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This collection of Rosemarie Trockel's work from 1980 to the present is full of video, drawings, wool, everyday objects, sculptures, and all the media with which she has advanced what Artforum describes as a "long-running effort to expand and challenge the terms of dialogue between artist and audience."

No dust jacket. Bumped edges. Slight scratches to cover. Slight tear to spine. No.1 BESTSELLERS - great prices, friendly customer service â" all orders are dispatched next working day.

Softcover, 72 pages, in English and German; good condition, light rubbing to cover and partially removed clear tape around bottom of spine; no internal marks.

The German artist Rosemarie Trockel has gained international renown for a multifaceted practice encompassing painting, sculpture, video, and drawing. Issues including a concern with natural history, the creative expression of diverse species, and the representation and role of women in contemporary culture fuel her work. A Cosmos a world shaped by Trockel’s ideas and affinities is presented in this volume, companion to a major exhibition, which places her in the company of others whom she regards as kindred spirits. Juxtaposing her work with objects that range across eras and cultures, borrowed from the fields of art history, botany, craft, and outsider art, this exceptional ensemble illuminates Trockel's highly influential practice of the past thirty years.

When Rosemarie Trockel emerged in the early 1980s as a principal figure in the German art scene, a member of the generation that followed Sigmar Polke, Gerhard Richter and Georg Baselitz, she was almost alone in addressing feminist issues and sexuality. Her pictures, made from machine-knitted wool and patterned with consumerist and political icons, challenged the privileged status of the male-dominated province of painting as high art, and exposed the emptiness of the icons that decorate our everyday lives.

143pp., b/w and colour illus., chronology, bibliography, catlogu of works. Moderate wear to dust jacket including two small closed tears to top edge and several scratches to back (now protected with removable plasic cover). Light dusting to top edge. Some yellowing to endpapers and half-title page. Otherwise excellent tight clean copy of now scarce book. GLK10

This first anthology of Rosemary Trockel s collages presents an in-depth look at just one aspect of the German artist s diverse and multifaceted oeuvre. Published on the occasion of an eponymous exhibition, the examination is key to a diffractive, non-academic view of this internationally-renowned artist s body of work. Trockel has produced around 100 collages to date, many of which are reproduced here, and which also form a central component of the retrospective exhibition. Critical essays by Brigid Doherty, Elvan Zabunyan and Gregory H. Williams therefore specifically address this relatively unexplored aspect of her work in this densely illustrated publication.

Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

This first anthology of Rosemary Trockel s collages presents an in-depth look at just one aspect of the German artist s diverse and multifaceted oeuvre. Published on the occasion of an eponymous exhibition, the examination is key to a diffractive, non-academic view of this internationally-renowned artist s body of work. Trockel has produced around 100 collages to date, many of which are reproduced here, and which also form a central component of the retrospective exhibition. Critical essays by Brigid Doherty, Elvan Zabunyan and Gregory H. Williams therefore specifically address this relatively unexplored aspect of her work in this densely illustrated publication.

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

SIGNED. Limited first edition. NEW hardcover in dust jacket in the publisher's shrink wrap. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. A catalogue of sculpture, videos, photographs, drawings and editioned work by Rosemarie Trockel. Essays by Mario Diacono, Kay Heymer, Holger Liebs, Gerhard Theewen, Silja Fleissner, and Wilfried Dickhoff. From an edition limited to 1000 copies, SIGNED BY TROCKEL on the limitation page. 88 pages; profusely illustrated in b&w with some color; 8.5 x 10 inches. Illustrated list of works, exhibition history, bibliography, contributors' bios. Text in German.

88pp, profusely illustrated in b&w. Text in German. With a bibliography and exhibition history. Limited to one thousand copies, this is a nicely appointed monograph on noted contemporary German artist Rosemarie Trockel's work in various media using her "herde" or hotplate/electric stove-top (they look like dominoes to us.) motif. A brand new, pristine example numbered and SIGNED "Rosemarie Trockel" in black ink on the colophon at rear, as issued, still in the publisher's shrinkwrap.

This collection of Rosemarie Trockel's work from 1980 to the present is full of video, drawings, wool, everyday objects, sculptures, and all the media with which she has advanced what Artforum describes as a "long-running effort to expand and challenge the terms of dialogue between artist and audience."

As the Cold War drew toward its tumultuous close, artists in the United States and Germany such as Isa Genzken, Félix González-Torres, Mike Kelley, Martin Kippenberger, Jeff Koons, Zoe Leonard, Albert Oehlen, Richard Prince, Julian Schnabel, Cindy Sherman, Thomas Struth, Rosemarie Trockel, Franz West and Christopher Wool responded in ways direct and indirect to the shifting order happening under their feet. This volume, published on the occasion of a group show at Galerie Max Hetzler, travels between the centers of art in America and German-speaking Europe: Los Angeles and New York, Cologne and Vienna. As these cities, at the center of the world's realignment of values and politics, conversed with each other, it became apparent that their artistic rebellion was poised to overthrow the aesthetics of the past for a new freedom of idiosyncratic approaches.

In celebration of the 25th anniversary of its founding, Munich's Sammlung Goetz is presenting a three-part exhibition on the oeuvres of women artists, including Rosemarie Trockel, Andrea Zittel, Lucy McKenzie, Paulina Olowska, Pipilotti Rist and Yayoi Kusama.

As the Cold War drew toward its tumultuous close, artists in the United States and Germany such as Isa Genzken, Félix González-Torres, Mike Kelley, Martin Kippenberger, Jeff Koons, Zoe Leonard, Albert Oehlen, Richard Prince, Julian Schnabel, Cindy Sherman, Thomas Struth, Rosemarie Trockel, Franz West and Christopher Wool responded in ways direct and indirect to the shifting order happening under their feet. This volume, published on the occasion of a group show at Galerie Max Hetzler, travels between the centers of art in America and German-speaking Europe: Los Angeles and New York, Cologne and Vienna. As these cities, at the center of the world's realignment of values and politics, conversed with each other, it became apparent that their artistic rebellion was poised to overthrow the aesthetics of the past for a new freedom of idiosyncratic approaches.

Time Capsule illustrates Jason Rubells precocious collecting endeavors of the 1980s, including works by George Condo, Robert Gober, Andreas Gursky, Keith Haring, Sigmar Polke, Gerhard Richter, Cindy Sherman and Rosemarie Trockel.