11 products were found matching your search for theoderic in 1 shops:

Hardcover. The first full-scale history of Theoderic and the Goths in more than seventy-five years, tracing the transformation of a divided kingdom into a great power In the year 493, the leader of a vast confederation of Gothic warriors, their wives, and children personally cut down Odoacer, the man famous for deposing the last Roman emperor in 476. That leader became Theoderic the Great (454526). This engaging history of his life and reign immerses readers in the world of the warrior-king who ushered in decades of peace and stability in Italy as king of Goths and Romans. Theoderic transformed his roving warrior nation from the periphery of the Roman world into a standing army that protected his taxpaying Roman subjects with the support of the Roman elite. With a ruling strategy of integration through separation, Theoderic not only stabilized Italy but also extended his kingdom to the western Balkans, southern France, and the Iberian Peninsula. Using sources as diverse as letters, poetry, coins, and mosaics, Hans-Ulrich Wiemer brings readers into the world of Theoderics court, from Gothic warriors and their families to the notables, artisans, and shopkeepers of Rome and Ravenna to the peasants and enslaved people who tilled the soil on grand rural estates. This book offers a fascinating history of the leader who brought peace to Italy after the disintegration of the Roman Empire. The first full-scale history of Theoderic and the Goths in more than seventy-five years, tracing the transformation of a divided kingdom into a great power Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

This book provides a new interpretation of the fall of the Roman Empire and the "barbarian" kingdom known conventionally as Ostrogothic Italy. Relying primarily on Italian textual and material evidence, and in particular the works of Cassiodorus and Ennodius, Jonathan J. Arnold argues that contemporary Italo-Romans viewed the Ostrogothic kingdom as the Western Roman Empire and its "barbarian" king, Theoderic (r. 489/93-526), as its emperor. Investigating conceptions of Romanness, Arnold explains how the Roman past, both immediate and distant, allowed Theoderic and his Goths to find acceptance in Italy as Romans, with roles essential to the Empire's perceived recovery. Theoderic and the Roman Imperial Restoration demonstrates how Theoderic's careful attention to imperial traditions, good governance, and reconquest followed by the re-Romanization of lost imperial territories contributed to contemporary sentiments of imperial resurgence and a golden age. There was no need for Justinian to restore the Western Empire: Theoderic had already done so.

This book provides a new interpretation of the fall of the Roman Empire and the "barbarian" kingdom known conventionally as Ostrogothic Italy. Relying primarily on Italian textual and material evidence, and in particular the works of Cassiodorus and Ennodius, Jonathan J. Arnold argues that contemporary Italo-Romans viewed the Ostrogothic kingdom as the Western Roman Empire and its "barbarian" king, Theoderic (r. 489/93-526), as its emperor. Investigating conceptions of Romanness, Arnold explains how the Roman past, both immediate and distant, allowed Theoderic and his Goths to find acceptance in Italy as Romans, with roles essential to the Empire's perceived recovery. Theoderic and the Roman Imperial Restoration demonstrates how Theoderic's careful attention to imperial traditions, good governance, and reconquest followed by the re-Romanization of lost imperial territories contributed to contemporary sentiments of imperial resurgence and a golden age. There was no need for Justinian to restore the Western Empire: Theoderic had already done so.

The career of Theoderic the Ostrogoth is one of the great success stories of antiquity. From being a ruler of a barbarian people wandering around the Balkans, he became king in Italy (493-526) and established one of the most powerful of the post-Roman states. Due to its ample documentation, the Italy of Theoderic allows detailed examination of a period on the frontiers of ancient and medieval, Roman and barbarian. And due to his success in attracting the attention of some of the major literary figures of the time, new light is cast on Boethius, Cassiodorus, and Ennodius when they are considered in the context of their connections with the government. Yet Theoderic's reign, so praised by contemporaries, ended amid tension and discord. In this study, Moorhead considers whether the principles with which he governed brought about the impermanence of his achievement.

The career of Theoderic the Ostrogoth is one of the great success stories of antiquity. From being a ruler of a barbarian people wandering around the Balkans, he became king in Italy (493-526) and established one of the most powerful of the post-Roman states. Due to its ample documentation, the Italy of Theoderic allows detailed examination of a period on the frontiers of ancient and medieval, Roman and barbarian. And due to his success in attracting the attention of some of the major literary figures of the time, new light is cast on Boethius, Cassiodorus, and Ennodius when they are considered in the context of their connections with the government. Yet Theoderic's reign, so praised by contemporaries, ended amid tension and discord. In this study, Moorhead considers whether the principles with which he governed brought about the impermanence of his achievement.

As a minister of the Ostrogothic regime in the time of Theoderic, Cassiodorus had as brilliant a political career as any Roman of the late empire. Around 538 CE he published a collection of his state letters under the title of Variae (TTH 12), and disappeared from the public record. Half a century later, dying at his country estate in Calabria, he left behind the exemplars for another world of texts: that of the Christian universe of Scripture, now encompassing the Seven Liberal Arts. The grand plan of this new dispensation is contained in the two books of his Institutions of Divine and Secular Learning, a work which would be excerpted and copied in monasteries throughout the Latin Middle Ages. The Institutions appears here in the first new English translation in more than fifty years. The treatise On the Soul, which was originally published as the thirteenth book of the Variae, is included as an appendix. For a long while mistakenly revered as a saviour of classical civilization, in recent times more often dismissed as an anachronism, Cassiodorus emerges from this edition of the Institutions as an exceptional but nonetheless representative exponent of the learned Christian culture of later Latin Antiquity. The work will be of interest to historians of the late Roman empire and the early Christian church, medievalists, and students of the classical tradition.

The Saga of Didrik of Bern tells the epic story of the legendary King Didrik and his warriors. The saga was probably compiled in Norway based on German poems about Didrik (also known as Dietrich, Thidrek, or Theoderic), and a Swedish version was produced later. Presented here is a translation of the medieval Swedish version of the saga. Early in the saga, we hear about how the young Didrik assembles a formidable group of warriors, and about their journey to challenge a powerful king. These warriors include Wideke, whose father, Weland the smith, forged his unbeatable sword Mymming, and Heym, who was raised on a stud farm with magnificent black and grey horses. The saga then tells of Didrik's feud with his father's brother Ermentrik, and his long exile at the court of Attilia, King of the Huns. The saga is driven by human drama, but giants, dwarfs, dragons, and other mythical and magical creatures all appear. Tales of other legendary figures and heroes from northern Europe are interwoven with the story of Didrik: The saga tells about Weland, and the many ways he used his smithing skills, and also tells a version of the story of Sigurd the dragon slayer and the Nyfflings. Also included in this edition is a prose translation of the medieval Danish poem The Dwarf King Laurin, which tells one more story about Didrik of Bern.

As a minister of the Ostrogothic regime in the time of Theoderic, Cassiodorus had as brilliant a political career as any Roman of the late empire. Around 538 CE he published a collection of his state letters under the title of Variae (TTH 12), and disappeared from the public record. Half a century later, dying at his country estate in Calabria, he left behind the exemplars for another world of texts: that of the Christian universe of Scripture, now encompassing the Seven Liberal Arts. The grand plan of this new dispensation is contained in the two books of his Institutions of Divine and Secular Learning, a work which would be excerpted and copied in monasteries throughout the Latin Middle Ages. The Institutions appears here in the first new English translation in more than fifty years. The treatise On the Soul, which was originally published as the thirteenth book of the Variae, is included as an appendix. For a long while mistakenly revered as a saviour of classical civilization, in recent times more often dismissed as an anachronism, Cassiodorus emerges from this edition of the Institutions as an exceptional but nonetheless representative exponent of the learned Christian culture of later Latin Antiquity. The work will be of interest to historians of the late Roman empire and the early Christian church, medievalists, and students of the classical tradition.

In this book, Massimiliano Vitiello situates the life and career of the Ostrogothic queen Amalasuintha (c. 494/5-535), daughter of Theoderic the Great, in the context of the transitional time, after the fall of Rome, during which new dynastic regimes were experimenting with various forms of political legitimation. A member of the Gothic elite raised in the Romanized palace of Ravenna, Amalasuintha married her father's chosen successor and was set to become a traditional Gothic queen—a helpmate and advisor to her husband, the Visigothic prince Eutharic—with no formal political role of her own. But her early widowhood and the subsequent death of her father threw her into a position unprecedented in the Gothic world: a regent mother who assumed control of the government.During her regency, Amalasuintha clashed with a conservative Gothic aristocracy who resisted her leadership, garnered support among her Roman and pro-Roman subjects, defended Italy from the ambitions of other kings, and negotiated the expansionistic designs of Justinian and Theodora. When her son died unexpectedly at a young age, she undertook her most dangerous political enterprise: forming an unmarried coregency with her cousin, Theodahad, whom she raised to the throne. His final betrayal would cost Amalasuintha her rule and her life.Vitiello argues that Amalasuintha's story reveals a key phase in the transformation of queenship in late antiquity and the early Middle Ages, a time in which royal women slowly began exercising political power. Assessing the ancient sources for Amalasuintha's biography, Cassiodorus, Procopius, Gregory of Tours, and Jordanes, Vitiello demonstrates the ways in which her life and public image show the influence of late Roman and Byzantine imperial models on the formation of female political power in the post-Roman world.

In this book, Massimiliano Vitiello situates the life and career of the Ostrogothic queen Amalasuintha (c. 494/5-535), daughter of Theoderic the Great, in the context of the transitional time, after the fall of Rome, during which new dynastic regimes were experimenting with various forms of political legitimation. A member of the Gothic elite raised in the Romanized palace of Ravenna, Amalasuintha married her father's chosen successor and was set to become a traditional Gothic queen—a helpmate and advisor to her husband, the Visigothic prince Eutharic—with no formal political role of her own. But her early widowhood and the subsequent death of her father threw her into a position unprecedented in the Gothic world: a regent mother who assumed control of the government.During her regency, Amalasuintha clashed with a conservative Gothic aristocracy who resisted her leadership, garnered support among her Roman and pro-Roman subjects, defended Italy from the ambitions of other kings, and negotiated the expansionistic designs of Justinian and Theodora. When her son died unexpectedly at a young age, she undertook her most dangerous political enterprise: forming an unmarried coregency with her cousin, Theodahad, whom she raised to the throne. His final betrayal would cost Amalasuintha her rule and her life.Vitiello argues that Amalasuintha's story reveals a key phase in the transformation of queenship in late antiquity and the early Middle Ages, a time in which royal women slowly began exercising political power. Assessing the ancient sources for Amalasuintha's biography, Cassiodorus, Procopius, Gregory of Tours, and Jordanes, Vitiello demonstrates the ways in which her life and public image show the influence of late Roman and Byzantine imperial models on the formation of female political power in the post-Roman world.