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After his string of subversive Hollywood hits like Basic Instinct, Robocop, and Total Recall, director Paul Verhoeven has returned home to Holland for his most experimental project of all - the first user-generated film, Tricked. The first five minutes of this comedic-erotic thriller were written by a professional screen-writer and filmed by Verhoeven. After this first scene was posted to the internet, viewers were invited to submit their version of the rest of the story. Verhoeven and his team

Controversial filmmaker Paul Verhoeven was born in the Netherlands on the eve of World War II. Moving to Hollywood, Verhoeven made three consecutive megahits: Robocop, Total Recall, and Basic Instinct. This biography by one of his countrymen includes material on Verhoeven's most recent films, Showgirls and Starship Troopers. 40 photos.

Known for always pushing the envelope when it comes to showing sex and violence on screen, Paul Verhoeven has directed controversial films in several genres, including the erotic thriller (Basic Instinct), melodrama (Showgirls) and science fiction (RoboCop, Total Recall, Starship Troopers, Hollow Man). However, even before going to Hollywood, Verhoeven had been a succ's de scandale in his native Netherlands, where he directed a war saga (Soldier of Orange), a medieval epic (Flesh+Blood), a psychosexual thriller (The Fourth Man) and a sex comedy (Turkish Delight, which was voted Best Dutch Film of the Century at the Netherlands Film Festival). Verhoeven has shown that visceral thrills can be thought provoking, challenging our received notions of heroism, patriotism, and eroticism. He has created some of the most courageous and contentious films of recent years. Made with full access to Paul Verhoeven's archives!

After a robust career in the Netherlands as the country's most successful director, Paul Verhoeven (b. 1938) built an impressive career in the United States with such controversial blockbusters as RoboCop, Total Recall, Basic Instinct, Starship Troopers, and Showgirls before returning home to direct 2006's Black Book. After a recent stint as a reality television judge in the Netherlands, Verhoeven returned to the big screen with his first feature film in a decade, a highly anticipated French-language production, Elle, starring Isabelle Huppert.Verhoeven, who holds an advanced degree in mathematics and physics, boasts a fascinating background. Traversing Hollywood, the Dutch film industry, and now French filmmaking, the interviews in this volume reveal a complex, often ambiguous figure, as well as a director of immense talent.Paul Verhoeven: Interviews covers every phase of the director's career, beginning with six newly translated Dutch newspaper interviews dating back to 1968 and ending with a set of previously unpublished interviews dedicated to his most recent work. He experimented with crowd-sourced filmmaking for the television show The Entertainment Experience, which resulted in the film Tricked, as well as his latest feature Elle. Editor Margaret Barton-Fumo includes "Sex, Cinema and Showgirls," a long out-of-print essay by Verhoeven on his most controversial film, accompanied by pages of original storyboards from this and some of Verhoeven's other films. Finally, Barton-Fumo allots due attention to the director's little-known lifelong fascination with the historical Jesus Christ. Verhoeven is the only non-theologian member of the exclusive Westar Institute and author of the book Jesus of Nazareth.

After a robust career in the Netherlands as the country's most successful director, Paul Verhoeven (b. 1938) built an impressive career in the United States with such controversial blockbusters as RoboCop, Total Recall, Basic Instinct, Starship Troopers, and Showgirls before returning home to direct 2006's Black Book. After a recent stint as a reality television judge in the Netherlands, Verhoeven returned to the big screen with his first feature film in a decade, a highly anticipated French-language production, Elle, starring Isabelle Huppert.Verhoeven, who holds an advanced degree in mathematics and physics, boasts a fascinating background. Traversing Hollywood, the Dutch film industry, and now French filmmaking, the interviews in this volume reveal a complex, often ambiguous figure, as well as a director of immense talent.Paul Verhoeven: Interviews covers every phase of the director's career, beginning with six newly translated Dutch newspaper interviews dating back to 1968 and ending with a set of previously unpublished interviews dedicated to his most recent work. He experimented with crowd-sourced filmmaking for the television show The Entertainment Experience, which resulted in the film Tricked, as well as his latest feature Elle. Editor Margaret Barton-Fumo includes "Sex, Cinema and Showgirls," a long out-of-print essay by Verhoeven on his most controversial film, accompanied by pages of original storyboards from this and some of Verhoeven's other films. Finally, Barton-Fumo allots due attention to the director's little-known lifelong fascination with the historical Jesus Christ. Verhoeven is the only non-theologian member of the exclusive Westar Institute and author of the book Jesus of Nazareth.

El comandante Camille Verhoeven vive la vida perfecta: está casado con la maravillosa Irene, con la que espera su primer hijo. Pero su felicidad se resquebraja tras un asesinato inusualmente salvaje. Desde que la noticia se hace pública, la prensa parece acecharlo y cada uno de sus movimientos se convierte en noticia de portada. Cuando Verhoeven descubre que el asesino ha matado antes —y que cada uno de sus crímenes parece rendir homenaje a una novela negra clásica—, los periodistas se apresuran a darle un sobrenombre: «El Novelista». Quienes pueden ayudar a encontrarlo se suman a la lista de sospechosos: un librero y un profesor universitario expertos en novela negra. La investigación se convierte así en un duelo intelectual, y en una aterradora carrera contra el reloj." ENGLISH DESCRIPTION Pierre Lemaitre is known for writing crime fiction with an alchemical mix of white-knuckle intensity, fearlessly unconventional plotting, and psychologically intricate character development. In Irene Lemaitre ingeniously uses five contemporary and classic literary murder scenes--from William McIlvanney's Laidlaw to Bret Easton Ellis's American Psycho--as the framework on which to craft a diabolical prequel to his Crime Writers' Association International Dagger Award-winning novel Alex. Camille Verhoeven, whose diminutive stature belies his fierce intensity, has reached an unusually content (for him) place in life. he is respected by his colleagues and he and his lovely wife, Irene, are expecting their first child.

Dès le premier meurtre, épouvantable et déroutant, Camille Verhoeven comprend que cette affaire ne ressemblera à aucune autre. Et il a raison. D'autres crimes se révèlent, horribles, gratuits... La presse, le juge, le préfet se déchaînent bientôt contre la « méthode Verhoeven ». Policier atypique, le commandant Verhoeven ne craint pas les affaires hors normes mais celle-ci va le placer totalement seul face à un assassin qui semble avoir tout prévu. Jusque dans le moindre détail. Jusqu'à la vie mème de Camille qui n'échappera pas au spectacle terrible que le tueur a pris tant de soin à organiser, dans les règles de l'art... Prix Cognac, 2006.

From the bridge of the Fleet Battlestation Ticonderoga, with its sweeping galactic views, to the desolate terrain of planet Klendathu, teeming with shrieking, fire-spitting, brain-sucking special effects creatures, acclaimed director Paul Verhoeven crafts a dazzling epic based on Robert A. Heinlein's classic sci-fi adventure about the courageous soldiers who travel to the distant and desolate Klendathu system for the ultimate showdown between the species.

Building on the work of the great Biblical scholars of the twentieth century—Rudolf Bultman, Raymond Brown, Jane Schabert and Robert Funk, founder of the Jesus Seminars, among others—filmmaker Paul Verhoeven disrobes the mythical Jesus to reveal a man who is, after all, startlingly familiar to us, a man who has much in common with other great political leaders throughout history, human beings who believed that change was coming in their lifetimes.Gone is the Jesus of the miracles, gone the son of God, gone the weaver of arcane parables whose meanings are obscure. In their place Verhoeven gives us his vision of Jesus as a complete man, someone who was changed by events, the leader of a political movement, and, perhaps most importantly, someone who, in his speeches and sayings, introduced a new ethics in which enlightened behavior and the embrace of human contradictions transcend the mechanics of value and worth that had defined the material world before Jesus.Coming to a deeper understanding of the historical Jesus has been a lifelong passion for Verhoeven, who for the last quarter-century has been among the very few nonacademics participating in the Jesus Seminars. Verhoeven assumed that one day he would make a film of the life of Jesus. Then he realized that it must be a book. Steeped in Biblical scholarship but free of the institutional biases, whether academic or religious, that so often dictate the terms of discussion of the historical Jesus, Jesus of Nazareth is a book that builds a bridge reaching all the way back to Jesus's lifetime, all the way forward to the present, and from biblical scholars to lay readers whose interest might be personal or political.