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All histories of Hollywood are wrong. Why? Two words: Colonel Selig. This early pioneer laid the foundation for the movie industry that we know today. Active from 1896 to 1938, William N. Selig was responsible for an amazing series of firsts, including the first two-reel narrative film and the first two-hour narrative feature made in America; the first American movie serial with cliffhanger endings; the first westerns filmed in the West with real cowboys and Indians; the creation of the jungle-adventure genre; the first horror film in America; the first successful American newsreel (made in partnership with William Randolph Hearst); and the first permanent film studio in Los Angeles. Selig was also among the first to cultivate extensive international exhibition of American films, which created a worldwide audience and contributed to American domination of the medium. In this book, Andrew Erish delves into the virtually untouched Selig archive at the Academy of Motion Picture Arts and Sciences Library to tell the fascinating story of this unjustly forgotten film pioneer. He traces Selig’s career from his early work as a traveling magician in the Midwest, to his founding of the first movie studio in Los Angeles in 1909, to his landmark series of innovations that still influence the film industry. As Erish recounts the many accomplishments of the man who first recognized that Southern California is the perfect place for moviemaking, he convincingly demonstrates that while others have been credited with inventing Hollywood, Colonel Selig is actually the one who most deserves that honor.

When the Milwaukee Braves moved to Atlanta after the 1965 season, many impassioned fans grew indifferent to baseball. Others--namely car dealer Bud Selig--decided to fight for the beloved sport. Selig formed an ownership group with the goal of winning a new franchise. They faced formidable opposition--American League President Joe Cronin, lawyer turned baseball commissioner Bowie Kuhn, and other AL team owners would not entertain the notion of another team for the city. This first ever history of baseball's return to Milwaukee covers the owners, teams and ballparks behind the rise and fall of their Braves, the five-year struggle to acquire a new team, the relocation of a major league club a week prior to the 1970 season and how the Brewers created an identity and built a fan base and a contending team.

When the Milwaukee Braves moved to Atlanta after the 1965 season, many impassioned fans grew indifferent to baseball. Others--namely car dealer Bud Selig--decided to fight for the beloved sport. Selig formed an ownership group with the goal of winning a new franchise. They faced formidable opposition--American League President Joe Cronin, lawyer turned baseball commissioner Bowie Kuhn, and other AL team owners would not entertain the notion of another team for the city. This first ever history of baseball's return to Milwaukee covers the owners, teams and ballparks behind the rise and fall of their Braves, the five-year struggle to acquire a new team, the relocation of a major league club a week prior to the 1970 season and how the Brewers created an identity and built a fan base and a contending team.

Two CD set. Die Zauberflte is the sixth installment in DGs Grammy-nominated Mozart opera series. Frankfurter Allgemeine Zeitung praised Villazns comic talent in his first Papageno, achieving heights of emotion with the captivating Regula Mhlemanns Papagena, as well as the magical tenor of Klaus Florian Vogt as Tamino, Christiane Kargs lyrically perfect Pamina and the imposing Franz-Josef Seligs Sarastro, all under the baton of genuine Mozartian Yannick Nzet-Sguin.

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All histories of Hollywood are wrong. Why? Two words: Colonel Selig. This early pioneer laid the foundation for the movie industry that we know today. Active from 1896 to 1938, William N. Selig was responsible for an amazing series of firsts, including the first two-reel narrative film and the first two-hour narrative feature made in America; the first American movie serial with cliffhanger endings; the first westerns filmed in the West with real cowboys and Indians; the creation of the jungle-adventure genre; the first horror film in America; the first successful American newsreel (made in partnership with William Randolph Hearst); and the first permanent film studio in Los Angeles. Selig was also among the first to cultivate extensive international exhibition of American films, which created a worldwide audience and contributed to American domination of the medium. In this book, Andrew Erish delves into the virtually untouched Selig archive at the Academy of Motion Picture Arts and Sciences Library to tell the fascinating story of this unjustly forgotten film pioneer. He traces Selig’s career from his early work as a traveling magician in the Midwest, to his founding of the first movie studio in Los Angeles in 1909, to his landmark series of innovations that still influence the film industry. As Erish recounts the many accomplishments of the man who first recognized that Southern California is the perfect place for moviemaking, he convincingly demonstrates that while others have been credited with inventing Hollywood, Colonel Selig is actually the one who most deserves that honor.

Diana Damrau, Olga Peretyatko, Christoph Strehl, Norbert Ernst, Franz-Josef Selig, and Christoph Quest star in this Gran Teatre del Liceu production of the Mozart opera conducted by Christof Loy and directed by Ivor Bolton.

Christian Thielemann conducts the Staatskapelle Dresden and Saechsischer Staatsopernchor Dresden with soloists Elina Garanca, Krassimira Stoyanova, Michael Schade, and Franz-Josef Selig.

Malin Hartelius, Judith Schmid, Christian Elsner, and Franz-Josef Selig perform with the Chor und Symphonie Orchester des Bayerischen, Rundfunks conducted by Mariss Janson's.

Christian Thielemann conducts the Staatskapelle Dresden and Saechsischer Staatsopernchor Dresden with soloists Elina Garanca, Krassimira Stoyanova, Michael Schade, and Franz-Josef Selig.

Diana Damrau, Olga Peretyatko, Christoph Strehl, Norbert Ernst, Franz-Josef Selig, and Christoph Quest star in this Gran Teatre del Liceu production of the Mozart opera conducted by Christof Loy and directed by Ivor Bolton.

This translation of Johann Ewald's classic essay, Abhandlung Uber den kleinen Krieg, published in 1785, describes light infantry tactics in an era of heavy infantry formations. Robert Selig and David Skaggs comment on Ewald's treatise on partisan warfare and its relevance to current military doctrine. They also provide extensive scholarly notations with the text, explaining people, places, and events during the Seven Years' War and the American Revolution, where Ewald had extensive experience as a company commander in the Hessian Field Jaeger Corps. This first English translation should be of real interest to historians of American Revolution and pre-Napoleonic warfare and of special use to military professionals today in the Army and Marine Corps.Captain Ewald, eventually a Major General in the Danish Army, describes the recruiting and training of light infantry troops, and discusses their use both in the Seven Years' War and the American Revolution at length. He provides illuminating insights into light infantry tactics and doctrine.

Most fans don’t know how far the Jewish presence in baseball extends beyond a few famous players such as Greenberg, Rosen, Koufax, Holtzman, Green, Ausmus, Youkilis, Braun, and Kinsler. In fact, that presence extends to the baseball commissioner Bud Selig, labor leaders Marvin Miller and Don Fehr, owners Jerry Reinsdorf and Stuart Sternberg, officials Theo Epstein and Mark Shapiro, sportswriters Murray Chass, Ross Newhan, Ira Berkow, and Roger Kahn, and even famous Jewish baseball fans like Alan Dershowitz and Barney Frank.  The life stories of these and many others, on and off the field, have been compiled from nearly fifty in-depth interviews and arranged by decade in this edifying and entertaining work of oral and cultural history. In American Jews and America’s Game each person talks about growing up Jewish and dealing with Jewish identity, assimilation, intermarriage, future viability, religious observance, anti-Semitism, and Israel. Each tells about being in the midst of the colorful pantheon of players who, over the past seventy-five years or more, have made baseball what it is. Their stories tell, as no previous book has, the history of the larger-than-life role of Jews in America’s pastime.

In Changepower! 37 Secrets to Habit Change Success, author Meg Selig guides readers through a step-by-step process that will help them achieve any habit change goal. Whether the reader wants to break a hurtful habit like smoking or overeating, or build a healthy habit like exercising or speaking up, Changepower! provides a springboard for change. Selig helps habit-changers move beyond willpower and succeed with changepower - the synergy that comes from combining willpower with other resources, useful outside supports, and wise strategies. In Changepower!, she shows habit-changers how to beef up both their willpower and their changepower to achieve habit change success. The key is revving up motivation. Selig reveals the most powerful motivators for change - pain motivators, the Eight Great Motivators, and even not-so-noble motivators. Research has shown that most changes take place in stages rather than overnight. Selig provides a step-by-step plan for each stage, leaving plenty of room for flexibility depending on each person’s needs. First-person stories, pithy quotes, and how-to exercises provide inspiration, humor, and encouragement as readers embark on their habit change journeys.

This translation of Johann Ewald's classic essay, Abhandlung Uber den kleinen Krieg, published in 1785, describes light infantry tactics in an era of heavy infantry formations. Robert Selig and David Skaggs comment on Ewald's treatise on partisan warfare and its relevance to current military doctrine. They also provide extensive scholarly notations with the text, explaining people, places, and events during the Seven Years' War and the American Revolution, where Ewald had extensive experience as a company commander in the Hessian Field Jaeger Corps. This first English translation should be of real interest to historians of American Revolution and pre-Napoleonic warfare and of special use to military professionals today in the Army and Marine Corps.Captain Ewald, eventually a Major General in the Danish Army, describes the recruiting and training of light infantry troops, and discusses their use both in the Seven Years' War and the American Revolution at length. He provides illuminating insights into light infantry tactics and doctrine.

Most fans don’t know how far the Jewish presence in baseball extends beyond a few famous players such as Greenberg, Rosen, Koufax, Holtzman, Green, Ausmus, Youkilis, Braun, and Kinsler. In fact, that presence extends to the baseball commissioner Bud Selig, labor leaders Marvin Miller and Don Fehr, owners Jerry Reinsdorf and Stuart Sternberg, officials Theo Epstein and Mark Shapiro, sportswriters Murray Chass, Ross Newhan, Ira Berkow, and Roger Kahn, and even famous Jewish baseball fans like Alan Dershowitz and Barney Frank.  The life stories of these and many others, on and off the field, have been compiled from nearly fifty in-depth interviews and arranged by decade in this edifying and entertaining work of oral and cultural history. In American Jews and America’s Game each person talks about growing up Jewish and dealing with Jewish identity, assimilation, intermarriage, future viability, religious observance, anti-Semitism, and Israel. Each tells about being in the midst of the colorful pantheon of players who, over the past seventy-five years or more, have made baseball what it is. Their stories tell, as no previous book has, the history of the larger-than-life role of Jews in America’s pastime.

Looks at the nine men who have held the position of commissioner of baseball, from Judge Landis to Bud Selig

Simon Keenlyside, Dorothea Roeschmann, Will Hartmann, Diana Damrau, and Franz-Josef Selig star in this Royal Opera production of the Mozart opera conducted by Sir Colin Davis.