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New optical design: advanced 5-element/4-group optical design incorporating ultra-high index tantalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting. Like the revolutionary original Metabones Speed Booster announced in January 2013, the Speed Booster ULTRA has a magnification of 0.71x, and so it effectively reduces the crop factor of mirrorless cameras with DX-sized sensors, such as Sony E-mount and Fuji X-mount cameras, from 1.5x to 1.07x. However, the new ULTRA design makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well corrected for use with virtually all full-frame SLR lenses regardless of exit pupil distance. Thus, the Speed Booster ULTRA performs extremely well with professional-grade f/2.8 zoom lenses such as the 24-70mm f/2.8 and 70-200mm f/2.8 zooms by Canon and Nikon to produce 17-50mm f/2.0 and 50-142mm f/2.0 high-speed zooms, respectively. Similarly, high-speed fixed focal length lenses such as a 50mm f/1.2 will be transformed into a 35.5mm f/0.9 lens with excellent contrast and resolution from the Center all the way to the edges of the image.

New optical design: advanced 5-element/4-group optical design incorporating ultra-high index tantalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting. Like the revolutionary original Metabones Speed Booster announced in January 2013, the Speed Booster ULTRA has a magnification of 0.71x, and so it effectively reduces the crop factor of mirrorless cameras with DX-sized sensors, such as Sony E-mount and Fuji X-mount cameras, from 1.5x to 1.07x. However, the new ULTRA design makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well corrected for use with virtually all full-frame SLR lenses regardless of exit pupil distance. Thus, the Speed Booster ULTRA performs extremely well with professional-grade f/2.8 zoom lenses such as the 24-70mm f/2.8 and 70-200mm f/2.8 zooms by Canon and Nikon to produce 17-50mm f/2.0 and 50-142mm f/2.0 high-speed zooms, respectively. Similarly, high-speed fixed focal length lenses such as a 50mm f/1.2 will be transformed into a 35.5mm f/0.9 lens with excellent contrast and resolution from the Center all the way to the edges of the image.

New optical design: advanced 5-element/4-group optical design incorporating ultra-high index tantalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting. Like the revolutionary original Metabones Speed Booster announced in January 2013, the Speed Booster ULTRA has a magnification of 0.71x, and so it effectively reduces the crop factor of mirrorless cameras with DX-sized sensors, such as Sony E-mount and Fuji X-mount cameras, from 1.5x to 1.07x. However, the new ULTRA design makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well corrected for use with virtually all full-frame SLR lenses regardless of exit pupil distance. Thus, the Speed Booster ULTRA performs extremely well with professional-grade f/2.8 zoom lenses such as the 24-70mm f/2.8 and 70-200mm f/2.8 zooms by Canon and Nikon to produce 17-50mm f/2.0 and 50-142mm f/2.0 high-speed zooms, respectively. Similarly, high-speed fixed focal length lenses such as a 50mm f/1.2 will be transformed into a 35.5mm f/0.9 lens with excellent contrast and resolution from the Center all the way to the edges of the image.

Zeiss Standard Speeds, industry workhorses for years, have been used on some of the best looking feature films of the last 40 years. Small size, good sharpness and contrast, and a large selection of focal lengths have kept these lenses relevant even today, adding a filmic quality to digital cameras.

Zeiss Standard Speeds, industry workhorses for years, have been used on some of the best looking feature films of the last 40 years. Small size, good sharpness and contrast, and a large selection of focal lengths have kept these lenses relevant even today, adding a filmic quality to digital cameras.

Zeiss Standard Speeds, industry workhorses for years, have been used on some of the best looking feature films of the last 40 years. Small size, good sharpness and contrast, and a large selection of focal lengths have kept these lenses relevant even today, adding a filmic quality to digital cameras.

Zeiss Standard Speeds, industry workhorses for years, have been used on some of the best looking feature films of the last 40 years. Small size, good sharpness and contrast, and a large selection of focal lengths have kept these lenses relevant even today, adding a filmic quality to digital cameras.

Zeiss Standard Speeds, industry workhorses for years, have been used on some of the best looking feature films of the last 40 years. Small size, good sharpness and contrast, and a large selection of focal lengths have kept these lenses relevant even today, adding a filmic quality to digital cameras.

The Zeiss Standard Speed 14mm T2.1 - PL Fit is a high-performance wide-angle lens designed for professional filmmakers. It features a large aperture of T2.1, allowing for exceptional low-light performance and shallow depth of field effects. The lens is constructed with high-quality glass elements and multi-layer coatings to ensure exceptional image quality and minimal distortion. Its compact and lightweight design makes it easy to carry and use on location.

the Canon EF Lens to Sony E Mount T Speed Booster ULTRA 0.71x II has a magnification of 0.71x, and so it effectively reduces the crop factor of mirrorless cameras with DX-sized sensors, such as Sony E-mount and Fuji X-mount cameras, from 1.5x to 1.07x.

Zeiss Standard Speeds, industry workhorses for years, have been used on some of the best looking feature films of the last 40 years. Small size, good sharpness and contrast, and a large selection of focal lengths have kept these lenses relevant even today, adding a filmic quality to digital cameras.

Zeiss Standard Speeds, industry workhorses for years, have been used on some of the best looking feature films of the last 40 years. Small size, good sharpness and contrast, and a large selection of focal lengths have kept these lenses relevant even today, adding a filmic quality to digital cameras.

Zeiss Standard Speeds, industry workhorses for years, have been used on some of the best looking feature films of the last 40 years. Small size, good sharpness and contrast, and a large selection of focal lengths have kept these lenses relevant even today, adding a filmic quality to digital cameras.

Zeiss Standard Speeds, industry workhorses for years, have been used on some of the best looking feature films of the last 40 years. Small size, good sharpness and contrast, and a large selection of focal lengths have kept these lenses relevant even today, adding a filmic quality to digital cameras.

Always Enhance and Never Degrade the Performance of the Attached Master Lens. Like the ULTRA series for Sony E-mount, the new Speed Booster ULTRA m43 uses an advanced 5-element 4-group optical design incorporating ultra-high index tantalum-based optical glass. However, the new design is specifically optimised for the Micro Four Thirds sensor and filter stack, and as a result, achieves an astonishing level of performance that sets a new standard for focal reducers.

Speed Setter Top Coat Ultra Fast Dry 13,5mL

The Sachtler 4588 Speed Lock 75 CF Tripod is a professional-grade tripod that is designed for use with heavy cameras and lenses. It is made of lightweight and durable carbon fiber, and it features a Speed Lock system that allows for quick and easy setup and breakdown. The 4588 Speed Lock 75 CF Tripod has a maximum load capacity of 44.1 lbs (20 kg), and it can be extended to a height of 57.9 inches (147 cm).

Zeiss Standard Speeds, industry workhorses for years, have been used on some of the best looking feature films of the last 40 years. Small size, good sharpness and contrast, and a large selection of focal lengths have kept these lenses relevant even today, adding a filmic quality to digital cameras.

Zeiss Standard Speeds, industry workhorses for years, have been used on some of the best looking feature films of the last 40 years. Small size, good sharpness and contrast, and a large selection of focal lengths have kept these lenses relevant even today, adding a filmic quality to digital cameras.

Zeiss Standard Speeds, industry workhorses for years, have been used on some of the best looking feature films of the last 40 years. Small size, good sharpness and contrast, and a large selection of focal lengths have kept these lenses relevant even today, adding a filmic quality to digital cameras.