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The poet Santoka (1882-1940) continued the tradition of the great Zen eccentrics into the twentieth century. He is admired in Japan for his free-style haiku and pursuit of a pure Zen life. His life parallels those of the earlier Zen poets, Ryokan and Ikkyu, a life of simplicity and honesty, free from material possessions, set concepts and social conventions. MOUNTAIN TASTING offers a representative collection of over 370 of Santoka's haiku to the Western reader for the first time. Santoka's unadorned style and profound Zen spirit shine directly through John Stevens's fresh, clear translations, accompanied by the romanized Japanese originals.

Ruth and Nayouki Taneda have taught music to children for more than 30 years. In this handbook, they show how it is possible to develop absolute pitch (also known as "perfect pitch") in preschool children, giving them a skill previously thought of as an innate privilege of only especially gifted musicians. The authors discuss the myths related to absolute pitch, and they describe the effects of absolute pitch on a child's musical upbringing. In the process, they present a new style of instrumental instruction.

In April 1926, the Japanese poet Taneda Santoka (1882–1940) set off on the first of many walking trips, journeys in which he tramped thousands of miles through the Japanese countryside. These journeys were part of his religious training as a Buddhist monk as well as literary inspiration for his memorable and often painfully moving poems. The works he wrote during this time comprise a record of his quest for spiritual enlightenment.Although Santoka was master of conventional-style haiku, which he wrote in his youth, the vast majority of his works, and those for which he is most admired, are in free-verse form. He also left a number of diaries in which he frequently recorded the circumstances that had led to the composition of a particular poem or group of poems. In For All My Walking, master translator Burton Watson makes Santoka's life story and literary journeys available to English-speaking readers and students of haiku and Zen Buddhism. He allows us to meet Santoka directly, not by withholding his own opinions but by leaving room for us to form our own. Watson's translations bring across not only the poetry but also the emotional force at the core of the poems. This volume includes 245 of Santoka's poems and of excerpts from his prose diary, along with a chronology of his life and a compelling introduction that provides historical and biographical context to Taneda Santoka's work.

In April 1926, the Japanese poet Taneda Santoka (1882–1940) set off on the first of many walking trips, journeys in which he tramped thousands of miles through the Japanese countryside. These journeys were part of his religious training as a Buddhist monk as well as literary inspiration for his memorable and often painfully moving poems. The works he wrote during this time comprise a record of his quest for spiritual enlightenment.Although Santoka was master of conventional-style haiku, which he wrote in his youth, the vast majority of his works, and those for which he is most admired, are in free-verse form. He also left a number of diaries in which he frequently recorded the circumstances that had led to the composition of a particular poem or group of poems. In For All My Walking, master translator Burton Watson makes Santoka's life story and literary journeys available to English-speaking readers and students of haiku and Zen Buddhism. He allows us to meet Santoka directly, not by withholding his own opinions but by leaving room for us to form our own. Watson's translations bring across not only the poetry but also the emotional force at the core of the poems. This volume includes 245 of Santoka's poems and of excerpts from his prose diary, along with a chronology of his life and a compelling introduction that provides historical and biographical context to Taneda Santoka's work.

Ruth and Nayouki Taneda have taught music to children for more than 30 years. In this handbook, they show how it is possible to develop absolute pitch (also known as "perfect pitch") in preschool children, giving them a skill previously thought of as an innate privilege of only especially gifted musicians. The authors discuss the myths related to absolute pitch, and they describe the effects of absolute pitch on a child's musical upbringing. In the process, they present a new style of instrumental instruction.

206 S. Erste Leerseite entfernt. Sonst sehr gut erhalten. KEINE Eintragungen/Markierungen. Meiko und ihr Freund Taneda arbeiten tagein und tagsaus in langweiligen Bürojobs und hätten nach der Uni viel lieber etwas Aufregendes erlebt. Als sich Meiko entschließt ihren Job hinzuschmeißen, stellt sie Taneda vor vollendete Tatsachen und bringt damit einen Stein ins rollen, den sie nicht mehr aufhalten kann. - Wir versenden aus unserem deutschen Lager heraus in plastikfreien oder wiederverwendeten Polstertaschen. Sprache: Deutsch Gewicht in Gramm: 250 Taschenbuch, Maße: 14.6 cm x 2 cm x 21.4 cm