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Die unter dem Namen des Theognis erhaltene Gedichtsammlung ist neben Homer und Hesiod der einzige handschriftlich üuuml;berlieferte dichterische Text aus der Zeit vor Pindar. Seine eigenartige Gestalt hat eine lange Diskussion um seine Echtheit und Entstehung hervorgerufen, die bis zu Zweifeln an der Existenz eines Dichters Theognis geführt hat. Wie ist das Theognideische Corpus entstanden und welchen Einfluss hatte Theognis darauf? Von dieser Frage geleitet, arbeitet die Untersuchung die umfangreiche Forschungsliteratur zum Thema auf und zeigt Möouml;glichkeiten und Grenzen einer Antwort.

Book by Figueira, Professor Thomas, Nagy, Professor Gregory

Nietzsche’s topic for his valedictorian dissertation at the school of Pforta was the poet Theognis, focusing on his life in Megara, his lyrical production, and his views on the gods, morality, and politics. Nietzsche saw Theognis as the intellectual champion of the defeated Megarian aristocracy, who sought to preserve the Dorian spirit and its noble virtues. The interests that guided Nietzsche transcended scientific philology and embraced a concern for the social and political context he saw present in Theognis’s work. Nietzsche: On Theognis of Megara argues convincingly for this early Nietzschean text as a work of rudimentary political philology, and the contributors show how Theognis’s aristocratism determined and guided Nietzsche’s critique of the moral point of view and his conception of an aristocratic state.

Excerpt from Studies in Theognis: Together With a Text of the PoemsMy warmest thanks are due to Professor Sir Richard Jebb, Dr Henry Jackson, and Dr A. W. Verrall. Their friendly criticism removed many mistakes from this dissertation, and their encouragement induced me to submit it to the ordeal of print. In addition, Sir Richard Jebb very kindly read through the greater part of the proofs. For the means of publication I am indebted to the Syndics of the University Press.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Elegy and iambus are major forms of Greek literature which are crucial to understanding the Archaic and early Classical periods in particular. This edition gathers work by ten poets: two iambic (Semonides and Hipponax), six elegiac (Callinus, Tyrtaeus, Mimnermus, Theognis, Xenophanes, Simonides), and two writing in both forms (Archilochus and Solon). It explores a representative sample of each poet's surviving work, while also highlighting their variety, and provides an up-to-date commentary on major pieces, including recent discoveries such as Simonides' Plataea elegy and Archilochus' Telephus elegy. The wide-ranging Introduction discusses such issues as poet and persona, contexts of performance, and various cultural themes (expansion and contact with foreign cultures, social and political revolution, sexuality and gender, rationalism) as well as language, style, metre, and textual transmission. The volume will be of interest to upper-level undergraduate and graduate students, as well as to scholars of early Greek literature and cultural history.

Epic is dialectally mixed but Ionic at its core. The proper dialect for elegy was Ionic, even when composed by Tyrtaeus in Sparta or Theognis in Megara, both Doric areas. Choral lyric poets represent the major dialect areas: Aeolic (Sappho, Alcaeus), Ionic (Anacreon, Archilochus, Simonides), and Doric (Alcman, Ibycus, Stesichorus, Pindar). Most distinctive are the Aeolic poets. The rest may have a preference for their own dialect (some more than others) but in their Lesbian veneer and mixture of Doric and Ionic forms are to some extent dialectally indistinguishable. All of the ancient authors use a literary language that is artificial from the point of view of any individual dialect. Homer has the most forms that occur in no actual dialect. In this volume, by means of dialectally and chronologically arranged illustrative texts, translated and provided with running commentary, some of the early Greek authors are compared against epigraphic records, where available, from the same period and locality in order to provide an appreciation of: the internal history of the Ancient Greek language and its dialects; the evolution of the multilectal, artificial poetic language that characterizes the main genres of the most ancient Greek literature, especially Homer / epic, with notes on choral lyric and even the literary language of the prose historian Herodotus; the formulaic properties of ancient poetry, especially epic genres; the development of more complex meters, colometric structure, and poetic conventions; and the basis for decisions about text editing and the selection of a manuscript alternant or emendation that was plausibly used by a given author.

Elegy and iambus are major forms of Greek literature which are crucial to understanding the Archaic and early Classical periods in particular. This edition gathers work by ten poets: two iambic (Semonides and Hipponax), six elegiac (Callinus, Tyrtaeus, Mimnermus, Theognis, Xenophanes, Simonides), and two writing in both forms (Archilochus and Solon). It explores a representative sample of each poet's surviving work, while also highlighting their variety, and provides an up-to-date commentary on major pieces, including recent discoveries such as Simonides' Plataea elegy and Archilochus' Telephus elegy. The wide-ranging Introduction discusses such issues as poet and persona, contexts of performance, and various cultural themes (expansion and contact with foreign cultures, social and political revolution, sexuality and gender, rationalism) as well as language, style, metre, and textual transmission. The volume will be of interest to upper-level undergraduate and graduate students, as well as to scholars of early Greek literature and cultural history.

Elegy and iambus are major forms of Greek literature which are crucial to understanding the Archaic and early Classical periods in particular. This edition gathers work by ten poets: two iambic (Semonides and Hipponax), six elegiac (Callinus, Tyrtaeus, Mimnermus, Theognis, Xenophanes, Simonides), and two writing in both forms (Archilochus and Solon). It explores a representative sample of each poet's surviving work, while also highlighting their variety, and provides an up-to-date commentary on major pieces, including recent discoveries such as Simonides' Plataea elegy and Archilochus' Telephus elegy. The wide-ranging Introduction discusses such issues as poet and persona, contexts of performance, and various cultural themes (expansion and contact with foreign cultures, social and political revolution, sexuality and gender, rationalism) as well as language, style, metre, and textual transmission. The volume will be of interest to upper-level undergraduate and graduate students, as well as to scholars of early Greek literature and cultural history.

Elegy and iambus are major forms of Greek literature which are crucial to understanding the Archaic and early Classical periods in particular. This edition gathers work by ten poets: two iambic (Semonides and Hipponax), six elegiac (Callinus, Tyrtaeus, Mimnermus, Theognis, Xenophanes, Simonides), and two writing in both forms (Archilochus and Solon). It explores a representative sample of each poet's surviving work, while also highlighting their variety, and provides an up-to-date commentary on major pieces, including recent discoveries such as Simonides' Plataea elegy and Archilochus' Telephus elegy. The wide-ranging Introduction discusses such issues as poet and persona, contexts of performance, and various cultural themes (expansion and contact with foreign cultures, social and political revolution, sexuality and gender, rationalism) as well as language, style, metre, and textual transmission. The volume will be of interest to upper-level undergraduate and graduate students, as well as to scholars of early Greek literature and cultural history.