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Tragedy Will Find Us Counterparts - LP 850721006139

Volume 1 of the new Everyman Shakespeare, published in 1992, included the four major tragedies; "Hamlet", "King Lear", "Othello" and "Macbeth". Volume 2 completes the survey of Shakespeare's tragic output with "Romeo and Juliet", "Julius Caesar", "Antony and Cleopatra", "Coriolanus", "Troilus and Cressida" and "Titus Andronicus". The edited texts of the plays are supplemented with bibliographies, a chronology of Shakespeare's life and times, and an introduction in which Professor Tony Tanner examines Shakespeare's evolution as a tragedian while also providing detailed discussions of the individual plays. The two-volume edition of the tragedies will eventually form part of a complete Shakespeare (plays and poems) in eight volumes.

2014 will see the much anticipated vinyl re-issue of Julia Holter's Tragedy - the hugely celebrated, long out-of-print and intensely coveted debut album by Los Angeles based artist Julia Holter. Originally released in two runs of five hundred copies only on Los Angeles label Leaving Records in November 2011, Tragedy proved to be that year's most captivating, adventurous and inspired debut album and announced the arrival of a major new talent. Comprised of voice, synthesizers, drum machines, pian

This study gives access to many texts, written, read or acted at the end of the 16th and beginning of the 17th century, representing and recounting all sorts of acts of martyrdom.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.71

New Book. Shipped from UK. Established seller since 2000.

As the Second World War drew to a close, European borders were being redrawn. The regions of Istria, Dalmatia, and Venezia Giulia, nominally Italian but at various times also belonging to Austria and Germany, fell under the rule of Yugoslavia and its dictator Marshal Tito. The ensuing removal and genocide of Italians from these regions had been little explored or even discussed until 1999, when the esteemed Italian journalist Arrigo Petacco wrote L'esodo: La tragedia negata degli italiani d'Istria, Dalmazia e Venezia Giulia. Now this story is available in English as A Tragedy Revealed.Petacco explains the history of the regions and how they were shifted between empires for centuries. The greater part of the story however details the genocidal program of the Yugoslav Communist government toward the native Italians in the regions. Based on previously unavailable archival documents and oral accounts from people who were there, Petacco reveals the events and exposes the Italian government's mishandling – and then official silence on – the situation. This is a riveting work on a little-known, tragic event written by one of Italy's most highly regarded journalists.

The Tragedy of Lebanon is a reissue of Jonathan Randal's acclaimed 1983 study of the rightwing Christian militias in Lebanon that in 1975 plunged the country into a decades-long cycle of war and civil conflict. For this 2012 reissue of the book, Randal added a piercing new Preface reflecting on the meaning of those events, both then and today. As the Senior Foreign Correspondent of The Washington Post, Randal covered Lebanon intensively from 1974 through 1983, having already reported from Vietnam and several other war zones. The Tragedy of Lebanon shows his powers of observation, astute analysis, and storytelling at their very best.

A textbook reader for young adults features William Shakespeare's "Romeo and Juliet," plus short stories, poems, and essays designed to build reading comprehension

Seneca is a figure of first importance in both Roman politics and literature: a leading adviser to Nero who attempted to restrain the emperor’s megalomania; a prolific moral philosopher; and the author of verse tragedies that strongly influenced Shakespeare and other Renaissance dramatists.Seneca’s plays depict intense passions and interactions in rhetoric that is equally strong. Their perspective is much bleaker than that adopted in his prose writings. His plots are based on mythical episodes, in keeping with classical tradition. But the political realities of imperial Rome are also reflected in an obsessive concern with power and dominion over others. The Octavia is our sole surviving example of a Roman historical play; set at Nero’s court, it was probably written by an admirer of Seneca as statesman and dramatist.John G. Fitch has thoroughly revised his two-volume edition of Seneca’s Tragedies to take account of the textual and interpretive scholarship that has appeared since its initial publication. His translation conveys the force of Seneca’s dramatic language and the lyric quality of his choral odes.

Tragedy of Mariam, the Fair Queen of Jewry is a Jacobean closet drama by Elizabeth Tanfield Cary. First published in 1613, it was the first work by a woman to be published under her real name. Never performed during Cary's lifetime, and apparently never intended for performance, the Senecan revenge tragedy tells the story of Mariam, the second wife of Herod. The play exposes and explores the themes of sex, divorce, betrayal, murder, and Jewish society under Herod's tyrannous rule. The comprehensive, illustrated introduction discusses the play in the context of closet drama, female dramatists and in terms of the religious issues it explores, seeing Mariam as a martyr figure. The on-page commentary notes provide further close analysis and explanation, creating an ideal edition for study and teaching.

Tragedy at Law follows a very important High Court judge, Judge Barber, as he moves from place to place presiding over cases in the Southern England area. When an anonymous letter arrives for the judge with a warning.

In this book J. Peter Euben argues that Greek tragedy was the context for classical political theory and that such theory read in terms of tragedy provides a ground for contemporary theorizing alert to the concerns of post-modernism, such as normalization, the dominance of humanism, and the status of theory. Euben shows how ancient Greek theater offered a place and occasion for reflection on the democratic culture it helped constitute, in part by confronting the audience with the otherwise unacknowledged principles of social exclusion that sustained its community. Euben makes his argument through a series of comparisons between three dramas (Aeschylus' Oresteia, Sophocles' Oedipus Tyrannos, and Euripides' Bacchae) and three works of classical political theory (Thucydides' History and Plato's Apology of Socrates and Republic) on the issues of justice, identity, and corruption. He brings his discussion to a contemporary American setting in a concluding chapter on Thomas Pynchon's The Crying of Lot 49 in which the road from Argos to Athens, built to differentiate a human domain from the undefined outside, has become a Los Angeles freeway desecrating the land and its people in a predatory urban sprawl.

The Vietnam War actually began in December 1946 with a struggle between the communists and the French for possession of the country. Vietnam's strategic position in southeast Asia along with veiled economic concerns and a political agenda led to the involvement of other countries, including the United States. Written by an officer in the Republic of Vietnam Armed Forces, this poignant memoir seeks to clarify the nuances of South Vietnam's defeat. From the age of 12, Van Nguyen Duong watched as the conflict affected his home, family, village and friends. He discusses not only the day-to-day hardships he endured from forced relocation and eventual imprisonment but also the anguish caused by the illusive reality of Vietnamese independence. The various political forces at work in Vietnam, the hardships suffered by RVNAF soldiers after the 1975 U.S. withdrawal from Saigon, and the effect of reunification on the Vietnamese people are also discussed. An appendix contains a summary of the Eleven Point Program Accords of January 1962.

This book proposes that centering the Marxist notion of alienation can provide the basis for more fruitful cooperation between the emancipatory projects of the Left and the wants of Aboriginal peoples.

ONE WRONG TURN AT A FORK IN THE ROAD...When Chloe Rylin flees New York City and her dream of becoming a Broadwayperformer, she returns to her hometown harboring a life-altering secret and theshame of a shattered past. Best friend Kelsie asks her to help build a housethrough the local Shelter the Homeless program, where Chloe meets Zack Coleman and hismischievous Saint Bernard. Zack is dealing with a devastating loss of his own, yet his gentleness and patience melt Chloe's resolve never to trust, much less fall in love, again. But what will Zack think when he discovers the shame of Chloe's past? Will he reject her, or can their fledgling love heal hurting hearts and blossom into a happily-ever-after?

Instead of memorizing vocabulary words, work your way through an actual well-written novel. Even novices can follow along as each individual English paragraph is paired with the corresponding Russian paragraph. It won't be an easy project, but you'll learn a lot

Tragedy and Hope shows the years 1895-1950 as a period of transition from the world dominated by Europe in the nineteenth century to the world of three blocs in the twentieth century. With clarity, perspective, and cumulative impact, Professor Quigley examines the nature of that transition through two world wars and worldwide economic depression. As an interpretive historian, he tries to show each event in the full complexity of its historical context. The result is a unique work, notable in several ways. It gives a picture of the world in terms of influence of different cultures and outlooks upon each other; it shows, more completely than in any similar work, the influence of science and technology on human life; and it explains with unprecedented clarity, how the intricate financial and commercial patterns of the West prior to 1914 influenced today's world.

A jarring and compelling analysis of the inevitability of war. As the Cold War fades, leaders and theorists alike speak of a new era, when democracy and open trade will join hands to banish outright war. With insight and irreverence worthy of The Prince, John Mearsheimer exposes the truth behind this idyllic rhetoric: in a world where no international authority reigns, hegemony is the only insurance of security. Of little consequence are trade, treaties, or the bonds of international organizations; because even an ally's intentions are uncertain, states must be ready to strike first when danger lurks. Having exploded onto the scene with his sensational Atlantic article, Mearsheimer has forged his bracing analysis in the heated policy debates following the fall of the Soviet Union. Here is the culmination of a provocative careera tour de force that formally advances his theory of "offensive realism" and, as supporting evidence, unveils a comprehensive, eye-opening history of modern states and their hawkish ways. With its authority and unrelenting honesty, this book will invigorate academics, vex politicians, and excite even the casual observer of international affairs. 9 maps.

The Tragedy of Russia’s Reforms presents a boldly original analysis of the collapse of the Soviet Union and the birth of the Russian state. The keys to understanding these events, the authors argue, are the prescriptions of Western “transitologists,” the International Monetary Fund, and advocates of economic “shock therapy.” These prescriptions allowed the nomenklatura and the financial “oligarchs” to acquire Russia’s industrial and natural resources and to heavily influence the country’s political destiny. In this long-awaited, sweeping interpretation, the authors skillfully place the contemporary Russian experience in the context of history, political theory, and Russia’s place in the international system.