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An account of a major international art movement originating in the former Yugoslavia in the 1960s, which anticipated key aspects of information aesthetics.New Tendencies, a nonaligned modernist art movement, emerged in the early 1960s in the former Yugoslavia, a nonaligned country. It represented a new sensibility, rejecting both Abstract Expressionism and socialist realism in an attempt to formulate an art adequate to the age of advanced mass production. In this book, Armin Medosch examines the development of New Tendencies as a major international art movement in the context of social, political, and technological history. Doing so, he traces concurrent paradigm shifts: the change from Fordism (the political economy of mass production and consumption) to the information society, and the change from postwar modernism to dematerialized postmodern art practices. Medosch explains that New Tendencies, rather than opposing the forces of technology as most artists and intellectuals of the time did, imagined the rapid advance of technology to be a springboard into a future beyond alienation and oppression. Works by New Tendencies cast the viewer as coproducer, abolishing the idea of artist as creative genius and replacing it with the notion of the visual researcher. In 1968 and 1969, the group actively turned to the computer as a medium of visual research, anticipating new media and digital art.Medosch discusses modernization in then-Yugoslavia and other nations on the periphery; looks in detail at New Tendencies' five major exhibitions in Zagreb (the capital of Croatia); and considers such topics as the group's relation to science, the changing relationship of manual and intellectual labor, New Tendencies in the international art market, their engagement with computer art, and the group's eventual eclipse by other “new art practices” including conceptualism, land art, and arte povera. Numerous illustrations document New Tendencies' works and exhibitions.

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Since the 1980s there has been considerable interest in Mexico and its art, as one can see from the sheer number of exhibitions, catalogues, and articles devoted to the subject. Despite this interest, there are few books devoted to contemporary Mexican art. New Tendencies in Mexican Art is the first book-length study devoted to a generation of Mexican artists who have had enormous international success. It focuses on several 'tendencies' Gallo has identified as prominent themes in the work of these artists including orientalism, perversion, and a fascination with urban culture.

The Synoptic Gospels contain traditions about Jesus which differ in some respects from Gospel to Gospel and, it is presumed, from the very earliest Christian traditions. Scholars often seek to establish the earliest form of each tradition and the methods and criteria they use are of the greatest importance. Dr Sanders here provides a reassessment of this whole problem. His study deals directly with the question of determining the reliability of the Synoptic Gospels.

The Synoptic Gospels contain traditions about Jesus which differ in some respects from Gospel to Gospel and, it is presumed, from the very earliest Christian traditions. Scholars often seek to establish the earliest form of each tradition and the methods and criteria they use are of the greatest importance. Dr Sanders here provides a reassessment of this whole problem. His study deals directly with the question of determining the reliability of the Synoptic Gospels.

Suicidal Tendencies is the eponymously titled debut studio album by American crossover thrash band Suicidal Tendencies. The album was released in June, 1983, through Frontier Records with the catalog number FLP 011. It became one of the best-selling punk albums at the time and launched the band into it's future success. Suicidal Tendencies has received positive reviews from music critics, and by 1986, the album had sold at least 150,000 copies. "Institutionalized" was released as a radio hit to

Robert B. Ray examines the ideology of the most enduringly popular cinema in the world--the Hollywood movie. Aided by 364 frame enlargements, he describes the development of that historically overdetermined form, giving close readings of five typical instances: Casablanca, It's a Wonderful Life, The Man Who Shot Liberty Valance, The Godfather, and Taxi Driver. Like the heroes of these movies, American filmmaking has avoided commitment, in both plot and technique. Instead of choosing left or right, avant-garde or tradition, American cinema tries to have it both ways.Although Hollywood's commercial success has led the world audience to equate the American cinema with film itself, Hollywood filmmaking is a particular strategy designed to respond to specific historical situations. As an art restricted in theoretical scope but rich in individual variations, the American cinema poses the most interesting question of popular culture: Do dissident forms have any chance of remaining free of a mass medium seeking to co-opt them?

Robert B. Ray examines the ideology of the most enduringly popular cinema in the world--the Hollywood movie. Aided by 364 frame enlargements, he describes the development of that historically overdetermined form, giving close readings of five typical instances: Casablanca, It's a Wonderful Life, The Man Who Shot Liberty Valance, The Godfather, and Taxi Driver. Like the heroes of these movies, American filmmaking has avoided commitment, in both plot and technique. Instead of choosing left or right, avant-garde or tradition, American cinema tries to have it both ways.Although Hollywood's commercial success has led the world audience to equate the American cinema with film itself, Hollywood filmmaking is a particular strategy designed to respond to specific historical situations. As an art restricted in theoretical scope but rich in individual variations, the American cinema poses the most interesting question of popular culture: Do dissident forms have any chance of remaining free of a mass medium seeking to co-opt them?

Using a clear, expository style that builds from simple to more complex topics, Weisberg explains how to measure the centre and variation on a single variable. Beginning with an exploration of how to measure variables with different numeric or non-numeric properties, the volume covers such important topics as ways to examine distributions of variables, ways to measure the spread of a variable in order to see how much the values on the variable differ, how to generalize the sample results to the population and the use of exploratory data analysis to measure centre and spread.

Hillerbrand, H. J., Ed.: Radical Tendencies in the Reformation: Divergent Perspectives [hardback]. Kirksville, Mo, 1987, 140 P. , 465 Gr. Encuadernacion Original. Nuevo. (ja-2-2) 465 Gr.

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Excerpt from The Origin, Tendencies and Principles of Government: Or a Review of the Rise and Fall of Nations From Early Historic Time to the Present; With Special Considerations Regarding the Future of the United State as the Representative Government of the World and the Form of Administration Which Will Secure This CSec. V. - 1. Each House shall be judge of the elections, returns and qualifications of its own members; and a majority of each shall constitute a quorum to do business, but a smaller number may adjourn from day to day, and may be authorized to compel the attendance of absent members, in such manner and under such penalties as each House may provide.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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Reprint of important philosophy text.

In "An Inquiry into the Nature and Tendency of Speculative Freemasonry," former Freemason, John G. Stearns, discusses how Freemasonry is contradictory to Christianity; how it is a threat to civil and religious government (as well as society as a whole); and how the claims of William Morgan are legitimate.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The current Teen Wonder, Tim Drake, graduated into his own monthly comics series in these stories that take place at the height of the best-selling Batman: Knightfall story! In it, Robin battles the Cluemaster, only to run afoul of his beautiful daughter, the would-be hero called the Spoiler. Robin then runs headlong into battle at the side of the Huntress, Gotham City's deadliest vigilante!