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Silvina Ocampo es una de las figuras mas exquisitas, talentosas y extranas de la literatura en espanol. En torno a ella se han urdido mitos que envuelven su obra, revalorizada con entusiasmo en los ultimos anos, pero tambien su vida privada: la particular relacion que tenia con su marido, Adolfo Bioy Casares; su cambiante y chismosa amistad con Jorge Luis Borges, que cenaba cada noche en su casa; sus presuntos romances con mujeres, como la poeta Alejandra Pizarnik o la madre del propio Bioy; sus perturbadoras premoniciones; sus ambiguos conflictos con la olimpica Victoria Ocampo, su hermana mayor. En este libro, Mariana Enriquez cuestiona los mitos, descorre el velo sobre los secretos y mira con una intensidad unica la vida de quien vivio con el afan de permanecer oculta. / Silvina Ocampo is one of the most exquisite, talented figures of literature in Spanish. The meaning behind much of her work is a mystery; similarly, very little is known about her private life. In this book, Mariana Enriquez looks intensely at the life of someone that lived with the desire to remain hidden.

Barcelona. 21 cm. 227 p. Encuadernación en tapa blanda de editorial ilustrada. Colección 'La Flauta mágica', numero coleccion(11). Ocampo, Silvina 1903-1993. La flauta mágica (Tusquets Editores). 11 .. Este libro es de segunda mano y tiene o puede tener marcas y señales de su anterior propietario. ISBN: 84-7223-761-3

Silvina Ocampo (1903-93), author of seven volumes of poetry and more than three hundred short stories, was a member of Argentina's Sur generation, the extraordinary group of writers who initiated Latin America's literary boom. Like her most distinguished contemporary, Jorge Luis Borges, Silvina Ocampo is known for her interest in the supernatural. In contrast to Borges, however, her characters are frequently women or little girls who challenge notions of female propriety at every turn. Ocampo's stories often portray a world of every-day banality in which violence, sexual transgression, and hints of the supernatural combine to question the reader's expectations of female power, freedom and creativity. The selections in this volume trace the female characters of Ocampo's stories from the entirety of her literary production. They are arranged in chronological order so that the evolution of her style is visible. One can perceive, for instance, that her early interest in surrealism returns later in her life. The uncanny sense that there is something going on beneath the surface of her narratives is a characteristic of all of them. Silvina Ocampo has for too long been a kind of insider secret for the literati of her generation. She deserves to be more widely understood as a significant contributor to the innovations of her circle, that of Borges, Bioy Casares, José Bianco and Julio Cortazar. She also deserves to take her place among the more famous Latin American women writers of her day, María Luisa Bombal (Chile), Armonia Somers (Uruguay), Rosario Castellanos, Elena Garro (Mexico) and Clarice Lispector (Brazil). She is clearly one of the twentieth century's most original voices.

Barcelona. 19 cm. XXIX, 368 p. Encuadernación en tapa blanda de editorial ilustrada. Colección 'Marginales', 85. Dickinson, Emily 1830-1886. Selección y traducción de Silvina Ocampo ; prólogo de Jorge Luis Borges. Ocampo, Silvina. 1906-1993 .. Este libro es de segunda mano y tiene o puede tener marcas y señales de su anterior propietario. ISBN: 84-7223-085-6

Silvina Ocampo (1903-1993) nacio y murio en Buenos Aires. Durante su juventud estudio dibujo y pintura en Paris con Giorgio De Chirico y con Fernand Leger. Hacia 1935 luego de conocer a Adolfo Bioy Casares con quien se caso en 1940 se dedico por entero a la literatura. Vivir rodeada de figuras imponentes su marido Bioy Casares su hermana Victoria su amigo Jorge Luis Borges no le impidio cultivar una desafiante singularidad. Como lo prueba la enorme cantidad de obras ineditas que dejo al morir su vida tuvo una pasion dominante: la escritura. Publico entre otros Viaje olvidado (cuentos 1937) Enumeracion de la patria (poesia 1942) Autobiografia de Irene (cuentos 1948) Los traidores (teatro en colaboracion con J. R. Wilcock 1956) La furia (cuentos 1959) Las invitadas (cuentos 1961) Lo amargo por dulce (poesia 1963) Los dias de la noche (cuentos 1970) Arboles de Buenos Aires (poesia 1979) Y asi sucesivamente (cuentos 1987) Cornelia frente al espejo (cuentos 1988)

In this thought provoking study, Silvina Milstein proposes a reconstruction of Schoenberg's conception of compositional process in his twelve-tone works, which challenges the prevalent view that this music is to be appropriately understood exclusively in terms of the new method. Her claim that in Scoenberg we encounter hierarchical pitch relations operating in a twelve-tone context is supported by in-depth musical analysis and the commentary on the sketch material, which shows tonal considerations to be a primary concern and even an important criterion in the composition of the set itself. The core of the book consists of detailed analytical studies; yet its heavy reliance on factors outside the score places this work beyond the boundaries of textual analysis into the field of this history of musical ideas.

Silvina Ocampo (1903-93), author of seven volumes of poetry and more than three hundred short stories, was a member of Argentina's Sur generation, the extraordinary group of writers who initiated Latin America's literary boom. Like her most distinguished contemporary, Jorge Luis Borges, Silvina Ocampo is known for her interest in the supernatural. In contrast to Borges, however, her characters are frequently women or little girls who challenge notions of female propriety at every turn. Ocampo's stories often portray a world of every-day banality in which violence, sexual transgression, and hints of the supernatural combine to question the reader's expectations of female power, freedom and creativity. The selections in this volume trace the female characters of Ocampo's stories from the entirety of her literary production. They are arranged in chronological order so that the evolution of her style is visible. One can perceive, for instance, that her early interest in surrealism returns later in her life. The uncanny sense that there is something going on beneath the surface of her narratives is a characteristic of all of them. Silvina Ocampo has for too long been a kind of insider secret for the literati of her generation. She deserves to be more widely understood as a significant contributor to the innovations of her circle, that of Borges, Bioy Casares, José Bianco and Julio Cortazar. She also deserves to take her place among the more famous Latin American women writers of her day, María Luisa Bombal (Chile), Armonia Somers (Uruguay), Rosario Castellanos, Elena Garro (Mexico) and Clarice Lispector (Brazil). She is clearly one of the twentieth century's most original voices.

Silvina Ocampo (1903-1993) nacio y murio en Buenos Aires. Durante su juventud estudio dibujo y pintura en Paris con Giorgio De Chirico y con Fernand Leger. Hacia 1935 luego de conocer a Adolfo Bioy Casares con quien se caso en 1940 se dedico por entero a la literatura. Vivir rodeada de figuras imponentes su marido Bioy Casares su hermana Victoria su amigo Jorge Luis Borges no le impidio cultivar una desafiante singularidad. Como lo prueba la enorme cantidad de obras ineditas que dejo al morir su vida tuvo una pasion dominante: la escritura. Publico entre otros Viaje olvidado (cuentos 1937) Enumeracion de la patria (poesia 1942) Autobiografia de Irene (cuentos 1948) Los traidores (teatro en colaboracion con J. R. Wilcock 1956) La furia (cuentos 1959) Las invitadas (cuentos 1961) Lo amargo por dulce (poesia 1963) Los dias de la noche (cuentos 1970) Arboles de Buenos Aires (poesia 1979) Y asi sucesivamente (cuentos 1987) Cornelia frente al espejo (cuentos 1988)

Nuevas Tecnicas De Relajacion Para Ninos Y Adolescentes Silvina Hopkins - CD 884501531559