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"Transatlantic Dialogue" opens an exciting cultural dialogue at the crossroads where Western and African art traditions intersect. Despite diversity of media, technique, and form, these contemporary African and African American art works and the artists who created them are united by a rich network of connections, exchanges, and associations generated from both shores of the Middle Passage. Collected in this book are 24 color reproductions of the art of seven African artists: Skunder Boghossian, Sokari Douglas Camp, Rashid Diab, Amir Nour, Moyo Ogundipe, Moyo Okediji, and Ouattara - and seven African American artists: Jean-Michel Basquiat, John Biggers, Jeff Donaldson, Yvonne Edwards-Tucker, Winnie Owens-Hart, Charles Searles, and Al Smith. Paintings, mixed media, sculptures, and ceramics reflect issues of identity while expressing beauty, pulsating rhythms, and a sense of improvisation among bursts of colour and quieter, more contemplative moments. American artist and scholar Michael D. Harris and Nigerian artist and scholar Moyo Okediji construct a dialogue in companion essays that explore departures and arrivals, connections and distinctions between contemporary African and African American artists. Although the influence of African art on African American artists has received considerable attention, this book is among the first to discuss the influence of African American art on African artists, an exchange that continues to produce art that is both culturally unique and aesthetically rich. Michael D. Harris is assistant professor of African and African American art history at the University of North Carolina at Chapel Hill. Moyo Okediji is assistant professor of art at the University of Denver and assistant curator at the Denver Art Museum.

Pre-owned in very good condition, this Mesa Boogie Transatlantic TA-30 is a Multi-Watt head capable of producing some great tones. This amp shows s...

Add another layer on the cooler rounds with the TravisMathew Transatlantic Golf Pullover. This pullover is constructed with 4-way stretch fabric, giving you unrestricted movement, while the chest zip pocket keeps your essentials safe.� TravisMathew Transatlantic Golf Pullover Features: Enhanced 4-way stretch for unrestricted movement Moisture-wicking Lightweight and breathable Hidden 1/4 zip placket Chest zip pocket Cotton � Polyester� Style Number: 1MZ292 Authorized TravisMathew Retailer Buy TravisMathew Golf Pullovers�

Add another layer on the cooler rounds with the TravisMathew Transatlantic Golf Pullover. This pullover is constructed with 4-way stretch fabric, giving you unrestricted movement, while the chest zip pocket keeps your essentials safe.� TravisMathew Transatlantic Golf Pullover Features: Enhanced 4-way stretch for unrestricted movement Moisture-wicking Lightweight and breathable Hidden 1/4 zip placket Chest zip pocket Cotton � Polyester� Style Number: 1MZ292 Authorized TravisMathew Retailer Buy TravisMathew Golf Pullovers�

Add another layer on the cooler rounds with the TravisMathew Transatlantic Golf Pullover. This pullover is constructed with 4-way stretch fabric, giving you unrestricted movement, while the chest zip pocket keeps your essentials safe.� TravisMathew Transatlantic Golf Pullover Features: Enhanced 4-way stretch for unrestricted movement Moisture-wicking Lightweight and breathable Hidden 1/4 zip placket Chest zip pocket Cotton � Polyester� Style Number: 1MZ292 Authorized TravisMathew Retailer Buy TravisMathew Golf Pullovers�

Add another layer on the cooler rounds with the TravisMathew Transatlantic Golf Pullover. This pullover is constructed with 4-way stretch fabric, giving you unrestricted movement, while the chest zip pocket keeps your essentials safe.� TravisMathew Transatlantic Golf Pullover Features: Enhanced 4-way stretch for unrestricted movement Moisture-wicking Lightweight and breathable Hidden 1/4 zip placket Chest zip pocket Cotton � Polyester� Style Number: 1MZ292 Authorized TravisMathew Retailer Buy TravisMathew Golf Pullovers�

Add another layer on the cooler rounds with the TravisMathew Transatlantic Golf Pullover. This pullover is constructed with 4-way stretch fabric, giving you unrestricted movement, while the chest zip pocket keeps your essentials safe.� TravisMathew Transatlantic Golf Pullover Features: Enhanced 4-way stretch for unrestricted movement Moisture-wicking Lightweight and breathable Hidden 1/4 zip placket Chest zip pocket Cotton � Polyester� Style Number: 1MZ292 Authorized TravisMathew Retailer Buy TravisMathew Golf Pullovers�

Add another layer on the cooler rounds with the TravisMathew Transatlantic Golf Pullover. This pullover is constructed with 4-way stretch fabric, giving you unrestricted movement, while the chest zip pocket keeps your essentials safe.� TravisMathew Transatlantic Golf Pullover Features: Enhanced 4-way stretch for unrestricted movement Moisture-wicking Lightweight and breathable Hidden 1/4 zip placket Chest zip pocket Cotton � Polyester� Style Number: 1MZ292 Authorized TravisMathew Retailer Buy TravisMathew Golf Pullovers�

Add another layer on the cooler rounds with the TravisMathew Transatlantic Golf Pullover. This pullover is constructed with 4-way stretch fabric, giving you unrestricted movement, while the chest zip pocket keeps your essentials safe.� TravisMathew Transatlantic Golf Pullover Features: Enhanced 4-way stretch for unrestricted movement Moisture-wicking Lightweight and breathable Hidden 1/4 zip placket Chest zip pocket Cotton � Polyester� Style Number: 1MZ292 Authorized TravisMathew Retailer Buy TravisMathew Golf Pullovers�

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48 Tracks -In Session Artistes Aly Bain & Jerry Douglas with Ricky Skaggs, John Martyn, Nanci Griffiths, Maura O'Connell, Rosanne Cash, John Leventhal, James Grant, Ishbel MacAskill, Michael Doucet, Breda Smyth, Danny Thompson Tommy Hayes, Paul Brady, Ronan Browne, Boo Hewerdine, Radney Foster, Fiona kennedy, Iain MacDo9nald, Karen Matheson, Eddi Reader, Sharon Shannon, Doanld Shaw, Sharon White

The complete Series One - the Original Transatlantic Sessions. Seven programs featuring 34 artists, including Aly Bain, John Martyn, Emmylou Harris, Mary Black, Guy Clark, Danny Thompson and Iris DeMent.

The focus of this book is on English and American evangelicals during the early and mid-19th century, examining the effect of aggressive conversion techniques used by American evangelicals upon the English revival movement.

The Transatlantic Collapse of Urban Renewal examines how postwar thinkers from both sides of the Atlantic considered urban landscapes radically changed by the political and physical realities of sprawl, urban decay, and urban renewal. With a sweep that encompasses New York, London, Berlin, Philadelphia, and Toronto, among others, Christopher Klemek traces changing responses to the challenging issues that most affected the lives of the world’s cities. In the postwar decades, the principles of modernist planning came to be challenged—in the grassroots revolts against the building of freeways through urban neighborhoods, for instance, or by academic critiques of slum clearance policy agendas—and then began to collapse entirely. Over the 1960s, several alternative views of city life emerged among neighborhood activists, New Left social scientists, and neoconservative critics. Ultimately, while a pessimistic view of urban crisis may have won out in the United States and Great Britain, Klemek demonstrates that other countries more successfully harmonized urban renewal and its alternatives. Thismuch anticipated book provides one of the first truly international perspectives on issues central to historians and planners alike, making it essential reading for anyone engaged with either field.

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This groundbreaking volume is the first to define the emergent field of transatlantic literary studies. It brings together a wide range of material to explore the theoretical and literary possibilities of the transatlantic world as an arena for textual and intellectual exchange.In their introduction, the editors suggest ways in which the transatlantic paradigm offers renewed potential for literary study that for too long has been tied to the ideological and political requirements of the nation-state. The Reader provides accessible, annotated examples of theoretical frameworks that provoke further scholarly inquiry and important works of literary criticism that demonstrate different possibilities of comparative analysis. This important compilation represents and promotes the conceptualization of American culture within the broader context of transatlantic activity.

168 pages. Numerous black & white illustrations. U.S. orders are shipped from our Lewiston, New York location.

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Despite their prominent place in twentieth-century literature in English, novelists and poets from Ireland and the anglophone Caribbean have long been separated by literary histories in which they are either representing a local, nationalist tradition or functioning within an international movement such as modernism or postcolonialism. Redressing this either/or framework, Michael Malouf recognizes an integral history shared by these two poetic and political traditions, arising from their common transatlantic history in relation to the British empire and their common spaces of migration in New York and London. In examining these cross-cultural exchanges, he reconsiders our conception of transatlantic space and offers a revised conception of solidarity that is much more diverse than previously assumed. Offering a new narrative of cultural influence and performance, this work specifically demonstrates the formative role of Irish nationalist discourse--expressed in the works of Eamon de Valera, George Bernard Shaw, and James Joyce--in the transnational political and aesthetic self-fashioning of three influential Caribbean figures: Marcus Garvey, Claude McKay, and Derek Walcott. It provides both an innovative historical and literary methodology for reading cross-cultural relations between two postcolonial cultures and a literary and political history that can account for the recent diversity of the field of anglophone world literature.

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