2484 products were found matching your search for symbolism in 2 shops:

This is real Initiation: Becoming: At-one-ment." "There are thousands of Masons, who realize that Masonry contains and implies far more than appears in the ritual and ceremonies of the Lodge. There is a very widespread and growing interest in this direction, and it is this that Mystic Masonry, above all else, is designed to foster, encourage, and help."

A digital copy of "Symbolism" by Robert Goldwater. Download is immediately available upon purchase!

In this magisterial book, Henri Dorra synthesizes more than fifty years of study to present a comprehensive examination of Paul Gauguin's symbolism. Drawing on his profound grasp of the artistic and social contexts in which Gauguin worked, Dorra provides new, complex insights into and interpretations of Gauguin's multilayered symbolism. The Symbolism of Paul Gauguin is lavishly illustrated with a major visual compendium of the artist's prodigious output. The highly readable narrative, based on a sophisticated understanding of Gauguin's oeuvre, offers a masterly interpretation of recurrent images and their interrelationships in the contemporaneous artistic and social context. Dorra discusses Gauguin's iconography and the artist's treatments of similar themes in various media, from prepatory drawings for paintings to related ceramics and wood carvings. He traces Gauguin's meanings in literary sources from classical mythology and the Bible to late ninetheenth-century literature. He also links the form and content of the artist's work to his unusual ancestry and upbringing. As the final scholarly work by an internationally recognized expert on nineteenth-century French symbolism, this book provides a profound new perspective on Gauguin and his work.

Unread book in perfect condition.

Outlander is much more than a television romance about a World War II nurse and a Jacobite soldier in a fetching kilt. The series--and the massive serial novel on which it is based--has been categorized as a period drama, adventure saga, military history and fantasy epic.Inspired by the Irish legends of Fionn Mac Cumhaill and the prophecies of Brahan Seer, the storyline is filled with mythology and symbolism from around the world, from the Fair Folk and the Loch Ness monster to wendigos, ghosts, zombies and succubae. Literary references abound, from the Bible to the classics, to Shakespeare and the English romantic poets. The series is also rich with its own symbolism: heather and white roses, the dragonfly in amber, Claire's blue vase and wedding gown, her wedding rings and pearl necklace. This book untangles the myriad of myths, legends, symbols and literary references found in the series.

A former library book with all the expected stamps, stickers and markings. Some shelf, storage or usage wear present. The binding is tight and all pages are present. Missing dustjacket. The pages appear unmarked. Individually inspected by Shadow. Thanks for supporting an independent bookseller!

Freemasonry, in its Lodges and Ceremonies, makes use of a great deal of symbolism. This publication examines various documents and explains the reasons for the use of particular symbols into Masonry. The author is acknowledged as an expert in this area of the Craft and the information contained in his book will enhance the knowledge of this fascinating subject. First published in 1976 this is the 2003 reprint.

That sacred art scarcely exists today is all too clear. We can perhaps speak of a “religious,” but certainly not a sacred art. True sacred art is not sentimental or psychological, but ontological and cosmological in nature. Sacred art cannot be the result of the feelings, fantasies, or even “thought” of the artist—as with most modern art—but rather the translation of a reality largely surpassing the limits of human individuality. Sacred art is precisely a supra-human art. The temple of former times was an “instrument” of recollection, joy, sacrifice, and exaltation. First through the harmonious combination of a thousand crafted symbols, then by offering itself as a receptacle to the symbols of the liturgy. For the temple and the liturgy together constitute a prodigious formula capable of preparing man to become aware of the descent of Grace, of the epiphany of the Spirit in corporeity. It is a matter of urgency, then, to recall what is true in sacred art, especially since in the cultural wasteland of our age signs of resistance to its anarchy and subversion manifest themselves, and a pressing call is felt to recover the traditional conceptions that must form the basis and condition of any restoration. “Through his research into hidden or lost meanings, Jean Hani has revealed and restored to our attention the most ‘initiatic’ dimensions of the Christian religion.” Jean Borella, author of The Secret of the Christian Way, and The Crisis of Religious Symbolism (forthcoming from Angelico Press)

This pioneering work that first appeared in 1972 in German was the first to compare the conceptual world of a biblical book with ancient Near Eastern iconography. Eisenbrauns’ English edition of Keel’s classic work provides the 21st century scholar with his groundbreaking methodology. Generously illustrated with photographs and line drawings.

This is a comparative and interdisciplinary book exploring a variety of perspectives on the artistic culture of France, and its neighbours, in the period 1870-1914. Part One centres on France, and assembles essays on the prose, poetry and painting of Symbolism and Decadence, on avant-garde dance and performance, on women's writing and on early cinema. Part Two explores the relations between France and several cultures in which the debt to France was amply and originally repaid-ranging from the Anglo-Celtic "Rhymers' Club" to the Italian "Crepusculari". The essays consistently point beyond the late nineteenth-century and into the twentieth, as they explore the multiple beginnings-as well as the false starts-that characterize the period. All foreign language quotations are translated.

In his preface to The Symbolism of the Stupa Prof. Craig Reynolds writes ''The stupa is a symbolic form that pullulates throughout South Southeast and East Asia. In its Indian manifestations it is an extreme case in terms of architectural function: it has no use and has a basic simplicity. In this state of the art' study Adrian Snodrass reads the stupa as a cultural artifact. The monument concretizes metaphysical principles and generates multivalent meanings in ways that can be articulated with literary texts and other architectural forms.'' This study analyses a pattern of interrelated meanings generated by the form of the stupa. It does so by reference to myth, to ritual and to doctrine, viewing the architectural form from within the conceptual framework of the tradition to which it belongs. This approach involves questions of aim and methodology. A deeper understanding of a symbol is gained by studying the grid or net formed by its symbolic homologies.The pattern of meaning that emerges from the juxtaposition of cognate symbols does not exhaust the significance of the symbol, which is ultimately beyond worlds, but it reinforces its intimations, indicating a logical cohesion and integrity which in itself is an intimation of the all-pervasiveness of Principle. It is precisely this pattern of inter-reflection or symbols that this study attempts to delineate. By bringing together cognate symbols in apposition, it attempts to mark out the field of symbolic interactions which the stupa generates.

In his preface to The Symbolism of the Stupa Prof. Craig Reynolds writes ''The stupa is a symbolic form that pullulates throughout South Southeast and East Asia. In its Indian manifestations it is an extreme case in terms of architectural function: it has no use and has a basic simplicity. In this state of the art' study Adrian Snodrass reads the stupa as a cultural artifact. The monument concretizes metaphysical principles and generates multivalent meanings in ways that can be articulated with literary texts and other architectural forms.'' This study analyses a pattern of interrelated meanings generated by the form of the stupa. It does so by reference to myth, to ritual and to doctrine, viewing the architectural form from within the conceptual framework of the tradition to which it belongs. This approach involves questions of aim and methodology. A deeper understanding of a symbol is gained by studying the grid or net formed by its symbolic homologies.The pattern of meaning that emerges from the juxtaposition of cognate symbols does not exhaust the significance of the symbol, which is ultimately beyond worlds, but it reinforces its intimations, indicating a logical cohesion and integrity which in itself is an intimation of the all-pervasiveness of Principle. It is precisely this pattern of inter-reflection or symbols that this study attempts to delineate. By bringing together cognate symbols in apposition, it attempts to mark out the field of symbolic interactions which the stupa generates.

Craig Koester's respected study uses the symbolic language of the Gospel of John as a focus to explore "the Gospel's literary dimensions, social and historical context, and theological import." This edition is fully revised and updated and includes a number of new sections on such topics as Judas and the knowledge of God. Fresh treatments are given on a number of issues, including the Gospel's Christology. This new edition offers both new insights and proven worth for students and scholars alike.

This is a comparative and interdisciplinary book exploring a variety of perspectives on the artistic culture of France, and its neighbours, in the period 1870-1914. Part One centres on France, and assembles essays on the prose, poetry and painting of Symbolism and Decadence, on avant-garde dance and performance, on women's writing and on early cinema. Part Two explores the relations between France and several cultures in which the debt to France was amply and originally repaid-ranging from the Anglo-Celtic "Rhymers' Club" to the Italian "Crepusculari". The essays consistently point beyond the late nineteenth-century and into the twentieth, as they explore the multiple beginnings-as well as the false starts-that characterize the period. All foreign language quotations are translated.

In shrink wrap. Looks like an interesting title!

The Order of the Eastern Star is a Freemasonry-related fraternal organization open to both men and women. It was established in 1850 by Boston, Massachusetts lawyer and educator Rob Morris, a former Freemason official. The order is based on teachings from the Bible,[1] but is open to people of all religious beliefs. It has approximately 10,000 chapters in twenty countries and approximately 500,000 members under its General Grand Chapter. This book provides informative information about the symbols, terms and stories of the Order Of The Eastern Star. 201 pages, Hard Cover.

Bright softcover with no marks or flaws. xxi, 185 pages: illustrations. Unread copy in new condition, with no handling or wear.

Book is in NEW condition. 1.24

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is real Initiation: Becoming: At-one-ment." "There are thousands of Masons, who realize that Masonry contains and implies far more than appears in the ritual and ceremonies of the Lodge. There is a very widespread and growing interest in this direction, and it is this that Mystic Masonry, above all else, is designed to foster, encourage, and help."