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Praise for Arundhati Roy:“Arundhati Roy combines her brilliant style as a novelist with her powerful commitment to social justice in producing these eloquent, penetrating essays.” ―Howard Zinn“Arundhati Roy is one of the most confident and original thinkers of our time.” ―Naomi Klein“The scale of what Roy surveys is staggering. Her pointed indictment is devastating.” ―The New York Times Book ReviewBookended by her two award-winning novels, The God of Small Things (1997) and The Ministry of Utmost Happiness (2017), My Seditious Heart collects the work of a two-decade period when Arundhati Roy devoted herself to the political essay as a way of opening up space for justice, rights, and freedoms in an increasingly hostile world. Taken together, the essays speak in a voice of unique spirit, marked by compassion, clarity, and courage. Radical and superbly readable, they speak always in defense of the collective, of the individual and of the land, in the face of the destructive logic of financial, social, religious, military, and governmental elites.Arundhati Roy studied architecture in New Delhi where she now lives. She is the author of the novels The God of Small Things, for which she received the 1997 Booker Prize, and The Ministry of Utmost Happiness. She has written several nonfiction books, including Field Notes on Democracy: Listening to Grasshoppers, Capitalism: A Ghost Story, Walking with the Comrades, Things That Can and Cannot Be Said (with John Cusack), and The End of Imagination. She is the recipient of the 2002 Lannan Cultural Freedom Prize.

Book is in NEW condition. 1.01

Praise for Arundhati Roy:“Arundhati Roy combines her brilliant style as a novelist with her powerful commitment to social justice in producing these eloquent, penetrating essays.” ―Howard Zinn“Arundhati Roy is one of the most confident and original thinkers of our time.” ―Naomi Klein“The scale of what Roy surveys is staggering. Her pointed indictment is devastating.” ―The New York Times Book ReviewBookended by her two award-winning novels, The God of Small Things (1997) and The Ministry of Utmost Happiness (2017), My Seditious Heart collects the work of a two-decade period when Arundhati Roy devoted herself to the political essay as a way of opening up space for justice, rights, and freedoms in an increasingly hostile world. Taken together, the essays speak in a voice of unique spirit, marked by compassion, clarity, and courage. Radical and superbly readable, they speak always in defense of the collective, of the individual and of the land, in the face of the destructive logic of financial, social, religious, military, and governmental elites.Arundhati Roy studied architecture in New Delhi where she now lives. She is the author of the novels The God of Small Things, for which she received the 1997 Booker Prize, and The Ministry of Utmost Happiness. She has written several nonfiction books, including Field Notes on Democracy: Listening to Grasshoppers, Capitalism: A Ghost Story, Walking with the Comrades, Things That Can and Cannot Be Said (with John Cusack), and The End of Imagination. She is the recipient of the 2002 Lannan Cultural Freedom Prize.

Twenty years, a thousand pages, and now a single beautiful edition of Arundhati Roy's complete non-fiction.My Seditious Heart collects the work of a two-decade period when Arundhati Roy devoted herself to the political essay as a way of opening up space for justice, rights and freedoms in an increasingly hostile environment. Taken together, these essays trace her twenty year journey from the Booker Prize-winning The God of Small Things to the extraordinary The Ministry of Utmost Happiness: a journey marked by compassion, clarity and courage. Radical and readable, they speak always in defence of the collective, of the individual and of the land, in the face of the destructive logic of financial, social, religious, military and governmental elites.In constant conversation with the themes and settings of her novels, the essays form a near-unbroken memoir of Arundhati Roy's journey as both a writer and a citizen, of both India and the world, from 'The End of Imagination', which begins this book, to 'Azadi', with which it ends.

Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Dangerous Talk examines the "lewd, ungracious, detestable, opprobrious, and rebellious-sounding" speech of ordinary men and women who spoke scornfully of kings and queens. Eavesdropping on lost conversations, it reveals the expressions that got people into trouble, and follows the fate of some of the offenders. Introducing stories and characters previously unknown to history, David Cressy explores the contested zones where private words had public consequence. Though "words were but wind," as the proverb had it, malicious tongues caused social damage, seditious words challenged political authority, and treasonous speech imperiled the crown. Royal regimes from the house of Plantagenet to the house of Hanover coped variously with "crimes of the tongue" and found ways to monitor talk they deemed dangerous. Their response involved policing and surveillance, judicial intervention, political propaganda, and the crafting of new law. In early Tudor times to speak ill of the monarch could risk execution. By the end of the Stuart era similar words could be dismissed with a shrug. This book traces the development of free speech across five centuries of popular political culture, and shows how scandalous, seditious and treasonable talk finally gained protection as "the birthright of an Englishman." The lively and accessible work of a prize-winning social historian, it offers fresh insight into pre-modern society, the politics of language, and the social impact of the law.

Dangerous Talk examines the "lewd, ungracious, detestable, opprobrious, and rebellious-sounding" speech of ordinary men and women who spoke scornfully of kings and queens. Eavesdropping on lost conversations, it reveals the expressions that got people into trouble, and follows the fate of some of the offenders. Introducing stories and characters previously unknown to history, David Cressy explores the contested zones where private words had public consequence. Though "words were but wind," as the proverb had it, malicious tongues caused social damage, seditious words challenged political authority, and treasonous speech imperiled the crown. Royal regimes from the house of Plantagenet to the house of Hanover coped variously with "crimes of the tongue" and found ways to monitor talk they deemed dangerous. Their response involved policing and surveillance, judicial intervention, political propaganda, and the crafting of new law. In early Tudor times to speak ill of the monarch could risk execution. By the end of the Stuart era similar words could be dismissed with a shrug. This book traces the development of free speech across five centuries of popular political culture, and shows how scandalous, seditious and treasonable talk finally gained protection as "the birthright of an Englishman." The lively and accessible work of a prize-winning social historian, it offers fresh insight into pre-modern society, the politics of language, and the social impact of the law.

The revolutionary program of the working class, as presented during the 1941 trial of leaders of the Minneapolis labor movement and the Socialist Workers Party for seditious conspiracy. Includes Cannon s answer to ultraleft critics of the defendants, drawing lessons from the working-class movement from Marx and Engels to the October Revolution and beyond. Preface by Steve Clark, Introduction to 1944 edition by Joseph Hansen, photos, glossary, index. Also in Spanish and Farsi.

Seditious, malicious, fiends, the horde of highwaymen ride on! With The Black Moriah's second full-length release, they gear up for a journey of carnage across barren landscapes. "Road Agents of the Blast Furnace" is a never-yielding, all-consuming raid, hell-bent on tormenting every town in it's path.

An absurdist provocateur and brilliant interventionist, Pope.L is a seditious force in contemporary American artPope.L is a consummate thinker and provocateur whose practice across multiple mediums―including painting, drawing, installation, sculpture, theater and video―utilizes abjection, humor, endurance, language and absurdity to confront and undermine rigid systems of belief. Published in conjunction with an exhibition at the Museum of Modern Art that will feature a combination of videos, photographs, sculptural elements, ephemera and live actions, member: Pope.L, 1978–2001 presents a detailed study of 13 early works that helped define Pope.L’s career. Essays by curators, artists, filmmakers and art historians, plus an interview and artistic interventions by the artist, establish key details for each work and articulate how the artist continues to think about the legacy of these ephemeral projects unfolding in time.Among the works included are performances rooted in experimental theater, such as Egg Eating Contest (1990), Aunt Jenny Chronicles (1991) and Eracism (2000), as well as street interventions such as Thunderbird Immolation a.k.a. Meditation Square Piece (1978), ATM Piece (1997) and The Great White Way: 22 miles, 9 years, 1 street (2001–09), among others. Together these works highlight the role that performance has played within a seditious, emphatically interdisciplinary career that has established Pope.L as an influential force in contemporary art.Pope.L (born 1955) is an acclaimed and prolific interdisciplinary artist best known for his provocative performances, such as ATM Piece (1997) and his decades-long Crawl series―most notably Times Square Crawl (1978), Tompkins Square Crawl (1991) and The Great White Way: 22 miles, 9 years, 1 street (2001–09)―in which the artist drags his body across New York City. Pope.L received his MFA from the Mason Gross School of Arts at Rutgers University and has exhibited internationally. He lives and works in Chicago.

A collection of Fred's outrageous columns from Fred on Everything (Fredoneverythig.net) They cover, well, everything, from the Pentagon's idiocies to those of feminism, Congress, society, and life in general. As a practicing curmudgeon Fred guarantees every word to be scurrilous, irresponsible, exasperating, seditious, and full of bile, or your money back.

Historians often rely on a handful of unusual cases to illustrate the absence of free speech in the colonies—such as that of Richard Barnes, who had his arms broken and a hole bored through his tongue for seditious words against the governor of Virginia. In this definitive and accessible work, Larry Eldridge convincingly debunks this view by revealing surprising evidence of free speech in early America.Using the court records of every American colony that existed before 1700 and an analysis of over 1,200 seditious speech cases sifted from those records, A Distant Heritage shows how colonists experienced a dramatic expansion during the seventeenth century of their freedom to criticize government and its officials. Exploring important changes in the roles of juries and appeals, the nature of prosecution and punishment, and the pattern of growing leniency, Eldridge also shows us why this expansion occurred when it did. He concludes that the ironic combination of tumult and destabilization on the one hand, and steady growth and development on the other, made colonists more willing to criticize authority openly and officials less able to prevent it. That, in turn, established a foundation for the more celebrated flowering of colonial dissent against English authority in the eighteenth century.Steeped in primary sources and richly narrated, this is an invaluable addition to the library of anyone interested in legal history, colonial America, or the birth of free speech in the United States.

Jean le Meingre, Marechal Boucicaut (1364-1421), was the very flower of chivalry. From his earliest years at the royal court in Paris, he distinguished himself in knightly pursuits: sorties against seditious French nobles, ceremonial jousts against the English enemy, crusading in Tunisia and Prussia, the composition of courtly verses, and the establishment of a chivalric order for the defence of ladies, the Order of the Enterprise of the White Lady of the Green Shield. He was named Marshal of France at the age of only 27. His chivalric biography, finished in 1409, is one of the most important accounts of the life of a knight from the Middle Ages. Whilst full of praise, it is also highly partisan and carefully selective; it glosses over the darker, much less successful, side of his career - in particular his participation in the catastrophic Nicopolis crusade (1396) and his governorship of Genoa, which came to an end shortly after the completion of the biography, when a rebellion forced him to leave the city, five years before his capture at the battle of Agincourt in 1415 and death in England in 1421. This first English translation makes available to a wider audience a text that sheds light on the history of France, on crusading in Prussia and the Mediterranean, and on the complicated politics of Italy and the papacy during the Great Schism. It is a highly important contribution to our understanding of chivalric mentalities and attitudes in late-medieval France. It is presented with an introduction and notes.

Print Politics is the first literary study of the culture of the popular radical movement for parliamentary reform in the early decades of the nineteenth century. The period was characterized by popular agitation and repressive political measures, including trials for seditious and blasphemous libel. Kevin Gilmartin explores the styles and strategies of radical opposition in the periodical press (including the work of William Cobbett, Richard Carlile and Leigh Hunt), and in the public culture of the time.

The work of the Christian scholar Lactantius provides an ideal lens through which to study how Rome became a Christian empire. Elizabeth DePalma Digeser shows how Lactantius' Divine Institutes―seditious in its time―responded to the emperor Diocletian's persecution and then became an important influence on Constantine the Great, Rome's first Christian emperor.The Making of a Christian Empire is the first full-length book to interpret the Divine Institutes as a historical source. Exploring Lactantius' use of theology, philosophy, and rhetorical techniques, Digeser perceives the Divine Institutes as a sophisticated proposal for a monotheistic state that intimately connected the religious policies of Diocletian and Constantine, both of whom used religion to fortify and unite the Roman Empire. For Digeser, Lactantius' writings justify Constantine's own attitude of tolerance toward pagans and casts light upon other puzzling features of Constantine's religious policy. Her book contributes importantly to an understanding of the political and religious tensions of the early fourth century.

Sassy, savvy, and seditious: an entertaining new reference guide to the facts and foibles of American political history--from the editors of George.Who was Grover Cleveland's VP? What are George McGovern's favorite musicals? What's a flugie? On what nether region does former Secretary of State George Shultz sport a tiger tattoo? The answers to these and other mind twisters can be found in this compilation of useful, arcane, and wacky political infobites. From D.C. junkies to trivia hounds, from poli-sci students to citizens in need of a good laugh, The Book of Political Lists is a must for every American.  

Print Politics is the first literary study of the culture of the popular radical movement for parliamentary reform in the early decades of the nineteenth century. The period was characterized by popular agitation and repressive political measures, including trials for seditious and blasphemous libel. Kevin Gilmartin explores the styles and strategies of radical opposition in the periodical press (including the work of William Cobbett, Richard Carlile and Leigh Hunt), and in the public culture of the time.

Printers played a major role in the American Revolution. They risked their careers and freedom for printing seditious ideas in their newspapers. Readers will discover how the printing press worked and how vital a printer was to the community. A fun historical topic in a graphica presentation that will captivate young readers.