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David Wilkerson says of this book:"Leonard Ravenhill writes with the power and unction of John Wesley. It is impossible to read his works and still remain uncommitted."When you read this book you are likely to come to the same conclusion. Here are twenty burning essays on the need of spiritual awakening and ten chapters on the impressive lives of remarkably effective Christians who were leaders in true revival. Such an array of truth is bound to make a lasting impression on you.

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Sodom and Gomorrah (Original Motion Picture Soundtrack) Miklos Rozsa - CD 8032628997174

Hardcover. Marcel Prousts In Search of Lost Time is considered by many to be the greatest novel of the twentieth century. The fourth volume, Sodom and Gomorrah, is notable for its pioneering discussion of homosexuality. After publication, Colette wrote Proust: No one has written pages such as these on homosexuals, no one! This edition is edited and annotated by Proust scholar William C. Carter, who endeavors to bring the classic C. K. Scott Moncrieff translation closer to the spirit and style of the original. An authoritative new edition of the fourth volume in Marcel Prousts epic masterwork, In Search of Lost Time Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 2.78

Unread book in perfect condition.

Sodom Had No Bible is a classic by one of America's foremost voices for revival. The book is a call for America to trust God for heaven sent revival. Ravenhill adds biographical sketches of great revialists, including Jonathan Edwards, George Whitefield, Richard Baxter, John Wesley and many more.

The fourth volume of one of the greatest novels of the twentieth centuryJohn Sturrock's acclaimed new translation of Sodom and Gomorrah will introduce a new generation of American readers to the literary riches of Proust. The fourth volume in this superb edition of In Search of Lost Time—the first completely new translation of Proust's masterpiece since the 1920s—brings us a more comic and lucid prose than English readers have previously been able to enjoy.Sodom and Gomorrah takes up the theme of homosexual love, male and female, and dwells on how destructive sexual jealousy can be for those who suffer it. Proust’s novel is also an unforgiving analysis of both the decadent high society of Paris and the rise of a philistine bourgeoisie that is on the way to supplanting it. Characters who had lesser roles in earlier volumes now reappear in a different light and take center stage, notably Albertine, with whom the narrator believes he is in love, and the insanely haughty Baron de Charlus.

Sodom on the Thames looks closely at three episodes involving sex between men in late-nineteenth-century England. Morris Kaplan draws on extensive research into court records, contemporary newspaper accounts, personal correspondence and diaries, even a pornographic novel. He focuses on two notorious scandals and one quieter incident. In 1871, transvestites "Stella" (Ernest Boulton) and "Fanny" (Frederick Park), who had paraded around London's West End followed by enthusiastic admirers, were tried for conspiracy to commit sodomy. In 1889–1890, the "Cleveland Street affair" revealed that telegraph delivery boys had been moonlighting as prostitutes for prominent gentlemen, one of whom fled abroad. In 1871, Eton schoolmaster William Johnson resigned in disgrace, generating shockwaves among the young men in his circle whose romantic attachments lasted throughout their lives. Kaplan shows how profoundly these scandals influenced the trials of Oscar Wilde in 1895 and contributed to growing anxiety about male friendships. Sodom on the Thames reconstructs these incidents in rich detail and gives a voice to the diverse people involved. It deepens our understanding of late Victorian attitudes toward urban culture, masculinity, and male homoeroticism. Kaplan also explores the implications of such historical narratives for the contemporary politics of sexuality.

Sin Of Sodom Dreadful Fate - LP 7041889505807

May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.4

Sodom Had No Bible is a classic by one of America's foremost voices for revival. The book is a call for America to trust God for heaven sent revival. Ravenhill adds biographical sketches of great revialists, including Jonathan Edwards, George Whitefield, Richard Baxter, John Wesley and many more.

Sodom on the Thames looks closely at three episodes involving sex between men in late-nineteenth-century England. Morris Kaplan draws on extensive research into court records, contemporary newspaper accounts, personal correspondence and diaries, even a pornographic novel. He focuses on two notorious scandals and one quieter incident. In 1871, transvestites "Stella" (Ernest Boulton) and "Fanny" (Frederick Park), who had paraded around London's West End followed by enthusiastic admirers, were tried for conspiracy to commit sodomy. In 1889–1890, the "Cleveland Street affair" revealed that telegraph delivery boys had been moonlighting as prostitutes for prominent gentlemen, one of whom fled abroad. In 1871, Eton schoolmaster William Johnson resigned in disgrace, generating shockwaves among the young men in his circle whose romantic attachments lasted throughout their lives. Kaplan shows how profoundly these scandals influenced the trials of Oscar Wilde in 1895 and contributed to growing anxiety about male friendships. Sodom on the Thames reconstructs these incidents in rich detail and gives a voice to the diverse people involved. It deepens our understanding of late Victorian attitudes toward urban culture, masculinity, and male homoeroticism. Kaplan also explores the implications of such historical narratives for the contemporary politics of sexuality.

With a focus on mainline Protestants and gay rights activists in the twentieth century, Heather R. White challenges the usual picture of perennial adversaries with a new narrative about America's religious and sexual past. White argues that today's antigay Christian traditions originated in the 1920s when a group of liberal Protestants began to incorporate psychiatry and psychotherapy into Christian teaching. A new therapeutic orthodoxy, influenced by modern medicine, celebrated heterosexuality as God-given and advocated a compassionate "cure" for homosexuality.White traces the unanticipated consequences as the therapeutic model, gaining popularity after World War II, spurred mainline church leaders to take a critical stance toward rampant antihomosexual discrimination. By the 1960s, a vanguard of clergy began to advocate for homosexual rights. White highlights the continued importance of this religious support to the consolidating gay and lesbian movement. However, the ultimate irony of the therapeutic orthodoxy's legacy was its adoption, beginning in the 1970s, by the Christian Right, which embraced it as an age-old tradition to which Americans should return. On a broader level, White challenges the assumed secularization narrative in LGBT progress by recovering the forgotten history of liberal Protestants' role on both sides of the debates over orthodoxy and sexual identity.

The past decade has seen homosexual scandals in the Catholic Church becoming ever more visible, and the Vatican's directives on homosexuality becoming ever more forceful, begging the question Mark Jordan tries to answer here: how can the Catholic Church be at once so homophobic and so homoerotic? His analysis is a keen and readable study of the tangled relationship between male homosexuality and modern Catholicism. "[Jordan] has offered glimpses, anecdotal stories, and scholarly observations that are a whole greater than the sum of its parts. . . . If homosexuality is the guest that refuses to leave the table, Jordan has at least shed light on why that is and in the process made the whole issue, including a conflicted Catholic Church, a little more understandable."—Larry B. Stammer, Los Angeles Times "[Jordan] knows how to present a case, and with apparently effortless clarity he demonstrates the church's double bind and how it affects Vatican rhetoric, the training of priests, and ecclesiastical protectiveness toward an army of closet cases. . . . [T]his book will interest readers of every faith."—Daniel Blue, Lambda Book Report A 2000 Lambda Literary Award Finalist

The past decade has seen homosexual scandals in the Catholic Church becoming ever more visible, and the Vatican's directives on homosexuality becoming ever more forceful, begging the question Mark Jordan tries to answer here: how can the Catholic Church be at once so homophobic and so homoerotic? His analysis is a keen and readable study of the tangled relationship between male homosexuality and modern Catholicism."[Jordan] has offered glimpses, anecdotal stories, and scholarly observations that are a whole greater than the sum of its parts. . . . If homosexuality is the guest that refuses to leave the table, Jordan has at least shed light on why that is and in the process made the whole issue, including a conflicted Catholic Church, a little more understandable."—Larry B. Stammer, Los Angeles Times"[Jordan] knows how to present a case, and with apparently effortless clarity he demonstrates the church's double bind and how it affects Vatican rhetoric, the training of priests, and ecclesiastical protectiveness toward an army of closet cases. . . . [T]his book will interest readers of every faith."—Daniel Blue, Lambda Book ReportA 2000 Lambda Literary Award Finalist

Aeons in Sodom Urgehal - LP 822603186314

The notorious final film from Pier Paolo Pasolini, Sal, or The 120 Days of Sodom has been called nauseating, shocking, depraved, pornographic... It's also a masterpiece. The controversial poet, novelist, and filmmaker's transposition of the Marquis de Sade's eighteenth-century opus of torture and degradation to Fascist Italy in 1944 remains one of the most passionately debated films of all time, a thought-provoking inquiry into the political, social, and sexual dynamics that define the world we

The 120 Days of Sodom is the most extreme book in the history of literature. The Marquis de Sade narrates the escalating sex-crimes of four libertines who barricade themselves in a remote castle with both male and female victims and accomplices for a four-month, precipitous orgy of sodomy, coprophagia and rape leading inexorably towards torture and human decimation. A masterpiece of black humour, pornographic to a point of excess and aberration never reached by any other writer, and required reading for anyone looking for the seminal origins of contemporary culture's fascination with cruelty and violence, The 120 Days of Sodom is the first and ultimate literary outrage. It also stands as the first attempt by an author to collate a systematic psychopathology of human sexual disorder, pre-dating Krafft-Ebing's Psychopathia Sexualis by a century.Until now, Sade's masterwork was only available in tame, outdated translations. This new, uncensored and more complete version of The 120 Days of Sodom brings the work back to incendiary life, returning it to the streamlined status of the revolutionary, raw work Sade had intended. Unbearable, unforgettable, violent, cruel, blasphemous, obscene: The 120 Days of Sodom is a unique and addictive detonation of the senses for the discerning 21st century reader.With a foreword by Georges Bataille, author of The Story of the Eye.

The biblical story of the destruction of Sodom has inspired countless literary visions. The city has elicited writing from Milton, Sade, Proust, Dostoevsky and Tournier, among others. This work contains an anthology of Sodom texts spanning several centuries. Paul Hallam has also provided his own reading of these languages of prejudice, obsession and desire in an extensive essay.