as specific countries and regions. Two contributed chapters examine composers and genres from Russia, the Ukraine, Slovenia, Croatia, and Latin America. The book also includes a wealth and variety of musical examples from all genres and instrumental combinations.Contributors are Claudia Jensen, Metoda Kokole, Rui Vieira Nery, and Ennio Stipcevic.

Symphoniae Sacrae I Schuetz / Weser-Renaissance Bremen / Cordes - CD 761203792924