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A meditation on the dilemmas and desires for home that combines the writings of art critic and cultural historian Rebecca Solnit with painter Stefan Kurten's lush images of domestic interiors, buildings and landscapes. Solnit reflects on emotional privatization, real-estate fetishism, and aesthetic pleasure, while Kurten's paintings of stale bourgeois interiors and suburban homes project a dogged attempt to make life perfect, at least on the surface. His armchairs, teapots and planter boxes suggest that we are living in a peculiar state of safety and bliss. Together, the text and images question the equation of ideal houses with ideal lives, the images that shape our perception of childhood, and our notion of a fulfilled adulthood.

A meditation on the dilemmas and desires for home that combines the writings of art critic and cultural historian Rebecca Solnit with painter Stefan Kurten's lush images of domestic interiors, buildings and landscapes. Solnit reflects on emotional privatization, real-estate fetishism, and aesthetic pleasure, while Kurten's paintings of stale bourgeois interiors and suburban homes project a dogged attempt to make life perfect, at least on the surface. His armchairs, teapots and planter boxes suggest that we are living in a peculiar state of safety and bliss. Together, the text and images question the equation of ideal houses with ideal lives, the images that shape our perception of childhood, and our notion of a fulfilled adulthood.

The characters in these nine short stories abandon families, plot assassinations, nurse vendettas, tease, taunt, and terrorize. They retaliate for bad marriages, dream of weddings, and wait decades for lovers. How far will we go to escape to a better dream? What consequences must we face for hope and fantasy? Robin McLean's stories are strange, often disturbing and funny, and as full of foolishness and ugliness as they are of the wisdom and beauty all around us.Robin McLean holds an MFA from UMass Amherst. She teaches at Clark University and lives in Bristol, New Hampshire, and Sunderland, Massachusetts.

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This practical handbook demystifies development review. It explains the tools of local regulation and the technical, bureaucratic, and organizational skills planners need to be effective. Solnit shows how to work with developers, evaluate projects, and use fiscal impact analysis. Includes a section on planning ethics, checklists, and tips on negotiating. Chapters by contributing authors cover subdivision plats, site plans, appearance codes, and writing zoning reports. The Job of the Practicing Planner is a perfect introductory textbook in classes for planners and a practical handbook for people already on the job.

This book blends personal observations on Yosemite with reflections on photography and aesthetics, tourism and public life, and the histories of environmental and social politics. Rebecca Solnit’s linked essays are interwoven with stunning images old and new: the book combines classic pictures by Eadweard Muybridge, Ansel Adams, and Edward Weston with painstakingly re-photographed versions to show the startling changes wrought over time by nature and humankind. Yosemite in Time paints a multifaceted portrait of a natural treasure that reflects the most compelling issues of our time.

To Rebecca Solnit, the word "landscape" implies not only literal places, but also the ground on which we invent our lives and confront our innermost troubles and desires. The organic world, to Solnit, gives rise to the social, political, and philosophical landscapes we inhabit. As Eve Said to the Serpent skillfully weaves the natural world with the realm of art―its history, techniques, and criticism―to offer a remarkable compendium of Solnit's research and ruminations.The nineteen pieces in this book range from the intellectual formality of traditional art criticism to highly personal, lyrical meditations. All are distinguished by Solnit's vivid, original style that blends imaginative associations with penetrating insights. These thoughts produce quirky, intelligent, and wryly humorous content as Solnit ranges across disciplines to explore nuclear test sites, the meaning of national borders, deserts, clouds, and caves―as well as ideas of the feminine and the sublime as they relate to our physical and psychological terrains.Sixty images throughout the book display the work of the contemporary artists under discussion, including landscape photographers, performance artists, sculptors, and installation artists. Alongside her text, Solnit's gallery of images provides a vivid excursion into new ways of perceiving landscape, bodies, and art. Animals and the human body appear together with space and terra firma as Solnit reconfigures the blurred lines that define nature.

Inspired by medieval bestiaries, in which animals were presented in a fashion that favored the fanciful over the factual, Solnit and Caron have partnered to create their own book of magical beasts—one in which the truth is stranger than fiction. Deeply aware of how much animal lore feeds the language of human imagination, Solnit uses her unique literary prowess to describe native California animals in such a way that they become as thrilling as any exotic creature of yore. From the bluebelly lizard and the California condor to the elephant seal and tule elk, this wondrous cast of characters reveal the depth of their magic. Enriched by Caron's illustrations, which keenly explore the play between human and animal realms, this collection will feed your dreams. This book was created in partnership with the Oakland Zoo, which has just unveiled plans to create an ambitious native California animal exhibit where local species will be rehabilitated and cared for.

When the first edition of Hope in the Dark was published in mid-2004 it gained an instant cult audience. Many readers were so inspired by Solnit's book that they bought multiple copies to give to friends. This new, significantly expanded edition covers, among other things, the political territory of America and the world after George Bush's re-election. Acclaimed author Rebecca Solnit draws on her life as a writer and activist, on the events of our moment, on our deepest past, to argue for hope—hope even in the dark. Solnit reminds us of how changed the world has been by the activism of the past five decades. Offering a dazzling account of some of the least expected of those changes, she proposes a vision of cause-and-effect relations that provides new grounds for political engagement in the present. Counting historic victories—from the fall of the Berlin wall to the Zapatista uprising to Seattle in 1999 to the worldwide marches against war in Iraq to Cancun in September 2003—she traces the rise of a sophisticated, supple, nonviolent new movement that unites all the diverse and fragmentary issues of the eighties and nineties in our new century.

Parisian producer Jonathan Fitoussi presents his debut album for Further Records, Imaginary Lines. Fitoussi finds inspiration from Rebecca Solnit's Storming The Gates Of Paradise: Landscapes For Politics (2007) and the concept of Harmony Of The Spheres to create six ravishing interstellar evocations. Referring to Solnit's work, Fitoussi states, "This idea that the constellations are an imaginary representation that man drew in the sky to serve as landmarks in space and on Earth is greatly appeal

Rebecca Solnit has made a vocation of journeying into difficult territory and reporting back, as an environmentalist, antiglobalization activist, and public intellectual. Storming the Gates of Paradise, an anthology of her essential essays from the past ten years, takes the reader from the Pyrenees to the U.S.--Mexican border, from San Francisco to London, from open sky to the deepest mines, and from the antislavery struggles of two hundred years ago to today’s street protests. The nearly forty essays collected here comprise a unique guidebook to the American landscape after the millennium―not just the deserts, skies, gardens, and wilderness areas that have long made up Solnit’s subject matter, but the social landscape of democracy and repression, of borders, ruins, and protests. She ventures into territories as dark as prison and as sublime as a broad vista, revealing beauty in the harshest landscape and political struggle in the most apparently serene view. Her introduction sets the tone and the book’s overarching themes as she describes Thoreau, leaving the jail cell where he had been confined for refusing to pay war taxes and proceeding directly to his favorite huckleberry patch. In this way she links pleasure to politics, brilliantly demonstrating that the path to paradise has often run through prison.These startling insights on current affairs, politics, culture, and history, always expressed in Solnit’s pellucid and graceful prose, constantly revise our views of the otherwise ordinary and familiar. Illustrated throughout, Storming the Gates of Paradise represents recent developments in Solnit’s thinking and offers the reader a panoramic world view enriched by her characteristically provocative, inspiring, and hopeful observations.

From the author of Men Explain Things to Me, a personal, lyrical narrative about storytelling and empathy – a fitting companion to Solnit’s A Field Guide to Getting Lost   A finalist for the National Book Critics Circle AwardIn this exquisitely written new book by the author of A Paradise Built in Hell, Rebecca Solnit explores the ways we make our lives out of stories, and how we are connected by empathy, by narrative, by imagination. In the course of unpacking some of her own stories—of her mother and her decline from memory loss, of a trip to Iceland, of an illness—Solnit revisits fairytales and entertains other stories: about arctic explorers, Che Guevara among the leper colonies, and Mary Shelley’s Dr. Frankenstein, about warmth and coldness, pain and kindness, decay and transformation, making art and making self. Woven together, these stories create a map which charts the boundaries and territories of storytelling, reframing who each of us is and how we might tell our story.

A Book of Migrations is a postcolonial revision of conventional travel literature. In her passage through Ireland, Rebecca Solnit portrays in microcosm a history made of great human tides of invasion, colonization, emigration, nomadism and tourism. Her observations carve a new3 route through Ireland’s history, literature and landscape.

"The maps themselves are things of beauty." —The New York Times   Explore the hidden histories of San Francisco, New Orleans, and New York with this brilliant reinvention of the traditional atlas. From Rebecca Solnit, Rebecca Snedeker, and Joshua Jelly-Schapiro.   In the past decade, Rebecca Solnit—aided by local writers, artists, historians, urbanists, ethnographers, and cartographers—has compiled three stunning atlases that have radically changed the way we think about place. Each atlas provides a vivid, complex look at the multi-faceted nature of a city as experienced by its different inhabitants, replete with the celebrations and contradictions that make up urban life.   This three-volume paperback set contains: The original, gorgeously designed atlases—Infinite City: A San Francisco Atlas; Unfathomable City: A New Orleans Atlas; and Nonstop Metropolis: A New York City Atlas Three new and updated, full-color, fold-out posters for each city, including the popular “City of Women” mapA new and thoughtful essay by Rebecca Solnit reflecting on the project ten years after the publication of the first atlas   A stunning collection, this boxed set is a perfect treasury of imagination and insight, a rich people’s history of these infinite cities.  

Rebecca Solnit's essay 'Men Explain Things to Me' has become a touchstone of the feminist movement, inspired the term 'mansplaining', and established Solnit as one of the leading feminist thinkers of our time - one who has inspired everyone from radical activists to Beyonce Knowles. Collected here in print for the first time is the essay itself, along with the best of Solnit's feminist writings. From rape culture to mansplaining, from French sex scandals to marriage and the nuclear family, from Virginia Woolf to colonialism, these essays are a fierce and incisive exploration of the issues that a patriarchal culture will not necessarily acknowledge as 'issues' at all. With grace and energy, and in the most exquisite and inviting of prose, Rebecca Solnit proves herself a vital leading figure of the feminist movement and a radical, humane thinker.

To Rebecca Solnit, the word "landscape" implies not only literal places, but also the ground on which we invent our lives and confront our innermost troubles and desires. The organic world, to Solnit, gives rise to the social, political, and philosophical landscapes we inhabit. As Eve Said to the Serpent skillfully weaves the natural world with the realm of art―its history, techniques, and criticism―to offer a remarkable compendium of Solnit's research and ruminations.The nineteen pieces in this book range from the intellectual formality of traditional art criticism to highly personal, lyrical meditations. All are distinguished by Solnit's vivid, original style that blends imaginative associations with penetrating insights. These thoughts produce quirky, intelligent, and wryly humorous content as Solnit ranges across disciplines to explore nuclear test sites, the meaning of national borders, deserts, clouds, and caves―as well as ideas of the feminine and the sublime as they relate to our physical and psychological terrains.Sixty images throughout the book display the work of the contemporary artists under discussion, including landscape photographers, performance artists, sculptors, and installation artists. Alongside her text, Solnit's gallery of images provides a vivid excursion into new ways of perceiving landscape, bodies, and art. Animals and the human body appear together with space and terra firma as Solnit reconfigures the blurred lines that define nature.

Rebecca Solnit has made a vocation of journeying into difficult territory and reporting back, as an environmentalist, antiglobalization activist, and public intellectual. Storming the Gates of Paradise, an anthology of her essential essays from the past ten years, takes the reader from the Pyrenees to the U.S.--Mexican border, from San Francisco to London, from open sky to the deepest mines, and from the antislavery struggles of two hundred years ago to today’s street protests. The nearly forty essays collected here comprise a unique guidebook to the American landscape after the millennium not just the deserts, skies, gardens, and wilderness areas that have long made up Solnit’s subject matter, but the social landscape of democracy and repression, of borders, ruins, and protests. She ventures into territories as dark as prison and as sublime as a broad vista, revealing beauty in the harshest landscape and political struggle in the most apparently serene view. Her introduction sets the tone and the book’s overarching themes as she describes Thoreau, leaving the jail cell where he had been confined for refusing to pay war taxes and proceeding directly to his favorite huckleberry patch. In this way she links pleasure to politics, brilliantly demonstrating that the path to paradise has often run through prison.These startling insights on current affairs, politics, culture, and history, always expressed in Solnit’s pellucid and graceful prose, constantly revise our views of the otherwise ordinary and familiar. Illustrated throughout, Storming the Gates of Paradise represents recent developments in Solnit’s thinking and offers the reader a panoramic world view enriched by her characteristically provocative, inspiring, and hopeful observations.

This personal, lyrical narrative about storytelling and empathy from award winner Rebecca Solnit is a fitting companion to her beloved A Field Guide for Getting LostIn this exquisitely written new book by the author of A Paradise Built in Hell, Rebecca Solnit explores the ways we make our lives out of stories, and how we are connected by empathy, by narrative, by imagination. In the course of unpacking some of her own stories—of her mother and her decline from memory loss, of a trip to Iceland, of an illness—Solnit revisits fairytales and entertains other stories: about arctic explorers, Che Guevara among the leper colonies, and Mary Shelley’s Dr. Frankenstein, about warmth and coldness, pain and kindness, decay and transformation, making art and making self. Woven together, these stories create a map which charts the boundaries and territories of storytelling, reframing who each of us is and how we might tell our story.

This practical handbook demystifies development review. It explains the tools of local regulation and the technical, bureaucratic, and organizational skills planners need to be effective. Solnit shows how to work with developers, evaluate projects, and use fiscal impact analysis. Includes a section on planning ethics, checklists, and tips on negotiating. Chapters by contributing authors cover subdivision plats, site plans, appearance codes, and writing zoning reports. The Job of the Practicing Planner is a perfect introductory textbook in classes for planners and a practical handbook for people already on the job.

Rebecca Solnit's essay 'Men Explain Things to Me' has become a touchstone of the feminist movement, inspired the term 'mansplaining', and established Solnit as one of the leading feminist thinkers of our time - one who has inspired everyone from radical activists to Beyonce Knowles. Collected here in print for the first time is the essay itself, along with the best of Solnit's feminist writings. From rape culture to mansplaining, from French sex scandals to marriage and the nuclear family, from Virginia Woolf to colonialism, these essays are a fierce and incisive exploration of the issues that a patriarchal culture will not necessarily acknowledge as 'issues' at all. With grace and energy, and in the most exquisite and inviting of prose, Rebecca Solnit proves herself a vital leading figure of the feminist movement and a radical, humane thinker.