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Written chronologically, every age from -1 (in the womb) to 150 (giant tortoises can live to this age) is dealt with under categories such as health, religion, money, work, love, art, music, science, law and crime. People's achievements from every walk of life - such as writers, politicians, inventors and artists from across the world are given.

A digital copy of "Tolstoy's Art and Thought, 1847-1880" by Donna Tussing Orwin. Download is immediately available upon purchase!

Kathryn B. Feuer offers remarkable insights into Leo Tolstoy's creative process while he wrote War and Peace. She follows the novel through countless drafts and notes, illuminating its connection to earlier, unpublished, novels and to crucial new sources, both European and Russian. A novelist herself, Feuer explores the problems of character development, narrative voice, genre, and structure that Tolstoy ultimately resolved so brilliantly.

'An important and long-overdue contribution to our knowledge of Tolstoy.' D. M. Thomas, Sunday TimesVolume 1 of Tolstoy's Diaries covers the years 1847-1894 and was meticulously edited by R.F. Christian so as to reflect Tolstoy's preoccupations as a writer (his views on his own work and that of others), his development as a person and as a thinker, and his attitudes to contemporary social problems, rural life, industrialisation, education, and later, to religious and spiritual questions.Christian introduces each period with a brief and informative summary of the main biographical details of Tolstoy's life. The result is a unique portrait of a great writer in the variegation of his everyday existence.'As a picture of the turbulent Russian world which Tolstoy inhabited these diaries are incomparable - the raw stuff not yet processed into art.' Anthony Burgess'A model of scholarship, one of the most important books to be published in recent years.' A. N. Wilson, Spectator

In "Tolstoy", accomplished novelist and biographer A. N. Wilson narrates with dazzling, witty, wonderfully readable prose the complex drama of the writer's life--his childhood of aristocratic privilege but emotional deprivation, his discovery of his literary genius after aimless years of gambling and womanizing, his increasingly disastrous marriage. Wilson sweeps away the long-held belief that Tolstoy's works were the exact mirror of his life, and instead traces the roots of Tolstoy's art to his relationship with God, with women, and with Russia. He also breaks new ground in re-creating the world that shaped the great novelist's life and art--the turmoil of ideas and politics in nineteenth-century Russia and the incredible literary renaissance that made Tolstoy's work possible. Most of all, Wilson fathoms, as no other biographer has done, the true nature of Tolstoy the man.

Tolstoy was as much a philosopher as a novelist. From the entries in his early diaries through to the great novels he was constantly searching for a comprehensive vision, equal to ‘the confusion of life’. It was in his personal diaries that Tolstoy first attempted a ‘literary psychology’ to reveal those thoughts and feelings we conceal from ourselves, then inventing the interior monologue to expose the psychology of his characters. Emphasising the importance of these early characteristics for Tolstoy’s development as a writer, this volume, published first in 1975, assesses Tolstoy’s character-portraits in the light of his engagement with the question of the nature of happiness and the problem of historical truth in fiction. Greenwood also considers Tolstoy’s views on society and education, his understanding of the psychology of war, and in the later chapters critically examines his answers to the religious questions that increasingly preoccupied him as he matured.

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Although Tolstoy's fame rests on his novels, he was also a prolific dramatist. Because his plays are satirical, didactic, and colored by complex peasant dialect, earlier translations have been seriously flawed. Now noted Slavic philologist Marvin Kantor and Tatiana Tulchinsky have prepared the first complete English translation of the great writer's plays.Tolstoy: Plays, Volume 2 offers two long plays written during the years 1886-89. The Realm of Darkness is Tolstoy's best-known play, a treatment of moral issues within a community of Russian peasants. The lesser known The Fruits of Enlightenment, a comic portrait of an upper-class Russian family afflicted with various social diseases, was written to be performed for Tolstoy's family, and not intended for publication. Andrew Baruch Wachtel has added an informative introduction on this aspect of Tolstoy's art.

Russian novelist and philospher Leo Tolstoy (1828-1910) is best known for his monumental novels War and Peace and Anna Karenina, but his reputation as a master of short fiction is richly evident in this unparalleled anthology. Here, in the largest one-volume collection available, are 36 stories of war, intrigue, treachery, murder, moral turmoil, spiritual anguish, and occasional redemption. They include early stories like the famed "Sevastopol" tales of warfare and "Lost on the Steppe;" the tour de force novellas "The Death of Ivan Ilyitch" and "The Kreutzer Sonata;" as well as folk tales, parables, realistic tales, and many lesser-known gems.

This critical analysis of the two great masters of the Russian novel provides detailed plot summaries of the authors' works and draws on references to Homer, Shakespeare, Flaubert, Zola and Henty in order to illustrate the themes. George Steiner has also written "Language and Silence", "The Death of Tragedy", "After Babel", "In Bluebeard's Castle" and "Real Presences - Is There Anything in What We Say?".

Towards the end of his life, Tolstoy, author of "War and Peace" and "Anna Karenina", said of the daily records that he had kept all his life: "the diaries are me". They open in 1847 with Tolstoy recovering from gonorrhoea, and, spanning the following 60 years, they paint a portrait of Tolstoy's political, moral and literary beliefs.

Professor ThorIby offers a close reading of this classic novel and explores the subtle psychology in Tolstoy's characterisation. He avoids complex terminology and assumes a readership studying the text in English translation.

This double biography of two of the world's great figures examines how Tolstoy and Gandhi reached the same conclusions of anti-imperialism and peace despite the dissimilarity of their backgrounds

Towards the end of his life, Tolstoy, author of "War and Peace" and "Anna Karenina", said of the daily records that he had kept all his life: "the diaries are me". They open in 1847 with Tolstoy recovering from gonorrhoea, and, spanning the following 60 years, they paint a portrait of Tolstoy's political, moral and literary beliefs.

An important and long-overdue contribution to our knowledge of Tolstoy.' D. M. Thomas, Sunday TimesVolume 2 of Tolstoy's Diaries covers the years 1895-1910. These diaries were meticulously edited by R. F. Christian so as to reflect Tolstoy's preoccupations as a writer (his views on his own work and that of others), his development as a person and as a thinker, and his attitudes to contemporary social problems, rural life, industrialisation, education, and later, to religious and spiritual questions. Christian introduces each period with a brief and informative summary of the main biographical details of Tolstoy's life. The result is a unique portrait of a great writer in the variegation of his everyday existence.'As a picture of the turbulent Russian world which Tolstoy inhabited these diaries are incomparable - the raw stuff not yet processed into art.' Anthony Burgess'A model of scholarship, one of the most important books to be published in recent years.' A. N. Wilson, Spectator

Both critics and admirers of Tolstoy's great novel were shocked by the savage iconoclasm of his What is Art? when it appeared in 1898. How was it that this great artist could condemn the works of Shakespeare, Raphael, Beethoven and even his own Anna Karenina as 'false art'? Today's reader still has to grapple with that paradox. The essay still has power to challenge and provoke, for it was written by a giant who took art seriously while western civilisation toyed with it as a mere pastime. For Tolstoy, art was as natural and as necessary for humankind as speech. In his introduction to this translation, W. Gareth Jones shows how vitally Tolstoy's personality and experience of life were engaged in creating What is Art?, how integral the essay was to his art and teaching, and why it continues to demand a response from us.

'An important and long-overdue contribution to our knowledge of Tolstoy.' D. M. Thomas, Sunday TimesVolume 1 of Tolstoy's Diaries covers the years 1847-1894 and was meticulously edited by R.F. Christian so as to reflect Tolstoy's preoccupations as a writer (his views on his own work and that of others), his development as a person and as a thinker, and his attitudes to contemporary social problems, rural life, industrialisation, education, and later, to religious and spiritual questions.Christian introduces each period with a brief and informative summary of the main biographical details of Tolstoy's life. The result is a unique portrait of a great writer in the variegation of his everyday existence.'As a picture of the turbulent Russian world which Tolstoy inhabited these diaries are incomparable - the raw stuff not yet processed into art.' Anthony Burgess'A model of scholarship, one of the most important books to be published in recent years.' A. N. Wilson, Spectator

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The Tolstoys: Twenty Four Generations of Russian History 1353-1983

Examines Tolstoy's complex and contradictory relationship with the two thousand-acre estate where he was born, showing how it became the central metaphor of his life