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Tracing their shared vision in such works as Memoirs of Scriblerus, Gulliver's Travels, The Beggar's Opera, and The Dunciad, Bruckmann identifies the pastoral as their common ideal and analyses their shared hostilities and anxieties regarding the erosion of that ideal in an age they saw as grotesquely degenerate. She points out that in many ways the group was out of step with its own time and much more attuned to ancient and traditional images of felicity and to ancient authors who subscribed to these values. The influence of Erasmus and Sir Thomas More, who both figure as icons in the Scriblerians' work, as well as such authors as Seneca, Lucian, Lucius Apuleius, and Francois Rabelais is explored in detail. Looking forward, Bruckmann highlights the Scriblerian influence on writers such as Henry Fielding, Lawrence Sterne, Vladimir Nabokov, John Barth, Robert Coover, and James Joyce, offering a place for dialogue between modern humanists and their eighteenth-century forebears.

xxxvi, 142 pages : illustrations, map ; 21 cm. A selection from an epic 18th-century poem by the labouring class poet James Woodhouse (1735-1820) revealing the innovative power of the writing. Incorporating auto-biography topography (of the West Midlands) and satire the poem is a sustained attack

Rich with hilarious episodes, Scriblerus is an ingenious satire of false learning and bad taste that has much to say to the pseudo-intellectual world of today. By taking one ambitious father and his determination to do everything in his power to produce a child of genius, Pope exposes the true folly of the men of his age and their absurd veneration of the ancients. As this hallowed child grows into a man, it becomes clear that instead of being the scholar his father so desired, he is simply the inevitable offspring of a laughable generation of pseudo-intellectuals and literati.