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Book One: Selected Writings offers an illustrated and complete collection of the texts Tacita Dean has written concerning films and other projects she has made between 1992 and the present. Book Two: 12.10.02 - 21.12.02 reprints the artist's book Dean made for her show at the Kunstverein fr die Rheinlande und Westfalen in October 2002. The exhibition dates provide the title of the book, which in turn relates to the discovery and filming of Marcel Broodthaers' studio, his Section Cinema in Dsseldorf and the works that were inspired by this. Book Three: W. G. Sebald gives homage to the German writer who was killed in a car accident in 2001. It takes its starting point from a reference in his book The Rings of Saturn and then weaves a meandering narrative between history and autobiography, England and Germany, and ends up, strangely enough, in Texas. Book Four: The Russian Ending shows a set of 20 photogravures made by the artist in 2001. From found postcards the artist made fictional sad endings for films, borrowing from the early days of the Danish Film Industry when it was necessary to make two endings: a happy one for the Americans and a sad one for the Russians. Book Five: Boots is a soliloquy presented in three languages: English, French and German. Each version is a different fictional take on the movement and musings of the character, Boots, in a villa in Portugal. Though it looks like a film script, the book is in fact a transcription of the action in a film with the same name. Book Six: Complete Works and Filmography, 1991 - 2003 is exactly what it says it is. Book Seven: Essays includes texts by Julia Garimorth, Rita Kersting, Jean-Luc Nancy and Michael Newman with a foreword by Laurence Bossª, Senior Curator at ARC/Museª d'art moderne de la ville de Paris.

Pink/Tortoise

Introduce an aspect of exotic poise to your space with the lovely Tacita accent wall mirror. Made in Vietnam, this bohemian piece consists of a circular central mirror laid within a natural rattan frame. Its round silhouette presents soothing geometry while woven rattan embellishments lend visual texture while lending a light, airy feel. The Tacita will arrive fully assembled and is wall mountable. Exuding the serenity of a tranquil oasis, the Tacita accent wall mirror brings peaceful charm to any setting.

Over the past 15 years Tacita Dean has created a body of work in film, photography and drawing that's impressive in its idiosyncratic handling of those media and striking in its contrary beauty. In combination with the drawings collected here, and with photographs and stories, her slow-moving projections--which border on the meditative--present a panorama in which fleeting moments come to a standstill. Her meticulous framing and awareness of the flow of filmic time evoke eerily specific atmospheres, and her films provide the creative impulse for remarkable work in other media. Analogue, the first methodical study and graphic presentation of her drawings, gathers not just those on paper but also on blackboards and alabaster and in photographs, and considers them in light of her roots as a painter. Dean discusses them, and their connections to her film work, in an interview.

Prior to a controversial gallery renovation, Tacita Dean documents the brown and beige jute walls, carpeted floor and other decor of the Hessisches Landesmuseum in Darmstadt, which houses the famous seven-room installation Block Beuys, 1970-86 by Joseph Beuys. Opponents of the renovation cite the importance of entropy in Beuys' work.

With films, drawings, photographs, audio recordings and installations, Berlin-based English artist Tacita Dean explores the ways that chance and coincidence influence daily life, constructing narratives that connect past and present, fact and fiction, private histories and larger events. Across one archipelago of works - Disappearance at Sea (1996), Disappearance at Sea II (1996) and Teignmouth Electron (1999) - Dean documents the tragic account of Donald Crowhurst and his attempts to fake a solo voyage around the globe, which culminated in his eventual loss of sanity and his death at sea. The works tell the story through various fragments and landscapes, including a magnificent sea vista from a lighthouse beacon that produce what the artist refers to as a 'missing narrative' reminiscent of an atmospheric nineteenth-century seascape painting.Art and cinema theorist Jean-Christophe Royoux uses his Survey to dissect the multiple layers of time - durational and historical - at play in Tacita Dean's work. In the Interview, writer and art historian Marina Warner talks to the artist about the remarkable origins of several of her works, highlighting their charmed relationship to chance. Literature and culture critic Germaine Greer uses the Focus to examine the man and the building at the heart of the three-part film installation Boots (2003). For Artist's Choice, Dean has selected a 1939 poem by W. B. Yeats and a passage from a 1995 novel by W. G. Sebald that both capture the elegiac spirit of her own work. Artist's Writings range from a reflection on the distant South Atlantic Island Tristan da Cunha to a very personal obituary Dean wrote about the Italian artist Mario Merz. Also included are project notes on a half dozen of the artist's key works.

Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

The invisible, the trace, the almost-there British-born Tacita Dean's 16-mm films create remarkable drama from astonishingly little visual presence. In addition to an ambient sound track, we hear the workings of the projector, we become aware of the mechanics of the film moving through the gate, we focus on processing irregularities--accidental or intentional. Published alongside her recent exhibition at Miami Art Central, this volume gathers key films together with Dean's poetic narratives, which become discrete works in themselves when juxtaposed with the still images. In this way, Film Works reveals another facet of Dean's output, rather than functioning entirely as a catalogue of works. The films included, which date from the 1990s to the present, are accompanied by essays by art historian and theorist Briony Fer, and Miami Art Central Chief Curator Rina Carvajal. Represented by Marian Goodman Gallery in New York, Dean received the 2006 Hugo Boss Prize.

British artist Tacita Dean (born 1964) first came to the attention of the art world with her surrealistic 16-mm film “The Story of Beard” (1992), making a name for herself as part of the Young British Artists generation―even if Dean’s slow, subtle films would seem to have little in common with the raucous works of her peers. Dean was nominated for the Turner Prize in 1998 and has since been a vocal advocate for the medium of film.In 2018, Dean brings major exhibitions to three of London’s leading art institutions: the National Gallery, the National Portrait Gallery and the Royal Academy of Arts. Each exhibition will provide an encounter with the filmmaker’s work through a different lens: landscape, portrait and still life. Tacita Dean: Landscape, Portrait, Still Life unites the three exhibitions in one stunning survey volume. Works drawn from Dean’s entire career to the present day are brought together with texts by leading writers Alexandra Harris, Alan Hollinghurst and Ali Smith providing unique insights into Dean’s vision. Tacita Dean: Landscape, Portrait, Still Life, published at a career-defining moment for the artist, provides a new and authoritative view on a hugely influential filmmaker who has been at the cutting edge of British art for over 20 years. The book is published with three different covers

Tacita Dean: Writing and Filmography, published as a companion to Tacita Dean: Landscape, Portrait, Still Life, collects the artist’s writings and pairs them with a complete filmography. Dean’s writings reveal her to be as sensitive a thinker as she is an image maker, and her filmography shows the depth and breadth of the artist’s interests. Beautifully illustrated throughout with film stills, archival photographs and related artworks, this two-volume publication provides an unparalleled insight into the stories and inspiration behind her work.

With films, drawings, photographs, audio recordings and installations, Berlin-based English artist Tacita Dean explores the ways that chance and coincidence influence daily life, constructing narratives that connect past and present, fact and fiction, private histories and larger events. Across one archipelago of works - Disappearance at Sea (1996), Disappearance at Sea II (1996) and Teignmouth Electron (1999) - Dean documents the tragic account of Donald Crowhurst and his attempts to fake a solo voyage around the globe, which culminated in his eventual loss of sanity and his death at sea. The works tell the story through various fragments and landscapes, including a magnificent sea vista from a lighthouse beacon that produce what the artist refers to as a 'missing narrative' reminiscent of an atmospheric nineteenth-century seascape painting.Art and cinema theorist Jean-Christophe Royoux uses his Survey to dissect the multiple layers of time - durational and historical - at play in Tacita Dean's work. In the Interview, writer and art historian Marina Warner talks to the artist about the remarkable origins of several of her works, highlighting their charmed relationship to chance. Literature and culture critic Germaine Greer uses the Focus to examine the man and the building at the heart of the three-part film installation Boots (2003). For Artist's Choice, Dean has selected a 1939 poem by W. B. Yeats and a passage from a 1995 novel by W. G. Sebald that both capture the elegiac spirit of her own work. Artist's Writings range from a reflection on the distant South Atlantic Island Tristan da Cunha to a very personal obituary Dean wrote about the Italian artist Mario Merz. Also included are project notes on a half dozen of the artist's key works.

Seven Books Grey is an updated, expanded version of Tacita Dean's Seven Books (2003), and is an exploration of Dean's oeuvre as it straddles film, drawing, photography, writing and book-making. Each book has a different focusand together they are an accurate survey of Dean's work to date. Book One: Complete Works and Filmography 1991–2011 Book Two: Selected Writings 1992–2011 (Dean's writings) Book Three: A Panegyric, Gaeta, Edwin Parker (three projects made with and about Cy Twombly) Book Four: Film Works with Merce Cunningham Book Five: Footage (artist's book with a text by Marina Warner taking a cultural-historical lookat the foot and the significance of limping) Book Six: Post-War Germany and ‘Objective Chance': W.G. Sebald, Joseph Beuys and Tacita Dean (essay by Christa-Maria Lerm Hayes) Book Seven: Essays on the Work of Tacita Dean (texts by Wolfram Pichler, Peter Bürger, Douglas Crimp and Achim Hochdörfer)

The photographs in Floh were discovered by Tacita Dean in flea markets across Europe and America. These portraits, holiday snapshots, documents of banal occurrences or spectacular views have all been retrieved and given a new existence. They retain the anonymity of the flea market, but are here salvaged as art. Flo comes beautifully printed in a linen cover, with a slipcase, and each copy of the book is signed and numbered by the artist. Dean eventually stopped attending flea markets for fear of finding an image that "should have been in the book," but then decided that there could never be a final version to this collection.

Tacita Dean: Writing and Filmography, published as a companion to Tacita Dean: Landscape, Portrait, Still Life, collects the artist’s writings and pairs them with a complete filmography. Dean’s writings reveal her to be as sensitive a thinker as she is an image maker, and her filmography shows the depth and breadth of the artist’s interests. Beautifully illustrated throughout with film stills, archival photographs and related artworks, this two-volume publication provides an unparalleled insight into the stories and inspiration behind her work.

The photographs in Floh were discovered by Tacita Dean in flea markets across Europe and America. These portraits, holiday snapshots, documents of banal occurrences or spectacular views have all been retrieved and given a new existence. They retain the anonymity of the flea market, but are here salvaged as art. Flo comes beautifully printed in a linen cover, with a slipcase, and each copy of the book is signed and numbered by the artist. Dean eventually stopped attending flea markets for fear of finding an image that "should have been in the book," but then decided that there could never be a final version to this collection.

British artist Tacita Dean (born 1964) first came to the attention of the art world with her surrealistic 16-mm film “The Story of Beard” (1992), making a name for herself as part of the Young British Artists generation―even if Dean’s slow, subtle films would seem to have little in common with the raucous works of her peers. Dean was nominated for the Turner Prize in 1998 and has since been a vocal advocate for the medium of film.In 2018, Dean brings major exhibitions to three of London’s leading art institutions: the National Gallery, the National Portrait Gallery and the Royal Academy of Arts. Each exhibition will provide an encounter with the filmmaker’s work through a different lens: landscape, portrait and still life. Tacita Dean: Landscape, Portrait, Still Life unites the three exhibitions in one stunning survey volume. Works drawn from Dean’s entire career to the present day are brought together with texts by leading writers Alexandra Harris, Alan Hollinghurst and Ali Smith providing unique insights into Dean’s vision. Tacita Dean: Landscape, Portrait, Still Life, published at a career-defining moment for the artist, provides a new and authoritative view on a hugely influential filmmaker who has been at the cutting edge of British art for over 20 years. The book is published with three different covers

Tacita Dean (born 1965) has become one of Britain’s most celebrated artists, with more than 40 16mm films and a rich body of drawings, photographs and writing to her name. This volume focuses on five recent film portraits of important American artists and thinkers: Merce Cunningham, Leo Steinberg, Julie Mehretu, Claes Oldenburg and Cy Twombly.

Prior to a controversial gallery renovation, Tacita Dean documents the brown and beige jute walls, carpeted floor and other decor of the Hessisches Landesmuseum in Darmstadt, which houses the famous seven-room installation Block Beuys, 1970-86 by Joseph Beuys. Opponents of the renovation cite the importance of entropy in Beuys' work.

Drawing attention to the special qualities of 16mm and 35mm celluloid film, Celluloid presents the work of Tacita Dean, João Maria Gusmão & Pedro Paiva, Rosa Barba and Luis Recorder & Sandra Gibson―artists who incorporate, in complex films and installations, celluloid film into their oeuvres.

Hardcover. Whether it's Georg Baselitz or Olafur Eliasson, Tacita Dean or Martin Kippenberger: these are the greats who have frequented Niels Borch Jensen's printmaking studio in Copenhagen. And they've been coming and going for more than forty years! Not only because of his special, farsighted expertise, which contributes to the congenial creation of unique works of art, but also due to his wish to reject any imposition of aesthetic limitations and to constantly attempt new things. A look at the story of the studio and its founder, therefore, also means taking a look through the kaleidoscope of contemporary art history.This volume is an excursion behind the scenes at the famous printmaking workshop. Exclusive artist interviews and the personal recollections of Niels Borch Jensen offer intriguing insights into the craft of printmaking and the collaborations with epoch-making artists. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.