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Breaking off the ordinary flow of experience, the passions create a state of exception. In their suddenness and intensity, they map a personal world, fix and qualify our attention, and impel our actions. Outraged anger drives us to write laws that will later be enforced by impersonal justice. Intense grief at the death of someone in our life discloses the contours of that life to us. Wonder spurs scientific inquiry. The strong current of Western thought that idealizes a dispassionate world has ostracized the passions as quaint, even dangerous. Intense states have come to be seen as symptoms of pathology. A fondness for irony along with our civic ideal of tolerance lead us to prefer the diluted emotional life of feelings and moods. Demonstrating enormous intellectual originality and generosity, Philip Fisher meditates on whether this victory is permanent-and how it might diminish us. From Aristotle to Hume to contemporary biology, Fisher finds evidence that the passions have defined a core of human nature no less important than reason or desire. Traversing the Iliad, King Lear, Moby Dick, and other great works, he discerns the properties of the high-spirited states we call the passions. Are vehement states compatible with a culture that values private, selectively shared experiences? How do passions differ from emotions? Does anger have an opposite? Do the passions give scale, shape, and significance to our experience of time? Is a person incapable of anger more dangerous than someone who is irascible? In reintroducing us to our own vehemence, Fisher reminds us that it is only through our strongest passions that we feel the contours of injustice, mortality, loss, and knowledge. It is only through our personal worlds that we can know the world.

Breaking off the ordinary flow of experience, the passions create a state of exception. In their suddenness and intensity, they map a personal world, fix and qualify our attention, and impel our actions. Outraged anger drives us to write laws that will later be enforced by impersonal justice. Intense grief at the death of someone in our life discloses the contours of that life to us. Wonder spurs scientific inquiry. The strong current of Western thought that idealizes a dispassionate world has ostracized the passions as quaint, even dangerous. Intense states have come to be seen as symptoms of pathology. A fondness for irony along with our civic ideal of tolerance lead us to prefer the diluted emotional life of feelings and moods. Demonstrating enormous intellectual originality and generosity, Philip Fisher meditates on whether this victory is permanent-and how it might diminish us. From Aristotle to Hume to contemporary biology, Fisher finds evidence that the passions have defined a core of human nature no less important than reason or desire. Traversing the Iliad, King Lear, Moby Dick, and other great works, he discerns the properties of the high-spirited states we call the passions. Are vehement states compatible with a culture that values private, selectively shared experiences? How do passions differ from emotions? Does anger have an opposite? Do the passions give scale, shape, and significance to our experience of time? Is a person incapable of anger more dangerous than someone who is irascible? In reintroducing us to our own vehemence, Fisher reminds us that it is only through our strongest passions that we feel the contours of injustice, mortality, loss, and knowledge. It is only through our personal worlds that we can know the world.

Bach's St. John Passion is surely one of the monuments of Western music, yet performances of it are inevitably controversial. In large part, this is because of the combination of the powerful and highly emotional music and a text that includes passages from a gospel marked by vehement anti-Judaic sentiments. What did this masterpiece mean in Bach's day and what does it mean today?Although bibliographies on Bach and Judaism have grown enormously since World War II, there has been very little work on the relationship between the two areas. This is hardly surprising; Judaica scholars and culture critics focusing on issues of anti-Semitism commonly lack musical training and are, in any event, quite reasonably interested in even more pressing social and political issues. Bach scholars, on the other hand, have mostly concentrated on narrowly defined musical topics. Strangely, therefore, almost no scholarly attention has been given to relationships between Lutheranism and the religion of Judaism as they affect Bach's most controversial work, the St. John Passion. Through a reappraisal of Bach's work and its contexts, Marissen confronts Bach and Judaism directly, providing interpretive commentary that could serve as a basis for a more informed and sensitive discussion of this troubling work. Consisting of a long interpretive essay, followed by an annotated literal translation of the libretto, a guide to recorded examples, and a detailed bibliography, this concise text provides the reader with the tools to assess the work on its own terms and in the appropriate context.

Considered by some the most controversial American philosopher of contemporary times, SIDNEY HOOK (1902-1989) was infamous for the wild swing in his political thought over the course of his career, starting out as a young Marxist before the Great Depression and ending up a vehement anti-Communist in his later years. Much of what he taught and valued as a thinker he learned as the prize pupil of American educator and philosopher John Dewey. In John Dewey: An Intellectual Portrait, first published in 1939, Hook examines Dewey's approach to philosophy in clear, nontechnical language meant to offer insight into and illustration of the sweep and vitality of Dewey's vision. A staunch pragmatist-a developer of the philosophical discipline that insists upon taking into account the real-world impact of concepts of truth and meaning-Dewey explored theories of idealism, politics, and society that continue to be vitally relevant today. Hook's exploration deepens our appreciation of Dewey's ongoing impact on American culture.

Genocide has been called 'a problem from hell' and despite vehement declarations of 'never again' it's a problem that continues to plague the world. From the beginning of history to the most recent massacres in Bosnia, Rwanda, and Darfur, genocide defies resolution. And given today's worldwide access to highly lethal weapons and advanced communications technology facilitating incitement to hate, we can expect to see this problem grow. It is often claimed that genocide occurs without warning, taking both local and global communities by surprise. Yet, as David Hamburg convincingly shows, we have had long-term advance knowledge of most modern genocides dating back to the early 20th century Armenian tragedy in Turkey and before. In this book, Dr. Hamburg applies a groundbreaking new perspective-the medical model of prevention-to the scourge of genocide in the world. Preventing genocide is not only possible, Dr Hamburg contends, but essential given its high cost in lives, human rights, and international security. Here he maps out numerous practical steps to recognise genocidal conflicts early and stem their tides of violence before they become acute. He also outlines several institutions in place and programs underway at the UN, EU, and NATO devoted to preventing future genocides before they erupt. He draws lessons both from missed opportunities and successful experiences and makes many constructive suggestions about strengthening international institutions, governments, and NGOs for this purpose.

Limited 180gm vinyl LP pressing. For Blood and Empire is the fifth studio album by American Punk band Anti-Flag, released in 2006. The album is boiling over with vehement anti-Bush attacks and confrontational lyrics that overwhelmingly target the war in Iraq.

Vinyl LP pressing. For most people who create art I would assume there is some kind of deep unanswerable hole in your soul as to why you're making it So says Stef Chura ahead of the release of Midnight, her gritty, vehement new album - recorded and produced by Will Toledo of Car Seat Headrest -and her first new collection of songs for the Saddle Creek label. Illuminating that search for answers with a fevered sense of exploration, Midnight is a bold leap forward from Messes, Stefs contagious

In this collection of poems, the author meditates on the follies, cruelties and frailties of humankind adopting an outraged, vehement and sardonic tone as he gazes through his "teleidoscope" - an instrument for viewing the images of the ends of things.

Martin Heidegger’s Introduction to Metaphysics, first published in 1953, is a highly significant work by a towering figure in twentieth-century philosophy. The volume is known for its incisive analysis of the Western understanding of Being, its original interpretations of Greek philosophy and poetry, and its vehement political statements. This new companion to the Introduction to Metaphysics presents an overview of Heidegger’s text and a variety of perspectives on its interpretation from more than a dozen highly respected contributors.  In the editors’ introduction to the book, Richard Polt and Gregory Fried alert readers to the important themes and problems of Introduction to Metaphysics. The contributors then offer original essays on three broad topics: the question of Being, Heidegger and the Greeks, and politics and ethics. Both for readers who are approaching Heidegger for the first time and for those who are studying Heidegger on an advanced level, this Companion offers a clear guide to one of the philosopher’s most difficult yet most influential writings.

Across the nineteenth century, meter mattered―in more ways and to more people than we might well appreciate today. For the period’s poets, metrical matters were a source of inspiration and often vehement debate. And the many readers, teachers, and pupils encountered meter and related topics in both institutional and popular forms. The ten essays in Meter Matters showcase the range of metrical practice of poets from Wordsworth and Byron to Hopkins, Swinburne, and Tennyson; at the same time, the contributors bring into focus some of the metrical theorizing that shaped poetic thinking and responses to it throughout the nineteenth century. Paying close attention to the historical contours of Romantic and Victorian meters, as well as to the minute workings of the verse line, Meter Matters presents a fresh perspective on a subject that figured significantly in the century’s literature, and in its culture.

    Catullus’ life was akin to pulp fiction. In Julius Caesar’s Rome, he engages in a stormy affair with a consul’s wife. He writes her passionate poems of love, hate, and jealousy. The consul, a vehement opponent of Caesar, dies under suspicious circumstances. The merry widow romances numerous young men. Catullus is drawn into politics and becomes a cocky critic of Caesar, writing poems that dub Julius a low-life pig and a pervert. Not surprisingly, soon after, no more is heard of Catullus.    David Mulroy brings to life the witty, poignant, and brutally direct voice of a flesh-and-blood man, a young provincial in the Eternal City, reacting to real people and events in a Rome full of violent conflict among individuals marked by genius and megalomaniacal passions. Mulroy’s lively, rhythmic translations of the poems are enhanced by an introduction and commentary that provide biographical and bibliographical information about Catullus, a history of his times, a discussion of the translations, and definitions and notes that ease the way for anyone who is not a Latin scholar.

When Harambe, a now-famous gorilla at the Cincinnati Zoo,was shot for endangering a small child, animal rights activists protested, calling into question moral reasoning that privileges the possibility of injury to a human over definite violence to an animal. Many others, though less vehement in their objection, voiced the same questions: was the gorilla any worse than the negligent parents? Doesn't Harambe have rights just like you and me?How do we decide what animals deserve and how we ought to treat them? To what extent are our attitudes towards animals embedded in our subconscious and immune to reason? The foundations of our moral attitudes to animals are more complex than many may appreciate. Subhuman takes an interdisciplinary approach to these questions, drawing from research in philosophy, neuroscience, psychology, law, history, sociology, economics, and anthropology, to unearth surprising revelations about human relationships with animals. T.J. Kasperbauer argues provocatively that behind our positive and negative attitudes to animals is an enduring concern that animals pose a threat to our humanness. Namely, our need to ensure animals' inferiority to human beings affects both our kindness and cruelty to animals. Kasperbauer develops this idea by looking at research on the phenomenon of dehumanization, revealing that our attitudes to other humans are predicted and reflected in our treatment of other species. In making his case, Kasperbauer provides a critical survey of leading theories that range over the role of animals in human evolutionary history, the psychology of meat-eating and keeping pets, feelings of fear and disgust toward animals, the use of animal minds to determine their moral status, and the "expanding moral circle" hypothesis. By exploring the psychological obstacles humans face in meeting ethical demands, Kasperbauer sets forth new and fascinating ways of thinking about our moral obligations to animals, and how we might correct them.

Since its first appearance in Germany in 1911, Jews and Modern Capitalism has provoked vehement criticism. As Samuel Z. Klausner emphasizes, the lasting value of Sombart's work rests not in his results-most of which have long since been disproved-but in his point of departure. Openly acknowledging his debt to Max Weber, Sombart set out to prove the double thesis of the Jewish foundation of capitalism and the capitalist foundation of Judaism. Klausner, placing Sombart's work in its historical and societal context, examines the weaknesses and strengths of Jews and Modern Capitalism.

Across the nineteenth century, meter mattered―in more ways and to more people than we might well appreciate today. For the period’s poets, metrical matters were a source of inspiration and often vehement debate. And the many readers, teachers, and pupils encountered meter and related topics in both institutional and popular forms. The ten essays in Meter Matters showcase the range of metrical practice of poets from Wordsworth and Byron to Hopkins, Swinburne, and Tennyson; at the same time, the contributors bring into focus some of the metrical theorizing that shaped poetic thinking and responses to it throughout the nineteenth century. Paying close attention to the historical contours of Romantic and Victorian meters, as well as to the minute workings of the verse line, Meter Matters presents a fresh perspective on a subject that figured significantly in the century’s literature, and in its culture.

Race and empire tells the story of a short-lived but vehement eugenics movement that emerged among a group of Europeans in Kenya in the 1930s, unleashing a set of writings on racial differences in intelligence more extreme than that emanating from any other British colony in the twentieth century. The Kenyan eugenics movement of the 1930s adapted British ideas to the colonial environment: in all its extremity, Kenyan eugenics was not simply a bizarre and embarrassing colonial mutation, as it was later dismissed, but a logical extension of British eugenics in a colonial context. By tracing the history of eugenic thought in Kenya, the book shows how the movement took on a distinctive colonial character, driven by settler political preoccupations and reacting to increasingly outspoken African demands for better, and more independent, education. Through a close examination of attitudes towards race and intelligence in a British colony, Race and empire reveals how eugenics was central to colonial racial theories before World War Two.

When Harambe, a now-famous gorilla at the Cincinnati Zoo,was shot for endangering a small child, animal rights activists protested, calling into question moral reasoning that privileges the possibility of injury to a human over definite violence to an animal. Many others, though less vehement in their objection, voiced the same questions: was the gorilla any worse than the negligent parents? Doesn't Harambe have rights just like you and me?How do we decide what animals deserve and how we ought to treat them? To what extent are our attitudes towards animals embedded in our subconscious and immune to reason? The foundations of our moral attitudes to animals are more complex than many may appreciate. Subhuman takes an interdisciplinary approach to these questions, drawing from research in philosophy, neuroscience, psychology, law, history, sociology, economics, and anthropology, to unearth surprising revelations about human relationships with animals. T.J. Kasperbauer argues provocatively that behind our positive and negative attitudes to animals is an enduring concern that animals pose a threat to our humanness. Namely, our need to ensure animals' inferiority to human beings affects both our kindness and cruelty to animals. Kasperbauer develops this idea by looking at research on the phenomenon of dehumanization, revealing that our attitudes to other humans are predicted and reflected in our treatment of other species. In making his case, Kasperbauer provides a critical survey of leading theories that range over the role of animals in human evolutionary history, the psychology of meat-eating and keeping pets, feelings of fear and disgust toward animals, the use of animal minds to determine their moral status, and the "expanding moral circle" hypothesis. By exploring the psychological obstacles humans face in meeting ethical demands, Kasperbauer sets forth new and fascinating ways of thinking about our moral obligations to animals, and how we might correct them.

John Chrysostom, the golden mouth, the greatest preacher in the early church and a key figure during the transition from the ancient to the Byzantine and medieval worlds, is known as a vehement critic of the Jews. In this study, Robert Wilken presents a new interpretation of John's homilies against the Jews, setting them in the context of the pluralistic society of fourth-century Antioch and against the tradition of ancient rhetoric. In reading John's homilies, Wilken argues, we must not impose on them the anti-Jewish attitudes of medieval times, when Christianity was the dominant force in the West and Judaism was a minority religion. In John's time, Christianity was only one, and by no means the most self-assured, of the cultural forces in Antioch. It had to compete with an established Jewish community and with the classical pagan tradition that underlay education and public life. In 363, the Roman emperor Julian, who had apostatized Christianity to embrace the traditional pagan religion, attempted to rebuild the Jewish Temple in Jerusalem. He terrified the Christians, who saw in the Temple's ruins proof of the truth of their religion. Wilken examines John's sermons against this atmosphere of intense religious rivalry and lively polemic between Christians, Jews, and pagans. His book calls not only for a fresh look at John Chrysostom but also for a reconsideration of the continued importance of Judaism in late antique society and in the history of Christianity. Its conclusions will be of interest to historians and theologians, and to participants in the present-day Jewish-Christian dialogue.

Since its first appearance in Germany in 1911, Jews and Modern Capitalism has provoked vehement criticism. As Samuel Z. Klausner emphasizes, the lasting value of Sombart's work rests not in his results-most of which have long since been disproved-but in his point of departure. Openly acknowledging his debt to Max Weber, Sombart set out to prove the double thesis of the Jewish foundation of capitalism and the capitalist foundation of Judaism. Klausner, placing Sombart's work in its historical and societal context, examines the weaknesses and strengths of Jews and Modern Capitalism.

Race and empire tells the story of a short-lived but vehement eugenics movement that emerged among a group of Europeans in Kenya in the 1930s, unleashing a set of writings on racial differences in intelligence more extreme than that emanating from any other British colony in the twentieth century. The Kenyan eugenics movement of the 1930s adapted British ideas to the colonial environment: in all its extremity, Kenyan eugenics was not simply a bizarre and embarrassing colonial mutation, as it was later dismissed, but a logical extension of British eugenics in a colonial context. By tracing the history of eugenic thought in Kenya, the book shows how the movement took on a distinctive colonial character, driven by settler political preoccupations and reacting to increasingly outspoken African demands for better, and more independent, education. Through a close examination of attitudes towards race and intelligence in a British colony, Race and empire reveals how eugenics was central to colonial racial theories before World War Two.

The Poetics of Resistance: Heidegger's Line is a well-informed, carefully written, and detailed treatment of the political implications of Heidegger's philosophy in its Derridean acceptation. It argues that what Heidegger calls poetic dwelling--an element of Heidegger's later thinking often ignored by his more vehement critics--is at once disruptive (of the smooth functioning of technology) and community-founding. To engage in such thoughtful, poetic dwelling is to "cross the line."Roth argues, with Derrida against Heidegger, that crossing this line is not a move into irrationalism (to say nothing of National Socialism); and he argues, with Heidegger against Derrida, that crossing the line, successful resistance, is possible. Grounded in the classics of German scholarship but reaching out to its creative appropriation in postmodernism, The Poetics of Resistance makes an important and timely contribution to the recuperation of a political philosophy from postmodernity.