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A pack consisting of a video-cassette of the Martin Scorsese film, "Raging Bull", starring Robert De Niro, and a book containing interviews with Scorsese which provide a guide to the director's work. The book has been updated to cover all his films up to "Casino".

Martin Scorsese (USA, b. 1942) is among the most prolific of American directors, having made more than 25 features in a 40-year career that has seen him garner all the highest honours the film world can bestow. Since the success of "Taxi Driver" in 1976, which also marked the start of his long collaboration with Robert De Niro, he has continued to draw endless inspiration from his Italian-American roots in films such as "Goodfellas" (1990) and "Casino" (1995). A cinephile director with a strong spirit of independence, he has managed to combine making blockbusters such as "Aviator" (2004), "The Departed" (2006) and "Shutter Island" (2010) with more personal films on the history of cinema ("A Personal Journey with Martin Scorsese Through American Movies", 1995) and music ("Bob Dylan" and "The Rolling Stones"). He is also admired and respected throughout the world for the tireless work of his Film Foundation in preserving America's film heritage.

From such films as Mean Streets, Taxi Driver, and GoodFellas, Martin Scorsese has won a reputation as the most talented filmmaker of his generation. Now, with the director's full cooperation, esteemed critic David Ehrenstein examines every aspect of Scorsese's life and career in penetrating detail. Illustrated with numerous photographs, many rare.

Established by Martin Scorsese in 2007, the World Cinema Project expands the horizons of moviegoers everywhere. The mission of the WCP is to preserve and present marginalized and infrequently screened films from regions of the world ill equipped to provide funding for major restorations. This collectors set brings together six superb films from various countries, including Bangladesh/India (A RIVER CALLED TITAS), Mexico (REDES), Morocco (TRANCES), Senegal (TOUKI BOUKI), South Korea (THE HOUSEMAI

Established by Martin Scorsese in 2007, the Film Foundation's World Cinema Project has maintained a passionate commitment to preserving and presenting masterpieces from around the globe, with a growing roster of more than two dozen restorations that have introduced moviegoers to often-overlooked areas of cinema history. This collector's set gathers six important works, from the Philippines (Insiang), Thailand (Mysterious Object at Noon), Soviet Kazakhstan (Revenge), Brazil (Limite), Turkey (Law

A new series of biographies of contemporary directors concentrating on their movies, and written by an author who knows their subject personally. Each book includes a complete unabridged collection of reviews from VARIETY.

Martin Scorsese in Ten Scenes takes an intriguing look at the life’s work of one of the world’s greatest filmmakers. Boiling down the Oscar-winner’s career to ten indelible scenes, this beautiful, full color collection examines Scorsese’s trademark techniques while offering critical analysis, filmmaking tips, and firsthand accounts from the cast and crew. An essential read for filmmakers, film students, and movie fans, this engaging and accessible book makes use of previously unreleased, behind-the-scenes material to present a multi-faceted view of each scene. With selections from Raging Bull, The King of Comedy, Goodfellas, and The Departed, Martin Scorsese in Ten Scenes provides an insightful, inspiring examination of a man whose films have influenced generations of moviegoers and filmmakers.

A companion to the groundbreaking PBS documentary series, this volume is a unique and timeless celebration of the blues, from writers and artists as esteemed and revered as the music that moved them.Included in this stunning collection areEssays by David Halberstam, Hilton Als, Suzan-Lori Parks, Elmore Leonard, Luc Sante, John Edgar Wideman, and many others Timeless archival pieces by writers such as Stanley Booth, Paul Oliver, and Mack McCormick Evocative color illustrations and rare vintage photography Illuminating and in-depth conversations and portraits of musicians, ranging from Robert Johnson and Bessie Smith to John Lee Hooker and Eric Clapton Lyrics of legendary blues compositions Personal essays by the series directors Martin Scorsese, Charles Burnett, Richard Pearce, Wim Wenders, Marc Levin, Mike Figgis, and Clint Eastwood Excerpts from literary masters James Baldwin, Ralph Ellison, Eudora Welty, Zora Neale Hurston, Langston Hughes, and William FaulknerTracing the art form's path from juke joints, house parties, and recording studios to musicians such as Elvis Presley, The Rolling Stones, and The Beatles, Martin Scorsese Presents The Blues proves, in the words of Willie Dixon, "The blues are the roots; every-thing else is the fruits."

Martin Scorsese (b. 1942) has long been considered one of America’s greatest cinematic storytellers. Over the last fifty years he has created some of the most iconic moments in American film, never afraid to confront controversial issues with passion. While few of his films are directly autobiographical, his upbringing in New York’s Little Italy, the childhood asthma that kept him from playing sports, and his early desire to enter the priesthood all helped form his sensibilities and later shaped his distinct style. Community, religion, violence―these themes drive a Scorsese picture, and whether he examines the violence that bursts forth in the hand of Travis Bickle or the passion of Jesus Christ, Scorsese’s mastery of the history, art, and craft of filmmaking is undeniable. This collection was originally edited by the late Peter Brunette in 1999 and is now revised and extensively updated by Robert Ribera. It traces Scorsese’s evolution from the earliest days of the New American Cinema, his work with Roger Corman, and his days at New York University’s film program to his efforts to preserve the legacy of cinema, his documentary work, and his recent string of successes. Among new movies discussed are The Departed, Hugo, and The Wolf of Wall Street, and the documentaries No Direction Home and The Blues. Scorsese stands out as a director, producer, scholar, preservationist, and icon. His work both behind the camera and in the service of its history are a cornerstone of American and world cinemas. In these interviews, Scorsese takes us from Elizabeth Street to the heights of Hollywood and all the journeys in between.

Catherine Scorsese's tomato-and meat sauce was probably the only recipe ever to receive full billing in the credits of a movie when Martin Scorsese starred the sauce and his parents in Italianamerican, his favorite of all his films. Now, for the first time, all the recipes from the family have been written down for this cookbook, with photos and anecdotes that tell the story of three generations of Scorseses.

Catherine Scorsese's tomato-and meat sauce was probably the only recipe ever to receive full billing in the credits of a movie when Martin Scorsese starred the sauce and his parents in Italianamerican, his favorite of all his films. Now, for the first time, all the recipes from the family have been written down for this cookbook, with photos and anecdotes that tell the story of three generations of Scorseses.

Buy with confidence! Book is in acceptable condition with wear to the pages, binding, and some marks within 4.22

Catherine O'Brien draws on the structure of Dante Alighieri's Divine Comedy to explore Martin Scorsese's feature films from Who's That Knocking at My Door (1967-69) to Silence (2016). This is the first full-length study to focus on the trajectory of faith and doubt during this period, taking very seriously the oft-quoted words of the director himself: 'My whole life has been movies and religion. That's it. Nothing else.' Films discussed include GoodFellas, The Last Temptation of Christ, Taxi Driver and Mean Streets, as well as the more recent The Wolf of Wall Street.In Dante's poem in 100 cantos, the Pilgrim is guided by the poet Virgil down through the circles of Hell in Inferno; he then climbs the steep Mountain of the Seven Deadly Sins in Purgatory; and he finally encounters God in Paradise. Embracing this popular analogy, this study envisions Scorsese as a contemporary Dante, with his filmic oeuvre offering the dimensions of a cinematic Divine Comedy. Drawing on debates at the heart of religious studies, theology, literature and film, this book goes beyond existing explorations of religion in Scorsese's work to address issues of sin and salvation within the context of wider debates in eschatology and the afterlife.

Now in paperback, and with a new afterword: the history and process of moviemaking in general, and of Martin Scorsese's brilliant and varied films in particular, through the words and wit of the master director.With Richard Schickel as the canny and intelligent guide, these conversations take us deep into Scorsese's life and work. He reveals which films are most autobiographical, and what he was trying to explore and accomplish in other films. He explains his personal style and describes many of the rewarding artistic and personal relationships of his career, including collaborations with Robert De Niro, Harvey Keitel, Jack Nicholson, and Leonardo DiCaprio. An invaluable illumination and appreciation of one of our most admired film directors.

Interviews with Robert De Niro, Paul Newman, Nick Nolte, and others highlight this candid look at master filmmaker Martin Scorsese. His closest associates speak openly about the man they love and admire. 50 photos.

Martin Scorsese (b. 1942) has long been considered one of America’s greatest cinematic storytellers. Over the last fifty years he has created some of the most iconic moments in American film, never afraid to confront controversial issues with passion. While few of his films are directly autobiographical, his upbringing in New York’s Little Italy, the childhood asthma that kept him from playing sports, and his early desire to enter the priesthood all helped form his sensibilities and later shaped his distinct style. Community, religion, violence―these themes drive a Scorsese picture, and whether he examines the violence that bursts forth in the hand of Travis Bickle or the passion of Jesus Christ, Scorsese’s mastery of the history, art, and craft of filmmaking is undeniable. This collection was originally edited by the late Peter Brunette in 1999 and is now revised and extensively updated by Robert Ribera. It traces Scorsese’s evolution from the earliest days of the New American Cinema, his work with Roger Corman, and his days at New York University’s film program to his efforts to preserve the legacy of cinema, his documentary work, and his recent string of successes. Among new movies discussed are The Departed, Hugo, and The Wolf of Wall Street, and the documentaries No Direction Home and The Blues. Scorsese stands out as a director, producer, scholar, preservationist, and icon. His work both behind the camera and in the service of its history are a cornerstone of American and world cinemas. In these interviews, Scorsese takes us from Elizabeth Street to the heights of Hollywood and all the journeys in between.

This celebration of the prolific, 50-year career of Martin Scorsese offers a visual tour of the great director’s life in cinema through an extended interview and more than 300 reproductions, including film stills, posters, photographs by Scorsese, shots from the sets of such movies as Taxi Driver, Raging Bull, The Aviator and The Departed, and a wealth of related ephemera. In the interview, Scorsese discusses how his New York childhood as the son of Italian immigrants molded his creativity, as well as his influences and his working methods. These recollections are juxtaposed with accounts from Scorsese’s associates and with critical commentary assessing the director’s singular vision, which has so enormously impacted the American cinematic imagination. Also included is a complete filmography, from 1963’s What’s a Nice Girl Like You Doing in a Place Like This? to 2011’s Hugo.

Now in paperback, and with a new afterword: the history and process of moviemaking in general, and of Martin Scorsese's brilliant and varied films in particular, through the words and wit of the master director.With Richard Schickel as the canny and intelligent guide, these conversations take us deep into Scorsese's life and work. He reveals which films are most autobiographical, and what he was trying to explore and accomplish in other films. He explains his personal style and describes many of the rewarding artistic and personal relationships of his career, including collaborations with Robert De Niro, Harvey Keitel, Jack Nicholson, and Leonardo DiCaprio. An invaluable illumination and appreciation of one of our most admired film directors.

From the moment he captured the film world's attention with Mean Streets (1973), a portrait of life at the fringes of the Mob, it was clear that a dazzling cinematic talent had arrived on the scene. With Robert DeNiro, one of the most talented young actors from this film, Scorsese went on to make some of the greatest American films of the postwar period, including Taxi Driver (1976), Raging Bull (1980), and Goodfellas (1990). A Scorsese film seldom fails to stir controversy, for his devotion to realism has led him to forthrightly depict violence and its frightening randomness in the modern world. His biblical film also created quite a stir. This adaptation of Kazantzakis's The Last Temptation of Christ generated outrage among conservative religious leaders. Scorsese, however, has not limited himself to contemporary, violent urban dramas or new interpretations of biblical subjects. Other widely heralded Scorsese films include Alice Doesn't Live Here Anymore (1974), New York, New York (1977), The Last Waltz (1978), The King of Comedy (1983), After Hours (1985), The Color of Money (1986), Cape Fear (1991), The Age of Innocence (1993), Casino (1995), and Kundun (1998). These interviews begin with conversations about the highly autobiographical Mean Streets (1973), which first brought Scorsese serious attention, and end with conversations about Kundun, an overtly political biography of the Dalai Lama of Tibet, released in early 1998. “I look for a thematic idea running through my movies, he says, and I see that it's the outsider struggling for recognition. I realize that all my life I've been an outsider, and above all, being lonely but never realizing it.”

274 pages. 8.27x4.33x1.18 inches. In Stock.