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Paperback. In this volume, John Farrell shows that political utopiassocieties with laws and customs designed to short-circuit the foibles of human nature for the benefit of our collective existencehave a perennial opponent, the honor-based culture of aristocracy that dominated most of the world from ancient times into early modernity and whose status-based competitive psychology persists to the present day. While utopias aim at equality, the heroic imperative defends the need for personal and collective dignity. It asks the utopian, Do we really want to live in a world without struggle, without heroes, and without the stories they create? Because the utopian dilemma pits essential values against each otherequity versus freedom, dignity versus justicefew who confront it can simply take sides. Rather, the dilemma itself has been a generative stimulus for classic authors from Plato and Thomas More to George Orwell and Aldous Huxley. Farrell follows their struggles with the utopian dilemma and with each other, providing a deepened understanding of the moral and emotional dynamics of the western political imagination.Introduction, Chapter 8, Chapter 9, Chapter 15, Chapter 16, and Conclusion of this book are freely available as a downloadable Open Access PDF at under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license. In this volume, John Farrell shows that political utopias have a perennial opponent, the honor-based culture of aristocracy that dominated most of the world from ancient times into early modernity and whose status-based competitive psychology persists to the present day. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

With an elegant stone-like appearance, Southern Patio's Utopian Urn is perfect for large plants like lilies and ferns. Make a statement using one planter or place 2 in an entry way to add color and balance. Plus, this planter is crafted from durable plastic, making it an ideal lightweight alternative to heavier stone or ceramic planters.

With an elegant stone-like appearance, Southern Patio's Utopian Urn is perfect for large plants like lilies and ferns. Make a statement using one planter or place 2 in an entry way to add color and balance. Plus, this planter is crafted from durable plastic, making it an ideal lightweight alternative to heavier stone or ceramic planters. Color: Black.

Established in 2008, FTelettronica is a small effects pedal company based in Isola del Liri, Italy. Our catalog includes models inspired by the cla...

Add some regal flare to your garden, patio, entryway and more with the Southern Patio Large 14 in. Outdoor Lightweight Resin Utopian Urn Planter. This 14 in. planter's durable design doesn't take away from its sense of style. With its classic fluted design and ample height, fuller plants and shrubs will love to call this garden planter home. Made of UV-coated resin, this planter is ready to stand up to the elements. Wind, water and sunlight won't be a match for the weather-resistant finish. Please note: this planter does not feature drainage holes. Drilling your own is easy with the help of a drill (not included). Add some curb appeal to the outside of your home with the Southern Patio Utopian Urn Planter in stone - you won't regret it.

Ships from the UK. Used book that is in clean, average condition without any missing pages.

Book is in NEW condition. 0.79

The ABC-CLIO World History Companion to Utopian Movements is a unique reference work devoted to actual and theoretical utopian movements. Detailed entries examine major utopian movements, significant utopian thinkers and literary works, and various sects, settlements, and communes. The more than 100 A to Z entries include: Diggers; Ecotopia; Fairhope Colony; Feminist Utopias; Futurism; Huguenot Utopias; Kibbutzim; Lunar Utopias; Millennialism; Native American Utopias; New Age Cults; Oneida Community; Ranters; Transcendentalism; and Welfare State.

Utopian Generations develops a powerful interpretive matrix for understanding world literature--one that renders modernism and postcolonial African literature comprehensible in a single framework, within which neither will ever look the same. African literature has commonly been seen as representationally naïve vis-à-vis modernism, and canonical modernism as reactionary vis-à-vis postcolonial literature. What brings these two bodies of work together, argues Nicholas Brown, is their disposition toward Utopia or "the horizon of a radical reconfiguration of social relations.? Grounded in a profound rethinking of the Hegelian Marxist tradition, this fluently written book takes as its point of departure the partial displacement during the twentieth century of capitalism's "internal limit" (classically conceived as the conflict between labor and capital) onto a geographic division of labor and wealth. Dispensing with whole genres of commonplace contemporary pieties, Brown examines works from both sides of this division to create a dialectical mapping of different modes of Utopian aesthetic practice. The theory of world literature developed in the introduction grounds the subtle and powerful readings at the heart of the book--focusing on works by James Joyce, Cheikh Hamidou Kane, Ford Madox Ford, Chinua Achebe, Wyndham Lewis, Ngugi wa Thiong'o, and Pepetela. A final chapter, arguing that this literary dialectic has reached a point of exhaustion, suggests that a radically reconceived notion of musical practice may be required to discern the Utopian desire immanent in the products of contemporary culture.

In EX condition with the original box. This is a highly usable take on the superfuzz. There's not much to really compare it to, but if you wish you...

Looks at the history of utopias, explains how other cultures have perceived the ideal life, and describes the efforts of individuals and groups to found utopian communities

Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. 0.62

England in the early part of the twentieth century was rich in utopian ventures - diverse and intriguing in their scope and aims. Two world wars, an economic depression, and the emergence of fascist states in Europe were all a spur to idealists to seek new limits - to escape from the here and now, and to create sanctuaries for new and better lives.Dennis Hardy explores this fascinating history of utopian ideals, the lives of those who pursued them, and the utopian communities they created.Some communities were fired by a long tradition of land movements, others by thoughts of more humane ways of building towns. In turn there were experiments devoted to the arts; to the promotion of religious doctrine; and to a variety of political causes. And some were just 'places of the imagination'.Utopian England is about just one episode in the perennial search for perfection, but what is revealed has lessons that extend well beyond a particular time and place. So long as there are failings in society, so long as rationality is not enough, there will continue to be a place for thinking the impossible, for going in search of utopia.

The Dispossessed has been described by political thinker Andre Gorz as 'The most striking description I know of the seductions-and snares-of self-managed communist or, in other words, anarchist society.' To date, however, the radical social, cultural, and political ramifications of Le Guin's multiple award-winning novel remain woefully under explored. Editors Laurence Davis and Peter Stillman right this state of affairs in the first ever collection of original essays devoted to Le Guin's novel. Among the topics covered in this wide-ranging, international and interdisciplinary collection are the anarchist, ecological, post-consumerist, temporal, revolutionary, and open-ended utopian politics of The Dispossessed. The book concludes with an essay by Le Guin written specially for this volume, in which she reassesses the novel in light of the development of her own thinking over the past 30 years.

Television has long been a symbol of social and cultural decay, yet many in postwar Europe saw it as the medium with the greatest potential to help build a new society and create a new form of audiovisual art. Utopian Television examines works of the great filmmakers Roberto Rossellini, Peter Watkins, and Jean-Luc Godard, all of whom looked to television as a promising new medium even while remaining critical of its existing practices.Utopian Television illustrates how each director imagined television’s improved or “utopian” version by drawing on elements that had come to characterize it by the early 1960s. Taking advantage of the public service model of Western European broadcasting, each used television to realize works that would never have been viable in the commercial cinema. All three directors likewise seized on television’s supposed affinity for information and its status as a “useful” medium, but attempted to join this utility with aesthetic experimentation, suggesting new ways to conceive of the relationship between aesthetics and information.As beautifully written as it is theoretically rigorous, Utopian Television turns to the writing of Fredric Jameson and Ernst Bloch in treating the three directors’ television experiments as enactments of “utopia as method.” In doing so it reveals the extent to which the medium inspired and shaped hopes not only of a better future but of better moving image art as well.

Softcover. 90 pages. Measures 6 1/2 by 9 inches. Includes 20 color illustrations of cartoons by Chagoya and Ocampo, exhibit checklist, biography / chronology of the artist and bibliography. Fine.

Essays in aesthetics by the philosopher Ernst Bloch that belong to the tradition of cultural criticism represented by Georg Lukács, Theodor Adorno, and Walter Benjamin. The aesthetic essays of the philosopher Ernst Bloch (1885–1977) belong to the rich tradition of cultural criticism represented by Georg Lukács, Theodor Adorno, and Walter Benjamin. Bloch was a significant creative source for these thinkers, and his impact is nowhere more evident than in writings on art. Bloch was fascinated with art as a reflection of both social realities and human dreams. Whether he is discussing architecture or detective novels, the theme that drives his work is always the same―the striving for "something better," for a "homeland" that is more socially aware, more humane, more just.The book opens with an illuminating discussion between Bloch and Adorno on the meaning of utopia; then follow twelve essays written between 1930 and 1973 on topics such as aesthetic theory, genres such as music, painting, theater, film, opera, poetry, and the novel, and perhaps most important, popular culture in the form of fairy tales, detective stories, and dime novels. The MIT Press has previously published Ernst Bloch's Natural Law and Human Dignity and his magnum opus, The Principle of Hope. The Utopian Function of Art and Literature is included in the series Studies in Contemporary German Social Thought, edited by Thomas McCarthy.

How do readers transform Utopia? How do they manipulate imaginary worlds to gain new perceptions of their own worlds, perceptions that help them build desires to change reality into a somewhere resembling the author's nowhere? How do authors engage readers in this process? How do cultures, historical forces, and literary conventions create spaces enabling authors to invite and readers to engage? These are questions addressed in Utopian Audiences, the first study to employ a wide spectrum of reader-response approaches to define the nature and impact of utopian literature. In the first part of the book, Kenneth M. Roemer establishes why utopian literature offers an attractive arena for reader-response criticism. He focuses on the literature's diversity, its provocative and multi-genre character, and the availability of documented responses as different as book illustrations and intentional communities. In the second part, he concentrates on late nineteenth-century America, which witnessed a grand outpouring of utopian literature, and in particular on Edward Bellamy's Looking Backward, the most popular and influential American utopian novel. The study progresses from broad cultural constructs to specific modern responses; from the perceptual systems and reading conventions allowing readers to "see" utopias to text-based models of implied readers and to documented readings of actual people, including Bellamy himself, reviewers, and 733 late twentieth-century readers. A fictional gathering of all the readers concludes the book.

Book is in NEW condition. 0.79

The Dispossessed has been described by political thinker Andre Gorz as 'The most striking description I know of the seductions-and snares-of self-managed communist or, in other words, anarchist society.' To date, however, the radical social, cultural, and political ramifications of Le Guin's multiple award-winning novel remain woefully under explored. Editors Laurence Davis and Peter Stillman right this state of affairs in the first ever collection of original essays devoted to Le Guin's novel. Among the topics covered in this wide-ranging, international and interdisciplinary collection are the anarchist, ecological, post-consumerist, temporal, revolutionary, and open-ended utopian politics of The Dispossessed. The book concludes with an essay by Le Guin written specially for this volume, in which she reassesses the novel in light of the development of her own thinking over the past 30 years.