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Gustav Stickley's The Craftsman Home collects all of Stickley's house designs, published in The Craftsman magazine between 1904 and 1916. All the designs are here in sequential order from 1 to 221, as well as commissions and special designs, exterior illustrations, floor plans, and fascinating historical photographs from many of the featured homes. Contemporary photographs of selected built houses, keyed by number to Stickley designs, take the reader's experience from paper dreams to modern reality. Author Ray Stubblebine discusses Stickley's relationships with other architects and the cross-pollination that took place as they shared ideas in the magazine and even formed the Craftsman Home Builders Club. Gustav Stickley's The Craftsman Home presents valuable information owners and buyers of historic homes, architects, libraries, and historians need to help identify and preserve the homes that have survived. Ray Stubblebine is a member of the Board of Trustees of The Craftsman Farms Foundation and editor of the foundation's newsletter. He is a writer and speaker on the Arts and Crafts movement in America, and his articles and photographs have been published in Style 1900, Old House Journal, Old House Interiors, New Jersey Monthly, New Jersey Design, American Bungalow, and The New York Times. He lives in Oradell, New Jersey.

$39.95 hardcover 1-58685-053-9 8 x 10 in, 160 pp, 130 Color Photographs, 30 Black & White Photographs, Rights: W, Design/Biography Stickley is a name synonymous with Arts & Crafts style in America. The five Stickley brothers-Gustav, Albert, Leopold, John George, and Charles-were fully engaged in the furniture industry around the turn of the twentieth century and had a huge impact on America's statement of style. But were any one of them a style maker? Gustav Stickley claimed that he had established an American style. Albert Stickley contradicted that claim, and Leopold made his own statement during his final years. Here, for the first time, the representative photographs and ideas of all the brothers' work appear together in one volume, to compare and contrast, so that readers might make their own evaluations. Michael and Jill Thomas-Clark examine each brother's work and its relation to the quest for an American style, placing particular emphasis on the early years and transitional moments. The authors draw a definitive conclusion, and it is an answer certainly worth reading, seeing, and thinking about. Dr. Michael E. Clark is an associate professor at Elmira College in the Fine Arts Department, and Jill Thomas-Clark is a registrar for the Corning Museum of Glass. Their work has appeared in Style 1900: The Journal of the Arts and Crafts Movement. They live in upstate New York.

Stickley Brothers Furniture features armchairs, bookcases, chests, desks, rockers, footstools, dressers, tables, sideboards, and much more, produced by Stickely from 1892 to 1954. A brief history on Stickley Brothers Furniture Company opens the book, followed by the photo gallery and listings, which include model number, description, size, condition, identifying marks, signature information, and current collector value. This guide will become the definitive reference on Stickley Brothers furniture.

Gustav Stickley's The Craftsman Home collects all of Stickley's house designs, published in The Craftsman magazine between 1904 and 1916. All the designs are here in sequential order from 1 to 221, as well as commissions and special designs, exterior illustrations, floor plans, and fascinating historical photographs from many of the featured homes. Contemporary photographs of selected built houses, keyed by number to Stickley designs, take the reader's experience from paper dreams to modern reality. Author Ray Stubblebine discusses Stickley's relationships with other architects and the cross-pollination that took place as they shared ideas in the magazine and even formed the Craftsman Home Builders Club. Gustav Stickley's The Craftsman Home presents valuable information owners and buyers of historic homes, architects, libraries, and historians need to help identify and preserve the homes that have survived. Ray Stubblebine is a member of the Board of Trustees of The Craftsman Farms Foundation and editor of the foundation's newsletter. He is a writer and speaker on the Arts and Crafts movement in America, and his articles and photographs have been published in Style 1900, Old House Journal, Old House Interiors, New Jersey Monthly, New Jersey Design, American Bungalow, and The New York Times. He lives in Oradell, New Jersey.

Depicts the simple and functional furniture of the designer, Gustav Stickley, and offers detailed instructions for the construction of chairs, bookcases, tables, mirrors, and recliners in his style

Gustav Stickley His Craft was assembled to examine and study the extensive variety of Stickley's work. Appears to have been published as an extension of an exhibilition of the artist's work.

50 full-color and 50 b&w illus. 8 x 10 1/2.

Detailed working drawings and instructions for building authentic Craftsman furniture.

In 1901, Gustav Stickley began to create the first uniquely American style of furniture and home design—known as Craftsman. Stickley's principles of home design include construction that is in harmony with its landscape, open floor plans, built-in storage, and natural lighting. He was a major influence on Frank Lloyd Wright, and he remains one of the great names in American architecture. Craftsman Homes and Bungalows showcases his work in an affordable, attractive new edition. Featuring hundreds of black-and-white photographs, line drawings, and sketches of cabins, cottages, and bungalows from concept to finished product, it presents easy-to-understand directions on both home construction and improvement. This resource, a combination of three of Stickley's works, is a comprehensive introduction to the design and building of beautiful Craftsman homes.

Gustav Stickley His Craft was assembled to examine and study the extensive variety of Stickley's work. Appears to have been published as an extension of an exhibilition of the artist's work.

From 1911 to 1917 Craftman Farms was the home of Gustav Stickley, one of the central figures in the American Arts and Crafts Movement. This book unravels the, sometimes contradictory, ideas that informed many of the artists and literary figures in the progressive era in America.

In shrink wrap. Looks like an interesting title!

During his production years, Gustav Stickley made photographs of much of his work. Some were used in his Craftsman magazine, and some were used in a series of catalogs. Many of Stickley's glass negatives are now in the collection of the Winterthur Museum in Delaware, and are reprinted here for the first time. Many have never before been published, and those that were published by Stickley, now benefit from high quality modern printing. Whenever possible dimensions and catalog references are given, making this an important compilation of Stickley's work. A foreword by Leslie Greene Bowman, Director and C.E.O. of Winterthur Museum, Garden & Library, further enriches the work. A driving force in the American Arts & Crafts Movement, Gustav Stickley produced furniture inspired by a vision of craftsmanship and comfortable functionality. Its high quality makes it a standard of the period. Today pieces from his Craftsman Studio are cherished antiques. This new volume of his photographic archives will be a welcomed addition to the literature.

An impressive new look at the iconic designs of the workshops of the patriarch of the American Arts and Crafts movement, Gustav Stickley With its emphasis on social reform and simplicity in design---bold lines, honest use of materials, and redeeming qualities of handmade goods---the Arts and Crafts movement offered an antidote to the perceived ills of a rapidly changing world and the ornate and artificial Victorian aesthetic of the late 19th century. In the first years of the 20th century, the movement was popularized in the United States through the efforts of Gustav Stickley (1858 – 1942), a businessman who promoted a progressive American style and the ideal of the simple life through the efforts of his furniture factory and publication, The Craftsman.Gustav Stickley and the American Arts & Crafts Movement accompanies the first nationally touring exhibition of Stickley’s work and explores his dual roles as a visionary business leader and enthusiastic proselytizer of design reform. The full range of Stickley’s workshops is illuminated, including more than 100 objects of furniture, metalwork, and textiles, as well as architectural drawings and related designs, many of which are previously unpublished. Essays by distinguished contributors provide diverse viewpoints on the Arts and Crafts movement and Stickley's evolving role as tastemaker, and the often contradictory messages conveyed through the construction and promotion of his designers’ works.This handsome volume provides fascinating new insight into the dramatic transformation of a factory owner into one of the leading figures of the American Arts and Crafts movement.

During his production years, Gustav Stickley made photographs of much of his work. Some were used in his Craftsman magazine, and some were used in a series of catalogs. Many of Stickley's glass negatives are now in the collection of the Winterthur Museum in Delaware, and are reprinted here for the first time. Many have never before been published, and those that were published by Stickley, now benefit from high quality modern printing. Whenever possible dimensions and catalog references are given, making this an important compilation of Stickley's work. A foreword by Leslie Greene Bowman, Director and C.E.O. of Winterthur Museum, Garden & Library, further enriches the work. A driving force in the American Arts & Crafts Movement, Gustav Stickley produced furniture inspired by a vision of craftsmanship and comfortable functionality. Its high quality makes it a standard of the period. Today pieces from his Craftsman Studio are cherished antiques. This new volume of his photographic archives will be a welcomed addition to the literature.

Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.