58 products were found matching your search for turrell in 1 shops:

Edited by Michael Hue-Williams. Texts by Maurice Merleau-Ponty, Robert Solso.

For over half a century, the American artist James Turrell has worked directly with light and space to create artworks that engage viewers with the limits and wonder of human perception. Turrell, an avid pilot who has logged over twelve thousand hours flying, considers the sky as his studio, material, and canvas.

Nobody who has experienced an installation by James Turrell forgets the encounter--he makes light tangible in ways that boggle perception and almost seem to defy physics, as if you could reach into the space you see when you close your eyes. A lifelong explorer of perceptual psychology, Turrell is undoubtedly the most influential contemporary light artist, as well as one of America's most popular artists. In Geometry of Light, the first significant Turrell survey in many years, an extraordinary body of work covering several decades is assessed. At the book's center is the series of works known as Sky Spaces, a signature Turrell conception in which the sky is made to seem "on top of" the room's ceiling, and which has become a mini-genre unto itself within light art. Academic, philosophical and art-historical essays explicate these perceptual spaces, whose evolution is closely allied to Turrell's development of the Roden Crater Project in the Arizona desert, where he began constructing an observatory in 1974. Also included is the latest installation, "Skyspace/Camera Obscura Space," which Turrell conceived for the Zentrum für Internationale Lichtkunst in Unna, Germany. As an undergraduate, James Turrell (born in Los Angeles, 1943) studied psychology and mathematics, transitioning to art only at MFA level. A practicing Quaker, one of his earliest memories is of his grandmother inviting him to "go inside and greet the light" at Quaker meetings. The recipient of several prestigious awards such as Guggenheim and MacArthur Fellowships, Turrell lives in Arizona.

111 pages. Hardcover exhibition catalogue. Texts in English. [SIGNED] Signed by the artist on the title page. There are no other internal markings. The binding is tight, the edges and corners of the boards are sharp. Gallery reception invitation card laid in at front along with a brochure for the Liss Art Foundation where the Irish Sky Garden is installed. Bound in green cloth covered boards with black stamping, and issued without a dustjacket. Published on the occasion of the exhibition held from June 3-August 10, 1992.

James Turrell works with phenomena of light like no other artist. Since the 1960s he has been building astonishing spaces that allow light to be experienced both in its material and its spiritual qualities. In recent years Turrell has developed an increasing interest in the staging of architecture through the use of light. He has realized several landmark works with this in mind--his light installation for the opening of the Kunsthaus Bregenz, his light design for an administrative building in Leipzig, and the light events on the Pont du Gard, a Roman bridge in Southern France. James Turrell: Lighting a Planet documents his all-inclusive staging of Planet m, including numerous photographs, sketches, interviews, comparative illustrations and an enlightening essay. Planet m is the Bertelsmann pavilion, the secret landmark of the EXPO 2000 at Hanover, which takes on a nocturnal second life through Turrell's ever-shifting atmospheres of light.

Copublished with the Los Angeles County Museum of Art for the major touring retrospective and concurrent exhibitions at the Solomon R. Guggenheim Museum, New York and The Museum of Fine Arts, Houston, this comprehensive volume illuminates the origins and motivations of James Turrell's incredibly diverse and exciting body of work--from his Mendota studio days to his monumental work-in-progress Roden Crater. Whether he's projecting shapes on a flat wall or into the corner of a gallery space, James Turrell is perpetually asking us to "go inside and greet the light"--evoking his Quaker upbringing. In fact, all of Turrell's work has been influenced by his life experiences with aviation, science, and psychology, and as a key player in Los Angeles's exploding art scene of the 1960s. Enhanced by thoughtful essays and an illuminating interview with the artist, this monograph explores every aspect of Turrell's career to date--from his early geometric light projections, prints, and drawings, through his installations exploring sensory deprivation and seemingly unmodulated fields of colored light, to recent two-dimensional experiments with holograms. It also features an in-depth look at Roden Crater, a site-specific intervention into the landscape near Flagstaff, Arizona, which will be presented through models, plans, photographs, and drawings. Fans of this highly influential artist will find much to savor in this wide-ranging and beautiful book, featuring specially commissioned new photography by Florian Holzherr.

"My work is more about your seeing than it is about my seeing." –James TurrellFor more than 50 years, James Turrell has devoted himself to the treatment of immateriality, materiality and perception, making light a sensual and spiritual experience. Turrell floods rooms with light that is experienced as gentle seas of color or as an intensely glowing fog, taking observers to the very limits of their perception. Turrell eliminates the possibility of orienting one's location by means of an object or spatial limits. The artist himself constantly emphasizes that his work is best described as "perceptual art."This comprehensive volume, published for the artist's exhibition at Museum Frieder Burda in Baden-Baden, Germany, combines key works from Turrell's various phases. Among the works included are Sloan Red, one of his early projections in which geometric light objects appear to float in space. A piece from 2016, from the important series of Wedgeworks, shows how the artist creates illusionist spatial situations using light. The "ganzfeld" experiment Apani, which attracted much attention at the Venice Biennale in 2011, allows the visitor to experience how all imaginable spatial contours can be made to dissolve in light and color. Turrell's famous long-term project Roden Crater―an extinct volcano in the Arizona desert, which the artist has been converting into a kind of observatory since the 1970s―is also represented here, alongside artworks created especially for the Museum Frieder Burda.

Good condition. This is the average used book, that has all pages or leaves present, but may include writing. Book may be ex-library with stamps and stickers. 0.74

100% Satisfaction is Guaranteed! For New condition books in our store; You will be the first user. You will be the first to open the book cover. For Used condition books in our store; It shows signs of wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact , but may have aesthetic issues such as price clipping, nicks, scratches, and scuffs. Pages may include some notes and highlighting. For all our books; Cargo will be delivered in the required time. There are no problems in page content and in the paper. There are no problems except minor faults.

Copublished with the Los Angeles County Museum of Art for the major touring retrospective and concurrent exhibitions at the Solomon R. Guggenheim Museum, New York and The Museum of Fine Arts, Houston, this comprehensive volume illuminates the origins and motivations of James Turrell's incredibly diverse and exciting body of work--from his Mendota studio days to his monumental work-in-progress Roden Crater. Whether he's projecting shapes on a flat wall or into the corner of a gallery space, James Turrell is perpetually asking us to "go inside and greet the light"--evoking his Quaker upbringing. In fact, all of Turrell's work has been influenced by his life experiences with aviation, science, and psychology, and as a key player in Los Angeles's exploding art scene of the 1960s. Enhanced by thoughtful essays and an illuminating interview with the artist, this monograph explores every aspect of Turrell's career to date--from his early geometric light projections, prints, and drawings, through his installations exploring sensory deprivation and seemingly unmodulated fields of colored light, to recent two-dimensional experiments with holograms. It also features an in-depth look at Roden Crater, a site-specific intervention into the landscape near Flagstaff, Arizona, which will be presented through models, plans, photographs, and drawings. Fans of this highly influential artist will find much to savor in this wide-ranging and beautiful book, featuring specially commissioned new photography by Florian Holzherr.

HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

The Art of Light and Space is the first major overview of one of the most independent and accomplished artists of our time. For the benefit of art historians, artists, and the general reader, Craig Adcock examines, with the support of many illustrations, the full range of James Turrell's life and art. He gives special attention to the artist's fashioning of light and space to create works of great contemplative beauty, intellectual depth, and technical sophistication.Adcock explains how Turrell's work has developed to address the very nature of visual perception--its wonders and its limitations. Presented in the context of developments in contemporary art since the 1960s, Turrell's non-object pieces, his light projections and large-scale installations, and his monumental work-in-progress--the Roden Crater project--take on a significance and integrity that have not previously been fully revealed. Turrell's work has been collected and exhibited widely, and he has received a numbe

The Art of Light and Space is the first major overview of one of the most independent and accomplished artists of our time. For the benefit of art historians, artists, and the general reader, Craig Adcock examines, with the support of many illustrations, the full range of James Turrell's life and art. He gives special attention to the artist's fashioning of light and space to create works of great contemplative beauty, intellectual depth, and technical sophistication.Adcock explains how Turrell's work has developed to address the very nature of visual perception--its wonders and its limitations. Presented in the context of developments in contemporary art since the 1960s, Turrell's non-object pieces, his light projections and large-scale installations, and his monumental work-in-progress--the Roden Crater project--take on a significance and integrity that have not previously been fully revealed. Turrell's work has been collected and exhibited widely, and he has received a numbe

Features work since the 1970s, with primary focus on Roden Crater.

To encounter a work by American artist James Turrell is to enter another world―a realm where eye and mind meet. The artist engages us, the viewers, in order to make us witnesses of his focus on nature through scientific means. By making us watch and contemplate for extended periods, Turrell also makes us part of his artistic practice. Turrell is unusual among contemporary artists in that his environments construct spaces, leaving their workings largely unseen. Skyspaces, outside or inside, veil their lighting so that only its effects, and not its cause, are visible. The areas that audiences enter, singly or in groups, are built so that viewers are liberated from normal perceptions. Perceptual cell, for instance, may remind us initially of medical imaging for diagnosis, but instead of closing down our senses, it opens them to new experiences.Turrell strives to go beyond the conventional by naturalizing technology for aesthetic purposes, allowing his grasp of science to suggest the ineffable. As well as showing the variety of his means, such as bright color and white light, neon, LED and other forms of light, and individual and communal encounters inside and out, the exhibition underlines the unique vision that has led him through the last decades in pursuit of light, space and time. This publication includes an interview with James Turrell by Michael Govan, director of the Los Angeles County Museum of Art, and an essay by EC Krupp, astronomer and Director of the Griffin Observatory, Los Angeles.

Copy still in unopened shrink wrap.

Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:1900829088

For more than 50 years, James Turrell has devoted himself to the treatment of immateriality, materiality and perception, making light a sensual and spiritual experience. Turrell floods rooms with light that is experienced as gentle seas of color or as an intensely glowing fog, taking observers to the very limits of their perception. Turrell eliminates the possibility of orienting one’s location by means of an object or spatial limits. The artist himself constantly emphasizes that his work is best described as “perceptual art.”This comprehensive volume, published for the artist’s exhibition at Museum Frieder Burda in Baden-Baden, Germany, combines key works from Turrell’s various phases. Among the works included are “Sloan Red,” one of his early projections in which geometric light objects appear to float in space. A piece from 2016, from the important series of Wedgeworks, shows how the artist creates illusionist spatial situations using light. The “ganzfeld” experiment “Apani,” which attracted much attention at the Venice Biennale in 2011, allows the visitor to experience how all imaginable spatial contours can be made to dissolve in light and color. Turrell’s famous long-term project “Roden Crater”―an extinct volcano in the Arizona desert, which the artist has been converting into a kind of observatory since the 1970s―is also represented here, alongside artworks created especially for the Museum Frieder Burda.

Artwork by James Turrell. Edited by Peter Noever. Contributions by Georges Didi-Huberman. Text by Daniel Birnbaum, Paul Virilio.