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RO80005962: 1975. In-4. Cartonné. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 191 pages. Nombreuses planches de dessins en noir et blanc et quelques-unes bicolores, hors-texte. Couverture et tampons de bibliothèque. . . . Classification Dewey : 741.5-Caricatures

German Vasquez Rubio Classical Guitar, not sure of the years made, tag says 02/200 00, best sounding classical I've ever heard, just had a top cr...

Complete your look with a stylish Ortus hat. The Vasquez hat is wonderfully crafted in a striking classic weave pattern, blending rich hues of blue straw. It is dressed up with a blue grosgrain ribbon. The Vasquez hat is a stylish accessory and its brim is great for protecting wearers in the sun. This hat is perfect for special occasions, the beach or walking around the city, and can be worn by women and men. Ortus hats are contemporary and the styles are influenced by bold design ideas. The hats are individually dyed and handcrafted by the artisans and take up to 3 days to weave. Each hat is unique and therefore they may have slight variations in colour or pattern. Colour: Blue Material: 100% Iraca straw Country of Origin: Colombia Band: 4cm width navy blue grosgrain ribbon Crown: 12cm depth Brim: 9cm. Curved finish Sweatband: Faux leather Storing your hat: Storing your hat inside a hat box will help to ensure that you can enjoy your hat for a reasonable length of time, and help to prevent damage to its structure and colour. Straw hats are best stored away from direct sunlight. Treating your hat with care: Do not fold your hat, because it will damage the shape of the hat and crack the straw. When removing your hat, place the hat facing up (crown down) on a flat surface to avoid damaging the shape of the brim. Cleaning your hat: You can clean your hat by using a clean damp cloth, or a wet wipe to remove any marks. We do not recommend the use of any chemicals, powders, or any other cleaning agents. Reshaping your hat:​ Avoid wearing your hat in the rain because it is likely to lose its shape. If your hat gets wet, dry it using a clean, absorbent cloth or sponge. Alternatively place your hat with the crown down and brim facing up and allow your hat to dry out naturally. Try to ensure you restore its original shape.

Fantastic top tier concert classical guitar up for grabs! This one is really something! It plays and sounds fantastic with an astonishing projectio...

Tiburcio Vasquez is, next to Joaquin Murrieta, America's most infamous Hispanic bandit. After he was hanged as a murderer in 1875, the Chicago Tribune called him "the most noted desperado of modern times." Yet questions about him still linger. Why did he become a bandido? Why did so many Hispanics protect him and his band? Was he a common thief and heartless killer who got what he deserved, or was he a Mexican American Robin Hood who suffered at the hands of a racist government? In this engrossing biography, John Boessenecker provides definitive answers.Bandido pulls back the curtain on a life story shrouded in myth — a myth created by Vasquez himself and abetted by writers who saw a tale ripe for embellishment. Boessenecker traces his subject's life from his childhood in the seaside adobe village of Monterey, to his years as a young outlaw engaged in horse rustling and robbery. Two terms in San Quentin failed to tame Vasquez, and he instigated four bloody prison breaks that left twenty convicts dead. After his final release from prison, he led bandit raids throughout Central and Southern California. His dalliances with women were legion, and the last one led to his capture in the Hollywood Hills and his death on the gallows at the age of thirty-nine.From dusty court records, forgotten memoirs, and moldering newspaper archives, Boessenecker draws a story of violence, banditry, and retribution on the early California frontier that is as accurate as it is colorful. Enhanced by numerous photographs — many published here for the first time — Bandido also addresses important issues of racism and social justice that remain relevant to this day.

Tiburcio Vasquez is, next to Joaquin Murrieta, America's most infamous Hispanic bandit. After he was hanged as a murderer in 1875, the Chicago Tribune called him "the most noted desperado of modern times." Yet questions about him still linger. Why did he become a bandido? Why did so many Hispanics protect him and his band? Was he a common thief and heartless killer who got what he deserved, or was he a Mexican American Robin Hood who suffered at the hands of a racist government? In this engrossing biography, John Boessenecker provides definitive answers.Bandido pulls back the curtain on a life story shrouded in myth — a myth created by Vasquez himself and abetted by writers who saw a tale ripe for embellishment. Boessenecker traces his subject's life from his childhood in the seaside adobe village of Monterey, to his years as a young outlaw engaged in horse rustling and robbery. Two terms in San Quentin failed to tame Vasquez, and he instigated four bloody prison breaks that left twenty convicts dead. After his final release from prison, he led bandit raids throughout Central and Southern California. His dalliances with women were legion, and the last one led to his capture in the Hollywood Hills and his death on the gallows at the age of thirty-nine.From dusty court records, forgotten memoirs, and moldering newspaper archives, Boessenecker draws a story of violence, banditry, and retribution on the early California frontier that is as accurate as it is colorful. Enhanced by numerous photographs — many published here for the first time — Bandido also addresses important issues of racism and social justice that remain relevant to this day.

Tiburcio Vasquez is, next to Joaquin Murrieta, America's most infamous Hispanic bandit. After he was hanged as a murderer in 1875, the Chicago Tribune called him "the most noted desperado of modern times." Yet questions about him still linger. Why did he become a bandido? Why did so many Hispanics protect him and his band? Was he a common thief and heartless killer who got what he deserved, or was he a Mexican American Robin Hood who suffered at the hands of a racist government? In this engrossing biography, John Boessenecker provides definitive answers.Bandido pulls back the curtain on a life story shrouded in myth — a myth created by Vasquez himself and abetted by writers who saw a tale ripe for embellishment. Boessenecker traces his subject's life from his childhood in the seaside adobe village of Monterey, to his years as a young outlaw engaged in horse rustling and robbery. Two terms in San Quentin failed to tame Vasquez, and he instigated four bloody prison breaks that left twenty convicts dead. After his final release from prison, he led bandit raids throughout Central and Southern California. His dalliances with women were legion, and the last one led to his capture in the Hollywood Hills and his death on the gallows at the age of thirty-nine.From dusty court records, forgotten memoirs, and moldering newspaper archives, Boessenecker draws a story of violence, banditry, and retribution on the early California frontier that is as accurate as it is colorful. Enhanced by numerous photographs — many published here for the first time — Bandido also addresses important issues of racism and social justice that remain relevant to this day.

Tiburcio Vasquez is, next to Joaquin Murrieta, America's most infamous Hispanic bandit. After he was hanged as a murderer in 1875, the Chicago Tribune called him "the most noted desperado of modern times." Yet questions about him still linger. Why did he become a bandido? Why did so many Hispanics protect him and his band? Was he a common thief and heartless killer who got what he deserved, or was he a Mexican American Robin Hood who suffered at the hands of a racist government? In this engrossing biography, John Boessenecker provides definitive answers.Bandido pulls back the curtain on a life story shrouded in myth — a myth created by Vasquez himself and abetted by writers who saw a tale ripe for embellishment. Boessenecker traces his subject's life from his childhood in the seaside adobe village of Monterey, to his years as a young outlaw engaged in horse rustling and robbery. Two terms in San Quentin failed to tame Vasquez, and he instigated four bloody prison breaks that left twenty convicts dead. After his final release from prison, he led bandit raids throughout Central and Southern California. His dalliances with women were legion, and the last one led to his capture in the Hollywood Hills and his death on the gallows at the age of thirty-nine.From dusty court records, forgotten memoirs, and moldering newspaper archives, Boessenecker draws a story of violence, banditry, and retribution on the early California frontier that is as accurate as it is colorful. Enhanced by numerous photographs — many published here for the first time — Bandido also addresses important issues of racism and social justice that remain relevant to this day.

Esta novela inicia con la exótica fuga y posterior caza de un hipopótamo, último vestigio del imposible zoológico con el que Pablo Escobar exhibía su poder. Ésta es la chispa que arranca los mecanismos de la memoria de Antonio Yammara, protagonista y narrador de esta novela, que es un negro balance de una época de terror y violencia, en una Bogotá descrita como un territorio literario lleno de significaciones. En 1995, Antonio conoce al intrigante Ricardo Laverde, quien ha pasado veinte años en la cárcel. Laverde, de quien se sabe que fue piloto, forma parte de la parroquia de unos billares donde Yammara, joven profesor universitario de Derecho, consume el ocio de su última juventud. Entre los dos se fraguará una estrecha amistad, y Antonio, que pasa por la vida desdibujado por la duda, creerá ver en la experiencia torturada de su amigo un aviso.

Amazon Magic tells the life story of Don Agustin Rivas Vasquez, an ayahuaquero, a shaman skilled in the use of ayahuasca, a visionary and healing plant medicine. Told in his own words, Amazon Magic describes incidents from his childhood in a small jungle town beside the Amazon River, and his early and present day experiences with the plant medicine ayahuasca. The book recounts his days of being lost in the remote depths of the jungle which resulted in his living a year with an Indian tribe. This book provides a fascinating look into the cultural life of the Peruvian Amazon as seen through the eyes of someone who is an integral part of this life, and provides a rare insight into the forces that helped shape the life of a profound healer who is now highly regarded in many parts of the world.

Neu -Um das Jahr 1835 schuf Carl Graf Vasquez jene Wiener Stadtpläne, die nicht nur wegen ihrer prachtvollen Kolorierung seit Jahrzehnten als begehrte Objekte bei Kunstsinnigen und Sammlern gelten. Was die Stadtpläne von Carl Graf Vasquez über andere Pläne der Biedermeierzeit hinaushebt, waren die jedem Blatt angefügten Randveduten: Es sind künstlerisch anspruchsvolle Vignetten - in der Regel vierzehn an der Zahl -, die die »vorzüglichen Gebäude« des im jeweiligen Plan erfassten Gebietes zeigen. Kirchen und staatliche Bauten stehen hier mit repräsentativen Bürgerhäusern in einer Reihe. Vasquez wählte als Grundeinheit seiner Pläne die Polizeibezirke. 1751 waren jeweils mehrere Vorstädte zu solchen Verwaltungseinheiten zusammengefasst worden, wobei die Einteilung vielfach schon den 1850 geschaffenen Gemeindebezirken entsprach. Der Band enthält eine einmalige Gesamt-Edition der elf Pläne Wiens (Wien mit Vorstädten, Innere Stadt, Leopoldstadt, Landstraße, Wieden, Mariahilf, St. Ulrich, Josefstadt, Alservorstadt, Rossau, Wien 1147), ergänzt mit einem Nachdruck der Karte von Baden bei Wien. Walter Öhlinger, Kurator im Wien Museum, liefert dazu eine detaillierte Beschreibung jedes einzelnen Planes sowie eine exakte Erläuterung der über 170 Randveduten. (Winkler-Hermaden) 54 pp. Deutsch

This came from the 80s, wound by Patty Vasquez and hotter than a pistol in a Memphis pawnshop. The lead wire is about 11 inches. This is a lot of p...

Stacks Fx's description of the Stacks FX Dual Lil' Guy Boost/Overdrive pedal A Long Beach Original.[In pedal creator Miguel Vasquez's own words, Oc...

Limited 180gm vinyl LP pressing. Originally released in 1995, Brothas Doobie is the second album by the Los Angeles-based Latino rap group Funkdoobiest. The album contains all the original members Son Doobie (Jason Vasquez), DJ Ralph M (Ralph Medrano) and Tomahawk Funk (Tyrone Pacheco). The latter left the group after this release. The album contains the famous and controversial track 'Superhoes', which also appeared in the soundtrack to the film Friday, starring NWA's Ice Cube. Executive produc

The Vasquez family have been tormented by an evil entity for generations. Now that Marco Vasquez is about to start a family of his own, the paranormal activity has intensified. Marco seeks help from a man named Luis Ortiz - The Curandero - an indigenous shaman who serves the drug cartel. Ortiz gives Marco a scroll with instructions for a dangerous self-exorcism and he will have only until daylight to defeat the malevolent spirit.

Does What He Wants Matthew Logan Vasquez - LP 821826018075

El sandwich más grande del mundo, es un cuento de Rita Golden Gelman, ilustrado por Mort Gerberg y traducido por Otto René Vásquez. Tammy y su amiguito se van al campo un día y de repente un hombre con una olla comienza a preparar su almuerzo, y empieza a preparar el sandwich más grande del mundo, trajo todo: plato, pan, mantequilla, tomates, atún. El hombre tenía hamburguesas con queso, pollo y cordero. Incluyo el salami, pastrami, papas y jamos., con toda clase de quesos y muchos pepinillos. Por supuesto, no podía faltar la salsa de tomates.

This is a thorough and reliable account of Frances Vasquez de Coronado, the Spanish protege of the Mexican viceroy, who was the first white explorer of the Southwest. Four hundred years ago he led a band through parts of Arizona, New Mexico, Colorado, Texas, Oklahoma, and Kansas, and became the pathfinder for future exploration.

Armando Vasquez was born in Marfa, Texas on February 4, 1925. He is the youngest son of Conrado and Concha Vasquez. His deep affection for the land of West Texas along with his rich heritage not only influenced him as a young boy but also molded him into the caring gentleman everyone knows as "Mando" These memoirs not only show the struggles he and his family endured throughout the years; but also, the blessings that were bestowed upon him along the way. His love of family, music, a work ethic, as well as the values and principles instilled in him at an early age, is evident throughout his life. This is the story about how he lived and the lives he touched along the way.

This book challenges the traditional idea that religions can be understood primarily as texts to be interpreted, decoded, or translated. In More Than Belief, Manuel A. Vásquez argues for a new way of studying religions, one that sees them as dynamic material and historical expressions of the practices of embodied individuals who are embedded in social fields and ecological networks. He sketches the outlines of this approach through a focus on body, practices, and space. In order to highlight the centrality of these dimensions of religious experience and performance, Vásquez recovers materialist currents within religious studies that have been consistently ignored or denigrated. Drawing on state-of-the-art work in fields as diverse as anthropology, sociology, philosophy, critical theory, environmental studies, cognitive psychology, and the neurosciences, Vásquez offers a groundbreaking new way of looking at religion.