28 products were found matching your search for ulrike in 2 shops:

331 Seiten. Enthält ein Interview zwischen Ursula Prinz und dem Künstler.Der Katalogteil zeigt 154 Arbeiten Salomes.Texte deutsch / englisch.Sehr gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 1870 4° (27,5 cm) roter Samteinband mit goldenen Titeln und OUmschlag.

This monograph—published to coincide with the Bauhaus exhibition at the MoMA (November 8, 2009-January 25, 2010)—celebrates the work of twenty women artists who created feverishly in all the teaching, workshop, and production branches of the Bauhaus—women who should have been included in the major art histories of the twentieth century long ago, but whose names, masterpieces, and extraordinary lives have only gradually become known to us. Recognized figures such as Anni Albers—the first textile artist to be exhibited at the MoMA—and Marianne Brandt—whose elegant geometric tableware have become classic Alessi designs—are showcased alongside previously unknown artists such as Gertrud Grunow, who taught "Harmonizing Science"; Helene Börner, who led the textile workshop; and Ilse Fehling, a sculptor and the most sought-after set and costume designer of her generation. Founded in 1919, the Bauhaus and most of its students were poor and lacking in just about everything. What it did have, however, was an abundance of enthusiasm, talent, and innovative creativity. Furthermore, over half of those seeking to enroll at the school were women. This tornado of the "fairer sex" was initially seen as a threat, and the weaving mill was quickly turned into a separate "women’s facility." Nevertheless, over the years the mill became a hotbed of groundbreaking production, whose impact far surpassed national borders, as demonstrated by the international acclaim of photographers Lucia Moholy, Florence Henri, and Grete Stern.

Germany in the 1970s: Murderous bomb attacks, the threat of terrorism and the fear of the enemy inside are rocking the very foundations of the still-fragile German democracy. The radicalized children of the Nazi generation led by Andreas Baader (Moritz Bleibtreu), Ulrike Meinhof (Martina Gedeck) and Gudrun Ensslin (Johanna Wokalek) are fighting a violent war against what they perceive as the new face of fascism: American imperialism supported by the German establishment, many of whom have a Nazi

Germany in the 1970s: Murderous bomb attacks, the threat of terrorism and the fear of the enemy inside are rocking the very foundations of the still-fragile German democracy. The radicalized children of the Nazi generation led by Andreas Baader (Moritz Bleibtreu), Ulrike Meinhof (Martina Gedeck) and Gudrun Ensslin (Johanna Wokalek) are fighting a violent war against what they perceive as the new face of fascism: American imperialism supported by the German establishment, many of whom have a Nazi

No Two Alike documents an exhibition curated by Ulrike Meyer Stump as part of Cincinnati's 2018 FotoFocus Biennial, with its general theme "Open Archive." The exhibition restages the historic encounter between Karl Blossfeldt’s plant photographs and Francis Bruguière’s light designs held at the Warren Gallery in London in 1929 and juxtaposes it with the Photograms and Negatives series by contemporary artist Thomas Ruff. The combination of Blossfeldt's biomorphism and Bruguière's abstraction offers clues for the understanding of British modernism, and offers insight into the role photography and photobooks played in the British avant-garde. Throughout his career, Thomas Ruff has expressed great interest in the history of photography and has repeatedly shown a special affinity with Blossfeldt (particularly in his Negatives series); Bruguière's abstract light compositions, on the other hand, have strong formal ties to Ruff's photograms. "No two alike" expresses the three artists' mutual interest in the variant as a creative principle, also advancing the idea that each of these bodies of work presents a variant of the other.

Renowned author Ulrike Schuerkens presents an in-depth exploration of social transformations and developments. Combining an international approach with up-to-date research, the book: Has dedicated chapters on contemporary topics including technology, new media, war and terror, political culture and inequality Includes an analysis of societal structures – inequality, globalization, transnationalism Contains learning features including: discussion questions, annotated further reading, chapter summaries, and pointers to online resources to assist with study A must buy for students taking modules in social change, social inequality, social theory, and globalization.

The volume "Ritual, Caste, and Religion in Colonial South Asia" edited by Michael Bergunder, Heiko Frese, and Ulrike Schroder focuses on South India during the colonial period in the 19th and 20th century. The study's purpose is to explore the impact that notions of ritual, caste, and religion had on Indian society during the time. The various authors give detailed analyses of Tamil and Telugu sources, emphasizing the historical background by accenting the newly established print media of the time. They show how these concepts played a crucial role in the formation of social, cultural, and religious identities, and with this vitally contribute to the history of colonisation in India.

This early example of a spiritual diary incorporating the visions of a female mystic offers a glimpse of religious women's daily life and spiritual practices. Agnes Blannbekin was from an Austrian farming family, but as a Beguine lived an urban life: Ulrike Weithaus refers to her experiences as 'street mysticism'. Blannbekin's spiritual life revolved around the liturgical cycles of the church year, but also embraced the opportunities and vagaries of city life. Her visions comment on memorable events such as a popular bishop's visit to town during which people were trampled to death; the consequences of a rape committed by a priest; thefts of the Eucharist and the work of witches. Christ, for Blannbekin, is not only bridegroom, but also shopkeeper, apothecary, and axe-wielding soldier, and it was her vision of swallowing Christ's foreskin which led to the eventual censorship of her works. Life and Revelations has only recently been rediscovered by Austrian scholar Peter Dinzelbacher, and this translation is based on his critical edition.

Oh, Lady Be Good Ulrike Ritzinger - CD 888295586313

Benda: Chamber Music and Songs, Composer Georg Benda, Artist Elena Bertuzzi soprano, Paolo Borgonovo tenor, Ulrike Slowik violin, Ensemble Arcomelo, Michele Benuzzi harpsichord & director, Format 6 CD, Many listeners will be unfamiliar with the name Georg Anton Benda, but in his day this Bohemian Kapellmeister enjoyed international fame - chiefly on account of his opera Ariadne auf Naxos, a product of the melodrama that Benda was instrumental in developing and which influenced, among others, Wol

Pace catalogue features: Terry Adkins; Rasheed Araeen; Kevin Beasley;Sergio Camargo; Jonathas de Andrade; Koji Enokura; Ellen Gallagher ;Robert Irwin; Rashid Johnson; Sol LeWitt; Glenn Ligon; and Laura Lima Turiya Magadlela Steve McQueen Ulrike Müller Oscar Murillo Wangechi Mutu Louise Nevelson Lorraine O'Grady Adam Pendleton Pope.L Robert Rauschenberg Ad Reinhardt Fred Sandback Sui Jianguo Jack Tworkov Carrie Mae Weems Jack Whitten

What would happen if we could stroll through the revolutionary history of the 20th century and, without any fear of the possible responses, ask the main protagonists - from Lenin to Che Guevara, from Alexandra Kollontai to Ulrike Meinhof - seemingly naïve questions about love? Although all important political and social changes of the 20th century included heated debates on the role of love, it seems that in the 21st century of new technologies of the self (Grindr, Tinder, online dating, etc.) we are faced with a hyperinflation of sex, not love. By going back to the sexual revolution of the October Revolution and its subsequent repression, to Che's dilemma between love and revolutionary commitment and to the period of '68 (from communes to terrorism) and its commodification in late capitalism, the Croatian philosopher Srecko Horvat gives a possible answer to the question of why it is that the most radical revolutionaries like Lenin or Che were scared of the radicality of love. What is so radical about a seemingly conservative notion of love and why is it anything but conservative? This short book is a modest contribution to the current upheavals around the world - from Tahrir to Taksim, from Occupy Wall Street to Hong Kong, from Athens to Sarajevo - in which the question of love is curiously, surprisingly, absent.

Book by Abigail Irvine, M. S. Murdock, Flint Dille, Robert Sheckley, Jerry Oltion, Ulrike O'Reilly

This early example of a spiritual diary incorporating the visions of a female mystic offers a glimpse of religious women's daily life and spiritual practices. Agnes Blannbekin was from an Austrian farming family, but as a Beguine lived an urban life: Ulrike Weithaus refers to her experiences as 'street mysticism'. Blannbekin's spiritual life revolved around the liturgical cycles of the church year, but also embraced the opportunities and vagaries of city life. Her visions comment on memorable events such as a popular bishop's visit to town during which people were trampled to death; the consequences of a rape committed by a priest; thefts of the Eucharist and the work of witches. Christ, for Blannbekin, is not only bridegroom, but also shopkeeper, apothecary, and axe-wielding soldier, and it was her vision of swallowing Christ's foreskin which led to the eventual censorship of her works. Life and Revelations has only recently been rediscovered by Austrian scholar Peter Dinzelbacher, and this translation is based on his critical edition.

The first monograph by this popular contemporary chinese artist profiles her work which has highlighted her as a rising talent in the international art scene. The monograph includes images, quotes by the artist and text by art historian Britta von Campenhausen and chinese art expert, Ulrike Munter. The book has been designed by the award-winning Yang Liu.

Pace catalogue features: Terry Adkins; Rasheed Araeen; Kevin Beasley;Sergio Camargo; Jonathas de Andrade; Koji Enokura; Ellen Gallagher ;Robert Irwin; Rashid Johnson; Sol LeWitt; Glenn Ligon; and Laura Lima Turiya Magadlela Steve McQueen Ulrike Müller Oscar Murillo Wangechi Mutu Louise Nevelson Lorraine O'Grady Adam Pendleton Pope.L Robert Rauschenberg Ad Reinhardt Fred Sandback Sui Jianguo Jack Tworkov Carrie Mae Weems Jack Whitten

Illustrated throughout and bound in a new hardcover, Ulrike Becks-Malorny's study of Kandinsky should provide a useful companion to all levels of study.

Illustrated throughout and bound in a new hardcover, Ulrike Becks-Malorny's study of Kandinsky should provide a useful companion to all levels of study.

Contributors include Luiz Boglar, Lelia Delgago, Gabriele Herzog-Schroder, Marie-Claude Mattei-Muller, Ulrike Prinz.

270 S. Karton-Broschur, 21 cm. Schönes Exemplar ohne Gebrauchsspuren. - Hrsg. von Ulrike Feld und Wolfgang Behrens. - Wort und Musik; Salzburger Akademische Beiträge; 71. sk [Versand in die BRD mit Deutscher Post / Aus der Schweiz NUR Kreditkartenzahlung, keine Banküberweisung] Sprache: Deutsch. - Gewicht in Gramm: 600. - Musik, Theater, Tanz. - Stichworte: Wagner, Richard; Oper; Rezeption; Mythos; Motiv, deutsche Musik, Musikgeschichte, Musikwissenschaft, Komponisten, Tonkunst, Gesang, Rheingold, Walküre, Ring, Tannhäuser, Lohengrin, Tristan, Bayreuth. -