16 products were found matching your search for sigfried in 2 shops:

In 1929, the great Swiss historian and architecture critic Sigfried Giedion (1888–1968)―later the author of the classics Space, Time and Architecture (1941) and Mechanization Takes Command (1948)―issued Befreites Wohnen (Liberated Dwelling), a small but vocal architecture manifesto and an early expression of modernist housing ideology. From the vision of an international architectural modernism (a mission with which Giedion was involved as the first secretary-general of the International Congresses of Modern Architecture, between 1928 and 1959) to debates on the industrialization of construction processes and their impact on public housing, Liberated Dwelling expresses the dreams and anxieties of early 20th-century modernist architecture.In addition to its polemical argument―a call for "the cheap house, the open house, the house that makes our lives easier"―Liberated Dwelling was a landmark publication in several respects. A critical step in Giedion's rise as one of modernism's most eloquent champions, the manifesto was based on the argumentative power of illuminating visual comparisons. The only book Giedion both authored and designed, it is a photobook as well as an architectural tract.Sigfried Giedion: Liberated Dwelling introduces this critical text to English-language readers for the first time, with an English translation presented in a slipcase alongside a facsimile edition in German, supplemented with comprehensive annotations and a scholarly essay anchoring the work in its context.

OKrt. (Hardcover), OUmschl., Gr.8° 221 S., ein tadelloses, augenscheinlich ungenutztes Exemplar.

In 1929, the great Swiss historian and architecture critic Sigfried Giedion (1888–1968)―later the author of the classics Space, Time and Architecture (1941) and Mechanization Takes Command (1948)―issued Befreites Wohnen (Liberated Dwelling), a small but vocal architecture manifesto and an early expression of modernist housing ideology. From the vision of an international architectural modernism (a mission with which Giedion was involved as the first secretary-general of the International Congresses of Modern Architecture, between 1928 and 1959) to debates on the industrialization of construction processes and their impact on public housing, Liberated Dwelling expresses the dreams and anxieties of early 20th-century modernist architecture.In addition to its polemical argument―a call for "the cheap house, the open house, the house that makes our lives easier"―Liberated Dwelling was a landmark publication in several respects. A critical step in Giedion's rise as one of modernism's most eloquent champions, the manifesto was based on the argumentative power of illuminating visual comparisons. The only book Giedion both authored and designed, it is a photobook as well as an architectural tract.Sigfried Giedion: Liberated Dwelling introduces this critical text to English-language readers for the first time, with an English translation presented in a slipcase alongside a facsimile edition in German, supplemented with comprehensive annotations and a scholarly essay anchoring the work in its context.

Sigfried Giedion (1888–1968) and Carola Giedion-Welcker (1893–1979) were among the most influential scholars of art and architectural history during the early twentieth century. Of particular impact was their role in connecting leading protagonists of modernism in architecture, art, and literature, such as Alvar Aalto, Hans Arp, Constantin Brancusi, Marcel Breuer, Max Ernst, Walter Gropius, Barbara Hepworth, Le Corbusier, László Moholy-Nagy, Piet Mondrian, and Sophie Taeuber-Arp. The interactions they initiated, for example, on the new vision in photography or the synthesis of arts continue to be highly relevant to the present day.             Drawing on a rich trove of documents—16,000 letters and 10,000 photographs and negatives, among other materials—that has only recently become fully accessible for research, The Giedion World offers a long-awaited reevaluation of Sigfried and Carola Giedion-Welcker’s work and lasting significance. Featuring a vast number of previously unpublished documents and photographs alongside excerpts from the extensive correspondence between the pair and their artist friends and colleagues in academia, it provides unique and manifold insight into the “Giedion universe.”  

Sigfried Giedion (1888–1968) and Carola Giedion-Welcker (1893–1979) were among the most influential scholars of art and architectural history during the early twentieth century. Of particular impact was their role in connecting leading protagonists of modernism in architecture, art, and literature, such as Alvar Aalto, Hans Arp, Constantin Brancusi, Marcel Breuer, Max Ernst, Walter Gropius, Barbara Hepworth, Le Corbusier, László Moholy-Nagy, Piet Mondrian, and Sophie Taeuber-Arp. The interactions they initiated, for example, on the new vision in photography or the synthesis of arts continue to be highly relevant to the present day.             Drawing on a rich trove of documents—16,000 letters and 10,000 photographs and negatives, among other materials—that has only recently become fully accessible for research, The Giedion World offers a long-awaited reevaluation of Sigfried and Carola Giedion-Welcker’s work and lasting significance. Featuring a vast number of previously unpublished documents and photographs alongside excerpts from the extensive correspondence between the pair and their artist friends and colleagues in academia, it provides unique and manifold insight into the “Giedion universe.”  

Digitally remastered and expanded edition of the St. Louis-based Prog Rock band's 'unreleased' third album including nine bonus tracks. The album was originally scheduled to be released in 1977 but Columbia Records refused to issue it and the band split up shortly afterwards. in 1980, there were bootleg copies of the albums released into circulation and those poor generation masters have been reissued a few times. This edition is remastered from the original master tapes and includes nine previo

First published in 1948, Mechanization Takes Command is an examination of mechanization and its effects on everyday life. A monumental figure in the field of architectural history, Sigfried Giedion traces the evolution and resulting philosophical implications of such disparate innovations as the slaughterhouse, the Yale lock, the assembly line, tractors, ovens, and “comfort” as defined by advancements in furniture design. A groundbreaking text when originally published, Giedion’s pioneering work remains an important contribution to architecture, philosophy, and technology studies.

LP version. Includes download code. Kapitan Korsakov - dangerously abbreviated to KKK - are back! After taking a break to focus on his other band Raketkanon, Pieter-Paul Devos (vocals/guitar) gathered his bandmates Pieter Van Mullem (bass) and Sigfried Burroughs (drums) to go camping in Chicago's Electrical Audio Studios and record the successor of the latest Kapitan Korsakov album Stuff & Such (2012). Physical Violence Is The Least Of My Priorities was recorded and mixed by kindred spirit Steve

In this his last work, published posthumously, the eminent architectural critic and historian Sigfried Giedion presents three conceptions of space which he views as representing the great stages in Western architecture. The first originated in the ancient high civilizations - Egypt and Mesopotamia - and continued through the design of the Greek temples and assembly places. The emphasis was on the volume in space and on interplay between volumes. Giedion's second conception - the development of interior space - was formulated and reached full glory in Rome with further manifestations in Gothic cathedrals and extensions into the architecture of the late nineteenth century. With the twentieth century emerged the third space conception, a fusion of the first two which interrelated the space-emanating powers of volumes and the sculptural form of interior and exterior space. Linking one concept with another are the phenomena of transition. One expression of the transition between the first space conception and the second is the circular form exemplified in the temples of Malta, the tholos tombs, and the tumuli. To find the sources of the third space conception, the author declares, one must examine the fundamentals of modern construction. Structural possibilities had to be developed and tested before architects could give them a spatial form, and it was the existence and use of new building materials, especially iron and steel, that made this conception possible.

Paradoxically, Swiss art historian and architecture critic Sigfried Giedion (1888–1968) would only consolidate his reputation as one of the most influential architectural historians of the twentieth century far from his homeland, in America. In his study of Giedion’s life and work Reto Geiser foregrounds the formative character of Giedion’s extended stays in the United States and their role as an inspiring laboratory to propel his scholarship. By challenging the presentation of a continuous line of developments, and revealing the ruptures and contradictions within Giedion’s work, Geiser questions a heroic account of modern architecture, turning instead to the less ideological and frequently overlooked facets of Giedion’s oeuvre. The book argues that, although Giedion’s position in between two cultural spheres created discontinuities in his work, it also facilitated a mutual exchange between the architectural impresario and his North American peers and thereby helped to shape the development and reception of the modern project on either side of the Atlantic. 

This classic of twentieth-century architectural literature, now available in English for the first time, presents Sigfried Giedion's provocative vision of architecture in the industrial era and his response to technological advances in the production of key building materials.Giedion shows how iron and reinforced concrete allowed the construction of buildings of unprecedented size and openness in the nineteenth and early twentieth centuries. Focusing on the radical possibilities of skeletal support structures, he celebrates innovative uses of these materials in buildings from the Eiffel Tower and the Crystal Palace to glass-canopied railroad stations, department stores, and exhibition halls. With this volume, first published in 1928, Giedion became a leading advocate of modern architecture. He was the first to exalt Le Corbusier as the champion of the new style, at the expense of a considerable body of Germanic theory and practice, and his arguments strongly influenced the direction of architecture for the next four decades. Later, although diluting his criticism of architectual thought in previous periods, Giedion incorporated much of this text into Space, Time, and Architecture, his best-known work.

First published in 1948, Mechanization Takes Command is an examination of mechanization and its effects on everyday life. A monumental figure in the field of architectural history, Sigfried Giedion traces the evolution and resulting philosophical implications of such disparate innovations as the slaughterhouse, the Yale lock, the assembly line, tractors, ovens, and “comfort” as defined by advancements in furniture design. A groundbreaking text when originally published, Giedion’s pioneering work remains an important contribution to architecture, philosophy, and technology studies.

Available in English for the first time, this is a collection of Adorno's essays on such writers as Mann, Bloch, Holderlin, Kare Kraust, Sigfried Kracauer, Goethe, Benjamin and Stefan George. Also included are Adorno's reflections on a variety of subjects: literary titles, the physical qualities of books, political commitment in literature, the light-hearted and the serious in art, and the use of foreign words in writing, to name a few.

The architectural and cultural historian Sigfried Giedion (1888-1968) was a contemporary of the pioneering generation of modern architects - the generation of Walter Gropius, Ludwig Mies van der Rohe and Le Corbusier.After studying art history with Heinrich Wolfflin, Giedion followed a polemical career that went far beyond the conventional bounds of academia. He defined the historical context and significance of the modern movement, proclaiming its goals and chronicling its progress. As General Secretary of the CIAM (International Congress for Modern Architecture) he was the organisational and theoretical focus of the modernist debate for over forty years. His book Space, Time and Architecture has been enormously influential for successive generations of architects and historians, and this and other writing provide the basis for an intellectual biography of Giedion that is of fundamental importance to the understanding of architectural modernism.

Paradoxically, Swiss art historian and architecture critic Sigfried Giedion (1888–1968) would only consolidate his reputation as one of the most influential architectural historians of the twentieth century far from his homeland, in America. In his study of Giedion’s life and work Reto Geiser foregrounds the formative character of Giedion’s extended stays in the United States and their role as an inspiring laboratory to propel his scholarship. By challenging the presentation of a continuous line of developments, and revealing the ruptures and contradictions within Giedion’s work, Geiser questions a heroic account of modern architecture, turning instead to the less ideological and frequently overlooked facets of Giedion’s oeuvre. The book argues that, although Giedion’s position in between two cultural spheres created discontinuities in his work, it also facilitated a mutual exchange between the architectural impresario and his North American peers and thereby helped to shape the development and reception of the modern project on either side of the Atlantic. 

First published in 1948, Mechanization Takes Command is an examination of mechanization and its effects on everyday life. A monumental figure in the field of architectural history, Sigfried Giedion traces the evolution and resulting philosophical implications of such disparate innovations as the slaughterhouse, the Yale lock, the assembly line, tractors, ovens, and “comfort” as defined by advancements in furniture design. A groundbreaking text when originally published, Giedion’s pioneering work remains an important contribution to architecture, philosophy, and technology studies.