33 products were found matching your search for triennial in 2 shops:

This innovative new history examines in-depth how the growing popularity of large-scale international survey exhibitions, or 'biennials', has influenced global contemporary art since the 1950s. Provides a comprehensive global history of biennialization from the rise of the European star-curator in the 1970s to the emergence of mega-exhibitions in Asia in the 1990s Introduces a global array of case studies to illustrate the trajectory of biennials and their growing influence on artistic expression, from the Biennale de la Méditerranée in Alexandria, Egypt in 1955, the second Havana Biennial of 1986, New York’s Whitney Biennial in 1993, and the 2002 Documenta11 in Kassel, to the Gwangju Biennale of 2014 Explores the evolving curatorial approaches to biennials, including analysis of the roles of sponsors, philanthropists and biennial directors and their re-shaping of the contemporary art scene Uses the history of biennials as a means of illustrating and inciting further discussions of globalization in contemporary art

Satin Eyeshadow - EYESHADOW TRIENNIAL WAVEBenefitsLong-wearing, 8 hoursNon-creasingRich colorProfessionalIconic eyeshadowCan be used wet or dryDoes not cause acneSafe for contact-lens wearersDermatologist-testedOphthalmologist-testedFeaturesBehold the power of pigmentElevate your eyes with a streak of rich, highly pigmented pressed eyeshadow powderThis saturated eyeshadow formula stays on all day long with non-creasing, eight-hour wearFormulated WithoutGlutenSiliconePhthalateParabenVitamin A/Retinyl PalmitateMineral OilPetrolatumFormaldehydePolyethyleneHydroquinoneTriclosanTolueneLauryl SulfateLaureth SulfateOxybenzoneCoal Tar - Satin Eyeshadow

· Until September 2018 stunning constructions by contemporary artists and architects worldwide will appear in the historic city center in Bruges. This book showcases these installations The world is in transition. Established ideas and lifestyles are under pressure: everything is in flux. This volatility and ambivalence can lead to uncertainty and even fear. The 2018 Bruges Triennial: Liquid City offers a beacon of hope, presenting a fluid, open and engaged city; Bruges as an engine of social, cultural and political change; a creative melting pot for encounters of all kinds; and a breeding ground for urban innovation.The liquid city of Bruges - literally ringed by the water that once brought it prosperity and fame - becomes a metaphorical Liquid City, characterized by fluidity, transition, influx and exchange: a continuous artistic dynamism that at times flows gently and at others turbulently through the city.The 2018 Bruges Triennial: Liquid City invites internationally acclaimed artists and architects from around the world to interpret the 'Liquid City' theme. They create an art trail dotted with temporary hospitable spaces, conceptual representations and unexpected places for encounters within the historic city centre.Text in English and Dutch.

Illustrated with photographs in colour and black and white. Includes booklets of Artists' Statements and List of Works. 31 cm. 151 pages VG. Very good condition with light shelf wear to covers, slight scuffing to covers.

Catalogue for the First Asia-Pacific Triennial of Contemporary Art, Qld Art Gallery, 1993; artists from Indonesia, Malaysia, The Philippines, Singapore, Thailand, Vietnam, China, Hong Kong, Japan, South Korea, New Zealand, Papua New Guinea, and Australia; includes the stapled booklet to rear pocket 'Installations & Performances'; edited by Suzanne Grano, Introduction by Caroline Turner; minor knock top text block, o.w. Very Good and clean throughout; wraps lightly rubbed. . 120pp. 4to. Very Good

Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.01

Beauty--the book, born out of Cooper Hewitt, Smithsonian Design Museum's 2015 Triennial of the same name, curated by Andrea Lipps and Ellen Lupton--showcases some of the most exciting and provocative design created around the globe during the past three years. These pages aim not to emphasize the hidden beauty in the everyday--a beloved teapot or favorite shoe--but to locate transformational beauty in contemporary design that is exuberant, ethereal, atmospheric, experiential, exceptional or sublime. Sixty-two designers represent a vast range of disciplines from architecture, fashion, digital, graphic, and product design, to interiors, hair, nail and lighting design. The objects featured cause us to take pause, catch our breath and get lost in our pursuit to understand or explain them. Designed by the innovative Kimberly Varella, the book is itself a tactile, fluid and provocative interpretation of beauty. Varella's design provides unexpected points of entry, playing with the concepts of beauty by using reflective surfaces, hot pink thread weaving pages together and a "heart" of the book, from which all else flows. Ethereal, Intricate, Extravagant, Transformative, Transgressive, Elemental and Emergent Beauty are the seven themes. Each section includes the individual designers in conversation with the curators about her or his process and beauty's differing forms, punctuated by rich galleries of their work, generating the ultimate feast for the senses.

Every three years, New York's International Center of Photography (ICP) presents a global survey of the most exciting and challenging new work in photography and video-the only recurrent U.S. exhibition to specialize in this field. Opening in September 2009, the Third ICP Triennial takes place within a yearlong cycle of ICP exhibitions that critically examine fashion and its relation to contemporary art and other cultural phenomena. Through the lens of fashion, the Triennial will look at the proliferation of photo- and video-based work, exploring the current uses of style, image and self-presentation. Among the artists taking part in the Triennial are Yto Barrada, Valérie Belin, Jacqueline Hassink, Hu Yang, Kimsooja, Jeremy Kost, Tanya Marcuse, Anne Morgenstern, Grace Ndiritu, David Rosetzky, Cindy Sherman, Lorna Simpson, Hank Willis Thomas, Mikalene Thomas and Pinar Yolacan. Encompassing a huge range of extremely diverse practices and ideas, the works in the exhibition all reflect a shared conviction that style and fashion stand at the center of today's liveliest and most significant cultural manifestations.

Every three years, New York's International Center of Photography (ICP) presents a global survey of the most exciting and challenging new work in photography and video-the only recurrent U.S. exhibition to specialize in this field. Opening in September 2009, the Third ICP Triennial takes place within a yearlong cycle of ICP exhibitions that critically examine fashion and its relation to contemporary art and other cultural phenomena. Through the lens of fashion, the Triennial will look at the proliferation of photo- and video-based work, exploring the current uses of style, image and self-presentation. Among the artists taking part in the Triennial are Yto Barrada, Valérie Belin, Jacqueline Hassink, Hu Yang, Kimsooja, Jeremy Kost, Tanya Marcuse, Anne Morgenstern, Grace Ndiritu, David Rosetzky, Cindy Sherman, Lorna Simpson, Hank Willis Thomas, Mikalene Thomas and Pinar Yolacan. Encompassing a huge range of extremely diverse practices and ideas, the works in the exhibition all reflect a shared conviction that style and fashion stand at the center of today's liveliest and most significant cultural manifestations.

When the International Center of Photography launched Strangers, its first Triennial, in 2003, its curators wrote that their goal was "to demonstrate photography's incomparable richness as a visual medium--in the form of still photographs, video, sculptural objects, and installation pieces. The result is a dynamic coherence that results as much from a dialogue between individual works as from curatorial intention." This second time out, in a period of rampant natural disasters and concerns about global environmental change, they have shifted their attention from strangers, from our relationships with one another, to home, to our relationships with the earth. Ecotopia, brings readers the natural world through the eyes and lenses of some of the most interesting and engaging photographers working today. These 30 international artists shatter stereotypes of landscape and nature imagery to examine new concepts of the natural sphere occasioned by twenty-first-century technologies. They capture our destructive engagement with the environment and develop visions of our future, both better and worse. Ecotopia considers nature in the broadest sense, and offers new perspectives on the planet that sustains, enchants and, increasingly, frightens.

Inside Design Now takes the pulse of American design in the new millennium, providing a fascinating tour of cutting-edge trends in architecture, interiors, landscape, fashion, graphics, and new media. Featuring eighty emerging and established designers – including 2 x 4, Mike Mills, Peter Eisenman, Fuse Project, Tod Machover, Paula Scher, Jennifer Siegal, and Isaac Mizrahi – Inside Design Now illustrates the most innovative and provocative thinking in design today. Each designer’s work is presented with a double-page spread and a series of full-color images. Essays explore the role of the designer in today’s culture, contemporary ideas of beauty and functionality, and what the future holds in the realm of design. Sensuous materials, lush patterns, and exquisite details come together with new technologies, pop imagery, and fresh approaches to scale, color, and construction in the works reproduced in this volume. Inside Design Now accompanies the exhibition of the same name at the Cooper Hewitt Museum of National Design beginning in April 2003.

30.0 x 24.0cms, 260pp, 250 colour illusts, fine paperback with French flaps This exhibition had a 100+ artists from 25 countries, including North Korea, Tibet, Turkey & Iran.

Ship within 24hrs. Satisfaction 100% guaranteed. APO/FPO addresses supported

bestens erhalten ohne Gebrauchsspuren, sichtlich kaum geblättert; mit zahlreichen Abbildungen, auch ganzseitig; in deutscher und englischer Sprache; erschienen zur 6. Internationalen Foto-Triennale Esslingen 2004 Sprache: Deutsch 900 gr. 900

This is volume 3 of Studies in the Torah by Tim Hegg and contains notes and commentary on the weekly Parashot of Leviticus (VaYiqra). The notes and commentary are grouped according to the Annual cycle of Torah readings, sub-divided into the parashot of the Triennial cycle. Besides the Torah and haftarah (readings from the Prophets), an appropriate passage from the Apostolic Scriptures (New Testament) is added. Special attention is given to the Messianic promise developed throughout the book of Leviticus and the accompanying reading from the Prophets. Indexes offer an easy way to locate haftarah and Apostolic Scripture passages connected with each Torah portion.

Photographic reprint of the 1967 Doubleday edition. The only novel in the Lord Darcy series. An Imperial Naval Intelligence agent is killed in Cherbourg, and Master Sir James Zwinge, Chief Forensic Sorcerer for the City of London, is killed while at the Triennial Convention of Healers and Sorcerers.The arrest of Master Sean O'Lochlainn for the second murder brings Lord Darcy to London to investigate.

Studies in the Book of Deuteronomy for the weekly Torah readings, according to both the Annual and Triennial cycles of readings.

Maria Giuseppina Grasso Cannizzo exhibited at the Venice Biennial in 2004 and 2008, and was honored by the Royal Institute of British Architects (RIBA) in 2012. That same year she won a gold medal for her life’s work at the Milan Triennial, and has been nominated twice for the Mies van der Rohe Prize. Nevertheless, she’s still considered an insider’s tip. She lives in Vittoria, a small city in southern Sicily, where she realizes the majority of her architecture, including many transformations of historical buildings, single and multiple-family housing, or projects such as the control tower in Marina di Ragusa. Grasso Cannizzo’s special design methods are based on her analyses of the urban context and the landscape, as well as her examination of the specific “story” behind each project. She translates the knowledge gained into minimal, self-aware, and sometimes radical concepts, which are ultimately always open to any changes that life and the passage of time may bring. At the same time, this first comprehensive monograph is also a conceptual manifesto by Grasso Cannizzo. Collected in a black box, loose prints provide insight into her most important buildings and make it possible to see the architect’s general design methods.

Studies in the Book of Deuteronomy for the weekly Torah readings, according to both the Annual and Triennial cycles of readings.

Begun in 1951 by monks at the abbey of La Pierre-qui-Vire in Burgundy, the Zodiaque publications consisted of a triennial journal and multiple series of books, including the most famous: La Nuit des temps. The editors’ goal was to renew sacred art for twentieth-century viewers by making connections between the direct, “primitive” character of pre-Gothic religious art and an emerging modernist aesthetic. Focusing almost exclusively on Romanesque architecture and sculptural decoration, Zodiaque revived the style’s richness and variety, bringing to light monuments lost to popular currency and visually shaping their reception with a new eye to graphic forms. What captured the public imagination and brought the Zodiaque books to international attention was their primary feature: striking black-and-white photogravures. These powerful images went beyond documentary photography to become collectible graphic prints, shaping the plastic form seen by the camera into a fresh two-dimensional artwork. In Zodiaque, Janet Marquardt explores the motivations, philosophies, and workshop practices of Éditions Zodiaque and how they affected the scholarly discourse on medieval art and architecture.