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Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK

The Sverre Knit Vest from Nudie Jeans Co. adds a sophisticated layer to any ensemble. Made from soft organic wool, it’s perfect for chilly days when you need extra warmth without bulk. Wear it over a button-down shirt for a polished look that’s ideal for the office or a night out. 100% Cotton, V-Neckline, Wide Ribbed Knit, Nudie Jeans Co. Nudie Jeans Co Men's Sverre Knit Vest in Brown Melange, Size Large

The Sverre Knit Vest from Nudie Jeans Co. adds a sophisticated layer to any ensemble. Made from soft organic wool, it’s perfect for chilly days when you need extra warmth without bulk. Wear it over a button-down shirt for a polished look that’s ideal for the office or a night out. 100% Cotton, V-Neckline, Wide Ribbed Knit, Nudie Jeans Co. Nudie Jeans Co Men's Sverre Knit Vest in Brown Melange, Size Small

The Sverre Knit Vest from Nudie Jeans Co. adds a sophisticated layer to any ensemble. Made from soft organic wool, it’s perfect for chilly days when you need extra warmth without bulk. Wear it over a button-down shirt for a polished look that’s ideal for the office or a night out. 100% Cotton, V-Neckline, Wide Ribbed Knit, Nudie Jeans Co. Nudie Jeans Co Men's Sverre Knit Vest in Brown Melange, Size Medium

Text: English (translation) Original Language: Italian

este libro tiene por objeto profundizar en el conocimiento de la arquitectura nórdica, y en particular del museo arzobispal de hedmark en hamar (1967-2005), obra del arquitecto noruego sverre fehn, acercándose a su pensamiento y su manera de entender no sólo la arquitectura, sino el ser humano y su contexto cultural y social. de hecho, la obra de sverre fehn trasciende de los límites de los lugares y temas en que trabajó para aportar su propia visión del mundo y, desde su sensibilidad, abrir nuevas perspectivas a la arquitectura.

As recipient of the 1997 Pritzker Architecture Prize—the profession’s highest honor—Norwegian architect Sverre Fehn has had an impact not only in his home country but around the globe. His projects, often described as being instilled with a human quality, include the Norwegian Pavilion at the 1958 Brussels World Exhibition and the Nordic Pavilion at the 1962 Venice Biennale, the Hamar Bispegaard Museum in Hamar, the Glacier Museum in Fjaerland Fjord, and the Aukrust Museum in Alvdal. Fehn has been strongly influenced by Scandinavia’s breathtaking landscape and light conditions. His design sensibility is characterized by a great respect for material and construction. As a professor of long standing at the Oslo School of Architecture and Design, he has distilled his complex creative process, passing his thoughts and philosophies to new generations of architects. This study of Fehn’s work provides an intimate glimpse into the world of this great postwar modernist. Author Per Olaf Fjeld presents both biography and perceptive critique as he covers all of Fehn’s major projects, built and unbuilt, from world-renowned museums to lesser-known houses. Never-before-published comments by Fehn from lectures, interviews, and conversations with students as well as dynamic sketches are featured, opening a window into the mind of this poetic and personal architect.

Text: English (translation) Original Language: Italian

Meteorology today is the beneficiary of the fundamental work in weather analysis and forecasting of Sverre Petterssen (1898–1974), a giant in the field and an international leader in meteorology during its formative era. In this lively and insightful autobiographical memoir, written just before his death, Petterssen shares intimate memories from his childhood in Norway, his education and service with the famous Bergen school of meteorology, and his extensive experiences in polar forecasting and as head of the meteorology department at MIT. The crisis of World War II comes alive in his passionate recounting of how forecasts were made for bombing raids and special operations, including the contentious forecasts for D-Day. Sverre Petterssen's complete autobiographical memoir, published here for the first time in English, offers a fascinating view of a man, an era, and a science. Anyone interested in weather, World War II, the history of science, or Norwegian history will enjoy this book.

New! This book is in the same immaculate condition as when it was published 0.71

New! This book is in the same immaculate condition as when it was published 0.86

Buy with confidence! Book is in new, never-used condition 0.69

First published one hundred years ago, and now translated into English for the first time by noted Norwegian scholar Sverre Lyngstad, In Wonderland is a diaristic account of a trip Hamsun took to Russia at the turn of the century. This detailed travelogue is a rich and loving portrait of the people and culture of Russia, and is filled with the trademark style and keen observations of the author of such classics as Hunger, Mysteries, and Growth of the Soil.In Wonderland is unlike any other book written by Hamsun, and offers not only an intimate glimpse into the mind of the Nobel Prize winning author at his unguarded best, but a rare view into a Russia that would soon vanish in the fire of revolution.

This book examines the work of three seminal Nordic architects - Alvar Aalto, Jørn Utzon and Sverre Fehn - from a phenomenological perspective, utilising the methodology of 'paradigm' (or 'in the manner of''). Roger Tyrrell explains how the approach of each architect is defined by the three sub-frames of the paradigm: that of the ‘origin’ (arche), that of ‘revealing’ (techne), and that of ‘the poetic conjunction’, in order to gain a holistic understanding of the experiential or phenomenological predisposition of the three architects. Using this method the author describes the commonalties and distinctive qualities of the architecture and design methods of Aalto, Utzon and Fehn. The final chapter projects the intellectual heritage of the three protagonists into the contemporary world, examining the work of practices from the UK, Norway and the USA that each extend this particular way of making place.

Paru en 1992 chez Museum of Finnish Architecture - 52 pages. Sverre Fehn est très représentatif de l'architecture scandinave de la seconde moitié du XXe siècle. Son ?uvre est centrée sur les rapport de l'essence et la nature. Swerre Fehn a développé de la théorie architecturale. "La poésie de la ligne droite" est donc une proposition de l'auteur architecte, où l'écrit et l'architecture se rencontrent. Ce catalogue est un document rare et précieux pour documenter son oeuvre écrite et construite. Livre

The Open Games (those beginning 1 e4 e5) are now more topical than ever, featuring in a high proportion of elite-level games. This new user-friendly guide offers players of all levels a carefully worked-out repertoire, taking into account this wealth of new material. Noted opening writer Sverre Johnsen has also taken a critical look at the more traditional Open Games, where theory is often based on old or obscure games. Making extensive use of modern computer engines, he has overturned ancient assessments and found new paths that breathe fresh life into positions long thought to be resolved. It is striking how often in his lines Black is able to seize the initiative. A full repertoire for Black with 1 e4 e5 when White avoids the Ruy Lopez ...Bc5 and ...Nf6 systems both fully covered after 3 Bc4 Each chapter starts with a ‘Memorable Game’ to inspire and set the scene Johnsen has chosen sound lines that are likely to surprise opponents and deny them the type of game they are seeking. He has deeply researched correspondence sources and recent books on the Open Games, and employs similar methods to those that made his earlier opening works so popular among club-level players.

This book examines the work of three seminal Nordic architects - Alvar Aalto, Jørn Utzon and Sverre Fehn - from a phenomenological perspective, utilising the methodology of 'paradigm' (or 'in the manner of''). Roger Tyrrell explains how the approach of each architect is defined by the three sub-frames of the paradigm: that of the ‘origin’ (arche), that of ‘revealing’ (techne), and that of ‘the poetic conjunction’, in order to gain a holistic understanding of the experiential or phenomenological predisposition of the three architects. Using this method the author describes the commonalties and distinctive qualities of the architecture and design methods of Aalto, Utzon and Fehn. The final chapter projects the intellectual heritage of the three protagonists into the contemporary world, examining the work of practices from the UK, Norway and the USA that each extend this particular way of making place.

Två unga, eleganta gentlemän anländer en junidag år 1901 till det ståtliga slottet i grevskapet Wiltshire i södra England. Den ene är lord Albert, som återvänder från sina ingenjörsstudier i Dresden för att bli släktens överhuvud, tillika den 13:e earlen av Manningham. Den andre heter Sverre, och de har bestämt sig för ett liv tillsammans. Det har gått många år sedan Sverre och hans bröder Lauritz och Oscar växte upp i en fattig fiskarfamilj på Vestlandet i Norge. Deras ovanliga tekniska talanger förde dem via välgörenhet och stipendier till dåtidens förnämsta examen som diplomingenjörer vid universitetet i Dresden. Lauritz återvände till Norge, Oscar försvann till Tyska Östafrika och Sverre befinner sig nu med sin älskade lord i ett England där hans konstnärliga talang kan slå ut i full blom. Hans tavlor skildrar livet på och kring Manningham. Flera av godsets invånare står modell för hans porträtt. De båda gentlemännen rör sig även bland Londons konstnärer och bohemer, där den frigjorda Bloomsburygruppen sätter stora avtryck på både tiden och Sverre.

Norwegian filmmaker Erik Skjoldbjaerg makes his directorial debut with the psychological police drama Insomnia. Swedish homicide detective Jonas Engstrom Stellan Skarsgard and his partner, Erik Vik Sverre Anker Ousdal, arrive in a small Northern Norwegian town to help the local police investigate the murder of a teenage girl. When Jonas finds the girl's backpack, he sets a trap for the killer near a remote shed. While waiting to make an ambush in the morning fog, Jonas accidentally shoots Erik.

Norwegian filmmaker Erik Skjoldbjaerg makes his directorial debut with the psychological police drama Insomnia. Swedish homicide detective Jonas Engstrom Stellan Skarsgard and his partner, Erik Vik Sverre Anker Ousdal, arrive in a small Northern Norwegian town to help the local police investigate the murder of a teenage girl. When Jonas finds the girl's backpack, he sets a trap for the killer near a remote shed. While waiting to make an ambush in the morning fog, Jonas accidentally shoots Erik.