24 products were found matching your search for soutine in 2 shops:

Inspects the life and works of the modern Russian painter, focusing on the emergence of a Jewish art and his significance as a symbol of the asocial and alienated artist

Craft your own masterpiece with Scheepjes Merino Soft! This beautifully soft DK weight yarn with a subtle sheen is perfect for creating stylish, comfy and warm garments like sweaters, cardigans and shawls. Being made from a high-quality 50% Superwash Merino Wool, 25% Microfibre and 25% Acrylic blend, Merino Soft can also be used to craft striking projects that are durable and benefit from the easy care properties of acrylic. Thanks to the fine structure of the Merino wool fibre, enjoy the silky feel of this yarn as it keeps you cosy and warm throughout the changing seasons. Merino Soft is available in a wide range of gorgeous shades named after inspiring artists throughout history, and in numerous Merino Soft Brush colours featuring a striking painted fleck look. Tip: Pair Merino soft with its sister yarn, Scheepjes Whirl-Fine Art, to extend or complete your projects! Made from the same fibre qualities and weight as Merino Soft, Whirl Fine-Art offers crafters the opportunity to experiment endlessly with colour palettes and various projects, giving designs a wonderful dip-dyed appearance, contrasting sleeves or details in complimenting shades

240 pages : illustrations en noir et en couleurs, couverture illustrée en couleurs ; 28 cm French text (original) No inscriptions

Ce catalogue raisonné est l'aboutissement de dizaines d'années d'études sur l'un des artistes les plus complexes et souvent mal représenté des temps modernes - Chaïm Soutine. Dans ce volume qui se consacre à ses paysages, ses natures mortes et ses portraits, il apparaît comme un maître de ces genres classiques, un artiste ayant considérablement élargi le potentiel expressif de chaque sujet. Soutine a exercé une influence formatrice sur les artistes modernes, de la génération des expressionnistes abstraits à celle de maintenant.

Bumped edge to slip case. Small closed tear to Vol 1 DJ. Light shelf wear to slip case. Unmarked clean pages.

Good condition. Good dust jacket. (french painting, exhibitions) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less 2.55

Book is in NEW condition. 1.26

ABOUT SOUTINE: Typically classified as a French Expressionist, the Belarusian-Jewish painter Chaim Soutine (1894-1943) created his major works between the two World Wars as part of the School of Paris. A "painter's painter," Soutine worked with unreserved gesture and emotion, using exuberant colour, thickly applied paint, and sweeping brushwork. ABOUT THIS BOOK: Widely acclaimed, this is a comprehensive and ground-breaking book that rediscovers this important artist, providing an overview of his life, work and aesthetic influence, as well as his critical reception. Essays assess Soutine's art from new vantage points, including the changing critical reception of his work in Paris between the wars, as well as in the US and France in the aftermath of World War II. The essays also examine the influence of Soutine's Jewish and French immigrant background on his work and reception, and introduce us to his important patrons and major collectors. These included Albert Barnes, the famous Philadelphia collector, who discovered Soutine's work in 1922-23 and purchased 52 of his paintings. The book features presentations and information never published before, including a photo-essay composed of rare photographs of the artist, newly discovered correspondence between Soutine and the French art historian Elie Faure, and the first radiographic analysis of the artist's work, which brings to light new evidence about Soutine's use of materials and his process of painting. BOOK DETAILS: Hardback, cloth over boards, released with dustjacket. Sewn binding. 207 pp; 3 pounds. 32 full-page color illustrations, 84 b&w illustrations, and a photo essay. 9 essays. Catalogue, Appendix, Chronology, Select Bibliography.

ABOUT SOUTINE: Typically classified as a French Expressionist, the Belarusian-Jewish painter Chaim Soutine (1894-1943) created his major works between the two World Wars as part of the School of Paris. A "painter's painter," Soutine worked with unreserved gesture and emotion, using exuberant colour, thickly applied paint, and sweeping brushwork. ABOUT THIS BOOK: Widely acclaimed, this is a comprehensive and ground-breaking book that rediscovers this important artist, providing an overview of his life, work and aesthetic influence, as well as his critical reception. Essays assess Soutine's art from new vantage points, including the changing critical reception of his work in Paris between the wars, as well as in the US and France in the aftermath of World War II. The essays also examine the influence of Soutine's Jewish and French immigrant background on his work and reception, and introduce us to his important patrons and major collectors. These included Albert Barnes, the famous Philadelphia collector, who discovered Soutine's work in 1922-23 and purchased 52 of his paintings. The book features presentations and information never published before, including a photo-essay composed of rare photographs of the artist, newly discovered correspondence between Soutine and the French art historian Elie Faure, and the first radiographic analysis of the artist's work, which brings to light new evidence about Soutine's use of materials and his process of painting. BOOK DETAILS: Hardback, cloth over boards, released with dustjacket. Sewn binding. 207 pp; 3 pounds. 32 full-page color illustrations, 84 b&w illustrations, and a photo essay. 9 essays. Catalogue, Appendix, Chronology, Select Bibliography.

Chaim Soutine was an eccentric both in life and on the canvas. His wild painting style inspired many younger artists and leaves no one who sees his work today cold. His path led from a shtetl in the Russian Empire to Paris, from bitter poverty to the heights of artistic success. His works include shocking still lifes, unbounded landscapes, and solemn portraits of people getting by in dark times.

Like New condition. Great condition, but not exactly fully crisp. The book may have been opened and read, but there are no defects to the book, jacket or pages. 2.5

Catalogue de l?exposition "Chaïm Soutine, l?ordre et le chaos" présentée au Musée de l?Orangerie, Paris (2 octobre 2012 - 21 janvier 2013). épuisé Au-delà de la légende du peintre tourmenté, qui finit par occulter une oeuvre exacerbée, hors normes, l'influence que Soutine eut sur les artistes de la fin du XXe siècle nécessite un nouveau regard sur un peintre totalement original, difficile à appréhender, encore incompris en France.

Book includes transcripts of talks given under the auspices of the Modern Master Series at New York's Studio School (a revisionary view on Pollock and on the logic of Soutine) and articles published in leading art periodicals. The articles include: Thoughts About Painterly; On the Unpicturelikenes of Our Seeing among others. Also included are 50 reproductions referencing the writings.

Chaim Soutine (The Library of great painters) [hardcover] Werner, Alfred [Nov 01, 1977] ...

For a couple of decades before World War II, a group of immigrant painters and sculptors, including Amedeo Modigliani, Marc Chagall, Chaim Soutine and Jules Pascin dominated the new art scene of Montparnasse in Paris. Art critics gave them the name "the School of Paris" to set them apart from the French-born (and less talented) young artists of the period. Modigliani and Chagall eventually attained enormous worldwide popularity, but in those earlier days most School of Paris painters looked on Soutine as their most talented contemporary. Willem de Kooning proclaimed Soutine his favorite painter, and Jackson Pollack hailed him as a major influence. Soutine arrived in Paris while many painters were experimenting with cubism, but he had no time for trends and fashions; like his art, Soutine was intense, demonic, and fierce. After the defeat of France by Hitler's Germany, the East European Jewish immigrants who had made their way to France for sanctuary were no longer safe. In constant fear of the French police and the German Gestapo, plagued by poor health and bouts of depression, Soutine was the epitome of the tortured artist. Rich in period detail, Stanley Meisler's Shocking Paris explores the short, dramatic life of one of the most influential artists of the twentieth century.

If the contorted imagery and wild brushwork of French Expressionist Chaim Soutine became key features of French modern art in the 1920s, they also exerted a lasting and meaningful influence on many major post-war painters. Willem de Kooning considered Soutine his favorite painter, and Jackson Pollock's late work "Scent" was a homage to the Lithuanian-born painter. Jean Dubuffet's concept of art was affected by Soutine's seemingly untaught and direct manner, and Francis Bacon was dramatically affected by his ability to freely capture the essence of the personage portrayed. Through key paintings, especially those created in the decade after 1918, The Impact of Chaim Soutine reveals not only the seminal power and reverberant originality of this 20th-century artist, but also the depth and expressiveness that his influence added to the art of four of the most important American, French, and British artists.

«Pitié pour la viande! Il n''y a pas de doute, la viande est l''objet le plus haut de la pitié de Bacon, son seul objet de pitié, sa pitié d''Anglo-Irlandais. Et sur ce point, c''est comme pour Soutine, avec son immense pitié de Juif. La viande n''est pas une chair morte, elle a gardé toutes les souffrances et pris sur soi toutes les couleurs de la chair vive. Tant de douleur convulsive et de vulnérabilité, mais aussi d''invention charmante, de couleur et d''acrobatie. Bacon ne dit pas «pitié pour les bêtes » mais plutôt tout homme qui souffre est de la viande. La viande est la zone commune de l''homme et de la bête, leur zone d''indiscernabilité, elle est ce «fait», cet état même où le peintre s''identifie aux objets de son horreur ou de sa compassion. Le peintre est boucher certes, mais il est dans cette boucherie comme dans une église, avec la viande pour Crucifié (« peinture » de 1946). C''est seulement dans les boucheries que Bacon est un peintre religieux. » G. D.

«Pitié pour la viande! Il n''y a pas de doute, la viande est l''objet le plus haut de la pitié de Bacon, son seul objet de pitié, sa pitié d''Anglo-Irlandais. Et sur ce point, c''est comme pour Soutine, avec son immense pitié de Juif. La viande n''est pas une chair morte, elle a gardé toutes les souffrances et pris sur soi toutes les couleurs de la chair vive. Tant de douleur convulsive et de vulnérabilité, mais aussi d''invention charmante, de couleur et d''acrobatie. Bacon ne dit pas «pitié pour les bêtes » mais plutôt tout homme qui souffre est de la viande. La viande est la zone commune de l''homme et de la bête, leur zone d''indiscernabilité, elle est ce «fait», cet état même où le peintre s''identifie aux objets de son horreur ou de sa compassion. Le peintre est boucher certes, mais il est dans cette boucherie comme dans une église, avec la viande pour Crucifié (« peinture » de 1946). C''est seulement dans les boucheries que Bacon est un peintre religieux. » G. D.

Celebrating the three hundredth anniversary of the birth of Chardin (1699-1779) this outstanding new work presents an in-depth study of one of France's best loved painters, admired for his exquisite still lifes and charming scenes of domestic life. Respected by Manet and Cezanne, an inspiration to Morandi and Soutine, Chardin was above all a man of his time.