68 products were found matching your search for sleaze in 5 shops:

100% Satisfaction is Guaranteed! There are no problems in page content and in the paper. There are no problems except minor faults. For New condition books in our store; You will be the first user. You will be the first to open the book cover. For Used condition books in our store; It shows signs of wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact , but may have aesthetic issues such as price clipping, nicks, scratches, and scuffs. Pages may include some notes and highlighting. For all our books; Cargo will be delivered in the required time.

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Bad Girls Go to Hell. Cannibal Holocaust. Eve and the Handyman. Examining film culture’s ongoing fascination with the low, bad, and sleazy faces of cinema, Sleaze Artists brings together film scholars with a shared interest in the questions posed by disreputable movies and suspect cinema. They explore the ineffable quality of “sleaze” in relation to a range of issues, including the production realities of low-budget exploitation pictures and the ever-shifting terrain of reception and taste.Writing about horror, exploitation, and sexploitation films, the contributors delve into topics ranging from the place of the “Aztec horror film” in debates about Mexican national identity to a cycle of 1960s films exploring homosexual desire in the military. One contributor charts the distribution saga of Mario Bava’s 1972 film Lisa and the Devil through the highs and lows of art cinema, fringe television, grindhouse circuits, and connoisseur DVD markets. Another offers a new perspective on the work of Doris Wishman, the New York housewife turned sexploitation director of the 1960s who has become a cult figure in bad-cinema circles over the past decade. Other contributors analyze the relation between image and sound in sexploitation films and Italian horror movies, the advertising strategies adopted by sexploitation producers during the early 1960s, the relationship between art and trash in Todd Haynes’s oeuvre, and the ways that the Friday the 13th series complicates the distinction between “trash” and “legitimate” cinema. The volume closes with an essay on why cinephiles love to hate the movies.Contributors. Harry M. Benshoff, Kay Dickinson, Chris Fujiwara, Colin Gunckel, Joan Hawkins, Kevin Heffernan, Matt Hills, Chuck Kleinhans, Tania Modleski, Eric Schaefer, Jeffrey Sconce, Greg Taylor

Bad Girls Go to Hell. Cannibal Holocaust. Eve and the Handyman. Examining film culture’s ongoing fascination with the low, bad, and sleazy faces of cinema, Sleaze Artists brings together film scholars with a shared interest in the questions posed by disreputable movies and suspect cinema. They explore the ineffable quality of “sleaze” in relation to a range of issues, including the production realities of low-budget exploitation pictures and the ever-shifting terrain of reception and taste.Writing about horror, exploitation, and sexploitation films, the contributors delve into topics ranging from the place of the “Aztec horror film” in debates about Mexican national identity to a cycle of 1960s films exploring homosexual desire in the military. One contributor charts the distribution saga of Mario Bava’s 1972 film Lisa and the Devil through the highs and lows of art cinema, fringe television, grindhouse circuits, and connoisseur DVD markets. Another offers a new perspective on the work of Doris Wishman, the New York housewife turned sexploitation director of the 1960s who has become a cult figure in bad-cinema circles over the past decade. Other contributors analyze the relation between image and sound in sexploitation films and Italian horror movies, the advertising strategies adopted by sexploitation producers during the early 1960s, the relationship between art and trash in Todd Haynes’s oeuvre, and the ways that the Friday the 13th series complicates the distinction between “trash” and “legitimate” cinema. The volume closes with an essay on why cinephiles love to hate the movies.Contributors. Harry M. Benshoff, Kay Dickinson, Chris Fujiwara, Colin Gunckel, Joan Hawkins, Kevin Heffernan, Matt Hills, Chuck Kleinhans, Tania Modleski, Eric Schaefer, Jeffrey Sconce, Greg Taylor

Compiling seven years of shorts and flash from Horror, Sleaze and Trash.

An in-depth look at how this double feature was made includes working and post-production photographs, the screenplay to "Planet Terror," and interviews with the cast and crew of "Death Proof" about such topics as the plot, stunts, wardrobe, vehicles, creatures, and special effects.

“What most distinguished these paperbacks wasn't their narratives but their frequently amazing covers, swashes of erotic eye-candy that, as surely as a Warhol soupcan, now define an era. And so the emphasis in this first-rate celebration is on the covers, with hundreds reproduced in what looks like accurate (i.e., soul-shocking) color.”—Publishers Weekly

“What most distinguished these paperbacks wasn't their narratives but their frequently amazing covers, swashes of erotic eye-candy that, as surely as a Warhol soupcan, now define an era. And so the emphasis in this first-rate celebration is on the covers, with hundreds reproduced in what looks like accurate (i.e., soul-shocking) color.”—Publishers Weekly

"In this entertaining and still-stimulating collection, the ways in which the various authors dealt with their work emerge with radical variety, just as different individuals treat their more basic instincts." —David Cotner, LA WeeklyContributions by Stephen J. Gertz, Jay A. Gertzman, John Gilmore, Michael Hemmingson, Lydia Lunch, Lynn Munroe, and Robert Silverberg.Sin-A-Rama celebrates the near-forgotten world of erotic paperbacks from the 1960s when sex acts were described with code words, writers used pseudonyms, and publishers hid behind mail drop addresses.Sleaze paperbacks sold by the million, and their unorthodox content provoked FBI investigations, court battles, and prison sentences for the crime of "obscenity." Earl Kemp, the notorious Greenleaf Books editor, provides an insider's perspective. In "My Life as a Pornographer," science fiction legend Robert Silverberg divulges how he and other authors learned their sleaze craft.The bizarre glories of cover artists Robert Bonfils, Gene Bilbrew, Eric Stanton, Bill Ward and others are seen throughout in lurid color. A useful appendix reveals the actual names behind the pseudonyms, revealing both the established and fly-by-night sleaze paperback operators.The new expanded edition includes B. Astrid Daley's profiles on "Occult Sleaze," "Swinging Sleaze," and the tawdry taboo stuff that sleaze literature fell into during the 1970s.

“In SUBURBAN GRINDHOUSE, Nick Cato becomes the Marcel Proust of trash cinema, resurrecting memories of the kinds of late, lamented, Mom and Pop fleapits in which seeing an anti-social movie with your buddies was a gloriously anti-social act.” — Michael Marano, movie columnist Cemetery DanceFilm review books may be a dime a dozen, but how many include the actual experience of witnessing the movie in a theater?Zine editor and online columnist Nick Cato shares his time growing up in seedy NY and NJ theaters, and how these screenings helped to shape opinion of the movies. Whether one of his beloved local theaters in Staten Island, NY, or at a double feature at the infamous 42nd Street in Times Square during its heyday, audiences were always lively and outspoken.Part memoir, part film criticism, SUBURBAN GRINDHOUSE looks at the audiences as much as it is a book about exploitation movies themselves. 

"In this entertaining and still-stimulating collection, the ways in which the various authors dealt with their work emerge with radical variety, just as different individuals treat their more basic instincts." —David Cotner, LA WeeklyContributions by Stephen J. Gertz, Jay A. Gertzman, John Gilmore, Michael Hemmingson, Lydia Lunch, Lynn Munroe, and Robert Silverberg.Sin-A-Rama celebrates the near-forgotten world of erotic paperbacks from the 1960s when sex acts were described with code words, writers used pseudonyms, and publishers hid behind mail drop addresses.Sleaze paperbacks sold by the million, and their unorthodox content provoked FBI investigations, court battles, and prison sentences for the crime of "obscenity." Earl Kemp, the notorious Greenleaf Books editor, provides an insider's perspective. In "My Life as a Pornographer," science fiction legend Robert Silverberg divulges how he and other authors learned their sleaze craft.The bizarre glories of cover artists Robert Bonfils, Gene Bilbrew, Eric Stanton, Bill Ward and others are seen throughout in lurid color. A useful appendix reveals the actual names behind the pseudonyms, revealing both the established and fly-by-night sleaze paperback operators.The new expanded edition includes B. Astrid Daley's profiles on "Occult Sleaze," "Swinging Sleaze," and the tawdry taboo stuff that sleaze literature fell into during the 1970s.

Book is in NEW condition. 0.81

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.81

To Boldly Sleaze Creature - CD 608866398486

The badass baby sister of our iconic July fisherman sandal. We love a nostalgic trend, and the reintroduction of stud treatments has us ready to relive our indie-sleaze fantasy, but in a new, refined way! The Calix studded fisherman sandal has oversized silver nail stud accents along the straps, an adjustable slingback and an approachable block heel that combined make it surprisingly versatile styling piece. Leather upper Leather lining Silver nailhead stud accents Memory foam footbed Care instructions: Spot clean with damp cloth

The badass baby sister of our iconic July fisherman sandal. We love a nostalgic trend, and the reintroduction of stud treatments has us ready to relive our indie-sleaze fantasy, but in a new, refined way! The Calix studded fisherman sandal has oversized silver nail stud accents along the straps, an adjustable slingback and an approachable block heel that combined make it surprisingly versatile styling piece. Leather upper Leather lining Silver nailhead stud accents Memory foam footbed Care instructions: Spot clean with damp cloth

The badass baby sister of our iconic July fisherman sandal. We love a nostalgic trend, and the reintroduction of stud treatments has us ready to relive our indie-sleaze fantasy, but in a new, refined way! The Calix studded fisherman sandal has oversized silver nail stud accents along the straps, an adjustable slingback and an approachable block heel that combined make it surprisingly versatile styling piece. Leather upper Leather lining Silver nailhead stud accents Memory foam footbed Care instructions: Spot clean with damp cloth

The badass baby sister of our iconic July fisherman sandal. We love a nostalgic trend, and the reintroduction of stud treatments has us ready to relive our indie-sleaze fantasy, but in a new, refined way! The Calix studded fisherman sandal has oversized silver nail stud accents along the straps, an adjustable slingback and an approachable block heel that combined make it surprisingly versatile styling piece. Leather upper Leather lining Silver nailhead stud accents Memory foam footbed Care instructions: Spot clean with damp cloth

Thanks for checking out our store! By purchasing this listing, you will receive:One (1) MIDNIGHT - 20 Years Of Hell, Speed & Sleaze Tour 2023 ...

The badass baby sister of our iconic July fisherman sandal. We love a nostalgic trend, and the reintroduction of stud treatments has us ready to relive our indie-sleaze fantasy, but in a new, refined way! The Calix studded fisherman sandal has oversized silver nail stud accents along the straps, an adjustable slingback and an approachable block heel that combined make it surprisingly versatile styling piece. Leather upper Leather lining Silver nailhead stud accents Memory foam footbed Care instructions: Spot clean with damp cloth