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Theurgy is commonly taken to denote a complex of rites which are based on the so-called Chaldean Oracles, a collection of oracles in hexameters, which were probably composed during the late 2nd century AD. These rituals are mostly known through Neoplatonic sources, who engage in a passionate debate about their relevance to the salvation of the soul and thus to the philosopher's ultimate goal. Ilinca Tanaseanu-Dobler examines the development of the discourse on theurgy, attempting to reconstruct what was understood as theurgic ritual in the late antique sources. Withstanding the temptation to impose a unity on the disparate sources which span several centuries, she thus goes beyond the picture of a coherent, extra-philosophical tradition drawn by the Neoplatonists to sketch the variations in the rituals subsumed under 'theurgy' and their function, and shows how every author constructs his own 'theurgy'. This perspective leads to consider theurgy as an example of an 'artificial' ritual tradition, composed from already existing elements to create something claimed as sui generis. Theurgy offers the great opportunity to look at such a tradition from its beginning up to its end and to analyse the mechanisms of inventing and reinventing such a ritual tradition in process.

Unread book in perfect condition.

Theurgy is commonly taken to denote a complex of rites which are based on the so-called Chaldean Oracles, a collection of oracles in hexameters, which were probably composed during the late 2nd century AD. These rituals are mostly known through Neoplatonic sources, who engage in a passionate debate about their relevance to the salvation of the soul and thus to the philosopher's ultimate goal. Ilinca Tanaseanu-Dobler examines the development of the discourse on theurgy, attempting to reconstruct what was understood as theurgic ritual in the late antique sources. Withstanding the temptation to impose a unity on the disparate sources which span several centuries, she thus goes beyond the picture of a coherent, extra-philosophical tradition drawn by the Neoplatonists to sketch the variations in the rituals subsumed under 'theurgy' and their function, and shows how every author constructs his own 'theurgy'. This perspective leads to consider theurgy as an example of an 'artificial' ritual tradition, composed from already existing elements to create something claimed as sui generis. Theurgy offers the great opportunity to look at such a tradition from its beginning up to its end and to analyse the mechanisms of inventing and reinventing such a ritual tradition in process.

The book is permeated with the burning faith and spiritual experience of the author and cannot fail to inspire the sensitive reader. Here the student is told in simple language the why, when and how to act. This differs from any other work on a similar theme, and to date, nothing like it has yet appeared.

Theurgy and the Soul is a study of Iamblichus of Syria (ca. 240–325), whose teachings set the final form of pagan spirituality prior to the Christianization of the Roman Empire. Gregory Shaw focuses on the theory and practice of theurgy, a term meaning “divine action,” the most controversial and significant aspect of Iamblichus’s Platonism. Unlike previous Platonists, who stressed the elevated status of the human soul, Iamblichus taught that the soul descends completely into the body and requires the performance of theurgic rites—-revealed by the gods--to unite the soul with the One. Iamblichus was a seminal Platonic philosopher whose views on the soul and the importance of ritual profoundly influenced subsequent thinkers such as Proclus, Damascius, and Dionysius the Areopagite. Iamblichus’s vision of a hierarchical cosmos united by divine ritual became the dominant worldview for the entire medieval world, and played an important role in the Renaissance Platonism of Marsilio Ficino. Ralph Waldo Emerson wrote that he expected a reading of Iamblichus to cause a “revival in the churches.” Yet, until recently, modern scholars have dismissed him, seeing theurgy as ritual magic or an attempt to manipulate the gods. Shaw, however, shows that theurgy was a subtle and intellectually sophisticated attempt to apply Platonic and Pythagorean teachings to the full expression of human existence in the material world. This new edition includes a foreword by John Milbank and Aaron Riches showing the Christian sacramental implications of Iamblichean theurgy, and a new preface from the author.

Theurgy and the Soul is a study of Iamblichus of Syria (ca. 240–325), whose teachings set the final form of pagan spirituality prior to the Christianization of the Roman Empire. Gregory Shaw focuses on the theory and practice of theurgy, the most controversial and significant aspect of Iamblichus's Platonism. Theurgy literally means "divine action." Unlike previous Platonists who stressed the elevated status of the human soul, Iamblichus taught that the soul descended completely into the body and thereby required the performance of theurgic rites—revealed by the gods—to unite the soul with the One. Iamblichus was once considered one of the great philosophers whose views on the soul and the importance of ritual profoundly influenced subsequent Platonists such as Proclus and Damascius. The Emperor Julian followed Iamblichus's teachings to guide the restoration of traditional pagan cults in his campaign against Christianity. Although Julian was unsuccessful, Iamblichus's ideas persisted well into the Middle Ages and beyond. His vision of a hierarchical cosmos united by divine ritual became the dominant world view for the entire medieval world and played an important role in the Renaissance Platonism of Marsilio Ficino. Even Ralph Waldo Emerson wrote that he expected a reading of Iamblichus to cause a "revival in the churches." But modern scholars have dismissed him, seeing theurgy as ritual magic or "manipulation of the gods." Shaw, however, shows that theurgy was a subtle and intellectually sophisticated attempt to apply Platonic and Pythagorean teachings to the full expression of human existence in the material world.

Theurgy and the Soul is a study of Iamblichus of Syria (ca. 240–325), whose teachings set the final form of pagan spirituality prior to the Christianization of the Roman Empire. Gregory Shaw focuses on the theory and practice of theurgy, a term meaning “divine action,” the most controversial and significant aspect of Iamblichus’s Platonism. Unlike previous Platonists, who stressed the elevated status of the human soul, Iamblichus taught that the soul descends completely into the body and requires the performance of theurgic rites—-revealed by the gods--to unite the soul with the One. Iamblichus was a seminal Platonic philosopher whose views on the soul and the importance of ritual profoundly influenced subsequent thinkers such as Proclus, Damascius, and Dionysius the Areopagite. Iamblichus’s vision of a hierarchical cosmos united by divine ritual became the dominant worldview for the entire medieval world, and played an important role in the Renaissance Platonism of Marsilio Ficino. Ralph Waldo Emerson wrote that he expected a reading of Iamblichus to cause a “revival in the churches.” Yet, until recently, modern scholars have dismissed him, seeing theurgy as ritual magic or an attempt to manipulate the gods. Shaw, however, shows that theurgy was a subtle and intellectually sophisticated attempt to apply Platonic and Pythagorean teachings to the full expression of human existence in the material world. This new edition includes a foreword by John Milbank and Aaron Riches showing the Christian sacramental implications of Iamblichean theurgy, and a new preface from the author.

The Ancient Philosophy, in its original Orphico-Pythagorean and Platonic form, is not simply a way of life in accordance with the divine or human intellect (nous), but also the way of alchemical transformation and mystical illumination achieved through initiatic “death” and subsequent restoration at the level of divine light. As a means of spiritual reintegration and unification, ancient philosophy is inseparable from the hieratic rites. The theurgic “animation” of statues appears to be among the main keys for understanding how various royal and priestly practices, related to the daily ritual service and encounter with the divine presence in the temples, developed into the Neoplatonic mysticism of late antiquity.

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This edition compiles together three related books: Logos Mantra Theurgy, The Esoteric Treatise of Theurgy, and The Seven Words. In this collection, Samael Aun Weor reveals the secrets of the mysterious, ancient science known as Theurgy. Theurgy is the science of consciously influencing nature according to Divine Guidance and by the power of the Logos: the Word. "In the beginning was the Word, and the Word was with God, and the Word was God." (The Holy Bible - Christian) "I (Osiris) brought my own name into my mouth as a Word of Power, and I forthwith came into being under the form of things which are and under the form of Khepera (Creator). (The Book of Knowing the Evolutions of Ra, and of Overthrowing Apep - Egyptian) "In a year he (Prajapati) desired to speak. He uttered bhurbhuva svar . Bhur which means earth; bhuva which became figment and svar which became the sky... with his mouth he created the gods." (The Satapatha Brahmana - Hindu) "This is the beginning of the ancient Word... the potential and source for everything done." (The Popol Vuh - Mayan) Theurgy is the profound wisdom perfected by the Magi (Priest-Kings), also known as white magic. The clues given in this book give anyone the opportunity to discover through personal experience the ancient mysticism of the sagacious elect of all cultures. Includes sacred words (mantras) for astral projection, protection from dark forces, practices for the discovery and exploration of the internal worlds, mystic healing, invocation of Masters and Divine Intelligences, and working with nature spirits and elementals. The author provides a safe introduction to the mystical sciences that have been so misunderstood in our times.

Arthur Edward Waite writes The Book of Ceremonial Magic as a newer and more accurate edition of his previous title The Book of Black Magic and of Pacts, written in 1898. As most ancient texts on magical literature are rare and hard to come by, it becomes very difficult for modern scholars to ascertain an accurate knowledge of ancient spells and rituals. Waite responds to this lack of accessible literature and approaches this text as a methodical and systematic account of magical procedures of the past. He remains faithful to the original sources before making any conclusions by way of his thorough research methods. Part I provides the reader with essential passages from leading magical texts from the fourteenth, fifteenth, and sixteenth centuries. Part II is a more systematically organized version of these ancient texts, adapted by A.E. Waite to the ways of the modern academic. This volume remains one of the best sources of magical procedure, touching on such topics as gods, costume, and the planets and their relation to the supernatural. Although disapproving of the application of magic and the black arts in his introduction, Waite nonetheless defends those victims persecuted throughout history because of their participation in these superstitious beliefs. He also speaks positively about astrology and alchemy, noting them as more important categories of the magical arts. Through this volume, the contemporary reader can finally begin to understand the beliefs in the black arts that were so deeply rooted in our civilization's past.

The philosophical roots of much of Wicca and Paganism, as well as Western ceremonial magick, come from ancient Egypt. In this thoroughly researched book, the Grand Master of the Aurum Solis shares the history and evolution of the theurgic tradition―including the origins of Hermeticism in Egypt and the Mediterranean world, the birthplace of the theurgic tradition―and how-to instructions for discovering the presence of the divine in the world. Providing a seven-step system of exercises and rituals to help the reader achieve higher levels of consciousness, Jean-Louis de Biasi also includes tips and techniques for working with sacred texts, information about the five temples of the human being, The Great Work, the three cosmic rituals, and the real planetary days. A valuable resource for those interested in the history and practices of the Western Mystery Tradition.

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Follow the Footsteps of History and Discover the Path to the Gods For the Love of the Gods tells the epic story of theurgy, from its roots in ancient Egypt to its modern day practice. The lives and passions of the early Pagan philosophers come alive in these pages, immersing you in the bustling cities and diverse cultures that spawned theurgy as we know it today. Theurgy is best understood when it is deeply experienced. The stories presented here re-create the experience of these ancient practices and show how they were passed down through generations of teachers and students of differing ethnicities, genders, and ages. It's commonly believed that ancient Pagan theurgy traditions were erased from the earth and replaced by monotheistic religions―but this is a myth. The way to the gods was never lost. For the Love of the Gods shares step-by-step instructions for theurgic rituals, so that you can create relationships with the gods and love them as the ancients did. Discover how to offer devotionals, create living statues, invoke into yourself and others, and achieve personal communion so that you, too, may dwell in the happy presence of the divine.

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Like New condition. Great condition, but not exactly fully crisp. The book may have been opened and read, but there are no defects to the book, jacket or pages. 4.72