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Bumped edge to slip case. Small closed tear to Vol 1 DJ. Light shelf wear to slip case. Unmarked clean pages.

20 X 24 Still Life with Violin Bread and Fish by Chaim Soutine circa 1922 is pioneer image of its time. Chaim Soutine was truly ahead of his time. This artist was perhaps the original foodie. Soutine was known for plating and then painting his food before he would indulge. Historians have uncovered journals and records of Southine drooling with hunger pangs as he would slave over the canvas trying to capture his meal before sit down to enjoy the fruits of his labor. Today day the original is currently part of the Kunstmuseum Basel collection. We have recreated this fun piece to taken while imagining the artist capturing his meal the same way many of us now do with our phones on Instagram. And the original food Instagram piece to your space. Recreated with the same oil on canvas detail as the original. A true must for any foodie Frame Description Studio Black Wood Frame. Color: Green.

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No marks in text. Not a library book. Ships today in a cardboard box.

240 pages : illustrations en noir et en couleurs, couverture illustrée en couleurs ; 28 cm French text (original) No inscriptions

Book is in NEW condition. 2.51

Used Book. Shipped from UK. Established seller since 2000.

Good condition. Good dust jacket. (french painting, exhibitions) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

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Text: English, German (translation)

ABOUT SOUTINE: Typically classified as a French Expressionist, the Belarusian-Jewish painter Chaim Soutine (1894-1943) created his major works between the two World Wars as part of the School of Paris. A "painter's painter," Soutine worked with unreserved gesture and emotion, using exuberant colour, thickly applied paint, and sweeping brushwork. ABOUT THIS BOOK: Widely acclaimed, this is a comprehensive and ground-breaking book that rediscovers this important artist, providing an overview of his life, work and aesthetic influence, as well as his critical reception. Essays assess Soutine's art from new vantage points, including the changing critical reception of his work in Paris between the wars, as well as in the US and France in the aftermath of World War II. The essays also examine the influence of Soutine's Jewish and French immigrant background on his work and reception, and introduce us to his important patrons and major collectors. These included Albert Barnes, the famous Philadelphia collector, who discovered Soutine's work in 1922-23 and purchased 52 of his paintings. The book features presentations and information never published before, including a photo-essay composed of rare photographs of the artist, newly discovered correspondence between Soutine and the French art historian Elie Faure, and the first radiographic analysis of the artist's work, which brings to light new evidence about Soutine's use of materials and his process of painting. BOOK DETAILS: Hardback, cloth over boards, released with dustjacket. Sewn binding. 207 pp; 3 pounds. 32 full-page color illustrations, 84 b&w illustrations, and a photo essay. 9 essays. Catalogue, Appendix, Chronology, Select Bibliography.

Book is in NEW condition. 1.26

ABOUT SOUTINE: Typically classified as a French Expressionist, the Belarusian-Jewish painter Chaim Soutine (1894-1943) created his major works between the two World Wars as part of the School of Paris. A "painter's painter," Soutine worked with unreserved gesture and emotion, using exuberant colour, thickly applied paint, and sweeping brushwork. ABOUT THIS BOOK: Widely acclaimed, this is a comprehensive and ground-breaking book that rediscovers this important artist, providing an overview of his life, work and aesthetic influence, as well as his critical reception. Essays assess Soutine's art from new vantage points, including the changing critical reception of his work in Paris between the wars, as well as in the US and France in the aftermath of World War II. The essays also examine the influence of Soutine's Jewish and French immigrant background on his work and reception, and introduce us to his important patrons and major collectors. These included Albert Barnes, the famous Philadelphia collector, who discovered Soutine's work in 1922-23 and purchased 52 of his paintings. The book features presentations and information never published before, including a photo-essay composed of rare photographs of the artist, newly discovered correspondence between Soutine and the French art historian Elie Faure, and the first radiographic analysis of the artist's work, which brings to light new evidence about Soutine's use of materials and his process of painting. BOOK DETAILS: Hardback, cloth over boards, released with dustjacket. Sewn binding. 207 pp; 3 pounds. 32 full-page color illustrations, 84 b&w illustrations, and a photo essay. 9 essays. Catalogue, Appendix, Chronology, Select Bibliography.

Buy with confidence! Book is in acceptable condition with wear to the pages, binding, and some marks within 2.5

Ce catalogue raisonné est l'aboutissement de dizaines d'années d'études sur l'un des artistes les plus complexes et souvent mal représenté des temps modernes - Chaïm Soutine. Dans ce volume qui se consacre à ses paysages, ses natures mortes et ses portraits, il apparaît comme un maître de ces genres classiques, un artiste ayant considérablement élargi le potentiel expressif de chaque sujet. Soutine a exercé une influence formatrice sur les artistes modernes, de la génération des expressionnistes abstraits à celle de maintenant.

Chaim Soutine (The Library of great painters) [hardcover] Werner, Alfred [Nov 01, 1977] ...

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 1.26

Chaim Soutine (The Library of great painters) [hardcover] Werner, Alfred [Nov 01, 1977] ...

For a couple of decades before World War II, a group of immigrant painters and sculptors, including Amedeo Modigliani, Marc Chagall, Chaim Soutine and Jules Pascin dominated the new art scene of Montparnasse in Paris. Art critics gave them the name "the School of Paris" to set them apart from the French-born (and less talented) young artists of the period. Modigliani and Chagall eventually attained enormous worldwide popularity, but in those earlier days most School of Paris painters looked on Soutine as their most talented contemporary. Willem de Kooning proclaimed Soutine his favorite painter, and Jackson Pollack hailed him as a major influence. Soutine arrived in Paris while many painters were experimenting with cubism, but he had no time for trends and fashions; like his art, Soutine was intense, demonic, and fierce. After the defeat of France by Hitler's Germany, the East European Jewish immigrants who had made their way to France for sanctuary were no longer safe. In constant fear of the French police and the German Gestapo, plagued by poor health and bouts of depression, Soutine was the epitome of the tortured artist. Rich in period detail, Stanley Meisler's Shocking Paris explores the short, dramatic life of one of the most influential artists of the twentieth century.

If the contorted imagery and wild brushwork of French Expressionist Chaim Soutine became key features of French modern art in the 1920s, they also exerted a lasting and meaningful influence on many major post-war painters. Willem de Kooning considered Soutine his favorite painter, and Jackson Pollock's late work "Scent" was a homage to the Lithuanian-born painter. Jean Dubuffet's concept of art was affected by Soutine's seemingly untaught and direct manner, and Francis Bacon was dramatically affected by his ability to freely capture the essence of the personage portrayed. Through key paintings, especially those created in the decade after 1918, The Impact of Chaim Soutine reveals not only the seminal power and reverberant originality of this 20th-century artist, but also the depth and expressiveness that his influence added to the art of four of the most important American, French, and British artists.