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Between 1974 and 1975, the American photographer John Divola - then in his mid twenties and without a studio of his own - travelled across Los Angeles in search of dilapidated properties in which to make photographs. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic projects entitled Vandalism. In this visceral, black and white series of images Divola vandalised vacant homes with abstract constellations of graffiti-like marks, ritualistic configurations of string hooked to pins, and torn arrangements of card, before cataloguing the results. The project vigorously merged the documentary approach of forensic photography with staged interventions echoing performance, sculpture and installation art. Serving as a conceptual sabotaging of the delineations between such documentary and artistic practices, at a time when the 'truthfulness' of photography was being called into question, Vandalism helped to establish Divola's highly distinctive photographic language.

Vandalism mark remover washes away paint, ink, crayon, scuff marks, decals, stickers, labels and more. Controlled nozzle reduces overspray to prevent wasteful application. Its versatile design is excellent for horizontal or textured surfaces. Vandalism mark remover does not contain any chlorinated solvents or ozone depleters. Vandalism mark remover is perfect for cleaning road signs, trucks, restroom walls, public buildings, buses and more.

A dress designed in our hyper hologram fairy vandal print. For my fairies worldwide needing a respectable dinner dress for their occasions. Order one size down for best fit. Dress length 52". Super flowy and wide. Zippers on sleeves and back neck buttoning. Comes with a detachable belt, but you can tie it into your braids, wear it as a scarf or tie it into your topknot as well. Dry clean or hand wash cold. Hang to dry in your window for everyone to see what a spectacular dress you own.

A dress designed in our hyper hologram fairy vandal print. For my fairies worldwide needing a respectable dinner dress for their occasions. Order one size down for best fit. Dress length 52". Super flowy and wide. Zippers on sleeves and back neck buttoning. Comes with a detachable belt, but you can tie it into your braids, wear it as a scarf or tie it into your topknot as well. Dry clean or hand wash cold. Hang to dry in your window for everyone to see what a spectacular dress you own.

A dress designed in our hyper hologram fairy vandal print. For my fairies worldwide needing a respectable dinner dress for their occasions. Order one size down for best fit. Dress length 52". Super flowy and wide. Zippers on sleeves and back neck buttoning. Comes with a detachable belt, but you can tie it into your braids, wear it as a scarf or tie it into your topknot as well. Dry clean or hand wash cold. Hang to dry in your window for everyone to see what a spectacular dress you own.

Between 1974 and 1975, the American photographer John Divola - then in his mid twenties and without a studio of his own - travelled across Los Angeles in search of dilapidated properties in which to make photographs. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic projects entitled Vandalism. In this visceral, black and white series of images Divola vandalised vacant homes with abstract constellations of graffiti-like marks, ritualistic configurations of string hooked to pins, and torn arrangements of card, before cataloguing the results. The project vigorously merged the documentary approach of forensic photography with staged interventions echoing performance, sculpture and installation art. Serving as a conceptual sabotaging of the delineations between such documentary and artistic practices, at a time when the 'truthfulness' of photography was being called into question, Vandalism helped to establish Divola's highly distinctive photographic language.

In The Psychology of Vandalism, Arnold P. Goldstein thoroughly examines the status, causation, prevention, and remediation of vandalistic behavior. Goldstein provides vandal- and environment-oriented explanations and interventions. He includes 169 tactics to reduce vandalism as well as ways for selecting and combining these tactics into programs. A selection of exemplary research reports evaluate diverse vandalism interventions. This reference will benefit graduate students, practitioners, and academics in clinical, social, and environmental psychology as well as criminology.

A thief vacuums the church before stealing the chalice....A lonely woman paints her toenails in a drafty farmhouse....A sleepless man watches his restless bride scatter their bills beneath the stars....Welcome to Grouse County...."Tom Drury's loving, wryly intelligent take on Grouse County is at once sophisticated and compassionate. Drury's prose is quietly heartbreaking, laugh-out-loud funny, and always, absolutely convincing. The End of Vandalism marks the beginning of a distinguished American career."--Jayne Anne Phillips"Remarkable...Every so often a debut novel appears that simply stuns you with the elegance and beauty of its writing....A+"--Entertainment Weekly"So amiably dense with anecdote and observation, the reader is bounced along by its energy....Grouse County is unabashedly American, a setting both nostalgic and wittily contemporary....In a sense, the main character is the county itself, with its eccentricities, rituals, quarrels and comforts."--The Boston Sunday Globe"Brilliant, wonderfully funny...It's hard to think of any novel--let alone a first novel--in which you can hear the people so well. This is indeed deadpan humor, and Tom Drury is its master."--Annie Dillard"Rich and readable...[Drury] possesses his made-up world with the same authority Sherwood Anderson brought to Winesburg, Ohio, and Faulkner to Yoknapatawpha County....The many characters who walk their separate paths end up weaving each other inside a mysterious pattern, in which they themselves are also caught."--USA TodayChosen by New York magazine and Publishers Weekly asONE OF THE BEST BOOKS OF 1994

Grouse County is a curious place but a familiar one to the readers of The New Yorker, which published eleven consecutive chapters of this brilliant new novel. Tom Drury writes about modern life in the American Midwest with deadpan humor and unsparing affection that have captured the imaginations of readers from Miami to Sacramento.At the heart of The End of Vandalism we find an unforgettable triangle: Dan Norman, the county sheriff whose empathy exceeds his love of law enforcement; Tiny Darling, a part-time thief who smashes up a "dance against vandalism"; and Louise Darling, the woman forced to choose between them, although the choice is not that hard. Tiny loses Louise, Louise loses her sense of self, and the three find themselves on an epic journey through the beauty and sadness of contemporary life. Meanwhile, a remarkable array of supporting characters move to center stage with grace. And seasons change, quietly - and sometimes loudly - affecting the people of Grouse County.The End of Vandalism marks the debut of an exceptional American writer.

In The Psychology of Vandalism, Arnold P. Goldstein thoroughly examines the status, causation, prevention, and remediation of vandalistic behavior. Goldstein provides vandal- and environment-oriented explanations and interventions. He includes 169 tactics to reduce vandalism as well as ways for selecting and combining these tactics into programs. A selection of exemplary research reports evaluate diverse vandalism interventions. This reference will benefit graduate students, practitioners, and academics in clinical, social, and environmental psychology as well as criminology.

Each of us lives in more than just the physical world; we dwell as well in a psychic environment that permeates the entire earth sphere. Although this invisible atmosphere is usually benign, it does have a dark side that can harm us. If colleagues at work, for example, are angry and irritated, their fuming and fussing poison the psychic environment--and assault everyone present. Most people are unaware how commonplace such psychic vandalism is--and how much of their own moods of pessimism, guilt, and worry are caused or magnified by the offensive emotions of others. This book, Psychic Vandalism, is a landmark examination of the nature of psychic vandalism, how it occurs, its impact on our health and well-being, and what can be done to prevent it from ruining our lives. It is the product of a lifetime of investigation by the author, Robert R. Leichtman, M.D.

Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 6

The first comprehensive examination of modern iconoclasm, The Destruction of Art looks at deliberate attacks against works of art since the nineteenth century. Dario Gamboni challenges the assumption that iconoclasm is a thing of the past and shows that it is in fact a widespread contemporary cultural phenomenon that includes vandalism, political protest, and censorship. He asks what iconoclasm can teach us about the place of works of art and material culture in society.

This copy may contain significant wear, including bending, writing, tears, and or water damage. This book is a functional copy, not necessarily a beautiful copy. Copy may have loose or missing pages and may not include access codes or CD.

Last winter, a man tried to break Marcel Duchamp’s Fountain sculpture. The sculpted foot of Michelangelo’s David was damaged in 1991 by a purportedly mentally ill artist. With each incident, intellectuals must confront the unsettling dynamic between destruction and art.  Renowned art historian Dario Gamboni is the first to tackle this weighty issue in depth, exploring specters of censorship, iconoclasm, and vandalism that surround such acts.Gamboni uncovers here a disquieting phenomenon that still thrives today worldwide. As he demonstrates through analyses of incidents occurring in nineteenth- and twentieth-century America and Europe, a complex relationship exists among the evolution of modern art, destruction of artworks, and the long history of iconoclasm. From the controversial removal of Richard Serra’s Tilted Arc from New York City’s Federal Plaza to suffragette protests at London’s National Gallery, Gamboni probes the concept of artist’s rights, the power of political protest and how iconoclasm sheds light on society’s relationship to art and material culture. Compelling and thought-provoking, The Destruction of Art forces us to rethink the ways that we interact with art and react to its power to shock or subdue.

The first comprehensive examination of modern iconoclasm, The Destruction of Art looks at deliberate attacks against works of art since the nineteenth century. Dario Gamboni challenges the assumption that iconoclasm is a thing of the past and shows that it is in fact a widespread contemporary cultural phenomenon that includes vandalism, political protest, and censorship. He asks what iconoclasm can teach us about the place of works of art and material culture in society.

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Last winter, a man tried to break Marcel Duchamp’s Fountain sculpture. The sculpted foot of Michelangelo’s David was damaged in 1991 by a purportedly mentally ill artist. With each incident, intellectuals must confront the unsettling dynamic between destruction and art.  Renowned art historian Dario Gamboni is the first to tackle this weighty issue in depth, exploring specters of censorship, iconoclasm, and vandalism that surround such acts.Gamboni uncovers here a disquieting phenomenon that still thrives today worldwide. As he demonstrates through analyses of incidents occurring in nineteenth- and twentieth-century America and Europe, a complex relationship exists among the evolution of modern art, destruction of artworks, and the long history of iconoclasm. From the controversial removal of Richard Serra’s Tilted Arc from New York City’s Federal Plaza to suffragette protests at London’s National Gallery, Gamboni probes the concept of artist’s rights, the power of political protest and how iconoclasm sheds light on society’s relationship to art and material culture. Compelling and thought-provoking, The Destruction of Art forces us to rethink the ways that we interact with art and react to its power to shock or subdue.

Audio vandalism is the first release by the young artist jb zeller who is based in southern france. this release includes eleven tracks which were recorded between 2005 and 2008. Zeller is effected by 'all kinds of subversive music' (ranging from breakcore and industrial music to dubstep) in such a way that he is able to assimilates these different musical facets into his own style. needless to say the results are unique and subversive in their own right. audio vandalism is an aggregation of com

From leaks and vandalism to normal wear and tear, worries never cease where commercial and institutional fixtures are concerned. That's why Moen Commercial engineers and designers think of every imaginable scenario - and plan for it in advance. The result is a full line of faucets and valves every facilities manager can rely on from Moen. Our products will help you:1) reduce maintenance costs 2) resist vandalism 3) save water while maintaining performance 4) cut your total cost of ownershipWe welcome you to discover all the reasons you can count on Moen Commercial to provide the best solutions for your most challenging environments. Color: Chrome.