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"An unrepeatable feat, a tour de force." —The Washington Post Book WorldIn Tabloid Dreams, Pulitzer Prize-winning author Robert Olen Butler dazzles with his mastery of the short story and his empathy for eccentric and ostracized characters. Using tabloid headlines as inspiration—"Boy Born with Tattoo of Elvis," "Woman Struck by Car Turns into Nymphomaniac," and "JFK Secretly Attends Jackie Auction"—Butler moves from the fantastic to the realistic, exploring enduring concepts of exile, loss, aspiration, and the search for self. Along the way, the cast includes a woman who can see through her glass eye when it's removed from the socket, a widow who sets herself on fire after losing a baking competition, a nine-year-old hit man, and a woman who dates an extraterrestrial she met in a Walmart parking lot. Tabloid Dreams weaves a seamless tapestry of high and low culture, of the surreal, sordid, and humorously sad.

Round-ring binder with label holder is perfect to store tabloid-size documents. Everyday durability is suited for active projects. Use the clear overlay on the spine for easy labeling. Rings are back-mounted so pages lie flat.

Why settle for less when you can have the OpticBook A300 Plus A3/Tabloid Size Book Scanner, a high-quality, durable, and efficient solution for all your scanning needs? This reliable scanner is designed to deliver superior results, with a high resolution of 600 dpi ensuring crisp, clear scans of documents and images. The OpticBook A300 Plus stands out with its ability to scan an A3 sized page in just 2.48 seconds, and a 200-page book measuring 8.5 x 11" in approximately 20 minutes. Its user-friendly design includes a special book-edge feature that eliminates the spine shadow and distorted text often associated with book scanning on traditional flatbed scanners or copiers. This scanner comes with the innovative Book Pavilion scanning software, which automatically crops and rotates pages, saving them in your preferred file formats such as PDF, Searchable PDF, EPUB, BMP, JPG, and TIF. The scanner's unique SEE (Shadow Elimination Element) Technology, a patent-pending feature by Plustek, combines mechanical, optical, and software technologies to deliver clear images within 2mm of the book spine.The OpticBook A300 Plus is designed for efficient operation, with features like Auto Continuous Scan and Rotate that streamline the book digitization process. It also includes ABBYY FineReader 12.0 Sprint Optical Character Recognition, which creates searchable scanned books. The Searchable PDF file format ensures the preservation of original documents, including fonts, graphics, images, and layouts, while providing enhanced security, reliability, and ease of transfer and exchange.With its special button design, you don't need to scan the entire book in color format, helping to reduce file size, decrease transfer time and fee, and save on data storage equipment and cost. This scanner is designed for high usage environments, making it ideal for library back office scanning, library patron scanning, service bureaus, and interlibrary loan.The OpticBook A300 Plus also features an LED light source, eliminating the need for warm-up time and saving energy. Its TWAIN-compliant industry standard drivers ensure compatibility with thousands of image-enabled applications, including document management, document capture, enterprise content management, forms processing, photographic imaging, and image management applications. In conclusion, the OpticBook A300 Plus A3/Tabloid Size Book Scanner is a reliable, efficient, and user-friendly solution for high-quality scanning of documents and images.

Self-adhesive frame features a magnetic cover that pulls back effortlessly to quickly exchange and update your signs. Four-sided frame works horizontally or vertically for convenient placement virtually anywhere. Easy-to-use adhesive requires you to simply peel and stick for immediate attachment to any smooth, solid surface. Dual-sided construction ensures visibility from either side when affixed to transparent surfaces to reach more people at once. Tabloid-size frame is perfect for displaying literature, notices, posters, health/safety information and more.

Slant-D reference binder features no-pinch rings that open and close for easy access to your tabloid-size documents. Lock with just one touch. Binder holds 25 percent more than standard round-ring binders. Back-mounted steel rings reduce wear and let pages lie flat. 1-1/2" ring capacity hold approximately 350 sheets. Binder also offers a label holder for easy reference and exposed rivets. Durable, heavy-gauge vinyl cover and a sturdy chipboard core protect your contents. Binder earned the Ease-Of-Use Commendation from the Arthritis Foundation.

Slant-D reference binder features no-pinch rings that open and close for easy access to your tabloid-size documents. Lock with just one touch. Binder holds 25 percent more than standard round-ring binders. Back-mounted steel rings reduce wear and let pages lie flat. 2" ring capacity hold approximately 525 sheets. Binder also offers a label holder for easy reference and exposed rivets. Durable, heavy-gauge vinyl cover and a sturdy chipboard core protect your contents. Binder earned the Ease-Of-Use Commendation from the Arthritis Foundation.

Slant-D reference binder features no-pinch rings that open and close for easy access to your tabloid-size documents. Lock with just one touch. Binder holds 25 percent more than standard round-ring binders. Back-mounted steel rings reduce wear and let pages lie flat. 3" ring capacity hold approximately 675 sheets. Binder also offers a label holder for easy reference and exposed rivets. Durable, heavy-gauge vinyl cover and a sturdy chipboard core protect your contents. Binder earned the Ease-Of-Use Commendation from the Arthritis Foundation.

Contemporary sign stand displays tabloid-size printed sheets vertically or horizontally. Clear magnetic sign panel allows quick, easy insert changes. Open design features sleek curves, metal frame and plastic pocket. Personalize and print signs from any office using the free, online sign creator. An add-on literature holder is sold separately.

Why settle for less when you can have the best with the Okidata 52208402 10-Point Tabloid Gloss Printer Paper? Designed to deliver superior print quality, this 11x17" Ledger B Size paper is perfect for professional presentations, brochures, and high-quality prints. Each box contains 250 sheets of premium, high-gloss paper, ensuring you have ample supply for all your printing needs. This glossy paper is specifically engineered to maximize the performance of your printer, providing crisp, vibrant images and text that resist fading over time. The 10-point thickness adds a professional touch to your prints, making them more durable and long-lasting. Ideal for both home and office use, the Okidata 52208402 10-Point Tabloid Gloss Printer Paper is compatible with a wide range of printers. So, whether you're printing a business report or a creative project, this high-quality glossy paper will help you achieve outstanding results. In a world where presentation matters, make sure your prints stand out with the Okidata 52208402 10-Point Tabloid Gloss Printer Paper. It's not just paper, it's a tool to make your work shine.

Oscar-winning director Errol Morris presents his most provocative and sexiest film yet. In the late 1970s, Miss Wyoming Joyce McKinney became a tabloid staple when she kidnapped her former beau, a Mormon missionary named Kirk Anderson, and tied him to a bed to deprogram his religious beliefs by having nonstop sex with him. Morris (THE FOG OF WAR, THE THIN BLUE LINE) follows the salacious adventures of this beauty queen with an IQ of 168 whose single-minded devotion to the man of her dreams led h

During the latter half of the 1980s and throughout the 1990s, television talk shows, infotainment news, and screaming supermarket headlines became ubiquitous in America as the “tabloidization” of the nation’s media took hold. In Tabloid Culture Kevin Glynn draws on diverse theoretical sources and an unprecedented range of electronic and print media in order to analyze important aspects and key debates that have emerged around this phenomenon. Glynn begins by situating these media shifts within the context of Reaganism, which gave rise to distinctive ideological currents in society and led the socially and economically disenfranchised to access new forms of information via the exploding television industry. He then tackles specific daytime talk shows and tabloid newscasts such as Jerry Springer and A Current Affair, reality-TV programs such as Cops and America’s Most Wanted, and two different supermarket tabloids’ coverage of the O.J. Simpson case. Tabloid Culture is the first book to treat these diverse yet related media forms and events in tandem. Rejecting the elitist dismissal of sensationalist media, Glynn instead traces the cultural currents and countercurrents running through their forms and products. Locating both reactionary and oppositional meanings in these texts, he demonstrates how these particular media genres draw on and contribute to important cultural struggles over the meanings of race, sexuality, gender, class, “normality,” “truth,” and “reality.” The study ends by discussing how the growing use of the Internet provides an entirely new realm in which such material can circulate, distort, inform, and flourish. This innovative and provocative study of contemporary mainstream media culture in the United States will be valuable to those interested in both print and television media, the cultural-political influence of the Reagan era, and American culture in general.

Tabloid, Inc. provides the first extended study of the rich exchange between New York’s tabloid press and other narrative frames, including Hollywood crime film, museum exhibits, and hard-boiled fiction. Armed with hard-to-find early issues of the New York Daily News, the New York Daily Mirror, and the Evening Graphic, V. Penelope Pelizzon and Nancy M. West trace crime stories from the late 1920s through the 1940s across often-contentious borders between different narrative sites.            Rather than dismissing the early tabloids as fodder for “gutter vamps and backyard sheiks,” as one critic called them, the authors treat these papers as distinctive literary venues typified by extreme flexibility in storytelling. The papers’ historically denigrated social status prompts the authors to study what they call “narrative mobility”?the process by which a story, in transiting from one medium, genre, or mode to another, reveals the underlying class boundaries that circumscribe that movement.            Combining narrative theory with cultural, literary, and film studies, Tabloid, Inc. marshals a wealth of little-seen archival material that includes not only the pages of the tabloids themselves but also Hollywood press books, studio correspondence, and fabulous though now-forgotten movies.   

The former managing editor of "A Current Affair," and "Hard Copy" traces the development of tabloid television journalism

Tabloid News is the debut solo album by San Antonio born and based singer and songwriter Harvey McLaughlin. The album represents something of a throwback to the 1970's piano based long players by the likes of greats such as Warren Zevon, Randy Newman and Tom Waits with nods to New Orleans R&B and Chicano Soul while maintaining the urgency of the young roots rock bands that Harvey has honed his craft and musicianship with over the last dozen. He only half-jokingly admits "I want to play the piano

This is a fascinating glimpse into the often farcical, inner workings of a best-selling tabloid newspaper, and is a must-read for anyone interested in British social history and the media. As it celebrates its centenary, Chris Horrie casts an eye over the Daily Mirror's eventful history, from its first incarnation as a "newspaper for ladies" to the 1960s when it was riding high as the Beatles of the media world: anti-establishment, irreverant, sexy, and young. Then came the bitter 30-year circulation war with new arch-rival The Sun, and now, the tabloids desperately grapple for sales and many are forging links with the worlds of celebrity hype, New Labour politics, and cable TV.

Tabloid, Inc. provides the first extended study of the rich exchange between New York’s tabloid press and other narrative frames, including Hollywood crime film, museum exhibits, and hard-boiled fiction. Armed with hard-to-find early issues of the New York Daily News, the New York Daily Mirror, and the Evening Graphic, V. Penelope Pelizzon and Nancy M. West trace crime stories from the late 1920s through the 1940s across often-contentious borders between different narrative sites.            Rather than dismissing the early tabloids as fodder for “gutter vamps and backyard sheiks,” as one critic called them, the authors treat these papers as distinctive literary venues typified by extreme flexibility in storytelling. The papers’ historically denigrated social status prompts the authors to study what they call “narrative mobility”?the process by which a story, in transiting from one medium, genre, or mode to another, reveals the underlying class boundaries that circumscribe that movement.            Combining narrative theory with cultural, literary, and film studies, Tabloid, Inc. marshals a wealth of little-seen archival material that includes not only the pages of the tabloids themselves but also Hollywood press books, studio correspondence, and fabulous though now-forgotten movies.   

This book analyzes the methods, effects, and mechanisms by which international relations reach the US citizen. Deftly dissecting the interrelationships of national identity formation, corporate ‘news and opinion’ dissemination, and the quasi-academic apparatus of war justification - focusing on the Bush administration's exploitation of the fear and insecurity caused by 9/11 and how this has manifested itself in the US media (especially the tabloid populist media). Debrix explains how all serve to defend and produce state power and develops a model of tabloidized international relations, where responses are both organized by, and supportive of, a strong centralized US government. The field of International Relations sorely needs such analytics, in so far as it explains how people in their everyday lives relate to transnational issues. Tabloid Terror critically covers a wide variety of US popular culture from the Internet to Fox News; analyzes diverse authors as Julia Kristeva, J.G. Ballard and Robert Kaplan and takes into account renowned international relations interlocutors as Don Imus, Bill O’Reilly, and Tommy Franks.

"Malgré son poids, American tabloid tient de l''épure tant il semble que l''auteur ait taillé à la serpe dans un manuscrit que l''on imagine colossal. Plein comme un oeuf, American tabloid requiert une attention de tous les instants : une simple ligne parcourue d''un oeil distrait, et c''est une conspiration, un retournement de veste ou un cadavre qui risquent d''échapper au lecteur. Il n''en fallait pas moins pour passer au scalpel les mille jours de l''administration Kennedy et dresser le tableau dantesque des cinq ans qui courent de novembre 1958 au 22 novembre 1963 à Dallas..." - Bruno Gendre, Libération

CHOSEN BY TIME MAGAZINE AS ONE OF THE TEN BEST BOOKS OF THE YEAR"ONE HELLISHLY EXCITING RIDE."--Detroit Free PressThe '50s are finished. Zealous young senator Robert Kennedy has a red-hot jones to nail Jimmy Hoffa. JFK has his eyes on the Oval Office. J. Edgar Hoover is swooping down on the Red Menace. Howard Hughes is dodging subpoenas and digging up Kennedy dirt. And Castro is mopping up the bloody aftermath of his new communist nation."HARD-BITTEN. . . INGENIOUS. . . ELLROY SEGUES INTO POLITICAL INTRIGUE WITHOUT MISSING A BEAT."--The New York TimesIn the thick of it: FBI men Kemper Boyd and Ward Littell. They work every side of the street, jerking the chains of made men, street scum, and celebrities alike, while Pete Bondurant, ex-rogue cop, freelance enforcer, troubleshooter, and troublemaker, has the conscience to louse it all up."VASTLY ENTERTAINING."--Los Angeles TimesMob bosses, politicos, snitches, psychos, fall guys, and femmes fatale. They're mixing up a molotov cocktail guaranteed to end the country's innocence with a bang. Dig that crazy beat: it's America's heart racing out of control. . . ."A SUPREMELY CONTROLLED WORK OF ART."--The New York Times Book Review