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Paul Mpagi Sepuya presents the work of one of the most prominent, up-and-coming photographers working today. Sepuya primarily makes studio photographs of friends, artists, collaborators, and himself, inviting viewers to consider the construction of subjectivity. He challenges and deconstructs traditional portraiture by way of collage, layering, fragmentation, mirror imagery, and the perspective of a black, queer gaze. In contrast to the slick artifice of contemporary portraiture, Sepuya suggests the human element of picture taking―fingerprints, smudges, dust on the surface of mirrors. He also allows glimpses into the studio setting―including tripods, backdrops, lenses, and the photographer himself―encouraging multivalent narrative reads of each image. For Sepuya, photography is a tactile and communal enterprise. Although the creation of artist books has been a long-standing part of his practice, Paul Mpagi Sepuya is the first publication of his work to be released widely, copublished with the Contemporary Art Museum St. Louis on the occasion of a major solo exhibition.

Paul Mpagi Sepuya presents the work of one of the most prominent, up-and-coming photographers working today. Sepuya primarily makes studio photographs of friends, artists, collaborators, and himself, inviting viewers to consider the construction of subjectivity. He challenges and deconstructs traditional portraiture by way of collage, layering, fragmentation, mirror imagery, and the perspective of a black, queer gaze. In contrast to the slick artifice of contemporary portraiture, Sepuya suggests the human element of picture taking―fingerprints, smudges, dust on the surface of mirrors. He also allows glimpses into the studio setting―including tripods, backdrops, lenses, and the photographer himself―encouraging multivalent narrative reads of each image. For Sepuya, photography is a tactile and communal enterprise. Although the creation of artist books has been a long-standing part of his practice, Paul Mpagi Sepuya is the first publication of his work to be released widely, copublished with the Contemporary Art Museum St. Louis on the occasion of a major solo exhibition.

Hardcover. Paul Mpagi Sepuya reflects on the methodologies, strategies, and points of interest behinda single, expansive body of work at a pivotal moment in his career.Paul Mpagi Sepuya's photography is grounded in a collaborative, rhizomatic approach to studio practice and portraiture. This volume unpacks his Dark Room series (201621), offering a deep dive into the thick network of references and the interconnected community of artists and subjects that Sepuya has interwoven throughout the images. The excavation and mapping of intellectual and artistic data points across the artist's work is presented through three distinct "voices," allowing for a comprehensive cross-referencing of conceptual categories. Each category is alphabetized and illuminated via new texts by curator and scholar Gkcan Demirkazik; selections from previously published texts about the work by critics, colleagues, and friends; quotations of other writers' work that inspire the artist; as well as writings by the artist on his thematic preoccupations as they appear and reappear throughout this ongoing body of work. Dark Room AZmaking, after nearly two decades of practice." Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paul Mpagi Sepuya’s Studio Work collects formal portraits, snapshots, still-lifes and documentation of the studio space, created during his residency at the Studio Museum in Harlem from 2010–2011. The artist writes: “I am exploring how the studio environment, as the site of creation, editing, and accumulation affects and frames portraiture, and the performance of portraiture.”