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Since 1950, French Caribbean writers have attracted international attention to their work and to their lively exploration of the unique circumstances that detonated this literary explosion. This book probes their particularly intense, even fraught sensitivity to space and to time, highlighting the insights that they offer into global issues of distance and displacement, history and memory, and into the possibilities and constraints of writing.

MORLEY POWER WAH Vintage Sounding Guitar Pedal Optical MTPWO With Cables DESCRIPTION:In the 1970's Morley Man got his hands on the Power Wah, which...

This is the RF-07 Analog Chorus from Yuer. Same great sound for the price as Kimse and same inside except for the different shell name.These are on...

6 sounding board catalogs from 2010 to 2012. You can see exactly which ones by looking at the pictures.

Solitude is not foreign to anyone. It is a universal reality that permeates all our experiences. But why write a book about it? One answer: God. God is the One we seek in solitude. Solitude, which is a listening to God, a being with God, an attentiveness to God s word and wisdom, and a being-in-love with God, is worth the journey into it. Persons who enter into solitude and taste its fruitswill no longer see as they saw before. Solitude offers another way of seeing. When we are open to discover and to receive, the mystery of solitude purifies the sight, the seeing, the beholding of each person. When solitude brings us to God, God brings us into new vision. This book is directed to all who seek God and who long to 'see' God and to know God s ways more truly.This book is for those who are so eager to be transformed in Christ that they are willing to wade into the waters of solitude. This book invites you to an exploration that begins with the desires to pray: to pray because the hunger for God pursues you; to pray because you believe the value of prayer. Solitude is a milieu of prayer: it beckons us to seek God. Prayer will lead you into the solitude God wants for you. Prayer opens the door to a solitude which will open you to God. Once you read this book, solitude will not be a solitude of emptiness; love will be near.

Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Soundings was first published in 1969. It was intended as an interim anthology of poetry for the Irish Leaving Certificate until such time as a more permanent volume could be devised. Twenty six years later it was replaced. In the meantime it had passed through the hands of hundreds of thousands of students in Ireland. Soundings might have been replaced but it was never fully forgotten. Old copies ended up with an individual personality honed out of manual annotations and thoughts, not all of them provided by the teacher. Scrawls in biro or pencil testified to the thoughts and daydreams many users. A surprising number of copies ended up in attics only to be rediscovered with delight many years later and to be given treasured status in new homes. One former student recalled how Soundings was the first school book to treat her as an adult. It made no concessions to the teenager. It didn't patronize. Its imagery was entirely in the poetry. The typography was appalling but the cover design still resonates. A decade after its demise, second hand copies of Soundings were fetching surprising prices. It was widely discussed in chat-rooms on the web. There were increasing demands for a reprint. So here is Soundings, in its original form just as you remember it. The same stony grey soil of Patrick Kavanagh's Monaghan; T.S. Eliot's same women who come and go talking of Michelangelo. Please enjoy once more!

As a young student in Paris, O’Connell was first enamored of the intriguing artistic imagery of Augustine’s works. The imagery continued to impress him as his scholarship continued. Now, after many years of research and regarding study on the topic, a thorough treatment of Augustine’s "image clusters" is revealed in this volume, Soundings in St. Augustine’s Imagination. That St. Augustine’s writings are empowered by use of poetic imagery is of interest to readers of philosophy, theology, as well as language. In this work, Augustine’s imagery is used as a basis to shed light on some of his thought which had previously puzzled the scholarly world. Soundings in St. Augustine’s Imagination is an imperative addition to any philosophical library and a rich reward for all intrigued by his dramatic use of language and metaphor.

Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Limited double vinyl LP pressing including large t-shirt. Sounding The Seventh Trumpet is the debut studio album by metal heads Avenged Sevenfold, originally released in 2001. The album was recorded in November 2000 at Westbeach Recorders in California. The title Sounding The Seventh Trumpet takes its name from the Book of Revelation, specifically referencing chapter 11 and the sounding of the last (seventh) trumpet, showing the end of the world. The album was recorded with a tiny budget of $2,0

For sale: The Mirage M-590i speakers are floor-standing, bipolar mini-tower speakers''Due to the size and weight of the set. We wil ship either in ...

, 399 pages, numerous black and white illustrations and diagrams throughout

From the Bible’s “Canst thou raise leviathan with a hook?” to Captain Ahab’s “From Hell’s heart I stab at thee!,” from the trials of Job to the legends of Sinbad, whales have breached in the human imagination as looming figures of terror, power, confusion, and mystery. In the twentieth century, however, our understanding of and relationship to these superlatives of creation underwent some astonishing changes, and with The Sounding of the Whale, D. Graham Burnett tells the fascinating story of the transformation of cetaceans from grotesque monsters, useful only as wallowing kegs of fat and fertilizer, to playful friends of humanity, bellwethers of environmental devastation, and, finally, totems of the counterculture in the Age of Aquarius. When Burnett opens his story, ignorance reigns: even Nature was misclassifying whales at the turn of the century, and the only biological study of the species was happening in gruesome Arctic slaughterhouses. But in the aftermath of World War I, an international effort to bring rational regulations to the whaling industry led to an explosion of global research—and regulations that, while well-meaning, were quashed, or widely flouted, by whaling nations, the first shot in a battle that continues to this day. The book closes with a look at the remarkable shift in public attitudes toward whales that began in the 1960s, as environmental concerns and new discoveries about whale behavior combined to make whales an object of sentimental concern and public adulation. A sweeping history, grounded in nearly a decade of research, The Sounding of the Whale tells a remarkable story of how science, politics, and simple human wonder intertwined to transform the way we see these behemoths from below.

Sounding Out: Pauline Oliveros and Lesbian Musicality examines the musical career of the avant-garde composer, accordionist, whose radical innovations of the 1960s, 70s and 80s have redefined the aesthetic and formal parameters of American experimental music. While other scholars have studied Oliveros as a disciple of John Cage and a contemporary of composers Terry Riley, Lou Harrison, Gordon Mumma, and Robert Ashley, Sounding Out resituates Pauline Oliveros in a gynecentric network of feminist activists, writers, artists and musicians. This book shows how the women in Oliveros’s life were central sources of creative energy and exchange during a crucial moment in feminist and queer cultural history. Crafting a dynamic relationship between feminism and music-making, this book offers a queerly original analysis of Oliveros’s work as a musical form of feminist activism and argues for the productive role of experimental music in lesbian feminist theory. Sounding Out combines key elements of feminist theories of lesbian sexuality with Oliveros’s major compositions, performances, critical essays, and interviews. It also includes previously unpublished correspondence between Oliveros and Edith Guttierez, Jill Johnston, Annea Lockwood, Kate Millett, and Jane Rule.  

In this delightful, phenomenological account, Kittelson writes in lively pursuit of the language of hearing, an ode to the persistent primacy of the ear. It's right here, she says, just around the corner from our noses.

Double LP version. Tony Allen, drums; Max Loderbauer, synthesizers; Moritz von Oswald, percussion sequencing, synthesizers, additional electronics. Mixed by Ricardo Villalobos. Artwork by Marc Brandenburg.

Pauline Oliveros and Guy Klucevsek's Sounding / Way was originally released on cassette in 1986 and has been out of print ever since. This LP was cut by John Golden and pressed at RTI in order to achieve a quiet, dynamic pressing. The Sounding / Way concept was simple: Each artist would write a piece for two accordions and then they would perform them together. Thus, side A contains Guy Klucevsek's "Tremolo No. 6" performed by Guy Klucevsek and Pauline Oliveros. Side B contains Pauline's composi

Sounding Out In The City El Michels Affair - LP 349223002218

These innovative essays probe the underlying unities that bound the early modern Atlantic world into a regional whole and trace some of the intellectual currents that flowed through the lives of the people of the four continents. Drawn together in a comprehensive Introduction by Bernard Bailyn, the essays include analyses of the climate and ecology that underlay the slave trade, pan-Atlantic networks of religion and of commerce, legal and illegal, inter-ethnic collaboration in the development of tropical medicine, science as a product of imperial relations, the Protestant international that linked Boston and pietist Germany, and the awareness and meaning of the Atlantic world in the mind of that preeminent intellectual and percipient observer, David Hume.In his Introduction Bailyn explains that the Atlantic world was never self-enclosed or isolated from the rest of the globe but suggests that experiences in the early modern Atlantic region were distinctive in ways that shaped the course of world history.

Sounding the Margins: Collected Writings 1992-2009 by composer, performer, humanitarian, and Deep Listening™ founder Pauline Oliveros document her activity over this period and the many recent advances that have taken place in the fields of electronic and telematic musical performance, improvisation, artificial intelligence, and the role of women in contemporary music. Featuring contributions by John Luther Adams, Monique Buzzarté, and Stuart Dempster.