5 products were found matching your search for sevgi in 1 shops:

In the Byzantine Empire, Constantinople served not only as an administrative, military, and religious center, but also as one of trade and commerce. The city was selected as the new imperial capital due to its geographical advantages, its vast hinterland, its situation as an ideal vantage point for travel by land and sea, and its safe natural harbors, making it a perfect location for trade. Considering that medieval Anatolia, and especially Constantinople, was located at the center of a broad trade network and was a center of both production and consumption, trade is rightfully a continuing subject matter of Byzantine studies. In addition, since 2004, the Directorate of the Istanbul Archaeological Museums has carried out archaeological research in Uskudar, Sirkeci, and Yenikapi, as part of the Marmaray and Metro projects. The excavations have revealed spectacular artifacts and new knowledge on Byzantine trade, ship-building technology, and ships and their cargo. In light of harbor excavation results and information accumulated from other ongoing research, it was the right time to re-evaluate trade in Byzantium. New findings and knowledge arising from the Yenikapi excavations, in particular, gave reason to revisit issues of trade in Byzantium again.

244 pp. b/w ills. 25 x 19 cm. In English.

In the Byzantine Empire, Constantinople served not only as an administrative, military, and religious center, but also as one of trade and commerce. The city was selected as the new imperial capital due to its geographical advantages, its vast hinterland, its situation as an ideal vantage point for travel by land and sea, and its safe natural harbors, making it a perfect location for trade. Considering that medieval Anatolia, and especially Constantinople, was located at the center of a broad trade network and was a center of both production and consumption, trade is rightfully a continuing subject matter of Byzantine studies. In addition, since 2004, the Directorate of the Istanbul Archaeological Museums has carried out archaeological research in Uskudar, Sirkeci, and Yenikapi, as part of the Marmaray and Metro projects. The excavations have revealed spectacular artifacts and new knowledge on Byzantine trade, ship-building technology, and ships and their cargo. In light of harbor excavation results and information accumulated from other ongoing research, it was the right time to re-evaluate trade in Byzantium. New findings and knowledge arising from the Yenikapi excavations, in particular, gave reason to revisit issues of trade in Byzantium again.

“There is something about the way she tells a story that would make her words sparkle under any circumstances, and in any tongue.”—Financial Times“Ermine Sevgi Ozdamar writes with wisdom and humor...(The Bridge of the Golden Horn) is an appealing tale about a young immigrant who discovers herself through politics, sex and the arts.”—Foreword MagazineIn 1966, a sixteen-year-old girl leaves Istanbul and signs up as a migrant worker in Germany. The Bridge of the Golden Horn is a witty, picaresque account of a precocious teenager refusing to become wise and the story of a young woman who is obsessed with theater, poetry, and left-wing politics.Emine Sevgi Özdamar was born in Turkey and now lives in Berlin, where she has directed in the theater and written plays. Her other books include the novel Life is a Caravanserei.

Bir oda düşünün. Odanın ortasında yuvarlak bir masa. Karşı karşıya oturan üç farklı kadın, üç farklı adam. Kesişen bakışların çoğunda sevgi, Kesişen bakışların çoğunda nefret, Kesişen bakışların çoğunda ise hasret vardı. Berçem, Barzan Hezeroğlu'nun gözlerine baktığında vaat ettiğim hiçbir ümidi boşa çıkarmadım anlamını severek okuyor. "Benim senden başka kadına ne kalbim ne huzurum var." Helin, Miran Kara'nın gözlerine baktığında kalbini hunharca ezerek beynini işgal eden sözlerini tekrar tekrar duyuyor: "Yok ulan, sana karşı hiçbir şeyim yok. Sana karşı zerre sevgim, saygım, dokunmaya tahammülüm yok!" Alaz, Afran Sözeri'nin gözlerine baktığında evine gelip konuşmak isteyen adamın gözü karalığını sorguluyor. "İstediğim senin rızan. Eğer hayır dersen kendimi geri çekerim. Barzan'ın izin vermemesi için her şeyi yaparım." Bu masada kaybetmek yok. Kazanmak için elim bir mücadele var. Kimi acısına, kimi mutluluğuna, kimi sonuna.