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Bilingual Edition No-pa16apr2015-kap

Links for Publishing / Vitrum, Dublin, 1998. Hardcover, 155 pp. Large, near-square format. Works in glass by designer and architect Ettore Sottsass (1917-1998). Profusely illustrated in color. Near fine. **Heavy or oversize Item. An extra shipping charge may apply.**

Ferrari, Fulvio Sottsass. Tutta la ceramica. Ediz. illustrata. , Allemandi 1995 italiano, 192 Edizione Allemandi - Archivi di ArtI Decorative - APRILE 1996 - in COPERTINA RIGIDA rivestita di sovracoperta illustrata. Sovracoperta con qualche lieve macchia sia sul lato anteriore che posteriore, lievi increspature e lievi usure sul margine superiore e inferiore. Copertina rigida con qualche usura su qualche spigolo. Tutto come da foto allegate. Pagine all'interno in ottime condizioni. Disponibilità immediata e spedizione con corriere tracciata.

Shows examples of the Italian firm's designs for furniture, robots, telephones, shop interiors, carpets, offices, and exhibits

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 3.51

In shrink wrap. Looks like an interesting title!

Shows examples of the Italian firm's designs for furniture, robots, telephones, shop interiors, carpets, offices, and exhibits

Italian designer Ettore Sottsass is celebrated intemationally for his contribution to architecture, industrial and furniture design, ceramics, jewellery, crafts, graphic design, and photography. He founded the Memphis group, and through its startling, eclectic and irreverent aesthetic he dominated furniture and interior style for over a decade. Almost every area of modem design displays his influence. Featuring over 100 full-page colour illustrations - photographs, architectural drawings, sketches, collages - this monograph explores Sottsass's work in all his many fields of activity, including his world-famous office products for Olivetti, and his colourful Memphis furniture. Barbara Radice, a long-time associate of Sottsass, gives a sensitive account of his life and work, drawing on her keen understanding of his talents, personality, preoccupations, likes and dislikes. She outlines his working methods, describes the inspiration he draws from popular culture, follows him on his constant travels, and explains the interactions necessary for his long-term responsibilities at Olivetti's design division. This is a complete summary of the career and achievement of Ettore Sottsass - not only perhaps the most important and gifted designer of modern times, but easily the most stimulating, innovative, inspired and entertaining. Barbara Radice is the editor of "Terrazzo" and a regular contributor to several Italian art and design magazines. She was co-author of "Sottsass Associates" (1989).

Used book that is in excellent condition. May show signs of wear or have minor defects.

Ettore Sottsass: Architect and Designer - the first significant study of the work of Sottsass for over a decade - emphasizes the continuing diversity and innovation of his professional life while illuminating his personal design philosophy, his belief in the intimate relationship between design and the individual, and his fundamental humanity and joie de vivre. Drawing in particular on the work of the two decades since Sottsass left the Memphis collective, this book reassesses his relationship to Modernism and Postmodernism, analyzes the increasing importance to Sottsass of his own architectural practice, and considers both his acceptance and his rejection of the traditional use of materials. In a series of interviews specially undertaken for this book, Sottsass reflects on the cross-currents of ideas and influences that have guided his long career.

The incredible life story of one of the 20th century's most important designers, who knew everyone from Hemingway to Picasso.Ettore Sottsass and the Poetry of Things chronicles the life and times of one of the most important, prolific, and, above all, interesting designers and architects of the 20th century. Sottsass (1917-2007), originally trained as an architect and worked as a design consultant for Olivetti, where he developed the iconic Valentine typewriter, before going on to found the Memphis Group in the 1980s, ushering in an era of influential designs in furniture, ceramics and lighting that continue to inspire design minds today with their flamboyance and use of color.Author Deyan Sudjic (Director of London's Design Museum) does not limit his narrative to an examination of Sottsass' iconic designs. Though a native son of Italy, Sottsass cast a shadow of influence on the entire world, traveling extensively over the course of his life and interacting with some of the 20th century's most iconic figures, including Picasso, Hemingway and Allen Ginsberg. Sudjic's writing, complemented by unpublished personal photographs from Sottsass' archive, offers a unique view of Sottsass from the perspective of the world that surrounded him, recounting anecdotes of encounters between the designer and his famous contemporaries. The result is a unique and comprehensive portrait not only Sottsass but of the last 100 years of design in Italy and around the world.Features anecdotes of his encounters with the biggest creatives of the time, and details of his influences and inspirations, documenting the contemporary design scene both in Italy and abroad.

Paris 2006. 1 Volume/1. -- Comme Neuf -- Broché .------- 32 pages.************** ref 193

The brilliant architect and designer Ettore Sottsass (1917–2007) designed glass wares from 1947 until the end of his career. He established a working relationship with the glass makers on the Venetian island of Murano during the 1940s, exhibiting glass works at the 1948 Venice Biennale and continuing to work with the city’s craftsmen over the following decades, producing Murano glass pieces under aegis of the Memphis group during the 1980s. Colorful and sculptural, these works are intriguingly ambiguous; Sottsass said of them, “I’ve tried to get away from the everyday object and sought to make Glass works with a capital G. Of course, that’s a dangerous approach, because I don’t want to be an artist, or a sculptor, but in the end the objects I produce look like glass sculptures, and yet they aren’t: they’re a mix that’s hard to fathom.”Published on the 100th anniversary of Sottsass’ birth, this catalogue raisonné documents the entire period of his glass and crystal oeuvre, from the series he designed in the 1970s for Vistosi to the Memphis collections of the 1980s, the symbolic forms of the 1990s, the stunning constructions for the Millennium House in Qatar and the famous Kachinas.The book’s wealth of images, analysis of design and painting, examination of the works’ cultural and artistic context and reproduction of works (including many unpublished pieces) make this volume the first thorough study on Ettore Sottsass’ works in glass and crystal.

Ettore Sottsass: Architect and Designer - the first significant study of the work of Sottsass for over a decade - emphasizes the continuing diversity and innovation of his professional life while illuminating his personal design philosophy, his belief in the intimate relationship between design and the individual, and his fundamental humanity and joie de vivre. Drawing in particular on the work of the two decades since Sottsass left the Memphis collective, this book reassesses his relationship to Modernism and Postmodernism, analyzes the increasing importance to Sottsass of his own architectural practice, and considers both his acceptance and his rejection of the traditional use of materials. In a series of interviews specially undertaken for this book, Sottsass reflects on the cross-currents of ideas and influences that have guided his long career.

A new edition of the acclaimed monograph on the legendary designer, published to coincide with the centenary of his birth.The life and work of Ettore Sottsass is more relevant than ever, with exhibitions around the world and renewed collector interest in the Memphis movement. Now available in a new format, this book, packed with beautiful images taken from the extensive Sottsass archives and including drawings and sketches from the designer's countless sketchbooks, explores his entire career from the 1940s to the 2000s, covering everything from his architectural projects and product design to his jewellery, sculpture, and graphics.

The brilliant architect and designer Ettore Sottsass (1917–2007) designed glass wares from 1947 until the end of his career. He established a working relationship with the glass makers on the Venetian island of Murano during the 1940s, exhibiting glass works at the 1948 Venice Biennale and continuing to work with the city’s craftsmen over the following decades, producing Murano glass pieces under aegis of the Memphis group during the 1980s. Colorful and sculptural, these works are intriguingly ambiguous; Sottsass said of them, “I’ve tried to get away from the everyday object and sought to make Glass works with a capital G. Of course, that’s a dangerous approach, because I don’t want to be an artist, or a sculptor, but in the end the objects I produce look like glass sculptures, and yet they aren’t: they’re a mix that’s hard to fathom.”Published on the 100th anniversary of Sottsass’ birth, this catalogue raisonné documents the entire period of his glass and crystal oeuvre, from the series he designed in the 1970s for Vistosi to the Memphis collections of the 1980s, the symbolic forms of the 1990s, the stunning constructions for the Millennium House in Qatar and the famous Kachinas.The book’s wealth of images, analysis of design and painting, examination of the works’ cultural and artistic context and reproduction of works (including many unpublished pieces) make this volume the first thorough study on Ettore Sottsass’ works in glass and crystal.

Drawing in part on the FRAC Centre collection, this book gathers together unique works and projects drawings, furniture, objects, ceramics, photographs, written works and architecture wherein over a period of time Sottsass frees himself from the principles of functionalism and rationalism and moves towards the development of a new sensorial language. Overflowing with full page images and containing minimal French text, this publication allows for an fascinating insight into one of the most important designers of the 20th century.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 3.15

A radical look at a radical designer, this book locates Sottsass's work within the larger landscape of postwar political thinking and economic change.Including newly commissioned essays by curators and scholars, this book explores how Sottsass's art and philosophy presaged the dawn of PCs, the service industry, and the gig economy. Ettore Sottsass was an architect, industrial designer, painter, writer, photographer, and founder of the Memphis group, whose designs are undergoing an impressive renaissance. But Sottsass was more than just an important designer. His approach to object design--marked by bold colors, tactility, and vitality--was a direct response to the world of mass production and the assembly-line economy. This revelatory collection of essays by leading thinkers in the fields of political theory, economics, the media, design history, and cultural theory contextualizes Sottsass's work in unprecedented arguments that draw a line from his work at Olivetti to the iconoclastic designs he produced at the dawn of the 21st century. Divided into five chronological sections--from the late 1950s to Sottsass's death in 2007-- these essays are illustrated with vibrant images of his work and archival photographs. Deeply researched, the book makes crucial connections between postwar Europe and America, and the way we work and live today.Published with the Institute of Contemporary Art, Miami

Founder of the legendary Memphis design movement, the Italian designer, Ettore Sottsass is renowned for his contribution to almost every area of modern design. Architecture, furniture, photography, graphic design, jewelry and other crafts have all come under his influence. This book focuses on his ceramics, created between 1956 and the present day. A diverse collection of objects both decorative and functional, his ceramics are imaginative and innovative. Chronologically from the 1950s to the present, Sottsass describes his working methods and motivations, dividing his ceramics into various "episodes" each showing different influences and styles.