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With an emphasis on both theory and experiment, this text describes the behavior of homogeneous and density-stratified fluids over and around topography. The topics include the flow of a homogeneous layer with a free surface--the prototype for conventional hydraulics--the corresponding phenomena in two-layer flows, and a description of the properties of linear waves in stratified fluids in motion. The author applies the aforementioned properties to laboratory and numerical modeling of flow through real complex terrain.

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Two CD set. 2017 live release from the prog rockers. Topographic Drama Live Across America highlights the best performances from the 2017 leg of the 28-show tour and mirrors the set list from those concerts. Each night, Yes opened with all six songs from Drama (1980), the bands 10th studio album, which peaked at #2 on the U.K. album chart. Standouts include Machine Messiah, Tempus Fugit and the albums only single Into The Lens. After Drama, the band shifted gears for songs from two of

Triple vinyl LP pressing. 2017 live release from the prog rockers. Topographic Drama - Live Across America highlights the best performances from the 2017 leg of the 28-show tour and mirrors the set list from those concerts. Each night, Yes opened with all six songs from Drama (1980), the band's 10th studio album, which peaked at #2 on the U.K. album chart. Standouts include Machine Messiah, Tempus Fugit and the album's only single Into The Lens. After Drama, the band shifted gears for songs from

The New Topographics: Photographs of a Man-Altered Landscape was one of those rare exhibitions that permanently alters how an art form is perceived. Held at the International Museum of Photography in Rochester, New York, in January 1975, it was curated by William Jenkins, who brought together ten contemporary photographers: Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe Deal, Frank Gohlke, Nicholas Nixon, John Schott, Stephen Shore and Henry Wessel, Jr. Signaling the emergence of a new approach to landscape, the show effectively gave a name to a movement or style, although even today, the term "New Topographics"--more a conceptual gist than a precise adjective--is used to characterize the work of artists not yet born when the exhibition was held. Although the exhibit's ambitions were hardly so grand, New Topographics has since come to be understood as marking a paradigm shift, for the show occurred just as photography ceased to be an isolated, self-defined practice and took its place within the contemporary art world. Arguably the last traditionally photographic style, New Topographics was also the first Photoconceptual style. In different ways, the artists thoughtfully engaged with their medium and its history, while simultaneously absorbing such issues as environmentalism, capitalism and national identity. In this vital reassessment of the genre, essays by Britt Salvesen and Alison Nordström accompany illustrations of selected works from the 1975 exhibition, with installation views and contextual comparisons, to demonstrate both the historical significance of New Topographics and its continued relevance today. The book also includes an illustrated checklist of the 1975 exhibition and an extensive bibliography.

The New Topographics: Photographs of a Man-Altered Landscape was one of those rare exhibitions that permanently alters how an art form is perceived. Held at the International Museum of Photography in Rochester, New York, in January 1975, it was curated by William Jenkins, who brought together ten contemporary photographers: Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe Deal, Frank Gohlke, Nicholas Nixon, John Schott, Stephen Shore and Henry Wessel, Jr. Signaling the emergence of a new approach to landscape, the show effectively gave a name to a movement or style, although even today, the term "New Topographics"--more a conceptual gist than a precise adjective--is used to characterize the work of artists not yet born when the exhibition was held. Although the exhibit's ambitions were hardly so grand, New Topographics has since come to be understood as marking a paradigm shift, for the show occurred just as photography ceased to be an isolated, self-defined practice and took its place within the contemporary art world. Arguably the last traditionally photographic style, New Topographics was also the first Photoconceptual style. In different ways, the artists thoughtfully engaged with their medium and its history, while simultaneously absorbing such issues as environmentalism, capitalism and national identity. In this vital reassessment of the genre, essays by Britt Salvesen and Alison Nordström accompany illustrations of selected works from the 1975 exhibition, with installation views and contextual comparisons, to demonstrate both the historical significance of New Topographics and its continued relevance today. The book also includes an illustrated checklist of the 1975 exhibition and an extensive bibliography.

Topographic Positions of the Measurement Points in Electro-Acupuncture

Japanese only 2 x SHM pressing. The SHM-CD [Super High Material CD] format features enhanced audio quality through the use of a special polycarbonate plastic. Using a process developed by JVC and Universal Music Japan discovered through the joint companies' research into LCD display manufacturing SHM-CDs feature improved transparency on the data side of the disc allowing for more accurate reading of CD data by the CD player laser head. SHM-CD format CDs are fully compatible with standard CD play

Double 180 gram vinyl LP pressing. Tales from Topographic Oceans is the sixth studio album from the English rock band Yes, originally released as a double album on December 7, 1973 by Atlantic Records. It is a concept album based on singer Jon Anderson's interpretation of a footnote in Autobiography of a Yogi (1946) by Paramahansa Yogananda that describes four bodies of Hindu texts, collectively named the shastras. After he pitched the idea to guitarist Steve Howe, the two wrote the themes and i

From a very early period of the world's existence, man has endeavored to represent the earth's surface in a graphic form for the information of his fellow men, realizing that no oral or written description is capable of setting forth topographic facts so vividly and so clearly as a map. Mapping of the areas of the United States began with the charting of portions of its coast line by early explorers; the need for topographic maps was first recognized during the war of the Colonies for independence from Great Britain. On July 22, 1777, Congress authorized General Washington to appoint: 'Mr. Robert Erskine, or any other person that he may think proper, geographer and surveyor of the roads, to take sketches of the country and the seat of war.' By several acts during the Revolutionary War, Congress provided 'geographers' for the armies of the United States, some of them with the pay of a colonel, amounting to $60 a month and allowances. At the end of the War, a resolution of May 27, 1785, continued in service the 'geographer of the United States' for a period of 3 years. The War Department recognized the necessity of 'geographical engineers' and requested Congress to authorize their appointment, but it was not until the next war that Congress authorized on March 3, 1813, the appointment of eight topographic engineers and eight assistant topographic engineers under the direction of the General Staff of the Army. These officers formed the nucleus of the first Corps of Topographic Engineers in the Army, and that Corps continued to function as an independent unit until it was absorbed by the Corps of Engineers in 1863, during the Civil War between the States.

From a very early period of the world's existence, man has endeavored to represent the earth's surface in a graphic form for the information of his fellow men, realizing that no oral or written description is capable of setting forth topographic facts so vividly and so clearly as a map. Mapping of the areas of the United States began with the charting of portions of its coast line by early explorers; the need for topographic maps was first recognized during the war of the Colonies for independence from Great Britain. On July 22, 1777, Congress authorized General Washington to appoint: 'Mr. Robert Erskine, or any other person that he may think proper, geographer and surveyor of the roads, to take sketches of the country and the seat of war.' By several acts during the Revolutionary War, Congress provided 'geographers' for the armies of the United States, some of them with the pay of a colonel, amounting to $60 a month and allowances. At the end of the War, a resolution of May 27, 1785, continued in service the 'geographer of the United States' for a period of 3 years. The War Department recognized the necessity of 'geographical engineers' and requested Congress to authorize their appointment, but it was not until the next war that Congress authorized on March 3, 1813, the appointment of eight topographic engineers and eight assistant topographic engineers under the direction of the General Staff of the Army. These officers formed the nucleus of the first Corps of Topographic Engineers in the Army, and that Corps continued to function as an independent unit until it was absorbed by the Corps of Engineers in 1863, during the Civil War between the States.

Romania occupies a unique position on the map of Eastern Europe. It is a country that presents many paradoxes. In this book the preeminent Romanian historian Lucian Boia examines his native land's development from the Middle Ages to modern times, delineating its culture, history, language, politics and ethnic identity. Boia introduces us to the heroes and myths of Romanian history, and provides an enlightening account of the history of Romanian Communism. He shows how modernization and the influence of the West have divided the nation - town versus country, nationalists versus pro-European factions, the elite versus the masses - and argues that Romania today is in chronic difficulty as it tries to fix its identity and envision a future for itself.The book concludes with a tour of Bucharest, whose houses, streets and public monuments embody Romania's traditional values and contemporary contradictions.

Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.15

This atlas is based on the lunar global Digital Elevation Models (DEM) of Chang'E-1 (CE-1), and presents CCD stereo image data with digital photogrammetry. The spatial resolution of the DEM in this atlas is 500m, with horizontal accuracy of 192m and vertical accuracy of 120m. Color-shaded relief maps with contour lines are used to show the lunar topographical characteristics. The topographical data gathered by CE-1 can provide fundamental information for the study of lunar topographical, morphological and geological structures, as well as for lunar evolution research.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 1.9